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SST Defies Industry, Defines New Music
Page 1 The San Diego Union-Tribune October 1, 1995 Sunday SST Defies Industry, Defines New Music By Daniel de Vise KNIGHT-RIDDER NEWSPAPERS DATELINE: LOS ALAMITOS, CALIF. Ten years ago, when SST Records spun at the creative center of rock music, founder Greg Ginn was living with six other people in a one-room rehearsal studio. SST music was whipping like a sonic cyclone through every college campus in the country. SST bands criss-crossed the nation, luring young people away from arenas and corporate rock like no other force since the dawn of punk. But Greg Ginn had no shower and no car. He lived on a few thousand dollars a year, and relied on public transportation. "The reality is not only different, it's extremely, shockingly different than what people imagine," Ginn said. "We basically had one place where we rehearsed and lived and worked." SST, based in the Los Angeles suburb of Los Alamitos, is the quintessential in- dependent record label. For 17 years it has existed squarely outside the corporate rock industry, releasing music and spoken-word performances by artists who are not much interested in making money. When an SST band grows restless for earnings or for broader success, it simply leaves the label. Founded in 1978 in Hermosa Beach, Calif., SST Records has arguably produced more great rock bands than any other label of its era. Black Flag, fast, loud and socially aware, was probably the world's first hardcore punk band. Sonic Youth, a blend of white noise and pop, is a contender for best alternative-rock band ever. -
The Sounds of Ideas Forming, Volume 2 Alan Dunn, 22 July 2019
The sounds of ideas forming, Volume 2 Alan Dunn, 22 July 2019 The Crushed This is the Waste Recycling Centre in Bidston, Wirral, and it’s been on my mind a lot recently no matter how I try to forget it. Maybe writing this will clear some of it up - we’ll find out in the last few paragraphs. In 2013 I threw half of my record collection away into those skips. Plastic in one, sleeves in another. I didn’t donate to a charity shop, sell on Discogs, give to a friend nor give to you, dear reader and probable record collector. They aren’t put in storage, but inconceivably crushed. At the time, I probably have around 1,000 discs and make choices to keep about 500. As we are packing to move home quickly, I make two piles and discard those records that have done nothing for me and that I’m sure I won’t listen to again. I reject expensive discs that have let me down with their lack of magic. I get rid of a lot of crap bought in charity shops and shit that I haven’t even listened to more than once. Or not even once. Why think back to it then, if it was only dross that got culled? After getting the vinyl bug back again in 2016, it’s inevitable that I recall those weeks. And since beginning The sounds of idea forming, Volume 2 on Instagram in July 2018, I begin to wonder if my confession may make interesting reading for the community out there, so please stay with me because there are methods behind the madness. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
The Carbon (April 5, 1993)
MUShare The Carbon Campus Newspaper Collection 4-5-1993 The Carbon (April 5, 1993) Marian University - Indianapolis Follow this and additional works at: https://mushare.marian.edu/crbn Recommended Citation Marian University - Indianapolis, "The Carbon (April 5, 1993)" (1993). The Carbon. 67. https://mushare.marian.edu/crbn/67 This Book is brought to you for free and open access by the Campus Newspaper Collection at MUShare. It has been accepted for inclusion in The Carbon by an authorized administrator of MUShare. For more information, please contact [email protected]. THE CARBON A Student Publication with a Sports Page April 5, 1993 ·They writhe upon the page in a veritable rage of adversity• - L. Ferlinghetti Theatre Department Sees Russia ST. PETERSBURG. CITY OF THE so goods and services were very Cz.ars and the sight of revolutionary CZARS inexpensive. internment. March 6-13. 1993 Out of only 43 reported days of sunshine Five members of the group opted to take St. Petersburg, City of the Cz.ars a year which the city is supposedly to the overnight Moscow trip and welcomed twenty-one alumni, friends, receive, we were given five swmy days. experienced history in the making. They students, and faculty for five swmy days The temperatures hovered around the were present on Red Square when the of theatre, sight-seeing, and shopping freezing mark, but with layered clothing, Communist Party demonstrated for the during the Spring Semester break of 1993 the warm Russian hospitality of our guide ouster of President Yeltsin. However, sponsored by the Theatre Department of and driver, and the excellent heating of their tour of the Armory, St. -
