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Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
U.S. Pavilion Fact Sheet
U.S. PAVILION FACT SHEET The U.S. Pavilion at the Venice Biennale is a Palladian-style structure built in 1930 by the architects William Adams Delano and Chester Holmes Aldrich. The pavilion is situated within the Castello Gardens that house all the national pavilions of the Venice Biennale. In 1986, the Solomon R. Guggenheim Foundation purchased the U.S. Pavilion from The Museum of Modern Art, New York with funds provided by the Peggy Guggenheim Collection Advisory Board. Beginning in 1986 the Peggy Guggenheim Collection worked with the United States Information Agency (USIA) (1986-1999), the Fund for U.S. Artists at International Festivals and Exhibitions (1986-2003) and the U.S. Department of State (2000- present) in the organization of the visual arts and architecture exhibitions at the U.S. Pavilion. The official U.S. representation at the 52nd Venice Biennale has been organized by the Solomon R. Guggenheim Museum and is presented by the Bureau of Educational and Cultural Affairs of the U.S. Department of State. U.S. PAVILION COMMISSIONS 1986 - 2007 1986 42nd International Exhibition of Art Isamu Noguchi What is Sculpture? Organized by P.S.1, The Institute for Art and Urban Resources, Inc., Long Island City, New York Commissioner: Henry Geldzahler 1988 43rd International Exhibition of Art Jasper Johns Work since 1974 Organized by the Philadelphia Museum of Art Commissioner: Mark Rosenthal 1990 44th International Exhibition of Art Jenny Holzer The Venice Installation Organized by the Albright-Knox Art Gallery, Buffalo, New York Commissioner: -
Hans Ulrich Obrist a Brief History of Curating
Hans Ulrich Obrist A Brief History of Curating JRP | RINGIER & LES PRESSES DU REEL 2 To the memory of Anne d’Harnoncourt, Walter Hopps, Pontus Hultén, Jean Leering, Franz Meyer, and Harald Szeemann 3 Christophe Cherix When Hans Ulrich Obrist asked the former director of the Philadelphia Museum of Art, Anne d’Harnoncourt, what advice she would give to a young curator entering the world of today’s more popular but less experimental museums, in her response she recalled with admiration Gilbert & George’s famous ode to art: “I think my advice would probably not change very much; it is to look and look and look, and then to look again, because nothing replaces looking … I am not being in Duchamp’s words ‘only retinal,’ I don’t mean that. I mean to be with art—I always thought that was a wonderful phrase of Gilbert & George’s, ‘to be with art is all we ask.’” How can one be fully with art? In other words, can art be experienced directly in a society that has produced so much discourse and built so many structures to guide the spectator? Gilbert & George’s answer is to consider art as a deity: “Oh Art where did you come from, who mothered such a strange being. For what kind of people are you: are you for the feeble-of-mind, are you for the poor-at-heart, art for those with no soul. Are you a branch of nature’s fantastic network or are you an invention of some ambitious man? Do you come from a long line of arts? For every artist is born in the usual way and we have never seen a young artist. -
UC Merced UC Merced Undergraduate Research Journal
UC Merced UC Merced Undergraduate Research Journal Title Gender, Sexuality, and Inter-Generational Differences in Hmong and Hmong Americans Permalink https://escholarship.org/uc/item/29q2t238 Journal UC Merced Undergraduate Research Journal, 8(2) Author Abidia, Layla Publication Date 2016 DOI 10.5070/M482030778 Undergraduate eScholarship.org Powered by the California Digital Library University of California Differences in Hmong and Hmong Americans Gender, Sexuality, and Inter-Generational Differences in Hmong and Hmong Americans Layla Abidia University of California, Merced Author Notes: Questions and comments can be address to [email protected] 1 Differences in Hmong and Hmong Americans Abstract Hmong American men and women face social and cultural struggles where they are expected to adhere to Hmong requirements of gender handed down to them by their parents, and the expectations of the country they were born in. The consequence of these two expectations of contrasting values results in stress for everyone involved. Hmong parents are stressed from not having a secure hold on their children in a foreign environment, with no guarantee that their children will follow a “traditional” route. Hmong American men are stressed from growing up in a home environment that grooms them to be a focal point of familial attention based on gender, with the expectation that they will eventually be responsible for an entire family; meanwhile, they are living in this American national environment that stresses that the ideal is that gender is irrelevant in the modern world. Hmong American women are stressed and in turn hold feelings of resentment that they are expected to adhere to traditional familial roles by their parents in addition to following a path to financial success the same as men. -
