Deborah Kass
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Modern Painters William J. Simmons December 2015
BY WILLIAM J. SIMMONS TRUE PORTRAIT BY KRISTINE LARSEN TO FORM DEBORAH KASS SHAKES UP THE CANON 60 MODERN PAINTERS DECEMBER 2015 BLOUINARTINFO.COM FORM DEBORAH KASS SHAKES UP Deborah Kass in her Brooklyn THE CANON studio, 2015. BLOUINARTINFO.COM DECEMBER 2015 MODERN PAINTERS 61 intensity of her social and art historical themes. The result is a set of tall, sobering, black-and-blue canvases adorned with “THE ONLY ART THAT MATTERS equally hefty neon lettering, akin, perhaps, to macabre monuments or even something more sinister in the tradition of IS ABOUT THE WORLD. pulp horror movies. This is less a departure than a fearless statement that affirms and illuminates her entire oeuvre—a tiny retrospective, perhaps. Fueled by an affinity for the medium AUDRE LORDE SAID IT. TONI and its emotive and intellectual possibilities, Kass has created a template for a disruptive artistic intervention into age-old MORRISON SAID IT. EMILY aesthetic discourses. As she almost gleefully laments, “All these things I do are things that people denigrate. Show tunes— so bourgeois. Formalism—so retardataire. Nostalgia—not a real DICKINSON SAID IT. I’M emotion. I want a massive, fucked-up, ‘you’re not sure what it means but you know it’s problematic’ work of art.” At the core of INTERESTED IN THE WORLD.” Kass’s practice is a defiant rejection of traditional notions of taste. For example, what of Kass’s relationship to feminism, queer- Deborah Kass is taking stock—a moment of reflection on what ness, and painting? She is, for many, a pioneer in addressing motivates her work, coincidentally taking place in her issues of gender and sexuality; still, the artist herself is ambivalent Gowanus studio the day before the first Republican presidential about such claims, as is her right. -
New Books Catalogue
Film & Media New Books Catalogue July-December 2020 Stuck in a research rut? A study slump? Learn the skills to get back on course. Sort the method from the madness with Bloomsbury Research Methods and Study Skills – textbooks and guides designed to give students the essential tools they need for their studies. www.bloomsbury.com/researchmethodsandstudyskills 9781350046948 | £21.99 9781474282949 | £23.99 9781441163752 | £22.99 9780826496317 | £22.99 Discover the What Is? Research Methods series of introductions – handy guides to all the main methodologies for researchers. Series Editor: Graham Crow, University of Edinburgh, UK 9781472530073 | £17.99 9781350018273 | £16.99 9781472515407 | £17.99 9781849665957 | £17.99 9781849669030 | £18.99 9781849669733 | £18.99 9781849665247 | £18.99 9781849666060 | £18.99 9781849668170 | £18.99 Discover the full series: www.bloomsbury.com/whatis RM+SS_BertramsBTU_ad.indd 1 24/06/2019 14:06 Contents EBooks BFI Film Classics . 3 ePub and ePdf availability is listed under each book entry. See the Asian and World Cinema ���������������������������������������������������� 5 website for details of vendors, or to puchase individual ebooks direct. Library ebook prices are available from your supplier. European Cinema. 6 Review Copies British Cinema �������������������������������������������������������������������� 8 Email [email protected] (Americas) Hollywood Cinema. 9 / [email protected] (UK / Rest of World). Film Theory. 9 Standing Orders Film History. 11 Many series are available -
Thejewish Thejewish