No Blade of Grass – 1970 Film
No blade of grass – 1970 film After establishing himself as a reliable leading man in glossy entertainments like Leave Her to Heaven (1945) and Forever Amber (1947), Cornel Wilde embarked on an unusual directorial career in which he turned out eight films over a twenty-year period, each one falling into a different genre. Wilde often cast himself as the leading man, never afraid to put himself in an unflattering light, and pulled off at least one solid hit, the grueling survivalist drama, The Naked Prey (1966), and two underperforming but fondly remembered films, the 1963 costume epic Sword of Lancelot and the 1967 war drama Beach Red. By the time he reached the pessimistic 1970 science fiction drama, No Blade of Grass, the brutality simmering in all of Wilde's films finally erupted full force thanks to the increasingly lenient film ratings system and a confused studio system trying desperately to appeal to a youth audience. Still shocking by today's standards, the film stars Wilde's wife and frequent co-star, Jean Wallace, as Ann Custance who, along with husband John (Nigel Davenport) and their children, flees London after enduring increasingly brutal food and resource shortages following a grass-ravaging plague. At a friend's farm in Scotland they intend to find solace but instead encounter a vicious group of bikers and average people quickly descending to savagery. Along the way Wilde depicts the results of a pollution-bred blight on the light via cutaways to corrupted rivers and landscapes, with Roger Whittaker's eerie theme song offering a wistful counterpoint. -
Hay Muchos “12S” Que Pueden Ser Muy, Pero Muy Importantes… Pero Como Éstos, Difícil
Hay muchos “12s” que pueden ser muy, pero muy importantes… Pero como éstos, difícil. Si hubo “combos” de la promo anterior que le gustaron y no alcanzó a comprar, ahora es su oportunidad… Gran cantidad de “combos” musicales nuevos para elegir… Ahora también “combos” de cine… Todos por sólo $ 10.000. Desde el lunes 30 de mayo hasta el sábado 4 de junio. ¡Más tiempo para elegir y participar! Consulte (sin compromiso) su “combo” personal. Si podemos, se lo hacemos. Sólo películas, no incluye series. Combos de Cine En cada eje temático, se incluye 12 de las mejores películas del género, de diversas épocas, tratando de entregar un panorama lo más amplio posible de la filmografía existente. Elija el que más le interese, e inicie o complete una colección… 01. El Western Un jinete que se pierde en el horizonte, una bala que silba, hombres rudos que se juegan la vida por dinero, tierras o aburrimiento… Una época legendaria de Estados Unidos que ha dado origen a todo un género narrativo. Películas del pack: Gunfight At The O.K. Corral (Duelo de Titanes) (1957, con Kirk Douglas y Burt Lancaster. Dir.: John Sturges) / Unforgiven (Los Imperdonables), (1992, con Clint Eastwood, Gene Hackman, Morgan Freeman y Richard Harris. Dir: Clint Eastwood) (4 Premios Oscar) / Stagecoach (La Diligencia) (1939, con John Wayne, Claire Trevor y John Carradine. Dir: John Ford) (2 Premios Oscar) / Shane (Shane, el desconocido) (1953, con Alan Ladd, Van Heflin, Jean Arthur y Jack Palance. Dir: George Stevens) (1 Premio Oscar) / Rio Bravo (1959, con John Wayne, Dean Martin, Angie Dickinson y Ricky Nelson. -
North Had Scheme to Divert
