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Aliyah and Settlement Process?
Jewish Women in Pre-State Israel HBI SERIES ON JEWISH WOMEN Shulamit Reinharz, General Editor Joyce Antler, Associate Editor Sylvia Barack Fishman, Associate Editor The HBI Series on Jewish Women, created by the Hadassah-Brandeis Institute, pub- lishes a wide range of books by and about Jewish women in diverse contexts and time periods. Of interest to scholars and the educated public, the HBI Series on Jewish Women fills major gaps in Jewish Studies and in Women and Gender Studies as well as their intersection. For the complete list of books that are available in this series, please see www.upne.com and www.upne.com/series/BSJW.html. Ruth Kark, Margalit Shilo, and Galit Hasan-Rokem, editors, Jewish Women in Pre-State Israel: Life History, Politics, and Culture Tova Hartman, Feminism Encounters Traditional Judaism: Resistance and Accommodation Anne Lapidus Lerner, Eternally Eve: Images of Eve in the Hebrew Bible, Midrash, and Modern Jewish Poetry Margalit Shilo, Princess or Prisoner? Jewish Women in Jerusalem, 1840–1914 Marcia Falk, translator, The Song of Songs: Love Lyrics from the Bible Sylvia Barack Fishman, Double or Nothing? Jewish Families and Mixed Marriage Avraham Grossman, Pious and Rebellious: Jewish Women in Medieval Europe Iris Parush, Reading Jewish Women: Marginality and Modernization in Nineteenth-Century Eastern European Jewish Society Shulamit Reinharz and Mark A. Raider, editors, American Jewish Women and the Zionist Enterprise Tamar Ross, Expanding the Palace of Torah: Orthodoxy and Feminism Farideh Goldin, Wedding Song: Memoirs of an Iranian Jewish Woman Elizabeth Wyner Mark, editor, The Covenant of Circumcision: New Perspectives on an Ancient Jewish Rite Rochelle L. -
Lawyers' Litigation Forecasts Play an Integral Role in the Justice System
International Relations and Diplomacy, May 2015, Vol. 3, No. 5, 357-368 doi: 10.17265/2328-2134/2015.05.004 D DAVID PUBLISHING Two Ways: Representations of the Holocaust in Israeli Art Batya Brutin Beit Berl College, Beit Berl, Israel The subject of the Holocaust appeared in Israeli art from the establishment of the State and onwards. The integration of the Holocaust in Israeli art through the years was influenced by Israeli society and the Israeli art institutional attitude towards the subject and by local historical events. As a result, we witness a development of two directions in Israeli art concerning the Holocaust. One of them has two facets: a massive use of images emphasizing the enormous personal as well as collective destruction of the Jewish nation as the ultimate victim that “the entire world is against us”; While the other facet is that despite the Jewish people emerge battered and humiliated from the Holocaust, they built a country to be an immovable, permanent and safe place for the Jewish nation since “there is no one else except for us to do it”. The other direction regarding the Holocaust that developed in Israeli art, examining in an universal approach the Israeli response to the Holocaust through the prism of local historical events occurring since the establishment of the State. Therefore, we see imagery that examines the aggressive impression of the Israelis, as an internal as well as external criticism of what seems as aggression and violence against another nation. In Israel, as well as in other Modern states, art is used as a means for expression of different viewpoints. -
LA PART DES CHOSES / DAVID BEATTIE/ Thomas Bernardet