Bad Girls to the Rescue an Exhibition of Feminist Art from the 1990S Has Much to Teach Us Today
PERSPECTIVES Bad Girls to the Rescue An exhibition of feminist art from the 1990s has much to teach us today By Maura Reilly n my new book Curatorial Activism: Towards an Ethics did just that—and within a lineage worth revisiting as the present of Curating (Thames & Hudson), I devoted a chapter to adjusts for oversights of the past. I exhibitions that have lingered in the historical record for their Though most commonly associated with a notorious run at the commitment to “Resisting Masculinism and Sexism.” As what New Museum in 1994—in a tradition that would directly influence constitutes sexual prejudice continues to evolve, it’s imperative “Trigger” decades later—the first iteration of a series of shows titled that curators continually query and challenge the gender norms “Bad Girls” was organized separately the year before for the Institute by which we are all confined. “Trigger: Gender as a Tool and a of Contemporary Arts in London (followed by a presentation at the Weapon,” a recent exhibition at the New Museum in New York, Centre for Contemporary Arts in Glasgow). Curated by Kate Bush, NEW YORK. ART, NEW MUSEUM OF CONTEMPORARY FRED SCRUTON/COURTESY THIS PAGE: RIGHTS SOCIETY/ARS ARTIST OPPOSITE: ©DEBORAH KASS/PHOTO COURTESY 32 ARTNEWS Perspectives.indd 1 2/16/18 5:12 PM Emma Dexter, and Nicola White, the exhibition celebrated a new spirit of playfulness, tactility, and perverse humor in the work of six British and American women artists: Helen Chadwick, Dorothy Cross, Nicole Eisenman, Rachel Evans, Nan Goldin, and Sue Williams—each of whom was represented by several works. -
New Books Catalogue
Film & Media New Books Catalogue July-December 2020 Stuck in a research rut? A study slump? Learn the skills to get back on course. Sort the method from the madness with Bloomsbury Research Methods and Study Skills – textbooks and guides designed to give students the essential tools they need for their studies. www.bloomsbury.com/researchmethodsandstudyskills 9781350046948 | £21.99 9781474282949 | £23.99 9781441163752 | £22.99 9780826496317 | £22.99 Discover the What Is? Research Methods series of introductions – handy guides to all the main methodologies for researchers. Series Editor: Graham Crow, University of Edinburgh, UK 9781472530073 | £17.99 9781350018273 | £16.99 9781472515407 | £17.99 9781849665957 | £17.99 9781849669030 | £18.99 9781849669733 | £18.99 9781849665247 | £18.99 9781849666060 | £18.99 9781849668170 | £18.99 Discover the full series: www.bloomsbury.com/whatis RM+SS_BertramsBTU_ad.indd 1 24/06/2019 14:06 Contents EBooks BFI Film Classics . 3 ePub and ePdf availability is listed under each book entry. See the Asian and World Cinema ���������������������������������������������������� 5 website for details of vendors, or to puchase individual ebooks direct. Library ebook prices are available from your supplier. European Cinema. 6 Review Copies British Cinema �������������������������������������������������������������������� 8 Email [email protected] (Americas) Hollywood Cinema. 9 / [email protected] (UK / Rest of World). Film Theory. 9 Standing Orders Film History. 11 Many series are available -
Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory
''Sexuality is fluid''[1] a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It or is it? An analysis of television's The L Word from the demonstrates that even though the series deconstructs the perspectives of gender and sexuality normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The [1]Niina Kuorikoski argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the ("Seksualność jest płynna" - czy rzeczywiście? Analiza United States and the normative femininity of the lesbian telewizyjnego "The L Word" z perspektywy płci i seksualności) characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to STRESZCZENIE : Amerykański serial telewizyjny The L Word stretch the normative boundaries of gender