Meg Cranston
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Penelope Umbrico's Suns Sunsets from Flickr
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2014 Image Commodification and Image Recycling: Penelope Umbrico's Suns Sunsets from Flickr Minjung “Minny” Lee CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/506 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The City College of New York Image Commodification and Image Recycling: Penelope Umbrico’s Suns from Sunsets from Flickr Submitted to the Faculty of the Division of the Arts in Candidacy for the Degree of Master of Arts Department of Humanities and Liberal Arts by Minjung “Minny” Lee New York, New York May 2014 Copyright © 2014 by Minjung “Minny” Lee All rights reserved CONTENTS Acknowledgements v List of Illustrations vi Introduction 1 Chapter 1. Umbrico’s Transformation of Vernacular Visions Found on Flickr 14 Suns from Sunsets from Flickr and the Flickr Website 14 Working Methods for Suns from Sunsets from Flickr 21 Changing Titles 24 Exhibition Installation 25 Dissemination of Work 28 The Temporality and Mortality of Umbrico’s Work 29 Universality vs. Individuality and The Expanded Role of Photographers 31 The New Way of Image-making: Being an Editor or a Curator of Found Photos 33 Chapter 2. The Ephemerality of Digital Photography 36 The Meaning and the Role of JPEG 37 Digital Photographs as Data 40 The Aura of Digital Photography 44 Photography as a Tool for Experiencing 49 Image Production vs. -
James Welling
JAMES WELLING Born 1951 in Hartford, Connecticut Lives and works in New York City, New York SOLO EXHIBITIONS (selection, institutions only) 2018 Materials and Objects: James Welling and Zoe Leonard, Tate Modern, London, United Kingdom 2017 Metamorphosis, S.M.A.K., Ghent, Belgium; Kunstforum Wien, Vienna, Austria 2015 Things Beyond Resemblance: James Welling Photographs, Brandywine River Museum of Art, Chadds Ford, Pennsylvania 2014 Diary of Elizabeth and James Dixon, 1840-41/Connecticut Landscapes, 1977-86, Art Institute of Chicago, Chicago, Illinois 2013 Autograph, Fotomuseum Winterthur, Winterthur, Switzerland Monograph, Cincinnati Art Museum, Cincinnati, Ohio; Hammer Museum, Los Angeles, California Open Space, University Museum of Contemporary Art UMASS Amherst, Amherst, Massachusetts 2012 Wyeth, The Wardsworth Atheneum Museum of Art, Hartford, Connecticut; Brandywine River Museum, Chadds Ford, Pennsylvania James Welling: The Mind on Fire/Works 1970-1985, MK Gallery, Milton Keynes, Great Britain (travels to Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain (2013); Contemporary Art Gallery, Vancouver (2013) 2010 New Pictures 3: James Welling, Glass House, The Minneapolis Institute of Arts, Minneapolis, Minnesota 2008 The Suburban, Oak Park, Iillinois (with Walead Beshty) 2006 Agricultural Works, Hudson River Museum, Yonkers, New York 2002 James Welling, Abstract, Palais des Beaux-Arts, Brussels, Belgium; Art Gallery of York University Toronto, Canada, catalogue 2000 James Welling, Photographs 1974 – 1999, Wexner Center -
Murray Guy 453 West 17 Street New York NY 10011 T: +1 212 463 7372 F: +1 212 463 7319 [email protected]
Murray Guy 453 West 17 Street New York NY 10011 T: +1 212 463 7372 F: +1 212 463 7319 [email protected] MOYRA DAVEY Born 1958 in Canada Lives and works in New York Education 1989 Whitney Independent Study Program, New York 1988 University of California, San Diego, CA 1982 Concordia University, Montreal, Quebec Solo Exhibitions 2016 Bergen Kunsthall, Norway Murray Guy, New York 2015 greengrassi, London The Revenants, Wilfried Lentz, Rotterdam 2014 Ornament and Reproach, Murray Guy, New York Burn the Diaries, MUMOK — Museum Moderner Kunst Stiftung Ludwig, Vienna; traveling to Institute of Contemporary Art, Philadelphia Moyra Davey - life without sheets of paper to be scribbled on is masterpiece, Camden Arts Centre, London 2013 Ornament and Reproach, Presentation House Gallery, Vancouver Hangmen of