JONATHAN MONK EDUCATION Awards SOLO EXHIBITIONS
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U.S. Pavilion Fact Sheet
U.S. PAVILION FACT SHEET The U.S. Pavilion at the Venice Biennale is a Palladian-style structure built in 1930 by the architects William Adams Delano and Chester Holmes Aldrich. The pavilion is situated within the Castello Gardens that house all the national pavilions of the Venice Biennale. In 1986, the Solomon R. Guggenheim Foundation purchased the U.S. Pavilion from The Museum of Modern Art, New York with funds provided by the Peggy Guggenheim Collection Advisory Board. Beginning in 1986 the Peggy Guggenheim Collection worked with the United States Information Agency (USIA) (1986-1999), the Fund for U.S. Artists at International Festivals and Exhibitions (1986-2003) and the U.S. Department of State (2000- present) in the organization of the visual arts and architecture exhibitions at the U.S. Pavilion. The official U.S. representation at the 52nd Venice Biennale has been organized by the Solomon R. Guggenheim Museum and is presented by the Bureau of Educational and Cultural Affairs of the U.S. Department of State. U.S. PAVILION COMMISSIONS 1986 - 2007 1986 42nd International Exhibition of Art Isamu Noguchi What is Sculpture? Organized by P.S.1, The Institute for Art and Urban Resources, Inc., Long Island City, New York Commissioner: Henry Geldzahler 1988 43rd International Exhibition of Art Jasper Johns Work since 1974 Organized by the Philadelphia Museum of Art Commissioner: Mark Rosenthal 1990 44th International Exhibition of Art Jenny Holzer The Venice Installation Organized by the Albright-Knox Art Gallery, Buffalo, New York Commissioner: -
Hans Ulrich Obrist a Brief History of Curating
Hans Ulrich Obrist A Brief History of Curating JRP | RINGIER & LES PRESSES DU REEL 2 To the memory of Anne d’Harnoncourt, Walter Hopps, Pontus Hultén, Jean Leering, Franz Meyer, and Harald Szeemann 3 Christophe Cherix When Hans Ulrich Obrist asked the former director of the Philadelphia Museum of Art, Anne d’Harnoncourt, what advice she would give to a young curator entering the world of today’s more popular but less experimental museums, in her response she recalled with admiration Gilbert & George’s famous ode to art: “I think my advice would probably not change very much; it is to look and look and look, and then to look again, because nothing replaces looking … I am not being in Duchamp’s words ‘only retinal,’ I don’t mean that. I mean to be with art—I always thought that was a wonderful phrase of Gilbert & George’s, ‘to be with art is all we ask.’” How can one be fully with art? In other words, can art be experienced directly in a society that has produced so much discourse and built so many structures to guide the spectator? Gilbert & George’s answer is to consider art as a deity: “Oh Art where did you come from, who mothered such a strange being. For what kind of people are you: are you for the feeble-of-mind, are you for the poor-at-heart, art for those with no soul. Are you a branch of nature’s fantastic network or are you an invention of some ambitious man? Do you come from a long line of arts? For every artist is born in the usual way and we have never seen a young artist. -
Teresita Fernández
