Afterimage Notices / 02.29.2012
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Yael Bartana
YAEL BARTANA Born 1970, Kfar Yehezkel, Israel EDUCATION 2000 – 2001 Rijksakademie van Beeldende Kunsten, Amsterdam, The Netherlands 1999 MFA, School of Visual Arts, New York, NY 1992 – 1996 BFA, The Bezalel Academy of Arts and Design, Jerusalem, Israel Lives and works in Amsterdam and Berlin SOLO EXHIBITIONS 2021 (Upcoming) The Orphan Carousel (memorial), Frankfurt, Germany Redemption Now, Jewish Museum Berlin, Germany 2020 Sala10: Yael Bartana, Museo Universitario Arte Contemporáneo, Mexico City, Mexico Patriarchy is History, Galleria Raffaela Crotese, Milan, Italy The Undertakers, Sommer Contemporary Art, Tel Aviv, Israel 2019 Yael Bartana. Cast Off, Fondazione Modena Arte Visive, Modena, Italy The Graveyard, Capitain Petzel, Berlin, Germany The Graveyard, Sommer Contemporary Art, Tel Aviv, Israel The Graveyard, Annet Gelink Gallery, Amsterdam, The Netherlands 2018 And Europe Will Be Stunned, Phildadelphia Musuem of Art, Philadelphia, USA What If Women Ruled The World, Volksbühne, Berlin, Germany 2017 Pre-Enactments, Goethe-Institut / Max Mueller Bhavan, Mumbai, India What If Women Rueld The World, Aarhus 2017 European Capitai of Culture, Denmark What If Women Rueld The World, Manchaster International Festival, Manchester, UK And Europe Will Be Stunned, Golden Thread Gallery, Belfast, UK Trembling Times, Musée cantonal des Beaux-Arts, Lausanne, Switzerland 2016 The Banff Centre, Alberta, Canada Philadelphia Museum of Art, Philadelphia, USA 2015 Sommer Contemporary Art, Tel Aviv, Israel Petzel Gallery, New York, USA Capitain Petzel, Berlin, -
Penelope Umbrico's Suns Sunsets from Flickr
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2014 Image Commodification and Image Recycling: Penelope Umbrico's Suns Sunsets from Flickr Minjung “Minny” Lee CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/506 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The City College of New York Image Commodification and Image Recycling: Penelope Umbrico’s Suns from Sunsets from Flickr Submitted to the Faculty of the Division of the Arts in Candidacy for the Degree of Master of Arts Department of Humanities and Liberal Arts by Minjung “Minny” Lee New York, New York May 2014 Copyright © 2014 by Minjung “Minny” Lee All rights reserved CONTENTS Acknowledgements v List of Illustrations vi Introduction 1 Chapter 1. Umbrico’s Transformation of Vernacular Visions Found on Flickr 14 Suns from Sunsets from Flickr and the Flickr Website 14 Working Methods for Suns from Sunsets from Flickr 21 Changing Titles 24 Exhibition Installation 25 Dissemination of Work 28 The Temporality and Mortality of Umbrico’s Work 29 Universality vs. Individuality and The Expanded Role of Photographers 31 The New Way of Image-making: Being an Editor or a Curator of Found Photos 33 Chapter 2. The Ephemerality of Digital Photography 36 The Meaning and the Role of JPEG 37 Digital Photographs as Data 40 The Aura of Digital Photography 44 Photography as a Tool for Experiencing 49 Image Production vs. -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
James Welling
JAMES WELLING Born 1951 in Hartford, Connecticut Lives and works in New York City, New York SOLO EXHIBITIONS (selection, institutions only) 2018 Materials and Objects: James Welling and Zoe Leonard, Tate Modern, London, United Kingdom 2017 Metamorphosis, S.M.A.K., Ghent, Belgium; Kunstforum Wien, Vienna, Austria 2015 Things Beyond Resemblance: James Welling Photographs, Brandywine River Museum of Art, Chadds Ford, Pennsylvania 2014 Diary of Elizabeth and James Dixon, 1840-41/Connecticut Landscapes, 1977-86, Art Institute of Chicago, Chicago, Illinois 2013 Autograph, Fotomuseum Winterthur, Winterthur, Switzerland Monograph, Cincinnati Art Museum, Cincinnati, Ohio; Hammer Museum, Los Angeles, California Open Space, University Museum of Contemporary Art UMASS Amherst, Amherst, Massachusetts 2012 Wyeth, The Wardsworth Atheneum Museum of Art, Hartford, Connecticut; Brandywine River Museum, Chadds Ford, Pennsylvania James Welling: The Mind on Fire/Works 1970-1985, MK Gallery, Milton Keynes, Great Britain (travels to Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain (2013); Contemporary Art Gallery, Vancouver (2013) 2010 New Pictures 3: James Welling, Glass House, The Minneapolis Institute of Arts, Minneapolis, Minnesota 2008 The Suburban, Oak Park, Iillinois (with Walead Beshty) 2006 Agricultural Works, Hudson River Museum, Yonkers, New York 2002 James Welling, Abstract, Palais des Beaux-Arts, Brussels, Belgium; Art Gallery of York University Toronto, Canada, catalogue 2000 James Welling, Photographs 1974 – 1999, Wexner Center -