England, Tate Liverpool, Liverpool, UK 2012 Spleen. Indolence. Torpor. Ill-humour, Murray Guy, New York 2011 Les Goddesses, greengrassi, London 2010 Speaker Receiver, Kunsthalle Basel, Basel My Necropolis, Goodwater, Toronto My Necropolis, lllingworth Kerr Gallery, Alberta College of Art + Design, Calgary, AB, Canada 2009 My Necropolis, Murray Guy, New York My Necropolis, Arch II Gallery, University of Manitoba, Winnipeg 2008 Long Life Cool White, The Fogg Art Museum, Harvard University, Cambridge, MA 2007 Fifty Minutes, Goodwater, Toronto My Place, TART, San Francisco 2006 Monologues (with Julia Scher), Wexner Center for the Arts, Columbus, OH 2003 American Fine Arts, Co., New York 2002 Goodwater, Toronto 1999 American Fine Arts, Co., New York -
James Welling
JAMES WELLING 5. Mai bis 16. Juli 2017 Bank Austria Kunstforum Wien PRESSEMAPPE Stand: 3. Mai 2017 Seite 1 von 23 Inhaltsverzeichnis Facts & Figures ..................................................................................... 3 Pressetext ............................................................................................ 5 Biografie ............................................................................................... 8 Leitfaden zur Ausstellung: Ausgestellte Arbeiten ................................. 10 Das Buch zur Ausstellung ................................................................... 18 Vorschau Ausstellungsprogramm ....................................................... 20 Anhang: Bildauswahl und Credits Seite 2 von 23 Facts & Figures Kuratorinnen: Heike Eipeldauer (Bank Austria Kunstforum Wien) Martin Germann (S.M.A.K., Gent) Ausstellungsmanagement: Veronika Chambas-Wolf Barbara Gilly, Marianna Nenning Dauer: 5. Mai bis 16. Juli 2017 Öffnungszeiten: täglich 10 bis 19 Uhr, Freitag 10 bis 21 Uhr Adresse: 1010 Wien, Freyung 8 Website: www.kunstforumwien.at Facebook: www.facebook.com/KunstforumWien Katalog: James Welling. Metamorphosis, herausgegeben von Heike Eipeldauer und Martin Germann. Mit Texten von Heike Eipeldauer, Martin Germann, Hal Foster und James Welling. Erschienen im Prestel Verlag, München/New York/London, Gebundenes Buch mit Schutzumschlag, 191 Seiten, 22,4 x 26,6 cm, mit 190 farbigen Abbildungen, ISBN: 978-3-7913-5603-7, in deutscher und englischer Sprache. 32 Euro, erhältlich im -
Tomma Abts Francis Alÿs Mamma Andersson Karla Black Michaël
Tomma Abts 2015 Books Zwirner David Francis Alÿs Mamma Andersson Karla Black Michaël Borremans Carol Bove R. Crumb Raoul De Keyser Philip-Lorca diCorcia Stan Douglas Marlene Dumas Marcel Dzama Dan Flavin Suzan Frecon Isa Genzken Donald Judd On Kawara Toba Khedoori Jeff Koons Yayoi Kusama Kerry James Marshall Gordon Matta-Clark John McCracken Oscar Murillo Alice Neel Jockum Nordström Chris Ofili Palermo Raymond Pettibon Neo Rauch Ad Reinhardt Jason Rhoades Michael Riedel Bridget Riley Thomas Ruff Fred Sandback Jan Schoonhoven Richard Serra Yutaka Sone Al Taylor Diana Thater Wolfgang Tillmans Luc Tuymans James Welling Doug Wheeler Christopher Williams Jordan Wolfson Lisa Yuskavage David Zwirner Books Recent and Forthcoming Publications No Problem: Cologne/New York – Bridget Riley: The Stripe Paintings – Yayoi Kusama: I Who Have Arrived In Heaven Jeff Koons: Gazing Ball Ad Reinhardt Ad Reinhardt: How To Look: Art Comics Richard Serra: Early Work Richard Serra: Vertical and Horizontal Reversals Jason Rhoades: PeaRoeFoam John McCracken: Works from – Donald Judd Dan Flavin: Series and Progressions Fred Sandback: Decades On Kawara: Date Paintings in New York and Other Cities Alice Neel: Drawings and Watercolors – Who is sleeping on my pillow: Mamma Andersson and Jockum Nordström Kerry James Marshall: Look See Neo Rauch: At the Well Raymond Pettibon: Surfers – Raymond Pettibon: Here’s Your Irony Back, Political Works – Raymond Pettibon: To Wit Jordan Wolfson: California Jordan Wolfson: Ecce Homo / le Poseur Marlene -
James Welling Overflow
