Deborah Kass
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Modern Painters William J. Simmons December 2015
BY WILLIAM J. SIMMONS TRUE PORTRAIT BY KRISTINE LARSEN TO FORM DEBORAH KASS SHAKES UP THE CANON 60 MODERN PAINTERS DECEMBER 2015 BLOUINARTINFO.COM FORM DEBORAH KASS SHAKES UP Deborah Kass in her Brooklyn THE CANON studio, 2015. BLOUINARTINFO.COM DECEMBER 2015 MODERN PAINTERS 61 intensity of her social and art historical themes. The result is a set of tall, sobering, black-and-blue canvases adorned with “THE ONLY ART THAT MATTERS equally hefty neon lettering, akin, perhaps, to macabre monuments or even something more sinister in the tradition of IS ABOUT THE WORLD. pulp horror movies. This is less a departure than a fearless statement that affirms and illuminates her entire oeuvre—a tiny retrospective, perhaps. Fueled by an affinity for the medium AUDRE LORDE SAID IT. TONI and its emotive and intellectual possibilities, Kass has created a template for a disruptive artistic intervention into age-old MORRISON SAID IT. EMILY aesthetic discourses. As she almost gleefully laments, “All these things I do are things that people denigrate. Show tunes— so bourgeois. Formalism—so retardataire. Nostalgia—not a real DICKINSON SAID IT. I’M emotion. I want a massive, fucked-up, ‘you’re not sure what it means but you know it’s problematic’ work of art.” At the core of INTERESTED IN THE WORLD.” Kass’s practice is a defiant rejection of traditional notions of taste. For example, what of Kass’s relationship to feminism, queer- Deborah Kass is taking stock—a moment of reflection on what ness, and painting? She is, for many, a pioneer in addressing motivates her work, coincidentally taking place in her issues of gender and sexuality; still, the artist herself is ambivalent Gowanus studio the day before the first Republican presidential about such claims, as is her right. -
Patricia Cronin All Not Lost
PATRICIA CRONIN ALL is NOT LOST PATRICIA CRONIN 1 PATRICIA CRONIN ALL is NOT LOST with essays by Helen Molesworth and Alexander Nemerov NEWCOMB ART GALLERY Tulane University 2 3 FOREWORD and ACKNOWLEDGMENTS 7 ALL is NOT LOST Love and Death in the Work of Patricia Cronin This catalogue is published in conjunction with Helen Molesworth Patricia Cronin: All Is Not Lost, an exhibition organized by the Newcomb Art Gallery, 11 Tulane University. Generous support for this exhibition and catalogue comes from The Andy Warhol Foundation for the Visual Arts. PLATES Additional funding provided by Sara Vance Waddell. 16 Copyright © 2012 by the Newcomb Art Gallery, Tulane University. All rights reserved. GHOSTS and SCULPTURE No part of this publication may be Harriet Hosmer and Patricia Cronin reproduced or transmitted in any manner whatsoever without written permission from the publisher. Alexander Nemerov Edited by Teresa Parker Farris 27 Designed and typeset by Beverly Joel, pulp, ink. Printed and bound by Shapco Printing, Inc. Minneapolis, MN ISBN-13 978-0-9668595-1-5 PLATES 33 photo credits Steven Bates: cover Tom Powell Imaging: pp. 8-9, 21, 25, 72 Rayographix: pp. 26, 31, 33–65 Lee Sandstead: pp. 10, 17, 18, 19, 22, 23 CHECKLIST OF THE EXHBITION 67 BIOGRAPHY 68 BIBLIOGRAPHY 70 4 5 FOREWORD and ACKNOWLEDGMENTS Charles M. Lovell director NEWCOMB ART GALLERY Patricia Cronin: All Is Not Lost presents the complete I would like to thank the artist Patricia Cronin for works from the Harriet Hosmer: Lost and Found series her enthusiastic support and cooperation in mak- (2004-2009) alongside the marble sculpture Memorial ing this exhibition available to the Newcomb Art To A Marriage (2002) from one of America’s foremost Gallery. -
A Day in the City of Pittsburgh