11111 KNCH ter, CT the Fe- ibllsh a rhe Fe- I In de- the re- it local lils ap - itlantlc 30 Cents period Saturday. Dec. 20,1986 lewhot :atlons >rocet- 262.25. u need on the nt and lank of III con- leetlna ved bv NORTH HAD mment NO K SCHEME TO itrv will for the new % ruck at 2 M ain I. 06238 irv 5th, d place led and itrv re- DIVERT $$$ olve all bidding It not ' lowest WASHINGTON (A P) - Lt. Col. North was fired by Reagan on Nov. 25. nstruc- Oliver L. North wrote an undated memo But one committee member, who Ion Re- for his White House files outlining the listened to Meese’s testimony, said be ob- pian to divert to Nicaragua’s contra North had only fragmentary knowledge ot the ad bury rebels profits from secret arms sales to of how much money might have been Phone; Iran, a source close to the House realized in profits on the arms sales and Intelligence committee said Friday. how much of that might have reached TRY the contras. 6 At the same time, Attorney General >E JR., Edwin Meese III, following testimony to The member. Rep. George Brown. the House panel, revealed that North, on D-Calif.. said Meese told the committee the weekend of Nov. 22-23, had told him that his original estimate that between that President Reagan did not know of $10 million and $30 million in arms sales the transfer of arms sales proceeds to profits had been diverted to the contras the contras. -
[063N]⋙ Husker Du: the Story of the Noise-Pop Pioneers Who
Husker Du: The Story of the Noise-Pop Pioneers Who Launched Modern Rock Andrew Earles Click here if your download doesn"t start automatically Husker Du: The Story of the Noise-Pop Pioneers Who Launched Modern Rock Andrew Earles Husker Du: The Story of the Noise-Pop Pioneers Who Launched Modern Rock Andrew Earles Bob Mould, Grant Hart, and Greg Norton formed Hüsker Dü in 1979 as a wildly cathartic outfit fueled by a cocktail of anger, volume, and velocity. Here's the first book to dissect the trio that countless critics and musicians have cited as one of the most influential bands of the 1980s. Author Andrew Earles examines how Hüsker Dü became the first hardcore band to marry pop melodies with psychedelic influences and ear-shattering volume. Readers witness the band create the untouchable noise-pop of LPs like New Day Rising, Flip Your Wig, and Candy Apple Grey, not to mention the sprawling double-length Zen Arcade. Few bands from the original American indie movement did more to inform the alternative rock styles that breached the mainstream in the 1990s. Hüsker Dü truly were visionaries. Download Husker Du: The Story of the Noise-Pop Pioneers Who ...pdf Read Online Husker Du: The Story of the Noise-Pop Pioneers W ...pdf Download and Read Free Online Husker Du: The Story of the Noise-Pop Pioneers Who Launched Modern Rock Andrew Earles From reader reviews: Elsie Port: Throughout other case, little men and women like to read book Husker Du: The Story of the Noise-Pop Pioneers Who Launched Modern Rock. -
THIS IS for US (New Day Rising. the Battle for Hue) Fall 2012 PART 1
THIS IS FOR US (New Day Rising. The Battle for Hue) Fall 2012 PART 1 1 The day begins. Nothing to be done. Nothing, not about it, not about anything, not about that either. That’s worst of all, not a single morning without this all-encompassing disappointment: yet another day. And every single time, so help me God, it has to start all over again from the beginning. It never just picks up where when it left off last time, a Tuesday that keeps being Tuesday until the snows come, but the whole thing starting all over again, plodding and without exception, every twenty-four hours, to the minute and second, like a self-satisfied, smart-alecky child trying to impress someone with his abnormal sense of punctuality. At the very least there could have been some experimentation with a week that was twice as long. Then if nothing else at least there wouldn’t have to be one Monday after another right in your face. The day and week have only just been there when here they come again, identical and with that same mediocre quality, delivered right to your door, shoved through the mail slot, tossed in open windows, plunking down the pipe, shoved down your throat, down your gullet, like a subscription you just can’t cancel and that the company responsible for can’t fathom that someone would rather do without. Daybreak over Minneapolis/St. Paul. It seems like it’s going to be a nice day, that’s how it looks, not a cloud in the sky yet. -
PDF Specimen
