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The Artist's Voice Since 1981 Bombsite
THE ARTIST’S VOICE SINCE 1981 BOMBSITE Peter Campus by John Hanhardt BOMB 68/Summer 1999, ART Peter Campus. Shadow Projection, 1974, video installation. Courtesy Paula Cooper Gallery. My visit with Peter Campus was partially motivated by my desire to see his new work, a set of videotapes entitled Video Ergo Sum that includes Dreams, Steps and Karneval und Jude. These new works proved to be an extraordinary extension of Peter’s earlier engagement with video and marked his renewed commitment to the medium. Along with Vito Acconci, Dara Birnbaum, Gary Hill, Joan Jonas, Bruce Nauman, Nam June Paik, Steina and Woody Vasulka, and Bill Viola, Peter is one of the central artists in the history of the transformation of video into an art form. He holds a distinctive place in contemporary American art through a body of work distinguished by its articulation of a sophisticated poetics of image making dialectically linked to an incisive and subtle exploration of the properties of different media—videotape, video installations, photography, photographic slide installations and digital photography. The video installations and videotapes he created between 1971 and 1978 considered the fashioning of the self through the artist’s and spectator’s relationship to image making. Campus’s investigations into the apparatus of the video system and the relationship of the 1 of 16 camera to the space it occupied were elaborated in a series of installations. In mem [1975], the artist turned the camera onto the body of the specator and then projected the resulting image at an angle onto the gallery wall. -
The Role of Art in Enterprise
Report from the EU H2020 Research and Innovation Project Artsformation: Mobilising the Arts for an Inclusive Digital Transformation The Role of Art in Enterprise Tom O’Dea, Ana Alacovska, and Christian Fieseler This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 870726. Report of the EU H2020 Research Project Artsformation: Mobilising the Arts for an Inclusive Digital Transformation State-of-the-art literature review on the role of Art in enterprise Tom O’Dea1, Ana Alacovska2, and Christian Fieseler3 1 Trinity College, Dublin 2 Copenhagen Business School 3 BI Norwegian Business School This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No. 870726 Suggested citation: O’Dea, T., Alacovska, A., and Fieseler, C. (2020). The Role of Art in Enterprise. Artsformation Report Series, available at: (SSRN) https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3716274 About Artsformation: Artsformation is a Horizon 2020 Research and Innovation project that explores the intersection between arts, society and technology Arts- formation aims to understand, analyse, and promote the ways in which the arts can reinforce the social, cultural, economic, and political benefits of the digital transformation. Artsformation strives to support and be part of the process of making our communities resilient and adaptive in the 4th Industrial Revolution through research, innovation and applied artistic practice. To this end, the project organizes arts exhibitions, host artist assemblies, creates new artistic methods to impact the digital transformation positively and reviews the scholarly and practi- cal state of the arts. -
The Platform of “Be-Diversity” Starts at MUSE
The Platform of “Be-diversity” starts at MUSE The temporary exhibition of contemporary art "Be-diversity. A mental attitude on differences, beyond biodiversity" at MUSE Science Museum of Trento until September 30 curated by Stefano Cagol presents a series of meetings open to the public with important guests: the first guest on Wednesday August 19 at 18.00 is Aboulkheir Breigheche, Imam of Trentino South Tyrol. The opportunity to face the issues of Expo at Muse through the unexpected visionary point of view of the artworks of the project "Be-diversity" will be amplified starting from 19 August by a series of informal dialogues with local and international guests that are not limited within the boundaries of art and science, but range and take the cue from an idea of synergy between the different knowledge, from the belief that "The paths of knowledge that lead to awareness and then action, are not isolated trails", as the director of MUSE, Michele Lanzinger, says. First guest is Aboulkheir Breigheche, Imam of the Islamic Community of Trentino South Tyrol and President of the Council of Trustees of the Association of Italian Islamic Imams, on Wednesday, August 19 in the parlor inside the exhibition "Be-diversity" on the second floor of MUSE. Natural starting point for his reflection will be in particular one of the seven works exhibited, realized by the Lebanese-born artist Khaled Ramadan. It speaks, through images and words, about the Muslim Cham minority in Cambodia, that has lived since last three generations on boats along the Mekong River due to the persecution by the Khmer Rouge. -