A Day in the City of PGH Commitment Pittsburgh MeetPITTSBURGH, a division of VisitPITTSBURGH, is proud to present the Pittsburgh Global Health (PGH) & Safety Commitment, which highlights the wide range of health and safety commitments put forward by our local hospitality and tourism communities. Now, more than ever, these communities are aligned, prioritizing the health and wellbeing of our residents and visitors. This mutual pledge demonstrates that our region is committed to exceeding the highest expectations when it comes to health and safety. As you move forward with plans for meetings and events in 2021 and beyond, continue to consider Pittsburgh. And remember - you have our commitment. The PGH Commitment. Explore Outdoors! Pittsburgh is full of outdoor adventure. Whether you choose to hike, bike, walk or simply relax and enjoy our spectacular outdoor views, there’s something for every outdoor enthusiast in Pittsburgh. See Pittsburgh from two wheels and take advantage of the city’s 24 miles of riverfront trails. Get a fantastic view from Pittsburgh’s famous three rivers aboard Gateway Clipper Fleet’s riverboat cruises. Looking for more adventure? Rent a kayak from Kayak Pittsburgh Downtown near PNC Park and the Roberto Clemente Bridge. The City of Pittsburgh also is home to 165 parks, ranging from regional parks to small neighborhood parklets. Point State Park, a National Historic Landmark at the confluence of the three rivers, has 36 acres to stroll and unbelievable views. Enjoy an Only-in-Pittsburgh Attraction There are countless reasons why Pittsburgh often makes the list of the world’s best places to visit, though the top spots are often reserved for our many Only-in-Pittsburgh attractions. -
The Progressive Pittsburgh 250 Report
Three Rivers Community Foundation Special Pittsburgh 250 Edition - A T I SSUE Winter Change, not 2008/2009 Social, Racial, and Economic Justice in Southwestern Pennsylvania charity ™ TRCF Mission WELCOME TO Three Rivers Community Foundation promotes Change, PROGRESSIVE PITTSBURGH 250! not charity, by funding and encouraging activism among community-based organiza- By Anne E. Lynch, Manager, Administrative Operations, TRCF tions in underserved areas of Southwestern Pennsylvania. “You must be the change you We support groups challeng- wish to see in the world.” ing attitudes, policies, or insti- -- Mohandas Gandhi tutions as they work to pro- mote social, economic, and At Three Rivers Community racial justice. Foundation, we see the world changing every day through TRCF Board Members the work of our grantees. The individuals who make up our Leslie Bachurski grantees have dedicated their Kathleen Blee lives to progressive social Lisa Bruderly change. But social change in Richard Citrin the Pittsburgh region certainly Brian D. Cobaugh, President didn’t start with TRCF’s Claudia Davidson The beautiful city of Pittsburgh (courtesy of Anne E. Lynch) Marcie Eberhart, Vice President founding in 1989. Gerald Ferguson disasters, and nooses show- justice, gay rights, environ- In commemoration of Pitts- Chaz Kellem ing up in workplaces as re- mental justice, or animal Jeff Parker burgh’s 250th birthday, I was cently as 2007. It is vital to rights – and we must work Laurel Person Mecca charged by TRCF to research recall those dark times, how- together to bring about lasting Joyce Redmerski, Treasurer the history of Pittsburgh. Not ever, lest we repeat them. change. By doing this, I am Tara Simmons the history that everyone else Craig Stevens sure that we will someday see would be recalling during this John Wilds, Secretary I’ve often heard people say true equality for all. -
The Warhol: Press Release
the warhol: press release Contact FOR IMMEDIATE RELEASE Jessica Warchall THE WARHOL LAUNCHES INCLUSIVE AUDIO GUIDE 412-237-8351 [email protected] Pittsburgh, PA, October 25, 2016 — warhol.org/museum/pressroom The Andy Warhol Museum announces the launch of its inclusive audio guide Out Loud developed in collaboration with the Innovation Studio at Carnegie Museums of Pittsburgh. Out Loud is available for free in the App Store, and it launches on site October 25, 2016. Out Loud is designed to be inclusive of museum visitors across abilities. For users who are blind or have low vision, it offers location-based content, screen reader optimization, and enlargeable text. It includes visual descriptions of Andy Warhol artworks and stories about Warhol’s life and art from scholars, curators, museum staff, and Warhol’s friends and family members, including archival