THE JEWISH VETERAN Volume 72 • Number 2 • 2018 Robert Wilkie Nominated for Coming Home VA Secretary By Lance Allen Wang, Editor granted, things may have changed in the Page 4 This month’s issue is dedicated to the nearly 10 years since I left the Army). theme “Coming Home,” an important They were simply mundane briefings to Making a Difference aspect of the wartime experience. It is bored, fidgety soldiers who just wanted sometimes an occasion for celebration. to go home. Back in my Uncle Julie’s for our Jewish Service It is also sometimes its own devastat- time, the decompression of redeploy- Members Coming Home ing crucible. I had the distinct honor ment was eased in some ways by ex- Page 6 and privilege of writing the foreword to tended journeys home on troop ships. a book about my Uncle Julie’s experi- The culture shock of Vietnam veterans Project Maggid ences as a World War II B-17 navigator, – “Two days before I was in Vietnam – Page 9 One of Thousands (Lulu Publishing, then all of the sudden I was in a college 2015). I recounted my experiences classroom,” as one vet described it to South Florida Jewish growing up in awe of this man, and he me – was eased for World War II vet- was perhaps the most important influ- erans by the shared experience of be- Veterans Return from ence in my donning the uniform. But I ing on a troop ship with your comrades. Mission to Israel closed with these lines: Technological progress in transporta- Page 13 “… But equally, what I wanted to Julius Zlasner, left, with Lance Wang. -
Paul Robeson Galleries
Paul Robeson Galleries Exhibitions 1979 Green Magic April 9 – June 29, 1979 An exhibition consisting of two parts: Green Magic I and Green Magic II. Green Magic I displayed useful plants of northern New Jersey, including history, properties, and myths. Green Magic II displayed plant forms in art of the ‘70’s. Includes the work of Carolyn Brady, Brad Davis, Jim Dine, Tina Girouard, George Green, Hanna Kay, Bob Kushner, Ree Morton, Joseph Raffael, Ned Smyth, Pat Steir, George Sugarman, Fumio Yoshimura, and Barbara Zucker. Senior Thesis Exhibition May 7 – June 1, 1979 An annual exhibition of work by graduating Fine Arts seniors from Rutgers – Newark. Includes the work of Hugo Bastidas, Connie Bower, K. Stacey Clarke, Joseph Clarke, Stephen Delceg, Rose Mary Gonnella, Jean Hom, John Johnstone, Mathilda Munier, Susan Rothauser, Michael Rizzo, Ulana Salewycz, Carol Somers Kathryn M. Walsh. Jazz Images June 19 – September 14, 1979 An exhibition displaying the work of black photographers photographing jazz. The show focused on the Institute of Jazz Studies of Rutgers University and contemporary black photographers who use jazz musicians and their environment as subject matter. The aim of the exhibition was to emphasize the importance of jazz as a serious art form and to familiarize the general public with the Jazz Institute. The black photographers whose work was exhibited were chosen because their compositions specifically reflect personal interpretations of the jazz idiom. Includes the work of Anthony Barboza, Rahman Batin, Leroy Henderson, Milt Hinton, and Chuck Stewart. Paul Robeson Campus Center Rutgers – The State University of New Jersey 350 Dr. Martin Luther King, Jr. -
Lorraine O'grady. Interview by Laura Cottingham. Nov 5, 1995*
Lorraine O'Grady. Interview by Laura Cottingham. Nov 5, 1995* © Hatch-Billops Collection, Inc. 1996 In-depth interview done for the excellent Artist and Influence series produced by Camille Billops and James Hatch for their archive of African American visual and theatre arts. This is my good friend Laura Cottingham. We've been having conversations like this for some time now. I want to start by asking you how you came to understand yourself as an artist, how did you adopt that identity, what in your own life led you to this understanding of yourself? I understood that I was an artist almost by accident. I was pushed into it at about age twenty-five. You have to understand, I came from the kind of family where the arts would never have been encouraged. They were West Indian immigrants, and immigrants of color are de-classed when they come here. They may have been middle class and upper class in Jamaica, but here they were de-classed into the working class. They didn't have time or energy to devote to what we might think of as life- affirming activities. They really had to focus on survival. They understood a lot about taste, like what kind of silverware and china to put on the table, but in terms of what books to read—I don't think that was what they were able to give me. They were not really culture-oriented. And I don't think they were unique in that way. The black middle class has not been involved with wealth accumulation long enough nor is it financially and socially secure enough that bohemianism and encouraging children to be artists is an option for them. -