TERESITA FERNÁNDEZ Born Miami, FL, 1968 Lives Brooklyn, NY EDUCATION 1992 MFA, Virginia Commonwealth University, Richmond, VA 1990 BFA, Florida International University, Miami, FL HONORS AND DISTINCTIONS 2017 National Academician, National Academy Museum & School, New York, NY Mayoral Advisory Commission on City Art, Monuments, and Markers, New York, NY The Drawing Center 40th Anniversary Honoree, New York, NY 2016 Visionary Artist Honoree, Art in General, New York, NY 2013 Aspen Award for Art, The Aspen Art Museum, Aspen, CO 2011 Presidential Appointment to the U.S. Commission of Fine Arts (served until 2014) 2005 MacArthur Foundation Fellowship 2003 Guggenheim Fellowship, New York, NY 1999 Louis Comfort Tiffany Biennial Award American Academy in Rome, Affiliated Fellowship 1995 National Foundation for Advancement in the Arts, CAVA Fellowship Metro-Dade Cultural Consortium Grant 1994 NEA Individual Artist's Grant, Visual Arts Cintas Fellowship COMMISSIONS AND SPECIAL PROJECTS 2019 Night Writing, Park Tower at Transbay, San Francisco, CA New Orleans Museum of Art Commission, New Orleans, LA 2015 Double Glass River, Grace Farms, New Canaan, CT Fata Morgana, Madison Square Park, New York, NY* 2014 Golden (Panorama), Aspen Art Museum, Elk Camp, Aspen, CO 2013 Nocturnal (Navigation), United States Coast Guard, Washington, D.C. 2012 Yellow Mountains, Louis Vuitton Shanghai, Shanghai, China Ink Sky, Louis Vuitton Place Vendôme, Paris, France 2010 Angel Building Commission, London, United Kingdom Louis Vuitton Commission, Biennale des Antiquaries, -
Sitelines.2014: UNSETTLED LANDSCAPES a Reimagined Biennial with a New Focus on Contemporary Art from the Americas
FOR IMMEDIATE RELEASE SITE Santa Fe Announces New Commissions and Opening Weekend Programming for SITElines.2014: UNSETTLED LANDSCAPES A reimagined biennial with a new focus on contemporary art from the Americas OPENING EVENTS JULY 17–19, 2014 IN SANTA FE, NEW MEXICO Santa Fe, New Mexico – May 29, 2014 - SITE Santa Fe is pleased to announce the new works and commissions and opening weekend programming for SITElines.2014: Unsettled Landscapes, the first edition of SITE Santa Fe’s new biennial series with a focus on contemporary art from the Americas opening July 20, 2014 and on view through January 15, 2015. Preview events will be held on July 17 - 19. SITElines signifies a radical rethinking of SITE Santa Fe’s signature biennial exhibition, originally established in 1995. It represents a collaborative structure for planning biennials, a vision for continuity between biennials, a commitment to community and place, and a dedication to new and under recognized art. Unsettled Landscapes is the first exhibition in the SITElines series. Unsettled Landscapes looks at the urgencies, political conditions, and historical narratives that inform the work of contemporary artists across the Americas. Through three themes—landscape, territory, and trade—this exhibition expresses the interconnections between representations of the land, movement across the land, and economies and resources derived from the land. "Today, following the phase of intensive self-examination, SITE Santa Fe’s biennial has been transformed,” said Irene Hofmann, Phillips Director and Chief Curator of SITE Santa Fe. “It now looks to SITE Santa Fe | 1606 Paseo de Peralta | Santa Fe, NM 87501 | T 505.989.1199 | sitesantafe.org geography as a structural framework, to the history of New Mexico as an inspiration, and to the Americas as a vast territory for exploration. -