Curating Political Change
Agency and affect: curating political change Simon Maidment orcid.org/0000-0003-3984-5222 This thesis is submitted for the degree: 475AA Doctor of Philosophy – Victorian College of the Arts, University of Melbourne. Submitted 31 December 2017. The research was carried out in the Centre for Ideas, Victorian College of the Arts, University of Melbourne. This thesis is being submitted in partial fulfilment of the degree. 190103 Art Theory Studies in Creative Arts and Writing not elsewhere classified 199999 (Curatorial Practice) 190101 Art Criticism 229391 Aesthetics 1 Abstract Agency and affect: curating political change is a practice-led research project that considers the relationship of art to political change, and the critical possibilities for agency in this relationship. To establish this, I develop and elucidate a theoretical framework for understanding art's operation in the social and political sphere, and relationship to the individual audience member. By foregrounding first an understanding of how an artwork operates within a relational sphere of individual subjectivity, I elaborate a new position arguing that the artwork and its affective potential can generate individual insight into the limits that bound behaviour and thought and, through this, enable a sense of agency in contributing to change through challenges to those limitations. I develop this framework through the process of conceiving, developing and staging a series of curatorial projects, employing the practice of critically-engaged curating as a research methodology, using a mode of curating situated within the discipline's contemporary discourse. The ideas of social agency, and engagement of a political nature, are intrinsic in the content, form and presentation context of each curatorial project. -
A Finding Aid to the Bob Thompson Papers, 1949-2005, in the Archives of American Art
A Finding Aid to the Bob Thompson Papers, 1949-2005, in the Archives of American Art Kimberley Henze and Rihoko Ueno Funding for the digitization of this collection was provided by The Walton Family Foundation and the Terra Foundation for American Art. 2015 June 15 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Biographical Material, 1953-2003............................................................. 5 Series 2: Carol Thompson's Correspondence, 1971-2000...................................... 6 Series 3: Writings, 1949-1998................................................................................. -
Violence Hits Cambridge
Today: Special State Tercentenary Salute Edition Weather DISTRIBUTION 7 sum. temperature 60. Mostly TODAY fair today, Ugh 70. Cloudy to- BED BANK night, low In the 50s. Tomorrow, 23,925 chance of scattered showers, high 70. Thursday, gradual clearing, cooler. See weather, page 2. I DIAL 741-0010 diUr, Monday through FrMir. Second Clu« Pettaft PAGE ONE VOL. 86, NO. 225 t Rd Bi ud Mi Aatltiaui Halliac OBICM. RED BANK, N. J., TUESDAY, MAY 12, 1964 7c PER COPY In the Wake of Wallace Speech Violence Hits Cambridge CAMBRIDGE, Md (AP)-An Democratic primary and was sent to the hospital for treat- which were called out at the outburst of violence in the wake Applauded more than 40 times ment of minor injuries. height of similar violence in of a presidential campaign during a 45-minute- speech at- Deputy Atty. Gen. Robert Cambridge last summer. A to- speech by Alabama Gov. tacking the civil rights bill pend- Murphy said charges to be filed ken force of 10 had been as- George C. Wallace left this cen- ing in the Senate. against some of those arrested signed to the uneasy city Use Tear Gas still were under study. throughout the winter, but there ter of racial strife in the grip had been no curfew or other re- of new tensions today. Balked by guardsmen wearing "It may be foolish, if the cli- gas masks and holding rifles mate stays as it is, to turn strictions similar to those im- Two demonstrators and five with fixed bayonets, the integra- them loose in this inferno down posed after an outbreak of National Guardsmen were in- tionists squatted in the street here," he said. -
PAUL STAITI Resume.Pdf