audio. It also includes full audio transcripts. Image: Museum visitor using Out Loud “We’re excited to launch this app that is the direct result of working with community at The Warhol. members with visual impairments,” says Desi Gonzalez, The Warhol's manager of digital engagement. “Before we put a single design on paper or wrote a line of code, we talked to community partners who are blind or have low vision about what makes a good museum experience—and a good digital experience. We developed several prototypes along the way and brought in our partners to test them, allowing the feedback to shape the final product.” “I am very proud to live in a city where a gem, like The Andy Warhol Museum, takes accessibility for all individuals to the next level,” says Erika Arbogast, president of Blind & Vision Rehabilitation Services of Pittsburgh. -
Pittsburgh the Arts & Cultural Legacy of America’S Steel Town October 27 – 31, 2021 MUSEUM TRAVEL ALLIANCE
MUSEUM TRAVEL ALLIANCE Pittsburgh The Arts & Cultural Legacy of America’s Steel Town October 27 – 31, 2021 MUSEUM TRAVEL ALLIANCE Dear Travelers and Friends, Forged from steel, Pittsburgh has evolved from a gritty industrial center to a cosmopolitan arts mecca and one of America’s most livable cities. Over four nights in October 2021, join the Museum Travel Alliance for exclusive access to the wealth of museums, galleries, studios, and diverse architecture that now populate this revitalized urban landscape. Personal access to local experts and creators is one of the features of all the trips offered by the Museum Travel Alliance. On this program, you will travel in the company of esteemed guest lecturer Judith O’Toole, Director Emerita of the Westmoreland Museum of American Art, who will host a private reception and lecture for us at her exceptional museum. HIGHLIGHTS As you explore Pittsburgh’s illustrious history, RELIVE the Gilded Age with a behind-the- step back in time to its Gilded Age past on an scenes tour at Clayton, the 19th-century exclusive tour of Clayton, the art-filled former Victorian family home of industrialist Henry mansion of industrialist Henry Clay Frick. Join a Clay Frick, featuring a perusal of its Car and curator at the Carnegie Museum of Art to admire Carriage Museum, followed by a visit to the its distinguished collections. Discover the largest Frick Art Museum collection of pop-art masterpieces from Andy Warhol — one of Pittsburgh’s greatest native sons — IMMERSE yourself in Pittsburgh’s storied on a private tour of his eponymous museum. -
Art in the Age of the Coronavirus June 6 - December 12, 2020
Life During Wartime: Art in the Age of the Coronavirus June 6 - December 12, 2020 Deborah Kass “I use history as a readymade,” Deborah Kass has declared. “I use the language of painting to talk about value and meaning. How has art history constructed power and meaning? How has it reflected the culture at large? How does art and the history of art describe power?” Most discourses around power and meaning today are—or should be—undergoing serious reconsideration. Theories of knowledge have bent to the breaking point. The combined weight of political instability, alternative facts, a growing rejection of science and the destabilizing effects of the Covid-19 pandemic, as well as the growing use of state violence, have mined the confidence of people around the world but of Americans especially. Enter Deborah Kass’s Feel Good Paintings For Feel Bad Times. A set of canvases that use language and the sanctioned stylings of celebrated male artists to express key cultural conflicts, they marshal wit and graphic punch to force a confrontation between the canonical (the orthodoxies established by male artists) and the disruptive (their appropriation by a female artist). The results are demystifying, cutting, and often hilarious. They are also hopeful. At times being funny is simply saying what’s true. — CVF, USFCAM Deborah Kass, Isn’t It Rich, 2009. Oil and acrylic on canvas. 72 x 72 in. (182.88 x 182.88 cm). Courtesy of the artist and Kavi Gupta, Chicago, IL. Photo by Christopher Burke. Deborah Kass, Painting With Balls, 2005. Oil on linen. 84 x 60 in. -