Presseinformation (20° Helv
Press release YAEL BARTANA Wenn Ihr wollt, ist es kein Traum (If you will it, it is not a dream) December 7, 2012—February 10, 2013 Opening: Thursday, December 6, 2012, 7 am Press conference: Thursday, December 6, 2012, 10 am QUESTIONS FOR FREUD AND HERZL Performance accompanying Yael Bartana’s exhibition Wenn Ihr wollt, ist es kein Traum Thursday, December 6, 2012, 8.15 pm and Friday, December 7, 2012, 5 pm approx. 45 mins. Performer: Susanne Sachsse Live sound processing: Daniel Meir Light design: Jackie Shemesh Text: Gish Amit and Yael Bartana “Are we bound forever to remain suspended in the limbo of the endless issues of our identity?” This is one of the questions put to Theodor Herzl and Sigmund Freud during the performance accompanying the opening of Yael Bartana’s exhibition Wenn Ihr wollt, ist es kein Traum (If you will it, it is not a dream). Here, Yael Bartana addresses the spirits of two pioneers, Sigmund Freud and Theodor Herzl who, in different approaches sought to bring redemption to the individual and to the collective – and whom she declares the spiritual gods of the Jewish Renaissance Movement in Poland (JRMiP), which she founded in 2007. The founder of modern psychoanalysis and the visionary of a state for Jews lived just a couple of houses away from each other on Berggasse in Vienna, yet their paths never crossed. Yael Bartana thus brings them together in her installation Wenn Ihr wollt, ist es kein Traum – a temple of Utopia – to create a moment of collective consciousness and awake the ghost of history to hopefully get some answers. -
Yael Bartana 1970 Born in Kfar Yehezkel, Israel Currently Lives and Works in Amsterdam and Berlin
Yael Bartana 1970 born in Kfar Yehezkel, Israel currently lives and works in Amsterdam and Berlin Education 2000–01 Rijksakademie van Beeldende Kunsten, Amsterdam, NL 1999 MFA studies, School of Visual Arts, New York, US 1992–96 BFA, The Bezalel Academy of Arts and Design, Jerusalem, IL Prizes 2010 Artes Mundi 4, Wales, UK Principal Prize by the International Jury and the Prize of the Ecumenical Jury at the Oberhausen Short Film Festival, DE Häagendaismo, Madrid, ES 2009 Prix Dazibao, Montreal, CAN 2007 Gottesdiener Foundation Israeli Art Prize 2006, IL 2006 Recipient of the 2006 Ministry of Science, Culture and Sport Prize, Israel, IL 2005 Dorothea von Stetten-Kunstpreis, Kunstmuseum Bonn, DE Prix de Rome, 2nd award winner, Rijksakademie, Amsterdam, NL 2003 Anselm Kiefer Prize, The Wolf Foundation, IL 1996 The Samuel Prize, for the video / sound installation ‘Ant-Bulb, Bezalel Academy of Art and Design, Jerusalem, IL Residencies / Fellowships / Stipends 2009 Center for Curatorial Studies, Bard Collage, Annandale-on-Hudson, NY, US 2007 Fonds BKVB, Amsterdam, NL 2006 Foksal Gallery Foundation, Warsaw, PL 2005 Platform Garanti, Istanbul, TR 2003 Rooseum – Center for Contemporary Art, Malmo, SE 2002 Jerusalem Center for Visual Arts (JCVA), Jerusalem, IL 2001 NUFFIC, NL Rijksakademie van beeldende kunsten / Dutch Ministry of Education, Culture and Science, NL 2000 Stichting Schürmann-Krant, NL Stichting Trustfonds Rijksakademie, Amsterdam, NL Gallery representations Annet Gelink Gallery, Amsterdam, NL Sommer Contemporary Art, Tel Aviv, IL -
Settler Sublime: Reparation and Return in Yael Bartana's Polish Trilogy