PAUL STAITI Professor of Fine Arts on the Alumnae Foundation Art History and Architectural Studies Mount Holyoke College South Hadley, Massachusetts 01075 Web www.paulstaiti.com Telephone: At Mount Holyoke At Home Fax 413 – 538 – 2244 413 – 534-5145 413 -538 - 2167 I. EDUCATION Ph.D. University of Pennsylvania M.A. UniVersity of Massachusetts B.A. UniVersity of Michigan II. PUBLICATIONS “A Surprising Influence on Obama’s Portrait,” op-ed, The Washington Post, February 12, 2018 “The Americans,” Visitors to Versailles: From Louis XIV to the French Revolution, exhibition catalog, The Metropolitan Museum of Art; New HaVen, Yale UniVersity Press, 2018. French edition: “Les Américains à Versailles” and “Benjamin Franklin, ‘L’Ambassadeur Électrique,” Visiteurs de Versailles: Voyageurs, Princes, Ambassadeurs, 1682-1789, exhibition catalog, Château de Versailles; Paris, Gallimard, 2017, pp. 206-217 “How Presidents Use their Portraits to Shape their Legacy,” op-ed, The Washington Post, January 17, 2017 “Portrait of a ReVolution,” Military History Quarterly, winter, 2017, pp. 60-65 Of Arms and Artists: The American Revolution through Painters’ Eyes; New York, Bloomsbury, 2016, iii + 400 pages. Paperback edition, New York, Bloomsbury, 2017 Chinese edition, Beijing, Gold Star Press, 2018 Awarded: Colonial Dames of America Book of the Year, 2018 Nominated: Andrew Carnegie Medal for Excellence in Non-Fiction, 2017 ReViews: Kathleen DuVal, The Wall Street Journal, October 15, 2016 Michael Upchurch, The Washington Post, October 18, 2016 Virginia DeJohn Anderson, The New York Times Book Review, December 4, 2016 Amy Henderson, The Weekly Standard, December 5, 2016 William Anthony Hay, The Claremont Review of Books, Spring, 2017 Starred reViews in: Kirkus, Booklist, Publishers Weekly “The Capitalist Portrait,” in Picturing Power: The New York Chamber of Commerce, Portraiture, and its Uses, ed. -
New Books Catalogue
Film & Media New Books Catalogue July-December 2020 Stuck in a research rut? A study slump? Learn the skills to get back on course. Sort the method from the madness with Bloomsbury Research Methods and Study Skills – textbooks and guides designed to give students the essential tools they need for their studies. www.bloomsbury.com/researchmethodsandstudyskills 9781350046948 | £21.99 9781474282949 | £23.99 9781441163752 | £22.99 9780826496317 | £22.99 Discover the What Is? Research Methods series of introductions – handy guides to all the main methodologies for researchers. Series Editor: Graham Crow, University of Edinburgh, UK 9781472530073 | £17.99 9781350018273 | £16.99 9781472515407 | £17.99 9781849665957 | £17.99 9781849669030 | £18.99 9781849669733 | £18.99 9781849665247 | £18.99 9781849666060 | £18.99 9781849668170 | £18.99 Discover the full series: www.bloomsbury.com/whatis RM+SS_BertramsBTU_ad.indd 1 24/06/2019 14:06 Contents EBooks BFI Film Classics . 3 ePub and ePdf availability is listed under each book entry. See the Asian and World Cinema ���������������������������������������������������� 5 website for details of vendors, or to puchase individual ebooks direct. Library ebook prices are available from your supplier. European Cinema. 6 Review Copies British Cinema �������������������������������������������������������������������� 8 Email [email protected] (Americas) Hollywood Cinema. 9 / [email protected] (UK / Rest of World). Film Theory. 9 Standing Orders Film History. 11 Many series are available -
Decolonial Aesthetics
8.50 CAD / USD ART / CULTURE / POLITICS / States of Coloniality Kency Cornejo p.24 / Leah Decter and Carla Taunton p.32/Sakahàn p.40 / Decter andCarlaTaunton Cornejop.24/Leah Kency Naufus Ramírez-Figueroa p.11 /DavidGarneaup.14 p.11 /JulieNagamp.22 Naufus Ramírez-Figueroa Berlin Reed p.4 / Miguel Rojas-Sotelo p.5 / Gordon Brent Ingramp.7/ Brent Berlin Reedp.4/MiguelRojas-Sotelop.5 /Gordon Heidi McKenzie p.8/DecolonialAestheticsManifesto p.10 HeidiMcKenzie / Jacqueline HoangNguyenp.49 isDayani Cristal? /Who p.50 Read-in p.43 / Time Lapsed p.46 / Border Cultures p.47 / p.47 Lapsedp.46 Cultures Read-in p.43 /Time /Border DECOLONIAL AESTHETICS Taghavi and Tannis andTannis Taghavi Hashemi, Maryam BONUS! Poster byGitaPoster Nielsen Artist’s FUSE MAGAZINE 36 – 4 FALL 2013 EDITORIAL EXPERIENCE STATES OF POST TORONTO COLONIALITY/ TRANSFORMED DECOLONIAL BY ARTISTS AESTHETICS OCTOBER 5 A i W 11 eiw 20 ei, les, SUNSET TO Forever Bicyc SUNRISE C This issue of FUSE was produced col- Decoloniality is cast, by Walter Mignolo and other h 1 r members of the Transnational Decolonial Institute, as the radical i 1 laboratively with the e-fagia organization. Based s 0 t other of modernity-coloniality. Throughout a diffuse and influential in 2 , in Toronto, e-fagia was founded in 2004 with the body of work, they write of a decoloniality of knowledge, being and e e One night only. I n r i v h mandate of promoting digital art, focusing on Latin aesthetics. Within this framework, decolonial aesthetics acknowl- in c g a edges and subverts the presence of colonial power and control in & M American and Canadian artists. -
Hewitt Gallery of Art Catalogues: Psychogeography