20Th Annual March 18-21, 2021
Center for Russian, East European, and Eurasian Studies Slovak Studies Program Czechoslovak Studies Association Slovak Studies Association 20th Annual Czech and Slovak St udies Workshop March 18-21, 2021 Special Event s Thursday, March 18, 2021 | 7:00 pm (EDT) Learn about the University of Pittsburgh?s Slovak Studies Program. Explore t he Universit y of Pit t sburgh's Nat ionalit y Room s Pitt undergraduate students from Professor Jan Musekamp?s Nationalism class will continue the tour with presenting the Czechoslovak and the Austrian Join Nationality Rooms Tour Coordinator Michael Walter for a brief tour of several Nationality Rooms. They have worked in small groups, researched the history of Nationality Rooms, examine their decoration and interconnections, and gain those rooms and analyzed how they fit into the broader concept of nationality insight into the origins of the Nationality Rooms Program at the University of rooms in the University of Pittsburgh?s Cathedral of Learning. As an additional Pittsburgh. This presentation will also share some perspectives on different step, they will present the rooms from the perspective of nationalism studies. Pittsburgh communities' association with their background vis-à-vis unique architectural expressions housed on Pitt?s campus. REGISTER Friday, March 19, 2021 | 7:00 pm (EDT) Join us for an exploration of Byzantine iconography and Andy Warhol?s art. Iconography and Andy Warhol SPEAKERS: Very Reverend Mitred Archpriest Marek Visnovsky The artist, revolutionary, and cult leader of the Pop Art movement, Andy Warhol Vicar General of the Eparchy of Parma masterfully explored the relationship between artistic expression, advertising, Donald G. -
TRIB LIVE | Aande
TRIB LIVE | AandE Artist displays her Warhol roots By Kurt Shaw Published: Saturday, November 3, 2012, 9:03 p.m. Updated: Sunday, November 4, 2012 Many artists strive to replicate the success of Andy Warhol, but few have replicated his art like Deborah Kass. The New York City-based artist spent eight years working in the vein of the Pop Art king, only to create something uniquely her own. “There’s no artist of my generation for whom Andy is not an influence. I mean, he was huge in everyone’s consciousness,” says Kass, a 1974 graduate of Carnegie Mellon University’s art department. Kass, who was born and raised in Long Island, says Warhol was a big reason she chose to attend Carnegie Mellon. But it wouldn’t be until nearly 20 years later that she would mine the artist’s oeuvre for ideas and inspiration. Now, the artist and her influence meet again, but in a different way. Just last weekend, Kass, 60, was in town for the opening of her first retrospective, “Deborah Kass: Before and Deborah Kass‘Before and Happily Ever After’ 1991 Happily Ever After.“ And it’s on display at, where else, The Andy Warhol Museum. At first glance, you might be hard pressed to tell a Warhol from a Kass, especially on the fourth floor of the museum where no fewer than 10 Warhol-inspired portraits by Kass of her friends hang alongside nearly as many by Warhol. There’s Warhol’s portrait of his friend, Victor Hugo, next to Kass’ friend, Norman Kleeblatt, fine-arts curator at the Jewish Museum in NewYork. -
Painter Deborah Kass Looks Back on Her Two-Decade Career with a New Show on the Way, Deborah Kass Weighs in on Channeling Louise Bourgeois, Andy Warhol and More
Painter Deborah Kass looks back on her two-decade career With a new show on the way, Deborah Kass weighs in on channeling Louise Bourgeois, Andy Warhol and more By Paul Laster Postered: Wednesday December 2 2015 Photograph: Rayon RIchards Deborah Kass A feminist artist who mines art history, pop culture and her own Jewish identity, Deborah Kass appropriates iconic images, quotes and song lyrics and makes them her own. Her paintings often critique the male-centric character of 20th-century art by putting a satirical spin on the efforts of famous male artists, from Picasso and Jackson Pollock to David Salle and Ed Ruscha. Andy Warhol has