Drama Queer Exhibition Catalogue 2016 by Jonathan D
EXHIBITION CATALOGUE CURATED BY Jonathan D. Katz and Conor Moynihan I 21-30 JUNE 2016 EXHIBITION CATALOGUE Queer Arts Festival 2016 CURATED BY Jonathan D. Katz and Conor Moynihan ARTISTIC DIRECTOR SD Holman iii ESSAY: Jonathan D. Katz and Conor Moynihan Publication Notes Drama Queer Exhibition Catalogue 2016 By Jonathan D. Katz and Conor Moynihan, with an introduction by SD Holman Drama Queer, Queer Arts Festival, Vancouver, BC Curated by Jonathan D. Katz and Conor Moynihan June 21-30, 2016 Copyright © 2017 by Pride in Art Society EXHIBITION CATALOGUE All rights reserved. This book and any versions thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review. First printing, 2017 ISBN 978-0-9937185-2-6 Library and Archives Canada Cataloguing in Publication Table of Contents Queer Arts Festival (2016 : Vancouver, BC) Drama Queer : exhibition catalogue / curated by Jonathan D. Katz and Conor Moynihan ; artistic director, SD Holman. Catalogue of an exhibition held at the Queer Arts Festival, Vancouver, BC, 2016. Issued in print and electronic formats. Introduction: SD Holman, Artistic Director ...................................................................................1 ISBN 978-0-9937185-2-6 (softcover).--ISBN 978-0-9937185-1-9 (PDF) 1. Homosexuality in art--Exhibitions. 2. Homosexuality and art--Exhibitions. 3. Emotions in art--Exhibitions. 4. Sex customs in art--Exhibitions. 5. Sex symbolism--Exhibitions. 6. Lesbianism in art--Exhibitions. 7. Gender identity in art--Exhibitions. 8. Transgender people in art--Exhibitions. Drama Queer: Conor Moynihan and Jonathan D. Katz, Curators ................................................6 9. -
Art in the Age of the Coronavirus June 6 - December 12, 2020
Life During Wartime: Art in the Age of the Coronavirus June 6 - December 12, 2020 Deborah Kass “I use history as a readymade,” Deborah Kass has declared. “I use the language of painting to talk about value and meaning. How has art history constructed power and meaning? How has it reflected the culture at large? How does art and the history of art describe power?” Most discourses around power and meaning today are—or should be—undergoing serious reconsideration. Theories of knowledge have bent to the breaking point. The combined weight of political instability, alternative facts, a growing rejection of science and the destabilizing effects of the Covid-19 pandemic, as well as the growing use of state violence, have mined the confidence of people around the world but of Americans especially. Enter Deborah Kass’s Feel Good Paintings For Feel Bad Times. A set of canvases that use language and the sanctioned stylings of celebrated male artists to express key cultural conflicts, they marshal wit and graphic punch to force a confrontation between the canonical (the orthodoxies established by male artists) and the disruptive (their appropriation by a female artist). The results are demystifying, cutting, and often hilarious. They are also hopeful. At times being funny is simply saying what’s true. — CVF, USFCAM Deborah Kass, Isn’t It Rich, 2009. Oil and acrylic on canvas. 72 x 72 in. (182.88 x 182.88 cm). Courtesy of the artist and Kavi Gupta, Chicago, IL. Photo by Christopher Burke. Deborah Kass, Painting With Balls, 2005. Oil on linen. 84 x 60 in. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Globalization, Realignment, and Geographic Cleavages in Four Developed Democracies Permalink https://escholarship.org/uc/item/1j63p2wq Author Vitalone, Antonio Isidoro Lorenzo Publication Date 2021 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Globalization, Realignment, and Geographic Cleavages in Four Developed Democracies A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Political Science by Antonio Isidoro Lorenzo Vitalone 2021 © Copyright by Antonio Isidoro Lorenzo Vitalone 2021 ABSTRACT OF THE DISSERTATION Globalization, Realignment, and Geographic Cleavages in Four Developed Democracies by Antonio Isidoro Lorenzo Vitalone Doctor of Philosophy in Political Science University of California, Los Angeles, 2021 Professor Michael F. Thies, Chair In recent years, developed Western democracies have seen the rapid rise of new political forces, including movements commonly described as “populist”, “nationalist” or “sovereigntist”, but also new forms of opposition against these movements. A growing body of research identifies these changes as the product a realignment driven by the differential impact of globalization on these societies. In this dissertation, I build on this research by arguing that geography plays a key role in shaping this realignment. The benefits of globalization tend to concentrate in large metropolitan areas, while the rest of the country bears the brunt of its negative effects. As a result, developed democracies see the rise of a political cleavage opposing these two geographic entities, with large urban areas increasingly distinguishing themselves from less-dense communities in their voting patterns and other political behaviors. -
TRIB LIVE | Aande
TRIB LIVE | AandE Artist displays her Warhol roots By Kurt Shaw Published: Saturday, November 3, 2012, 9:03 p.m. Updated: Sunday, November 4, 2012 Many artists strive to replicate the success of Andy Warhol, but few have replicated his art like Deborah Kass. The New York City-based artist spent eight years working in the vein of the Pop Art king, only to create something uniquely her own. “There’s no artist of my generation for whom Andy is not an influence. I mean, he was huge in everyone’s consciousness,” says Kass, a 1974 graduate of Carnegie Mellon University’s art department. Kass, who was born and raised in Long Island, says Warhol was a big reason she chose to attend Carnegie Mellon. But it wouldn’t be until nearly 20 years later that she would mine the artist’s oeuvre for ideas and inspiration. Now, the artist and her influence meet again, but in a different way. Just last weekend, Kass, 60, was in town for the opening of her first retrospective, “Deborah Kass: Before and Deborah Kass‘Before and Happily Ever After’ 1991 Happily Ever After.“ And it’s on display at, where else, The Andy Warhol Museum. At first glance, you might be hard pressed to tell a Warhol from a Kass, especially on the fourth floor of the museum where no fewer than 10 Warhol-inspired portraits by Kass of her friends hang alongside nearly as many by Warhol. There’s Warhol’s portrait of his friend, Victor Hugo, next to Kass’ friend, Norman Kleeblatt, fine-arts curator at the Jewish Museum in NewYork. -
Vita Michael Post
VITA MICHAEL POST BIOGRAPHIE 1952 geboren in Wiesbaden 1972 - 1976 Studium der bildenden Kunst an der Fachhochschule Wiesbaden bei Prof. Robert Preyer, Examen 1980 - 1981 Studium der Kunstgeschichte an der Universität Mainz 1981 - 1982 Organisatorische Leitung der Galerie Harlekin-Art, Wiesbaden 1981 - 1984 Mitarbeiter des Museums Wiesbaden (u.a. techn. Leiter der Ausstellung Fluxus 62-82) 1986 - 1988 Kurator der Ausstellungsreihe Kunst in der Ifage in Wiesbaden, Unter den Eichen 2001 Balmoral-Stipendium der Kulturstiftung des Landes Rheinland-Pfalz 2005 1. Preis / Skulpturenpark Mörfelden-Walldorf Der Künstler lebt und arbeitet in Ippenscheid, Rheinland-Pfalz. PROJEKTE (Auswahl) 1987 Brunnenarchitektur Wiesbaden-Sonnenberg Synode, 13-teilige Außenskulptur, Haus Belmonte, Rheingau 1988 Kulturpyramide für die Ausstellung 40 Jahre Bundesrepublik Deutschland (Ausstellung des Bundesarchivs im Auftrag der Bundesrepublik Deutschland) 1992 Entwurf einer Gedenkstätte für Verfolgte des NS-Regimes und Widerstandskämpfer/Innen in Amöneburg, Kastel, Kostheim (AKK) im Rahmen eines Wettbewerbs der Landeshauptstadt Wiesbaden Atelier im Seminar / Michael Post Objekte (Veranstaltung der Fachschaft Kunstgeschichte im kunsthistorischen Institut der Justus-Liebig-Universität Gießen) 1994 Kunst verbindet, Aktion in Zusammenarbeit mit der Kreissparkasse Pinneberg zur Förderung der Landdrostei Pinneberg Werkplanung für das Gedenkstättenprojekt in Zusammenarbeit mit dem Architekturbüro Hasselbach, Wiesbaden Der Störung annähern, Grafikedition für das Gedenkstättenprojekt, -