LA PART DES CHOSES / DAVID BEATTIE/ Thomas Bernardet
LA PART DES CHOSES / DAVID BEATTIE/ THOMas BERNardet/ HERVÉ BRÉHIER/ MATT CALDERWOOD/ Marc GENEIX/ INGO GERKEN/ SÉbasTIEN MaloberTI/ Navid NUUR/ DELPHINE Reist/ ARIEL SchlesiNGER/ U PROPOSAL BY IN EXTENSO EXHIBTION FROM MAY 21 TO JULY 4,2010 OPENING FRIDAY 21 MAY FROM 6 TO 9 PM 2 SUMMARY - LA PART DES CHOSES - THE EXHIBITION - THE ARTISTS - MAINS D'OEUVRES - IN EXTENSO - PAULINE BASTARD 'S SOLO SHOW - PRACTICAL INFORMATION - PARTNERS 3 AT THE invitation OF MAINS D’ŒUVRES, IN EXTENSO PRESENTS THE THIRD EXHIBITION OF LA PART DES CHOSES, A PROJECT COMPRISED OF FIVE EXHIBITIONS, THE FIRST TWO OF WHICH WERE HELD IN NANTES AND CLERMONT-FERRAND. LA PART DES CHOSES/STILL LIFE BRINGS TOGETHER, IN MAINS D'ŒU- VRES' EXHIBITION SPACE, SEVERAL "SILENT" WORKS. Deliberately avoiding QUESTIONING THESE representations, THIS EXHIBITION ASSEMBLES SCULPTURES AND installations (PROTOTYPES?) that ALL SHARE A VISIBLE REJECTION OF explanation, leaving THEM- selves OPEN TO multiple interpretations. THEY ARE at ONCE CONSTRUCTED FROM THE WORLD AROUND US (THROUGH THE USE OF materials recuperated FROM OUR QUOTIDIAN ENVIRONMENT: AN ashtray, A radiator...) AND YET SHIFTED, FROM ONE CONTEXT TO ANOTHER, THEIR poetry LINGERING AS THEY LOSE THEIR SENSE, THE TRANSCENDENCE OF THE TOOL. Although certain ARTISTS PRESENTED HERE MIGHT SOMETIMES integrate AN EXTENSIVE STUDIO transformation INTO THEIR METHODS, THE implementa- TION OF PIECES SHOWN HERE IS BASED ON SIMPLE, rudimentary METHODS, BRINGING US TO THE FRONTIER OF THE READY-MADE, WITH SOMETHING subtly ADDED OR CHANGED. IN THE END, THESE SYSTEMS, SEEM ALMOST autonomously TO SEEK THEIR OWN DE- GREE OF REALITY, AND IN DOING SO, QUESTION OURS. -
Tony Oursler CV
Tony Oursler Lives and works in New York, NY, USA 1979 BFA, California Institute for the Arts, Valencia, CA, USA 1957 Born in New York, NY, USA Selected Solo Exhibitions 2021 ‘Tony Oursler: Black Box’, Kaohsiung Museum of Fine Arts, Kaohsiung City, Taiwan 2020 ‘Hypnose’, Musée d’arts de Nantes, Nantes, France Lisson Gallery, East Hampton, NY, USA 2019 ‘电流 (Current)’, Nanjing Eye Pedestrian Bridge, Nanjing, China ‘Tony Oursler: Water Memory’, Guild Hall, East Hampton, NY, USA ‘The Volcano & Poetics Tattoo’, Dep Art Gallery, Milan, Italy 2018 ‘predictive empath’, Baldwin Gallery, Aspen, CO, USA ‘Tear of the Cloud’, Public Art Fund, Riverside Park South, New York, NY, USA ‘TC: the most interesting man alive’, Lisson Gallery, New York, NY, USA 2017 ‘Paranormal: Tony Oursler vs. Gustavo Rol’, Pinacoteca Giovanni e Marella Agnelli, Turin, Italy ‘Sound Digressions: Spectrum’, Galerie Mitterand, Paris, France ‘Tony Oursler: b0t / flOw - ch@rt’, Galerie Forsblom, Stockholm, Sweden ‘Tony Oursler: L7-L5 / Imponderable’, CaixaForum, Barcelona, Spain ‘Unidentified’, Redling Fine Art, Los Angeles, CA, USA 2016 ‘Tony Oursler: The Influence Machine’, University of Edinburgh, Edinburgh, United Kingdom ‘A*gR_3’, Galería Moisés Pérez De Albéniz, Madrid ‘M*r>0r’, Magasin III Museum & Foundation for Contemporary Art, Stockholm, Sweden ‘Tony Oursler: The Imponderable Archive’ Hessel Museum of Art, Bard College, Annandale-On-Hudson, NY, USA ‘Imponderable’, Museum of Modern Art, New York, NY, USA ‘TC: The Most Interesting Man Alive’ Chrysler Museum, Norfolk, -