psychogeographyartists’ responses to place [and displacement] in real and imagined spaces april 1 - may 1, 2019 gallery director’s statement Frederick Brosen Psychogeography explores artists’ responses to place [and displacement] in real and imagined spaces. From the psychic Ben paljor chatag to the specific, from recollection to recording, the works in this exhibit recreate the power of place in the human jeFF chien-hsing liao imagination. The nine artists in this group exhibition have traversed the dahlia elsayed globe, from the North Pole to Alexandria, Egypt, from Tibet to Italy, and from Flatbush to Central Park. Some travel in ellie ga the imaginative realms, others may never leave the studio. This exhibit takes inspiration from the notion of dérive or kellyanne hanrahan “drifting,” a word coined by French Marxist philosopher, Guy Debord, one of the founders of the Situationists International emily hass movement. Hallie Cohen | Director of the Hewitt Gallery of Art matthew jensen “One can travel this world and see nothing. To achieve sarah olson understanding it is necessary not to see many things, but to look hard at what you do see.” curated By hallie cohen - Giorgio Morandi aBout the artists Frederick Brosen’s exquisite, highly detailed watercolors capture the light, the architecture, and the aura of a New York City street or a Florentine strada, while Ben paljor chatag’s watercolors deal with “inner qualities” he discovered in Tibet before emigrating to the United States. Taiwanese-born jeFF chien-hsing liao’s large- scale black and white photographs of the iconic Central Park are based on the Chinese lunar calendar and call to mind the vertical format and multiple perspectives of traditional Chinese landscape painting. -
Annual Report 2018
2018 Annual Report 4 A Message from the Chair 5 A Message from the Director & President 6 Remembering Keith L. Sachs 10 Collecting 16 Exhibiting & Conserving 22 Learning & Interpreting 26 Connecting & Collaborating 30 Building 34 Supporting 38 Volunteering & Staffing 42 Report of the Chief Financial Officer Front cover: The Philadelphia Assembled exhibition joined art and civic engagement. Initiated by artist Jeanne van Heeswijk and shaped by hundreds of collaborators, it told a story of radical community building and active resistance; this spread, clockwise from top left: 6 Keith L. Sachs (photograph by Elizabeth Leitzell); Blocks, Strips, Strings, and Half Squares, 2005, by Mary Lee Bendolph (Purchased with the Phoebe W. Haas fund for Costume and Textiles, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection, 2017-229-23); Delphi Art Club students at Traction Company; Rubens Peale’s From Nature in the Garden (1856) was among the works displayed at the 2018 Philadelphia Antiques and Art Show; the North Vaulted Walkway will open in spring 2019 (architectural rendering by Gehry Partners, LLP and KXL); back cover: Schleissheim (detail), 1881, by J. Frank Currier (Purchased with funds contributed by Dr. Salvatore 10 22 M. Valenti, 2017-151-1) 30 34 A Message from the Chair A Message from the As I observe the progress of our Core Project, I am keenly aware of the enormity of the undertaking and its importance to the Museum’s future. Director & President It will be transformative. It will not only expand our exhibition space, but also enhance our opportunities for community outreach. -
As We Enter the 2005-06 Academic Year, It Is Clear That Rutgers-Newark
ANNUAL ACCOUNTABILITY REPORT 2005-2006 FACULTY OF ARTS AND SCIENCES RUTGERS THE STATE UNIVERSITY OF NEW JERSEY TABLE OF CONTENTS A Message from the Dean...............................................................................................................i Students ..........................................................................................................................................1 Size of the Student Body.....................................................................................................1 Retention Rates...................................................................................................................1 Registrations........................................................................................................................1 Characteristics.....................................................................................................................1 Number of Students Taught/Credit Hours ...........................................................................3 Admissions ..........................................................................................................................4 Academic Foundations Center/Educational Opportunity Fund .........................................15 Office of the Dean of Student Affairs.................................................................................21 Faculty ..........................................................................................................................................33