PhiN-Beiheft 13/2017: 220 Joshua Synenko (Trent University) Settler Sublime: Reparation and Return in Yael Bartana's Polish Trilogy In a trilogy of internationally acclaimed art videos featured at the Venice Biennale's Polish Pavilion in 2011, the Israeli artist Yael Bartana illustrates a utopian political movement based on an eclectic pairing of visual and historical texts, including European settler colonialism, diaspora nationalism, political Zi- onism and Socialist Realism. The movement as described by its leader Sławomir Sierakowski calls for three million Jews to return to Poland, and for an end to all forms of ethnic violence. Within this frame- work, Bartana manages to raise important questions for the politics of cohabitation within a divided Europe. However, by making a conscious departure from the ongoing dynamics of intergenerational violence and reparation that are rooted in the genocidal crimes of the 20th century, Bartana's completed work offers a way out from the specific narrative closures that appear to serve as its inspiration. In effect, Bartana manages to transform what would otherwise be a jumble of political, historical and academic discourses into a strongly aspirational and post-national vision in which Europe is finally able to over- come the traumas of its past. Though I provide a critical and detailed analysis of each video to provide a context for this vision, the purpose of my article is to situate Bartana's work in relation to theoretical debates surrounding contemporary European politics, focusing specifically on issues of citizenship, na- tionalism and migration. I use this theoretical framework as a way to highlight the affective content of Bartana's story as it unfolds on the screen, and to assess Bartana's attempt at linking expressions of utopian affect to the historical imagination. -
A Finding Aid to the Elizabeth Mccausland Papers, 1838-1995, Bulk 1920-1960, in the Archives of American Art
A Finding Aid to the Elizabeth McCausland Papers, 1838-1995, bulk 1920-1960, in the Archives of American Art Jennifer Meehan and Judy Ng Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art April 12, 2006 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 3 Scope and Content Note................................................................................................. 4 Arrangement..................................................................................................................... 5 Names and Subjects ...................................................................................................... 5 Container Listing ............................................................................................................. 7 Series 1: Personal Papers, 1838, 1920-1951.......................................................... 7 Series 2: Correspondence, 1923-1960.................................................................. 10 Series 3: General -
Murray Guy 453 West 17 Street New York NY 10011 T: +1 212 463 7372 F: +1 212 463 7319 [email protected]
Murray Guy 453 West 17 Street New York NY 10011 T: +1 212 463 7372 F: +1 212 463 7319 [email protected] MOYRA DAVEY Born 1958 in Canada Lives and works in New York Education 1989 Whitney Independent Study Program, New York 1988 University of California, San Diego, CA 1982 Concordia University, Montreal, Quebec Solo Exhibitions 2016 Bergen Kunsthall, Norway Murray Guy, New York 2015 greengrassi, London The Revenants, Wilfried Lentz, Rotterdam 2014 Ornament and Reproach, Murray Guy, New York Burn the Diaries, MUMOK — Museum Moderner Kunst Stiftung Ludwig, Vienna; traveling to Institute of Contemporary Art, Philadelphia Moyra Davey - life without sheets of paper to be scribbled on is masterpiece, Camden Arts Centre, London 2013 Ornament and Reproach, Presentation House Gallery, Vancouver Hangmen of England, Tate Liverpool, Liverpool, UK 2012 Spleen. Indolence. Torpor. Ill-humour, Murray Guy, New York 2011 Les Goddesses, greengrassi, London 2010 Speaker Receiver, Kunsthalle Basel, Basel My Necropolis, Goodwater, Toronto My Necropolis, lllingworth Kerr Gallery, Alberta College of Art + Design, Calgary, AB, Canada 2009 My Necropolis, Murray Guy, New York My Necropolis, Arch II Gallery, University of Manitoba, Winnipeg 2008 Long Life Cool White, The Fogg Art Museum, Harvard University, Cambridge, MA 2007 Fifty Minutes, Goodwater, Toronto My Place, TART, San Francisco 2006 Monologues (with Julia Scher), Wexner Center for the Arts, Columbus, OH 2003 American Fine Arts, Co., New York 2002 Goodwater, Toronto 1999 American Fine Arts, Co., New York -
James Welling