LA PART DES CHOSES / DAVID BEATTIE/ THOMas BERNardet/ HERVÉ BRÉHIER/ MATT CALDERWOOD/ Marc GENEIX/ INGO GERKEN/ SÉbasTIEN MaloberTI/ Navid NUUR/ DELPHINE Reist/ ARIEL SchlesiNGER/ U PROPOSAL BY IN EXTENSO EXHIBTION FROM MAY 21 TO JULY 4,2010 OPENING FRIDAY 21 MAY FROM 6 TO 9 PM 2 SUMMARY - LA PART DES CHOSES - THE EXHIBITION - THE ARTISTS - MAINS D'OEUVRES - IN EXTENSO - PAULINE BASTARD 'S SOLO SHOW - PRACTICAL INFORMATION - PARTNERS 3 AT THE invitation OF MAINS D’ŒUVRES, IN EXTENSO PRESENTS THE THIRD EXHIBITION OF LA PART DES CHOSES, A PROJECT COMPRISED OF FIVE EXHIBITIONS, THE FIRST TWO OF WHICH WERE HELD IN NANTES AND CLERMONT-FERRAND. LA PART DES CHOSES/STILL LIFE BRINGS TOGETHER, IN MAINS D'ŒU- VRES' EXHIBITION SPACE, SEVERAL "SILENT" WORKS. Deliberately avoiding QUESTIONING THESE representations, THIS EXHIBITION ASSEMBLES SCULPTURES AND installations (PROTOTYPES?) that ALL SHARE A VISIBLE REJECTION OF explanation, leaving THEM- selves OPEN TO multiple interpretations. THEY ARE at ONCE CONSTRUCTED FROM THE WORLD AROUND US (THROUGH THE USE OF materials recuperated FROM OUR QUOTIDIAN ENVIRONMENT: AN ashtray, A radiator...) AND YET SHIFTED, FROM ONE CONTEXT TO ANOTHER, THEIR poetry LINGERING AS THEY LOSE THEIR SENSE, THE TRANSCENDENCE OF THE TOOL. Although certain ARTISTS PRESENTED HERE MIGHT SOMETIMES integrate AN EXTENSIVE STUDIO transformation INTO THEIR METHODS, THE implementa- TION OF PIECES SHOWN HERE IS BASED ON SIMPLE, rudimentary METHODS, BRINGING US TO THE FRONTIER OF THE READY-MADE, WITH SOMETHING subtly ADDED OR CHANGED. IN THE END, THESE SYSTEMS, SEEM ALMOST autonomously TO SEEK THEIR OWN DE- GREE OF REALITY, AND IN DOING SO, QUESTION OURS. -
The Book House
PETER BLUM GALLERY ERIK LINDMAN Born 1985 in New York, NY Lives and works in New York, NY EDUCATION 2007 Columbia University, B.A. 2006 Yale Norfolk Painting Fellowship SOLO EXHIBITIONS 2021 Balke (Prélude), Almine Rech, Paris, France 2020 Fal/Parsi, Peter Blum Gallery, New York, NY 2019 Parsifal, Almine Rech, London, UK Whelping Box: New Sculptures and Paintings, Ribordy Thetaz, Geneva, Switzerland Sculptures: a Project by Erik Lindman with Photographs by David Schoerner, Emmanuel Barbault, New York, NY 2017 Erik Lindman, Almine Rech, New York 2016 Metal Paintings, Almine Rech, London, UK Torso, ribordy contemporary, Geneva, Switzerland 2015 Blanks, Almine Rech, Paris, France 2014 Open Hands, Almine Rech, Brussels, Belgium. 2013 Do not touch doubtful things, ribordy contemporary, Geneva, Switzerland 2012 Human Personality, Almine Rech, Paris, France Studio, ribordy contemporary, Geneva, Switzerland 2011 Hannah Barry Gallery, London, U.K. ribordy contemporary, Geneva, Switzerland One Year Edit, Golden Age, Chicago, IL 2010 Erik Lindman, Photographs / Zak Kitnick, Stamps, West Street Gallery, New York, NY 2009 House Wine, House Music V&A, New York, NY SELECTED GROUP EXHIBITIONS 2021 100 Sculptures, Curated by Todd Von Ammon, anonymous gallery, New York, NY 2020 Accrochage, Ribordy Thetaz, Geneva, Switzerland 100 Sculptures, Curated by Todd Von Ammon, No Gallery, Los Angeles, CA 2019 Lineup, Almine Rech, New York, NY 2018 100 Sculptures, Curated by Todd Von Ammon, anonymous gallery, Mexico City, Mexico Excavation, Peter Blum Gallery, New York, NY Gorchov, Lindman, Provosty, ribordy contemporary, Geneva, Switzerland 2017 The Surface of the East Coast: From Nice to New York, Curated by Marie Maertens, le 109, Nice, France Painting or Not, KaviarFactory, Lofoten, Norway 2016 MUTATION (S), ribordy contemporary, Geneva, Switzerland Blumarts Inc. -
JONATHAN MONK EDUCATION Awards SOLO EXHIBITIONS
JONATHAN MONK Born: 1969 in Leicester, United Kingdom Lives and works in Berlin, Germany EDUCATION 1991 Glasgow School of Art, Glasgow, Scotland 1988 Leicester Polytechnic, Leicester, United Kingdom Awards 2012 Les Prix du Quartier Des Bains SOLO EXHIBITIONS (*publication/catalogue) 2015 Many Hands make Light Work, Until Then, Paris, France Anything by the Smiths, CAN Neuchâtel, Switzerland Dvir, Tel Aviv, Israel 2014 I ♥ 1984, Lisson Gallery, London monk><nannucci, with Maurizio Nanucci, Quartz Studio, Turin, Italy Jonathan Monk; The Project Spaces, Irish Museum of Modern Art, Dublin I went to school with someone called Jonathon Monk, Casey Kaplan, NY The Reader, Taro