The Book House
PETER BLUM GALLERY ERIK LINDMAN Born 1985 in New York, NY Lives and works in New York, NY EDUCATION 2007 Columbia University, B.A. 2006 Yale Norfolk Painting Fellowship SOLO EXHIBITIONS 2021 Balke (Prélude), Almine Rech, Paris, France 2020 Fal/Parsi, Peter Blum Gallery, New York, NY 2019 Parsifal, Almine Rech, London, UK Whelping Box: New Sculptures and Paintings, Ribordy Thetaz, Geneva, Switzerland Sculptures: a Project by Erik Lindman with Photographs by David Schoerner, Emmanuel Barbault, New York, NY 2017 Erik Lindman, Almine Rech, New York 2016 Metal Paintings, Almine Rech, London, UK Torso, ribordy contemporary, Geneva, Switzerland 2015 Blanks, Almine Rech, Paris, France 2014 Open Hands, Almine Rech, Brussels, Belgium. 2013 Do not touch doubtful things, ribordy contemporary, Geneva, Switzerland 2012 Human Personality, Almine Rech, Paris, France Studio, ribordy contemporary, Geneva, Switzerland 2011 Hannah Barry Gallery, London, U.K. ribordy contemporary, Geneva, Switzerland One Year Edit, Golden Age, Chicago, IL 2010 Erik Lindman, Photographs / Zak Kitnick, Stamps, West Street Gallery, New York, NY 2009 House Wine, House Music V&A, New York, NY SELECTED GROUP EXHIBITIONS 2021 100 Sculptures, Curated by Todd Von Ammon, anonymous gallery, New York, NY 2020 Accrochage, Ribordy Thetaz, Geneva, Switzerland 100 Sculptures, Curated by Todd Von Ammon, No Gallery, Los Angeles, CA 2019 Lineup, Almine Rech, New York, NY 2018 100 Sculptures, Curated by Todd Von Ammon, anonymous gallery, Mexico City, Mexico Excavation, Peter Blum Gallery, New York, NY Gorchov, Lindman, Provosty, ribordy contemporary, Geneva, Switzerland 2017 The Surface of the East Coast: From Nice to New York, Curated by Marie Maertens, le 109, Nice, France Painting or Not, KaviarFactory, Lofoten, Norway 2016 MUTATION (S), ribordy contemporary, Geneva, Switzerland Blumarts Inc. -
Jewish Federation the STRE
THE STRENGTH OF A PEOPLE. Jewish Federation THE POWERTHE OF S CTRENGTHOMMUNITY. OF A PEOPLE. Jewish FedOF GRANDerat RAPIDionS THE POWER OF COMMUNITY. OF GRAND RAPIDS JUNE 2021 New Holocaust Memorial at the Frederik Meijer Gardens & Sculpture Park Generously Given by The Pestka Family The Jewish Federation of Grand Rapids has received a generous gift from the Pestka Family in memory of their father Henry, a Holocaust survivor, and the millions of other Jews who perished in the Holocaust. Henry Pestka was born in Poland, and deported to the Auschwitz death camp as a young man. Henry managed to escape during a death march, and joined the Free French in the fight against the Nazis. After the war ended, Henry immigrated to the United States and settled in Grand Rapids. The gift will be used to establish the first Holocaust memorial in Grand Rapids, to be located at the Frederik Meijer Gardens & Sculpture Park. The selected sculpture, by Israeli artist Ariel Schlesinger, is titled Ways to Say Goodbye. It is an exceptional work of contemporary sculpture dealing with themes of profound loss and grief, and will serve to memorialize the millions who perished in the Holocaust and the Holocaust survivors of Western Michigan. About the Artist Ariel Schlesinger (b. 1980, Jerusalem) reveals the poetry, poignancy and potential of everyday things. Through precise interventions, creative engineering and trompe l’oeil, Ariel Schlesinger’s work challenges our perceptions and encourages us to look at the familiar in new ways. Ariel Schlesinger has lived and worked in many parts of the world, including the United WWW.JEWISHGRANDRAPIDS.ORG States, Great Britain, Mexico and Germany. -