525 West 19th Street Fax 212 727 2072 David Zwirner New York, NY 10011 Telephone 212 727 2070 For immediate release JAMES WELLING Overflow September 7 – October 27, 2012 Opening reception: Friday, September 7, 6 – 8 PM Press preview with the artist: Thursday, September 6, 10 AM David Zwirner is pleased to present an exhibition of new works by James Welling, on view at the gallery’s 533 West 19th Street space. This will be the photographer’s fifth solo show at the gallery. Overflow is comprised of three distinct but related bodies of work, all of which explore photography’s hybrid relationship to painting. In Wyeth, Welling traveled to Maine and Pennsylvania in pursuit of the subjects and places painted by American artist Andrew Wyeth (1917-2009). While the project started in 2010, its origins date back to Welling’s early years as an artist, when Wyeth was a major source of inspiration. Glass House, 2010. Archival inkjet print on rag paper, 28 x 42 inches (71.1 x 106.7 cm). Welling was interested equally in the biographical significance of Wyeth’s subject matter and in tracing the origins of how he came to photography. As he noted in a recent interview with Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Art at the Wadsworth Atheneum in Hartford, Connecticut, the Wyeth project permitted him to uncover pictorial devices he had unconsciously adopted from the painter. Wyeth’s work inspired him “to look very closely at things, to be intense, to be very focused.” Wyeth, in turn, goes beyond the straightforward question of influence to engage with the complex relationship between the photographic image and its referent, which here constitutes both Wyeth’s paintings and the literal subjects and locations in front of Welling’s camera. -
Words Without Pictures
WORDS WITHOUT PICTURES NOVEMBER 2007– FEBRUARY 2009 Los Angeles County Museum of Art CONTENTS INTRODUCTION Charlotte Cotton, Alex Klein 1 NOVEMBER 2007 / ESSAY Qualifying Photography as Art, or, Is Photography All It Can Be? Christopher Bedford 4 NOVEMBER 2007 / DISCUSSION FORUM Charlotte Cotton, Arthur Ou, Phillip Prodger, Alex Klein, Nicholas Grider, Ken Abbott, Colin Westerbeck 12 NOVEMBER 2007 / PANEL DISCUSSION Is Photography Really Art? Arthur Ou, Michael Queenland, Mark Wyse 27 JANUARY 2008 / ESSAY Online Photographic Thinking Jason Evans 40 JANUARY 2008 / DISCUSSION FORUM Amir Zaki, Nicholas Grider, David Campany, David Weiner, Lester Pleasant, Penelope Umbrico 48 FEBRUARY 2008 / ESSAY foRm Kevin Moore 62 FEBRUARY 2008 / DISCUSSION FORUM Carter Mull, Charlotte Cotton, Alex Klein 73 MARCH 2008 / ESSAY Too Drunk to Fuck (On the Anxiety of Photography) Mark Wyse 84 MARCH 2008 / DISCUSSION FORUM Bennett Simpson, Charlie White, Ken Abbott 95 MARCH 2008 / PANEL DISCUSSION Too Early Too Late Miranda Lichtenstein, Carter Mull, Amir Zaki 103 APRIL 2008 / ESSAY Remembering and Forgetting Conceptual Art Alex Klein 120 APRIL 2008 / DISCUSSION FORUM Shannon Ebner, Phil Chang 131 APRIL 2008 / PANEL DISCUSSION Remembering and Forgetting Conceptual Art Sarah Charlesworth, John Divola, Shannon Ebner 138 MAY 2008 / ESSAY Who Cares About Books? Darius Himes 156 MAY 2008 / DISCUSSION FORUM Jason Fulford, Siri Kaur, Chris Balaschak 168 CONTENTS JUNE 2008 / ESSAY Minor Threat Charlie White 178 JUNE 2008 / DISCUSSION FORUM William E. Jones, Catherine -
Afterimage Notices / 02.29.2012
AFTERIMAGE NOTICES / 02.29.2012 EXHIBITIONS ARIZONA Scottsdale: Scottsdale Museum of Contemporary Art, 7374 E. 2nd St. I Myself Have Seen It: Photography and Kiki Smith. Through May 20. www.smoca.org. Tempe: Arizona State University Art Museum, Mill Ave and 10th St. Performing for the Camera. Through May 19. asuartmuseum.asu.edu. Tempe: Arizona State University Herberger Institute for Design and the Arts, Northlight Gallery, S. Forest Ave. & E. Tyler Mall. Manifest Destiny. Through March 31. http://art.asu.edu/gallery/northlight. CALIFORNIA Claremont: Ruth Chandler Williamson Gallery, Scripps College, 11th St. and Columbia Ave. Clay’s Tectonic