Nasu, Tokyo More Than Four Hundred Million Ways, Meyer Riegger, Karlsruhe Left Foot, Galleri Nicolai Wallner, Copenhagen 2013 COLOURS, SHAPES, WORDS (pink, blue, square, circle, etc.), CAC, Málaga, Spain *Less Is More Than One Hundred Indian Bicycles (with words by Rikrit Tiravanija and a Silver Shadow), Kunstraum Dornbirn, Austria In Between Exhibitions I, II, III, IV, Yvon Lambert, Paris, France Senza Titolo, Lisson Gallery, Milan, Italy Egg, Centre d'édition contemporaine, Geneva, Switzerland 2012 “They came out of nowhere,” he said, pointing to nowhere (with Ryan Gander), Taro Nasu, Tokyo Who Ate All The Pies? Meyer Riegger, Berlin Jonathan Monk & David Shrigley, Yvon Lambert, Paris, France 2011 Life and Death, Dvir Gallery, Tel Aviv, Isreal Pre-Birth Communication, Dvir Gallery, Isreal World Time Clock and Used Cars, Galleri Nicolai Wallner, Copenhagen, Denmark Dear -
FRED & Lena Meijer
AS SEEN IN hsmichigan.org $6.95 November/December 2019 FRED & LENA MEIJER Leaving the World a Little Better Fred & Lena Meijer Leaving the World a Little Better By Hank Meijer The supermarket chain Meijer has nearly 250 stores operating in Michigan and the Midwest. While the business’s success is notable, also significant are second-generation owners, Fred and Lena Meijer. The ripples of their philanthropic pursuits can be felt across the state today. Fred Meijer at the future site of the Fred Meijer Heartland Trail, which runs from Greenville to Alma, Michigan. (All photos courtesy of the Meijer Archives, unless otherwise noted.) 18 Michigan History • Nov/Dec 2019 rederik “Fred” Meijer, who died in 2011, civic life of their community. For instance, Hendrik began would have been 100 years old this year. serving on the board of Greenville’s Memorial Hospital Lena Rader Meijer, a farm girl who served as and, in the 1940s, helped raise money to build a new a cashier in the original Meijer supermarket, facility. Family lore tells that Hendrik’s involvement was celebrated her one-hundredth birthday in the prompted by a dream he had in which the town’s old Fspring of 2019. She is the lone survivor of the generation wooden hospital had burned down with Fred inside it. active in the early years of an enterprise that has grown Half a century later, Fred would serve on the board to become a Michigan and Midwestern staple. of the Butterworth hospital system in Grand Rapids, Lena’s centennial year is a suitable occasion for which is now Spectrum Health. -
Creating a Holocaust Memorial Museum in New York City
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1992 The Politics of Memorialization: Creating a Holocaust Memorial Museum in New York City Rochelle G. Saidel Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1628 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any typs of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
“Standing up Straight, Unbent…” – Warsaw Ghetto Museum's Exhibition
“Standing up straight, unbent…” – Warsaw Ghetto Museum’s exhibition 18.04.2019 - 30.10.2019 As of today, an open-air exhibition of boards presenting Nathan Rapoport’s figure and art can be seen beside the Monument to the Ghetto Heroes 18 April 2019 The exhibition accompanies the celebrations of the 76th anniversary of the outbreak of the Warsaw Ghetto Uprising organized jointly by our institution and the Social and Cultural Association of Jews in Poland. Nathan Rapoport graduated in 1936 from Warsaw’s Academy of Fine Arts. In the same year he was awarded the main prize in a nationwide competition entitled “Sport in Art” for his sculpture “The Tennis Player”. He survived World War II in the USSR, i.a. in Novosibirsk gulag. The Monument to the Ghetto Heroes was unveiled on April 19, 1948. In 1959, Nathan Rapoport settled permanently in New York. The artist’s most famous works include: Mordechaj Anielewicz’s monument (1951) in Yad Mordechai kibbutz, the Scroll of Fire (1971) in