U.S. Pavilion Fact Sheet
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U.S. PAVILION FACT SHEET The U.S. Pavilion at the Venice Biennale is a Palladian-style structure built in 1930 by the architects William Adams Delano and Chester Holmes Aldrich. The pavilion is situated within the Castello Gardens that house all the national pavilions of the Venice Biennale. In 1986, the Solomon R. Guggenheim Foundation purchased the U.S. Pavilion from The Museum of Modern Art, New York with funds provided by the Peggy Guggenheim Collection Advisory Board. Beginning in 1986 the Peggy Guggenheim Collection worked with the United States Information Agency (USIA) (1986-1999), the Fund for U.S. Artists at International Festivals and Exhibitions (1986-2003) and the U.S. Department of State (2000- present) in the organization of the visual arts and architecture exhibitions at the U.S. Pavilion. The official U.S. representation at the 52nd Venice Biennale has been organized by the Solomon R. Guggenheim Museum and is presented by the Bureau of Educational and Cultural Affairs of the U.S. Department of State. U.S. PAVILION COMMISSIONS 1986 - 2007 1986 42nd International Exhibition of Art Isamu Noguchi What is Sculpture? Organized by P.S.1, The Institute for Art and Urban Resources, Inc., Long Island City, New York Commissioner: Henry Geldzahler 1988 43rd International Exhibition of Art Jasper Johns Work since 1974 Organized by the Philadelphia Museum of Art Commissioner: Mark Rosenthal 1990 44th International Exhibition of Art Jenny Holzer The Venice Installation Organized by the Albright-Knox Art Gallery, Buffalo, New York Commissioner: Michael Auping 1993 45th International Exhibition of Art Louise Bourgeois Recent Work Organized by the Brooklyn Museum Commissioner: Charlotta Kotik 1995 46th International Exhibition of Art Bill Viola Buried Secrets Organized by the Arizona State University Art Museum, Tempe, Arizona Commissioner: Marilyn Zeitlin 1997 47th International Exhibition of Art Robert Colescott Recent Works Organized by Site Santa Fe, New Mexico Commissioner: Miriam Roberts 1999 48th International Exhibition of Art Ann Hamilton Myein Commissioners: Katy Kline and Helaine Posner 2001 49th International Exhibition of Art Robert Gober Organized by the Art Institute of Chicago and the Hirshhorn Museum and Sculpture Garden, Washington, DC Commissioners: James Rondeau and Olga Viso 2003 50th International Exhibition of Art Fred Wilson Speak of Me as I Am Presented by the Massachusetts Institute of Technology List Visual Arts Center, Cambridge, MA Commissioner: Kathleen Goncharov 2005 51st International Exhibition of Art Ed Ruscha Course of Empire Project administered by the Solomon R. Guggenheim Foundation, New York Commissioner: Linda Norden; consulting curator: Donna De Salvo 2007 52nd International Exhibition of Art Felix Gonzalez-Torres America Organized by the Solomon R. Guggenheim Museum, New York Commissioner: Nancy Spector NANCY SPECTOR U.S. COMMISSIONER Nancy Spector is Chief Curator at the Solomon R. Guggenheim Museum, New York, where she has been employed since 1989. Responsible for contemporary programming and the growth of the permanent collection, she oversees the institution’s primary acquisition councils, the International Directors Council and the Photography Committee. She has administered the museum’s Hugo Boss Prize since its inception in 1996. Exhibitions that Nancy Spector has organized at the Guggenheim include Rebecca Horn: The Inferno-Paradiso Switch (1992, with Germano Celant); Felix Gonzalez-Torres (1995); Robert Rauschenberg: Performance (1997); Postmedia: Conceptual Photography from the Guggenheim Museum Collection (2000); Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections (2002); Matthew Barney: The Cremaster Cycle (2002-2003); Singular Forms (Sometimes Repeated): Art from 1951 to the Present (2004); and Marina Abramovic: Seven Easy Pieces (2005). At the Deutsche Guggenheim, Berlin, she has overseen commissions by Andreas Slominski (1999), Hiroshi Sugimoto (2000), and Lawrence Weiner (2000), as well as organizing the exhibitions Douglas Gordon’s The Vanity of Allegory (2005) and All in the Present Must be Transformed: Matthew Barney and Joseph Beuys (2006). She is currently organizing a traveling retrospective of the work of Richard Prince as well as an exhibition in collaboration with Andrea Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Pierre Huyghe, Jorge Pardo, Philippe Parreno, and Rirkrit Tiravanija called Theanyspacewhatsoever. In addition to her position at the Guggenheim, Nancy Spector was one of the curators of Monument to Now, an exhibition of the Dakis Joannou Collection, which premiered in Athens in 2004 as an official part of the Olympics program. She was an Adjunct Curator of the 1997 Venice Biennale (with Vicente Todoli and Giorgio Verzotti) and co-organizer of the first Berlin Biennial in 1998 (with Klaus Biesenbach and Hans-Ulrich Obrist). She has contributed to numerous books on contemporary art with essays on artists such as Maurizio Cattelan, Roni Horn, Luc Tuymans, Douglas Gordon, Fischli & Weiss, and Tino Sehgal. She is a recipient of the Peter Norton Family Foundation Curators Award (1993) and a Cartier Foundation Grant (1992)..