Shift: John Mason, Ken Price and Peter Voulkos, 1956–1968. Through April 8. rcwg.scrippscollege.edu. Culver City: Carmichael Gallery, 5795 Washington Blvd. www.carmichaelgallery.com. Davis: The Nelson/The Pence, 212 D St. Selections from the Fine Arts Collection. Through March 18. www.pencegallery.org. Long Beach: University Art Museum, College of the Arts, Cal State Long Beach, 1250 Bellflower Blvd. Rhona Bitner: Static Noise. Through April 15. www.csulb.edu/org/uam. Los Angeles: Regen Projects II, 9016 Santa Monica Blvd. James Welling: Geometric Abstraction. Through March 31. www.regenprojects.com. Los Angeles: USC Fisher Museum of Art, 823 Exposition Blvd. Pacific Standard Time. Through April 7. http://fisher.usc.edu. Oakland: Krowswork, 480 23rd St. Lowell Darling: This is Your Life. Through March 24. www.krowswork.com. San Diego: Museum of Photographic Arts, 1649 El Prado. Holly Roberts: Unusual Suspects. Through May 6. Eyes of a Nation: A Century of American Photography. Through May 13. www.mopa.org. -
Aura Rosenberg
AURA ROSENBERG Biography Born in 1949, New York, NY Lives and works in New York, NY Education 1974 Master of Arts, Hunter College, New York, NY 1971 Whitney Museum of American Art Independent Study Program, New York, NY Bachelor of Arts, Sarah Lawrence College, Bronxville, NY Solo Exhibitions 2019 Statues Also Fall in Love, Martos Gallery, New York, NY (forthcoming) 2017 Head Shots: Mike Kelley, Martos Gallery at Frieze, New York, NY Angel of History, Studio Teatr Galeria, Warsaw, Poland 2016 Head Shots (1991-1996), JOAN, Los Angeles, CA 2015 Who Am I? What Am I? Where Am I?, Meliksetian Briggs Gallery, Los Angeles, CA 2014 Martos Gallery at Independent Projects, New York, NY 2013 Scene/Obscene, MJ Briggs / Anna Meliksetian Gallery, Los Angeles, CA The Angel of History (with John Miller), 3A Gallery, New York, NY I Know It When I See It, Martos Gallery, New York, NY 2012 Fourway, Sometimes (works of art), New York, NY 2011 The Golden Age, Sassa Trülzsch, Berlin, Germany 2010 It Goes On All the Same, Sometimes (works of art), New York, NY 2008 Sassa Trülzsch, Berlin, Germany 2006 Sassa Trülzsch, Berlin, Germany 2003 Kathe Kollwitzplatz Lightbox Project, Berlin, Germany 2002 Klemens Gasser and Tanja Grunert Gallery, New York, NY Galerie 20/21, Essen, Germany 2001 daadgalerie, Berlin, Germany 1998 Wooster Gardens, New York, NY Windows, Brussels, Belgium 1997 Richard Telles Fine Arts, Los Angeles, CA 1996 Art and Public, Geneva, Switzerland Wooster Gardens, New York, NY Galerie Moussion, Paris, France 1994 Galerie Martina Detterer, Frankfurt-am-Main, Germany 1993 Likorfabrik, Kunst-Werke Berlin, Berlin, Germany Kunsthalle St. -
Deborah Kass
DEBORAH KASS Born 1952 San Antonio, TX EDUCATION 1974 BFA, Painting, Carnegie-Mellon University, Pittsburgh, PA 1972 Whitney Museum Independent Studies Program, New York, NY 1968-70 Art Students League, New York, NY SELECTED SOLO EXHIBITIONS 2014 “feel good paintings for feel bad times,” Arthur Roger Gallery, New Orleans, LA 2013 “My Elvis +,” Paul Kasmin Gallery, New York, NY 2012 “Deborah Kass: Before and Happily Ever After, a Mid-Career Retrospective,” Andy Warhol Museum, Pittsburgh, PA 2010 “MORE feel good paintings for feel bad times,” Paul Kasmin Gallery, New York 2007 “Feel good paintings for feel bad times,” Paul Kasmin Gallery, New York “Armory Show,” Paul Kasmin Gallery, New York, NY 2001 “Deborah Kass: The Warhol Project,“ Weatherspoon Art Gallery, University of North Carolina at Greensboro, NC 2000 “Deborah Kass: The Warhol Project,” University Art Museum, University of California at Santa Barbara, Santa Barbara, CA “Deborah Kass: The Warhol Project,” Blaffer Gallery, University of Houston, Houston, TX 1999 Exhibition catalogue, “Deborah Kass: The Warhol Project,” Newcomb Art Gallery, Tulane University, New Orleans, LA 1998 Arthur Roger Gallery, New Orleans, LA 1996 “My Andy: a retrospective,” Kemper Museum of Contemporary Art and Design, Kansas City, MO 1995 “My Andy: a retrospective,” Jose Freire Fine Art, New York, NY “My Andy: a retrospective,” Arthur Roger Gallery, New Orleans, LA 1994 Barbara Krakow Gallery, Boston, MA 1993 “Chairman Ma,” Jose Freire Fine Art, New York, NY “Chairman Ma,” Arthur Roger Gallery, New Orleans, -