the Forest of the Martyrs near Jerusalem, the Monument to Six Million Jewish Martyrs (1964) in Philadelphia, Korczak’s Last Walk on the façade of the synagogue on Park Avenue in New York, and Liberation Monument in Liberty Park in New Jersey (1985) which commemorates the Holocaust and US Army soldiers who liberated Jews from Nazi concentration camps. The exhibition, which may be visited until August 21, was created in cooperation with the Social and Cultural Association of Jews in Poland. The Exhibition’s Commissioner is Dr. Magdalena Tarnowska – Head of the Exhibitions Department at the Warsaw Ghetto Museum, and Magdalena Piecyk, Magdalena Zielińska, Prof. -
Traveling with Jewish Taste No Escaping Echoes of the Past in Warsaw by Carol Goodman Kaufman Designs from Egyptian Revival Frieze Is That to Art Deco
Page 22 Berkshire Jewish Voice • jewishberkshires.org March 28 to May 14, 2017 BERKSHIRE JEWISH VOICES Traveling with Jewish Taste No Escaping Echoes of the Past in Warsaw By Carol Goodman Kaufman designs from Egyptian Revival frieze is that to Art Deco. They represent of Mordechai the wide variety of Jews who Anielewicz. once lived and worked in Kibbutz Yad Warsaw: communists, rabbis, Mordechai in and intellectuals. Among the Israel is named monuments was one for three for him. prominent writers: I.L. Peretz, I wasn’t sure Jacob Dinezon., and S. Ansky, how much of the author of The Dybbuk. vast amounts Since the cemetery was of information closed during the war, much being imparted of it is overgrown, and many the students ac- of the headstones are tip- tually absorbed. ping. A small portion today Not to worry. In my mind’s eye, Poland serves Warsaw’s tiny Jewish That first day, we was a land of gray skies and population, estimated by the talked with Sol- bone-chilling cold – both phys- World Jewish Congress as omon, a tall and Nathan Rapoport’s Ghetto Heroes Monument ical and spiritual – so going somewhere between 5,000 and ebony-skinned there in February didn’t sound 20,000, most of whom live in student. (Thirty percent of Extended his arm and point- friends were posting photos like the best travel choice one the capital. our Youth Aliyah students are ing to his hand, he said, “We’re and comments about the could make. However, Joel and Of all the landmarks we from Ethiopia.) Joel asked him all Jews. -
Individual Luminaires for Unique Locations Custom Lighting
Custom lighting Modern Olivio Nano Historical Replica luminaires S 352 Karl-Marx-Allee, Berlin, Germany S 368 Lif hourglass Grachten lights, C U S T Saint-Etienne, France Amsterdam, Netherlands S 354 S 370 Gas replacement lanterns Lif with floral sleeves Neues Palais, Potsdam, Germany Rue Félix Faure, Cannes, France S 372 S 356 O M Gas replacement lanterns Multi-functional light column Berlin, Germany Hafenpromenade, Hamburg, Germany S 374 S 358 Lif Jewish Museum, Frankfurt, Germany S 360 L I G H Shoebox-shaped luminaire Puma, Herzogenaurach, Germany S 362 Spherical lights for the Friedrichsbrücke bridge, Berlin, Germany S 364 T I N G Cosy luminaires Graf-de-Chardonnet-Platz, Bad Kelsterbach, Germany S 366 Individual luminaires for unique locations When light, luminaires and surroundings are in harmony, it results in locations with a unique atmosphere. For many years now, collaborat- ing with planners and designers to develop unique lighting solutions and products that are individual in terms of how they work and look has been one of the strengths of Selux. III Luminaires Custom lighting 1 m 1 m Olivio Nano High-performance lighting technology in a miniaturised package: extra compact luminaire heads like the Olivio Nano offer new scope for creativity in the design of individual lighting solutions in the urban landscape. The organic form of the Olivio in the Nano size also conveys a sense of liveliness and naturalness – matching the flexible, glare-free light distributed over many light points of such multifunctional columns and poles. 352 353 III Luminaires Custom lighting Lif hourglass Unique, attractive yet highly practical. -