Sue Williams
SUE WILLIAMS BORN 1954 Chicago Heights, Illinois EDUCATION 1972, 1975 -1976 B.F.A, California Institute of the Arts 1973 Cooper Union SOLO EXHIBITIONS 2020 303 Gallery, New York, NY Galerie Eva Presenhuber, Zurich, Switzerland 2018 “Sue Williams: New Paintings”, Skarstedt Gallery, London, UK Regen Projects, Los Angeles, CA “Sue Williams: Paintings 1997-98”, Skarstedt Gallery, New York, NY 2017 303 Gallery, New York, NY 2016 Galerie Eva Presenhuber, Zurich, Switzerland 2014 303 Gallery, New York, NY James Cohen, Shanghai, China 2013 Maruani & Noirhomme, Brussels, Belgium 2011 Regen Projects, Los Angeles, CA 2010 “Al-Qaeda is the CIA”, 303 Gallery, New York, NY Galerie Eva Presenbuber, Zurich, Switzerland 1 2008 “Sue Williams: Project for the New American Century”, David Zwirner, New York, NY [catalogue] Ormeau Baths Gallery OBG, Belfast, Ireland 2006 Regen Projects, Los Angeles, CA Galerie Eva Presenhuber, Zurich, Switzerland Glynn Vivian Art Gallery, Swansea, Wales Oriel Mostyn Gallery, Liandudno, Wales 2005 303 Gallery, New York, NY 2004 Bernier / Eliades Gallery, Athens, Greece Kukje Gallery, Seoul, Korea Addison Gallery of American Art, Andover, MA 2003 Regen Projects, Los Angeles, CA Carpenter Center, Harvard, Cambridge, MA Galeria Il Capricorno, Venice, Italy Institut Valencia d’Art Modern, Valencia, Spain 2002 Secession, Vienna, Austria, and IVAM, Valencia, Spain (in 2003) Galerie Hauser, Wirth & Presenhuber, Zurich, Switzerland 303 Gallery, New York, NY Palm Beach Institute of Contemporary Art, Palm Beach, FL Staatliche Kunsthalle -
Douglas Gordon Solo Exhibition
DOUGLAS GORDON Born in Glasgow (Scotland) in 1966, Douglas Gordon lives and works between Berlin (Germany), Glasgow (Scotland) and Paris (France). Né à Glasgow (en Écosse) en 1966, Douglas Gordon vit et travaille entre Berlin (Allemagne), Glasgow (Écosse) et Paris (France). SOLO EXHIBITION 2018 Douglas Gordon - Artist Rooms - Berwick Visual Arts, The Granary Gallery, Berwick-upon-Tweed, UK Douglas Gordon, Instituto Moreira Salles, Sao Paulo, Brazil I will, if you will..., Galeria Marilia Razuk, São Paulo, Brazil k.364, Kunstsammlung NRW / K20, Duesseldorf Zidane – A 21st Century Portrait, Dunedin Public Art Gallery, New Zealand 2017 24 Hour Psycho, Peter B. Lewis Center for the Arts, Princeton University back and forth and forth and back, Gagosian, New York, West 21st St. Black Burns, Scottish National Portrait Gallery, Edinburgh (exh cat)* Douglas Gordon - Selected works from the 1990‘s, André Viana Gallery, New York Gente di Palermo, Prisons of the Palazzo Ducale, Venice I had nowhere to go, Gagosian Gallery, London Jesus is not enough, untilthen, Paris Portrait of Janus (divided states), Art Sonje Center, Seoul, South Korea 2016 Douglas Gordon: Searching for Genius. Peninsula Art Gallery, Plymouth Douglas Gordon: Play Dead; Real Time, Dunedin Public Art Gallery, New Zealand Douglas Gordon, Gagosian Gallery, Geneva Douglas Gordon: I had nowhere to go, Galerie Eva Presenhuber, Zurich Douglas Gordon @ Paris Photo Prisme, Grand Palais, Paris Functional Family, Sala della Cavallerizza in Palazzo Sant Elia, Palermo k.364, National Holocaust -