JAMES WELLING 5. Mai bis 16. Juli 2017 Bank Austria Kunstforum Wien PRESSEMAPPE Stand: 3. Mai 2017 Seite 1 von 23 Inhaltsverzeichnis Facts & Figures ..................................................................................... 3 Pressetext ............................................................................................ 5 Biografie ............................................................................................... 8 Leitfaden zur Ausstellung: Ausgestellte Arbeiten ................................. 10 Das Buch zur Ausstellung ................................................................... 18 Vorschau Ausstellungsprogramm ....................................................... 20 Anhang: Bildauswahl und Credits Seite 2 von 23 Facts & Figures Kuratorinnen: Heike Eipeldauer (Bank Austria Kunstforum Wien) Martin Germann (S.M.A.K., Gent) Ausstellungsmanagement: Veronika Chambas-Wolf Barbara Gilly, Marianna Nenning Dauer: 5. Mai bis 16. Juli 2017 Öffnungszeiten: täglich 10 bis 19 Uhr, Freitag 10 bis 21 Uhr Adresse: 1010 Wien, Freyung 8 Website: www.kunstforumwien.at Facebook: www.facebook.com/KunstforumWien Katalog: James Welling. Metamorphosis, herausgegeben von Heike Eipeldauer und Martin Germann. Mit Texten von Heike Eipeldauer, Martin Germann, Hal Foster und James Welling. Erschienen im Prestel Verlag, München/New York/London, Gebundenes Buch mit Schutzumschlag, 191 Seiten, 22,4 x 26,6 cm, mit 190 farbigen Abbildungen, ISBN: 978-3-7913-5603-7, in deutscher und englischer Sprache. 32 Euro, erhältlich im -
Tomma Abts Francis Alÿs Mamma Andersson Karla Black Michaël
Tomma Abts 2015 Books Zwirner David Francis Alÿs Mamma Andersson Karla Black Michaël Borremans Carol Bove R. Crumb Raoul De Keyser Philip-Lorca diCorcia Stan Douglas Marlene Dumas Marcel Dzama Dan Flavin Suzan Frecon Isa Genzken Donald Judd On Kawara Toba Khedoori Jeff Koons Yayoi Kusama Kerry James Marshall Gordon Matta-Clark John McCracken Oscar Murillo Alice Neel Jockum Nordström Chris Ofili Palermo Raymond Pettibon Neo Rauch Ad Reinhardt Jason Rhoades Michael Riedel Bridget Riley Thomas Ruff Fred Sandback Jan Schoonhoven Richard Serra Yutaka Sone Al Taylor Diana Thater Wolfgang Tillmans Luc Tuymans James Welling Doug Wheeler Christopher Williams Jordan Wolfson Lisa Yuskavage David Zwirner Books Recent and Forthcoming Publications No Problem: Cologne/New York – Bridget Riley: The Stripe Paintings – Yayoi Kusama: I Who Have Arrived In Heaven Jeff Koons: Gazing Ball Ad Reinhardt Ad Reinhardt: How To Look: Art Comics Richard Serra: Early Work Richard Serra: Vertical and Horizontal Reversals Jason Rhoades: PeaRoeFoam John McCracken: Works from – Donald Judd Dan Flavin: Series and Progressions Fred Sandback: Decades On Kawara: Date Paintings in New York and Other Cities Alice Neel: Drawings and Watercolors – Who is sleeping on my pillow: Mamma Andersson and Jockum Nordström Kerry James Marshall: Look See Neo Rauch: At the Well Raymond Pettibon: Surfers – Raymond Pettibon: Here’s Your Irony Back, Political Works – Raymond Pettibon: To Wit Jordan Wolfson: California Jordan Wolfson: Ecce Homo / le Poseur Marlene -
Yael Bartana
Yael Bartana Born in Kfar Yehezkel, Israel, 1970 Currently lives and works in Tel-Aviv and Amsterdam Education 2001 Rijksakademie van Beeldende Kunsten, Amsterdam, NL 1999 MFA studies, School of Visual Arts, New York, USA 1996 BFA, The Bezalel Academy of Arts and Design, Jerusalem, IL Selected Solo Exhibitions 2010 • and Europe Will be stunned, Moderna Museet, Malmö, S • “If you want, we’ll travel to the moon together”. “Mary Koszmary, Mur I Wieza”, Annet Gelink Gallery, Amsterdam, NL • Modern Museum, Malmo, Sweden • “If you want, we’ll travel to the moon together”. “Mary Koszmary, Mur I Wieza”, Sommer Contemporary Art, Tel Aviv, IL 2009 • Museum of Modern Art, “Mur I Wieza”, Warsaw, PL Contemporary Jewish Museum of San Francisco, “Mary Koszmary”, San Francisco, USA Jewish Museum, “Mary Koszmary”, New York, USA Auto Sueno y Materia, “The Kings of the Hill”, Centro de Arte Dos de Mayo, Madrid, ES 2008 • P.S. 1,”Trembling Time, Kings of the Hill”, a.o, NY, USA • EngholmEngelhorn, “Summercamp, a Declaration”, Vienna, AU • Galleria Raffaella Cortese, Milan, IT • Center for Contemporary Art, “Mary Koszmary” Tel Aviv, IL 2007 Annet Gelink Gallery, “Summer Camp”, Amsterdam, NL Ritual, “Wild Seeds”, The Power Plant, Toronto, CAN Yael Bartana, In the Army I was an outstanding soldier, “Wild seeds, Low relief II, Profile, Summer Camp.” March, Fondazione per l’arte contemporanea, Curated by Gabi Scardi, IT 2006 • Kunstverein Hamburg, “ When Adar Enters, Kings of the Hill, Trembling Time, a.o.” Hamburg, D • Stedelijk van Abbemuseum, “Odds and Ends,