DELVARD E GRAND TH * * * BUDAPEST HOTEL RALPH TONY SAOIRSE FIENNES REVOLORY RONAN WILLEM HARVEY MATHIEU DUFOE KEITEL AMALRIC A FILM BY WES ANDERSON sculpture auction PABLO PICASSO WORKS IN CERAMICS One of the lesser-known facets of the prolific figure’s LE PORTRAIT career, Picasso’s ceramic works espouse the artist’s Painted ceramic; curved edged plaque Lot 126, Sotheby’s (June 2015) characteristic aesthetic. What’s more, some of his Estimated Price: £70,000–90,000 ceramic creations come with the added benefit of a Realized Price: £239,000 lower price point than other Picasso pieces, allowing accessibility for a wider array of collectors. “Picasso VISAGE SOLEIL ceramics provide a wonderful opportunity for more Painted and incised ceramic Lot 152, Sotheby’s (June 2015) collectors to purchase works of art by one of the most Estimated Price: £50,000–70,000 innovative, prolific and celebrated artists of the 20th Realized Price: £233,000 century—for a fraction of the price of his paintings,” says Cynthia Klein, Director of Prints and Multiples at VISAGE POISSON Doyle New York. “Picasso very welcomed the idea of Painted and incised ceramic Lot 183, Sotheby’s (June 2015) making multiples from his unique ceramics, generally Estimated Price: £60,000–80,000 in editions of 50 to 500, pleased that they would be Realized Price: £161,000 affordable to a wide audience.” Picasso’s work with ceramics began late in his ABSTRACTION INFORMELLE Painted ceramic; wide-bellied vase career and was brought on by his love for the light Lot 139, Sotheby’s (June 2015) and vibrant pottery along the Mediterranean coast. -
Genética, Historia, Genealogía Y Cine: La Hemofilia De Alexis Románov
Original RMC Genética, historia, genealogía y cine: la hemofilia de Alexis Románov 1,3María Cristina Tarrés, 1María del Carmen Gayol, 2,3Alberto Enrique D’Ottavio 1Cátedra de Biología. Facultad de Ciencias Médicas. Universidad Nacional de Rosario (Argentina). 2Cátedra de Histología y Embriología. Facultad de Ciencias Médicas. Universidad Nacional de Rosario (Argentina). 3Consejo de Investigaciones de la Universidad Nacional de Rosario (Argentina). Correspondencia: María Cristina Tarrés. Chacabuco 1328, Piso 6. 2000 Rosario, Santa Fe (Argentina). e-mail: [email protected] Recibido el 15 de marzo de 2010; modificado el 27 de junio de 2010; aceptado el 28 de septiembre de 2010 Resumen En el presente trabajo se efectúa un breve recorrido a lo largo de la historia, marcando de los muchos antecedentes de una anomalía en la coagulación sanguínea, algunos de los puntos clave para el estable- cimiento del conocimiento actual de la hemofilia en toda su extensión, tanto causal como clínica, así como y derivado de esto, de tratamientos de elección y de los futuros. La designación de la hemofilia como “Enfermedad Real” surge de su frecuente aparición en la realeza europea. La Reina Victoria I de Gran Bretaña la trasmitió a su hijo Leopoldo y, a través de sus hijas, a las familias reales española, alemana y rusa, llegando hasta el zarévich Alexis. Su padecimiento, la vinculación a partir de éste con Rasputín, las influencias familiares y político-sociales de tal relación con la familia real y su muerte trágica a manos bolcheviques lo tornan de particular interés. Focalizamos nuestra atención en dos películas en las que Alexis y su hemofilia adquirieron relevancia, complementando con menciones de filmaciones de archivo en las que Alexis participó personalmente y otras en que se intercala el material de archivo con escenas de ficción. -
Les Revenants Robert-Claude Bérubé
Document generated on 09/28/2021 4:58 a.m. Séquences La revue de cinéma Les Revenants Robert-Claude Bérubé Number 95, January 1979 URI: https://id.erudit.org/iderudit/51165ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Bérubé, R.-C. (1979). Les Revenants. Séquences, (95), 50–51. Tous droits réservés © La revue Séquences Inc., 1979 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ wart Granger dans les années 50. C'est main tenant Peter Sellers qui prend la succession jCes fteuertcmts dans le rôle de cet Anglais pressenti pour Robert-Claude Bérubé remplacer un roi disparu dont il est le sosie. La princesse Flavia, qui ressembla d'abord Le cinéma a-t-il tendance à tourner en à Madeleine Carroll puis à Deborah Kerr, rond ? Toujours est-il que certains personna prendra l'apparence de Lynne Frederick qui ges (ou certains thèmes) sont repris assez se trouve être à la ville Mme Peter Sellers. régulièrement par les cinéastes après avoir prouvé leur atttrait auprès du public. Par ANTOINE DOINEL, alter ego de François mi les projets présents ou futurs, voici quels Truffaut, semblait avoir été abandonné à son sont les héros connus qui ont le plus de sort par son créateur dans l'atmosphère chances de nous revenir : ouatée du domicile conjugal.