Meeting Packet BOARD of TRUSTEES NOVEMBER 2019
BOARD OF TRUSTEES Meeting Packet 11 NOVEMBER 2019 1 DRAFT BOARD OF TRUSTEES Meeting Agenda LOCATION KDL Wyoming Branch (3350 Michael Ave SW, Wyoming, MI 49509) DATE + TIME Thursday, November 21, 2019 at 7:00 p.m. 1. CALL TO ORDER 2. PLEDGE OF ALLEGIANCE 3. CONSENT AGENDA* A. Approval of Agenda B. Approval of Minutes: October 10, 2019 (Open and Closed Sessions), October 24, 2019 4. LIAISON REPRESENTATIVE COMMENTS 5. PUBLIC COMMENTS** 6. PUBLIC HEARING – 2020 Budget Roll Call Vote 7. FINANCE REPORTS - October 2019* 8. BRANCH MANAGER’S REPORT – Anjie Gleisner 9. LAKELAND LIBRARY COOPERATIVE REPORT 10. DIRECTOR’S REPORT – October 2019 11. NEW BUSINESS A. Strategic Plan Update B. Director’s Evaluation: Request for December Closed Session* C. Resolution: Second 2019 Budget Amendment* Roll Call Vote D. Resolution: Approval of 2020 Budget * Roll Call Vote E. “Behind the Scenes at KDL” Video Presentation 12. LIAISON REPRESENTATIVE COMMENTS 13. PUBLIC COMMENTS** 14. BOARD MEMBER COMMENTS 15. MEETING DATES Next Regular Meeting: Thursday, December 19, 2019 – KDL Service + Meeting Center, 4:30 PM 16. ADJOURNMENT * Requires Action ** According to Kent District Library Board of Trustee Bylaws, Article VII, Item 7.1.3, “Public comments will be limited to 3 minutes per person or group and 15 minutes per subject.” DRAFT BOARD OF TRUSTEES MEETING MINUTES LOCATION KDL Meeting Center (814 West River Center Dr., Comstock Park, MI 49321) DATE Thursday, October 10, 2019 at 4:30 p.m. BOARD PRESENT: Shirley Bruursema, Andrew Erlewein, Sheri Gilreath-Watts, Allie Bush Idema, Charles Myers, Caitie S. Oliver, Penny Weller BOARD ABSENT: Tom Noreen STAFF PRESENT: Jaci Cooper, Lindsey Dorfman, Randy Goble, Brian Mortimore, Jared Olson, Laura Powers, Lance Werner, Carrie Wilson GUESTS PRESENT: None. -
13-10136 Annual Report.Indd
2012 Annual Report horticulture 2009 ANNUAL REPORT Frederik Meijer Gardens & Sculpture Park Frederik Meijer Gardens & Sculpture Park Annual Report 2012 Frederik Meijer Gardens & Sculpture Park promotes the enjoyment, understanding and appreciation of gardens, sculpture, the natural environment and the arts. We strive to provide our guests with a “best in class” experience. We believe in Accessibility To accomplish this goal, we believe in these Guiding Principles: we strive to ensure that all visitors can access our facilities, grounds and programs. We believe in a “best in class” guest experience. We believe in Growth and Change We believe in Quality and Great Design and Aesthetics we embrace growth and change as intrinsic elements of we strive to uphold the highest standards of quality of our Frederik Meijer Gardens & Sculpture Park, which draws our facilities, operations, and reputation, as measured by customer guests to return, our members to renew, and all stakeholders satisfaction, our performance against industry standards, and our to recommend us to others. recognition among our peer institutions. We believe in Diversity, Dignity and Respect, We believe in Innovation and we Value Differences we challenge ourselves to discover new and creative ways to we provide an environment that fosters diversity and instills fulfill our mission. professional behavior among all employees, volunteers, board We believe in Leadership members, and committee members. we act as leaders within the cultural, art, and horticultural We believe in the Accumulation of Knowledge communities we serve. and with hard work and smart work we will further our mission. We believe in Learning and Education We believe in Financial Stability and Sustainability we act with a commitment to promote learning through all we must be financially self-perpetuating to assure that the aspects of our visitors’ experience.