Lari Pittman
LARI PITTMAN Born 1952 in Los Angeles Lives and works in Los Angeles EDUCATION 1974 BFA in Painting from California Institute of the Arts, Valencia, CA 1976 MFA in Painting from California Institute of the Arts, Valencia, CA SOLO EXHIBITIONS 2021 Lari Pittman: Dioramas, Lévy Gorvy, Paris 2020 Iris Shots: Opening and Closing, Gerhardsen Gerner, Oslo Lari Pittman: Found Buried, Lehman Maupin, New York 2019 Lari Pittman: Declaration of Independence, Hammer Museum, Los Angeles 2018 Portraits of Textiles & Portraits of Humans, Regen Projects, Los Angeles 2017 Lari Pittman, Gerhardsen Gerner, Oslo Lari Pittman / Silke Otto-Knapp: Subject, Predicate, Object, Regen Projects, Los Angeles 2016 Lari Pittman: Grisaille, Ethics & Knots (paintings with cataplasms), Gerhardsen Gerner, Berlin Lari Pittman: Mood Books, Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA Lari Pittman: Nocturnes, Thomas Dane Gallery, London Lari Pittman: NUEVOS CAPRICHOS, Gladstone Gallery, New York 2015 Lari Pittman: Homage to Natalia Goncharova… When the avant-garde and the folkloric kissed in public, Proxy Gallery, Otis College of Art and Design, Los Angeles 2014 Lari Pittman: Curiosities from a Late Western Impaerium, Gladstone Gallery, Brussels 2013 Lari Pittman: from a Late Western Impaerium, Regen Projects, Los Angeles Lari Pittman, Bernier Eliades Gallery, Athens Lari Pittman, Le Consortium, Dijon, France Lari Pittman: A Decorated Chronology, Contemporary Art Museum St. Louis, MO 2012 Lari Pittman, Gerhardsen Gerner, Berlin thought-forms, -
Individual Luminaires for Unique Locations Custom Lighting
Custom lighting Modern Olivio Nano Historical Replica luminaires S 352 Karl-Marx-Allee, Berlin, Germany S 368 Lif hourglass Grachten lights, C U S T Saint-Etienne, France Amsterdam, Netherlands S 354 S 370 Gas replacement lanterns Lif with floral sleeves Neues Palais, Potsdam, Germany Rue Félix Faure, Cannes, France S 372 S 356 O M Gas replacement lanterns Multi-functional light column Berlin, Germany Hafenpromenade, Hamburg, Germany S 374 S 358 Lif Jewish Museum, Frankfurt, Germany S 360 L I G H Shoebox-shaped luminaire Puma, Herzogenaurach, Germany S 362 Spherical lights for the Friedrichsbrücke bridge, Berlin, Germany S 364 T I N G Cosy luminaires Graf-de-Chardonnet-Platz, Bad Kelsterbach, Germany S 366 Individual luminaires for unique locations When light, luminaires and surroundings are in harmony, it results in locations with a unique atmosphere. For many years now, collaborat- ing with planners and designers to develop unique lighting solutions and products that are individual in terms of how they work and look has been one of the strengths of Selux. III Luminaires Custom lighting 1 m 1 m Olivio Nano High-performance lighting technology in a miniaturised package: extra compact luminaire heads like the Olivio Nano offer new scope for creativity in the design of individual lighting solutions in the urban landscape. The organic form of the Olivio in the Nano size also conveys a sense of liveliness and naturalness – matching the flexible, glare-free light distributed over many light points of such multifunctional columns and poles. 352 353 III Luminaires Custom lighting Lif hourglass Unique, attractive yet highly practical.