and sexuality. Through (USA, emitowany od 2004) opowiada historię grupy lesbijek this, the article strives to give a diverse account of the series' first two i biseksualnych kobiet mieszkających w Los Angeles. Artykuł seasons and further critical discussion of The L Word and its analizuje pierwsze dwa sezony serialu z perspektywy teorii representations. feministycznej i teorii queer. Chociaż serial dekonstruuje normatywne kategorie płci kulturowej i seksualności, można ______________________ również twierdzić, że podtrzymuje on ideały heteronormatywnego The analysis in the article is grounded in feminist thinking and queer społeczeństwa. Przedstawiona argumentacja opiera się m. in. na theory. These theoretical disciplines provide it with two central analizie takich aspektów, jak promocja serialu w Finlandii i w USA concepts that are at the background of the analysis, namely those of oraz normatywna kobiecość postaci lesbijek. -
REALLY BAD GIRLS of the BIBLE the Contemporary Story in Each Chapter Is Fiction
Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page i Praise for the Bad Girls of the Bible series “Liz Curtis Higgs’s unique use of fiction combined with Scripture and modern application helped me see myself, my past, and my future in a whole new light. A stunning, awesome book.” —R OBIN LEE HATCHER author of Whispers from Yesterday “In her creative, fun-loving way, Liz retells the stories of the Bible. She deliv - ers a knock-out punch of conviction as she clearly illustrates the lessons of Scripture.” —L ORNA DUECK former co-host of 100 Huntley Street “The opening was a page-turner. I know that women are going to read this and look at these women of the Bible with fresh eyes.” —D EE BRESTIN author of The Friendships of Women “This book is a ‘good read’ directed straight at the ‘bad girl’ in all of us.” —E LISA MORGAN president emerita, MOPS International “With a skillful pen and engaging candor Liz paints pictures of modern sit u ations, then uniquely parallels them with the Bible’s ‘bad girls.’ She doesn’t condemn, but rather encourages and equips her readers to become godly women, regardless of the past.” —M ARY HUNT author of Mary Hunt’s Debt-Proof Living Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page ii “Bad Girls is more than an entertaining romp through fascinating charac - ters. It is a bona fide Bible study in which women (and men!) will see them - selves revealed and restored through the matchless and amazing grace of God.” —A NGELA ELWELL HUNT author of The Immortal “Liz had me from the first paragraph. -
Paul Robeson Galleries
Paul Robeson Galleries Exhibitions 1979 Green Magic April 9 – June 29, 1979 An exhibition consisting of two parts: Green Magic I and Green Magic II. Green Magic I displayed useful plants of northern New Jersey, including history, properties, and myths. Green Magic II displayed plant forms in art of the ‘70’s. Includes the work of Carolyn Brady, Brad Davis, Jim Dine, Tina Girouard, George Green, Hanna Kay, Bob Kushner, Ree Morton, Joseph Raffael, Ned Smyth, Pat Steir, George Sugarman, Fumio Yoshimura, and Barbara Zucker. Senior Thesis Exhibition May 7 – June 1, 1979 An annual exhibition of work by graduating Fine Arts seniors from Rutgers – Newark. Includes the work of Hugo Bastidas, Connie Bower, K. Stacey Clarke, Joseph Clarke, Stephen Delceg, Rose Mary Gonnella, Jean Hom, John Johnstone, Mathilda Munier, Susan Rothauser, Michael Rizzo, Ulana Salewycz, Carol Somers Kathryn M. Walsh. Jazz Images June 19 – September 14, 1979 An exhibition displaying the work of black photographers photographing jazz. The show focused on the Institute of Jazz Studies of Rutgers University and contemporary black photographers who use jazz musicians and their environment as subject matter. The aim of the exhibition was to emphasize the importance of jazz as a serious art form and to familiarize the general public with the Jazz Institute. The black photographers whose work was exhibited were chosen because their compositions specifically reflect personal interpretations of the jazz idiom. Includes the work of Anthony Barboza, Rahman Batin, Leroy Henderson, Milt Hinton, and Chuck Stewart. Paul Robeson Campus Center Rutgers – The State University of New Jersey 350 Dr. Martin Luther King, Jr. -
February/March/April/May Schedule: Attention Parents of Pre K to 5Th Grade Students