JAMES WELLING Glass House
For immediate release JAMES WELLING Glass House March 24 – April 24, 2010 Opening reception: Wednesday, March 24, 6 – 8pm Press preview with the artist: March 24, 5 – 6pm David Zwirner is pleased to present Glass House, James Welling’s fifth solo show at the gallery. The exhibition consists of new photographs documenting Philip Johnson’s iconic Glass House, built in 1949 in New Canaan, Connecticut. Taken over the course of three years (2006–2009), these photographs were made using a digital camera, and the resulting images capture the architectural features of Johnson’s 47-acre compound. In addition to the Glass House, Welling photographed the Brick Guest House (1949), the Lake Pavilion (1962), and the Lincoln Kirstein sculpture (1985) on the grounds of the estate. To achieve his luminous effects, the artist placed 9818, 2009 a variety of colored filters between lens and subject to introduce intense 2 1 Inkjet print, 33 /3 x 50 /2 inches (85.5 x 128.3 cm) fields of color, transforming the image at the moment of exposure. In this new body of large-scale inkjet prints, Welling continues to explore his longtime interest in color phenomena and trichromatic (RGB) vision, the process by which our eyes and brain work together to perceive the visible spectrum. Welling first examined these ideas in 2005 with his Hexachromes, images of succulents photographed through colored filters. Begun at the same time as these works, the Glass House images were produced using many of the same filter combinations and layering effects. In a statement on Glass House, Welling elaborates on the physical and conceptual properties of his interventions: I’ve been using the word “filter” as a noun but it’s also a verb. -
Christopher Williams Born 1956 in Los Angeles
This document was updated March 3, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Christopher Williams Born 1956 in Los Angeles. Lives and works in Cologne, Chicago, and Los Angeles. EDUCATION & TEACHING 2008 - present Professor, Kunstakademie Düsseldorf 1981 M.F.A., California Institute of the Arts, Valencia 1978 B.F.A., California Institute of the Arts, Valencia SOLO EXHIBITIONS 2020 Christopher Williams: Footwear (Adapted for Use), David Zwirner, New York 2019 Christopher Williams - MODEL: Kochgeschirre, Kinder, Viet Nam (Angepasst zum Benutzen), C/O Berlin 2018 Christopher Williams: Normative Models, Kestner Gesellschaft, Hanover [catalogue] 2017 Christopher Williams: Books Plus, ARCHIV, Zurich Christopher Williams: Models, Open Letters, Prototypes, Supplements, La Triennale di Milano, Milan Chirstopher Williams: Open Letter: The Family Drama Refunctioned? (From the Point of View of Production), David Zwirner, London Christopher Williams. Stage Play. Supplements, Models, Prototypes, Miller’s, Zurich [organized by gta exhibitions, ETH Zurich] Christopher Williams: Supplements, Models, Prototypes, Corbett vs. Dempsey, Chicago Christopher Williams: Supplements, Models, Prototypes, ETH Zurich, Institute gta, Zurich 2016 Christopher Williams, Capitain Petzel, Berlin 2014 Christopher Williams. For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 19), David Zwirner, New York [artist publication] Christopher Williams: The Production Line of Happiness, Art Institute of Chicago [itinerary: The Museum of Modern Art, New York; Whitechapel Gallery, London] [catalogue] Christopher Williams: The Production Line of Happiness, Galerie Mezzanin, Vienna Christopher Williams: The Production Line of Happiness, Musée d’art moderne et contemporain (MAMCO), Geneva [part of Des histoires sans fin/Endless stories series] 2013 Christopher Williams, Volker Bradtke, Düsseldorf Christopher Williams.