Reservat Pfälzerwald - Nordvogesen Ergebnisse Des 14
Ann. Sci. Rés. Bios. Trans. Vosges du Nord-Pfälzerwald — 17 (2013-2014) : 29 - 69 Eine Momentaufnahme aus der Flora und Fauna im grenzüberschreitenden Biosphären- reservat Pfälzerwald - Nordvogesen Ergebnisse des 14. GEO-Tags der Artenvielfalt am 16. Juni 2012 Theo BLICK, Ernst BLUM, Ronald BURGER, Julia BURKEI, Jörn BUSE, Birgit CRUSAN, Uwe DE BRUYN, Loïc DUCHAMP, Muriel DUGUET, Oliver ELLER, Martin H. ENTLING, Peter FISCHER, Wolfgang FLUCK, Wolfgang FREY, Michael-Andreas FRITZE, Ludovic FUCHS, Jean-Claude GENOT, Hans GÖPPEL, Franz GRIMM, Matthias HAAG, Christine HARBUSCH, Sylvia IDELBERGER, Peter KELLER, Matthias KITT, Udo KOSCHWITZ, Uwe LINGENFELDER, Hans-Helmut LUDEWIG, Franz MALEC, Sébastien MANGIN, Michael T. MARX, Rolf MÖRTTER, Yves MULLER, Christoph MUSTER, Herbert NICKEL, Michael OCHSE, Jürgen OTT, Stefan PETSCHNER, Guido PFALZER, Manfred Alban PFEIFER, Michael POST, Lothar RADTKE, Gerd REDER, Carsten RENKER, Günter RINDCHEN, Oliver RÖLLER, Helga ROSS, Norbert ROTH, Klaus SCHAUBEL, Christelle SCHEID, Holger SCHINDLER, Jens SCHIRMEL, Sascha SCHLEICH, Christian SCHMIDT, Thomas SCHMIDT, Michael SCHMOLZ, Marc SCHNEIDER, Gerhard SCHWAB, Peter SPIELER, Christoph STARK, Josef STRUBEL, Jürgen WALTER, Claudia WEBER, Dieter WEBER & Andreas WERNO Zusammenfassung : Im Rahmen des 14. GEO-Tags der Artenvielfalt erfolgte am 16. Juni 2012 eine Erfas- sung der Flora und Fauna im grenzüberschreitenden Biosphärenreservat Pfälzerwald - Nordvogesen. Die Stiftung Natur und Umwelt Rheinland-Pfalz richtete die Veran- staltung gemeinsam mit dem Magazin GEO und den beiden Trägervereinen des grenz- überschreitenden UNESCO-Biosphärenreservates Pfälzerwald - Nordvogesen und zahlreichen weiteren Partnern aus. Die knapp 100 geladenen Experten aus Deutsch- land und Frankreich durchstreiften bei geeignetem Fangwetter je nach Spezialgebiet die ausgewählten Untersuchungsgebiete rund um Fischbach/Dahn (D), Eppenbrunn (D), Hirschthal (D & F) und Wingen (F). -
Art AIDS America Co-Curator Talks Activism, Exhibition
VOL 32, NO. 11 NOV. 30, 2016 www.WindyCityMediaGroup.com THE ART OF ACTIVISM Roger Brown, Peach Light, 1983. Copyright The School of the Art Institute of Chicago and the Brown family Art AIDS America co-curator talks activism, exhibition BY GREtcHEN RACHEL HAMMOND The Alphawood Gallery and the city of Chicago will be the exhibit’s final home—a host to work that, for the most part, On World AIDS Day Dec. 1, The Alphawood Gallery in Chicago’s was never before seen until co-curators Chicagoan gay-rights Lincoln Park neighborhood will officially open the extraor- activist/Leslie-Lohman Museum of Gay and Lesbian Art Presi- dinary and historic new exhibit for which the building was dent Jonathan David Katz (who is also director of the visual CITIZEN JANE conceived and designed. studies doctoral program at State University of New York- Buffalo), alongside Tacoma Art Museum Chief Curator Rock Jane Lynch on Glee, new holiday CD. Since its Oct. 3, 2015 premiere at the Tacoma Art Musuem (TAM), Art AIDS America has been touring the country with Hushka, began years of painstaking work. Photo by Jake Bailey pieces depicting the history of AIDS in the United States as Katz spoke with Windy City Times about that work and the 34 seen through the uncompromising eyes and limitless creativ- life which gave rise to it. ity of the visual artist. Turn to page 23 UBER RELATIONSHIP HOLIDAY GIFT GUIDE FIDEL CASTRO Couple unites, thanks to ridesharing. Controversial world leader Photo of Tanya Serrano-Bargas and Marisela Bargas dies; LGBTs react.