TEAM CLETE Our Week in Review: February 12 The Elliott Family is raising money for the Tuberous Sclerosis Walk Attendance: 463 Contribution: $12,312. Forward for a Cure. The date is May 12 and the walk is 1.5 miles. The event will be held in Roswell, Georgia. Anyone who wants to be on Team Clete and walk can sign up. Here is the link to make a monetary donation. A Day of Refreshment and Guidance for THE WANDERING SONS OF GOD http://my.e2rm.com/personalPage.aspx?SID=3247384&langPref=en -CA Men’s Day @ Fort Yargo State Park, Winder, GA on March 10, 2010 9AM-2PM My name is Clete Elliott. I am 11 years old. I was born with TSC. I have had 2 brain surgeries and I take Chemo. I have seizures. I suffer from a http://barkingdogsmin.wordpress.com/2012/01/29/the -wandering-sons-of-god/ heart condition. I take a lot of medicine. I have spent a lot of time in Heartfelt Worship. Honest Conversation. Simple Prayer. Clearer Vision. Bright hospitals. I have had hip surgery. I have tumors in my brain, heart, kidneys, and mouth. I am a boy. I love trains. I love to sing. I love my Hope. Quiet Determination. Firm Intention. Strong Connection. Solid Change. family. I would love a CURE. On May 12 you can support me and walk for a cure and help raise money. Will you be with me? February/March/April/May Schedule: Attention Parents of Pre K to 5th grade students: Just wanted to pass along some dates to put on your calendar for this Every Sunday 10am Worship Service year. -
Bad Girls Kindle
BAD GIRLS PDF, EPUB, EBOOK Jacqueline Wilson,Nick Sharratt | 192 pages | 09 Nov 2009 | Random House Children's Publishers UK | 9780440867623 | English | London, United Kingdom Bad Girls PDF Book Pinkerton Detective Graves Nick Chinlund External Reviews. This run of the series concluded on 6 September , and a third run will not be screened. And what a sad movie. Bad Girls gained international success in countries including the United States, Australia, Ireland and several European countries. Get push notifications with news, features and more. Helen Stewart : You had no right taking advantage of me. Where Are They Now? Close View image. A musical comedy adaptation, based on the characters and storylines of series 1, including the events of the death of inmate, Rachel Hicks, and the relationship between Wing Governor Helen Stewart and lifer, Nikki Wade. The show achieved critical acclaim, becoming immensely popular throughout the course of its first three years. Already have an account? McCoy stages a one-man rescue attempt and is captured, but Lilly escapes. Colonel Clayborne. I guess they did a small amount of that, but not enough for my tastes. Top Box Office. Pat had already managed to develop a feud with Fenner over his treatment of Sheena Williams Laura Rogers and her son, Dylan. There is good news for Denny, who is transferred to an open prison. Bad Girls was that rare beast: a hugely popular soapy drama which was also a critical success. Sign up here. It may not be politically correct to admit it, but these brooding, macho men can be compellingly attractive, with their downright seductive swagger. -
Lorraine O'grady. Interview by Laura Cottingham. Nov 5, 1995*
Lorraine O'Grady. Interview by Laura Cottingham. Nov 5, 1995* © Hatch-Billops Collection, Inc. 1996 In-depth interview done for the excellent Artist and Influence series produced by Camille Billops and James Hatch for their archive of African American visual and theatre arts. This is my good friend Laura Cottingham. We've been having conversations like this for some time now. I want to start by asking you how you came to understand yourself as an artist, how did you adopt that identity, what in your own life led you to this understanding of yourself? I understood that I was an artist almost by accident. I was pushed into it at about age twenty-five. You have to understand, I came from the kind of family where the arts would never have been encouraged. They were West Indian immigrants, and immigrants of color are de-classed when they come here. They may have been middle class and upper class in Jamaica, but here they were de-classed into the working class. They didn't have time or energy to devote to what we might think of as life- affirming activities. They really had to focus on survival. They understood a lot about taste, like what kind of silverware and china to put on the table, but in terms of what books to read—I don't think that was what they were able to give me. They were not really culture-oriented. And I don't think they were unique in that way. The black middle class has not been involved with wealth accumulation long enough nor is it financially and socially secure enough that bohemianism and encouraging children to be artists is an option for them.