proven to be an especially fertile subject: Kass’s best-known works include parodies of his “Elvis” paintings and portraits of Liz Taylor, which ironically led to a 2012 retrospective at the Andy Warhol Museum in Pittsburgh. Fresh off the unveiling of her public art sculpture, OY/YO, at Brooklyn Bridge Park, she’s readying a solo show for Paul Kasmin Gallery, which features the latest entries in her sharp and thought-provoking oeuvre. The best of Deborah Kass Portrait Of The Artist As A Young Man (1991) “For this piece, I was riffing on someone who I thought was a very important artist: David Salle. But I was coming at his work from a feminist perspective: There’s a male figure instead of the female one in the Salle painting I borrowed from, and I overlaid a portrait of Picasso. The abstraction above refer- ences Jackson Pollock, another artist I’ve appropriated, while the title comes from James Joyce.” Photograph: Courtesy the artist/Paul Kasmin Gallery Four Barbras (1992) “When I made this painting in 1992, multiculturalism and identity issues were the topics of the day. -
Deborah Kass Artist Interview – Why Que...Ah Kass Sees Much More
CR FASHION BOOK WHY QUEER ARTIST DEBORAH KASS SEES MUCH MORE WORK TO BE DONE THE ART PIONEER SPEAKS WITH CR ABOUT REWRITING WOMEN’S PLACE IN HISTORY AND WHY FEMINIST PROGRESS IS JUST BEGINNING BY JENNIFER SAUER JUN 4, 2020 PHOTO COURTESY OF KAVI GUPTA GALLERY. ARTIST RIGHT SOCIETY/ARS. eborah Kass takes in the world around her and distills it meaningfully into her artwork. This process was how she found her creative voice— D using the language of art history as a starting point for her own expression. Her practice has spanned more than five decades across painting, photography, sculpture—even neon light installations. But her most recognized style is often a pop cultural spin on the artistic greats who came before her—from Eugène Delacroix and Pablo Picasso to Jasper Johns and Jackson Pollock. In both homage and critique, Kass’ paintings rewrite their work through her lens, infusing them with Disney cartoons, female artist icons, and texts on gender and identity. “BLACK +BLUE #2,” 2015 PHOTO COURTESY OF KAVI GUPTA GALLERY. ARTIST RIGHT SOCIETY/ARS. PHOTO COURTESY OF GRACE ROSELLI PANDORA BOXX PROJECT. The Texas-born artist (b. 1952) found worlds of inspiration in New York, the city where she was raised. By the time she was in grade school, Kass decided to pursue an art career. She took drawing classes at The Art Students League and spent hours in the city’s storied museums—which now aptly house her own artworks. She pursued her dream through drawing classes at The Art Students League and hours spent in the city’s storied museums—which now aptly house her own artworks. -
CRITICAL PERSPECTIVES on ARTS, POLITICS, and CULTURE NOVEMBER 2012 Patricia Cronin with Phong Bui
CRITICAL PERSPECTIVES ON ARTS, POLITICS, AND CULTURE NOVEMBER 2012 Patricia Cronin with Phong Bui While preparing for her forthcoming solo show Dante: The Way of All Flesh at fordProject (November 8 – December 21, 2012) Patricia Cronin welcomed Rail publisher Phong Bui to her Gowanus studio one late Sunday morning to view the new body of work and to discuss her art and life. Phong Bui (Rail): You are one of very few artists whose bibliography is vaster than your exhibition history. How do you account for this? [Both laugh.] Patricia Cronin: Yes, it’s true. You make the work you believe in and oc- casionally when people want to show it, they show it. But whenever my work is shown, whether in solo or group shows, writers have always responded to it. The imbalance is interesting. Lee Bontecou, my professor when I was in graduate school at Brooklyn College, used to tell me: “Make the best decisions for the work.” And that’s what I’ve done. I haven’t thought about Portrait of the artist. Pencil on paper by Phong Bui. the reception of the work, which can be very deceptive and unpredictable. Instead, it should only be about you, the work, and the history of art of the past as well as the present day. I’ve tried to focus on those conditions, Rail: Why Brooklyn College? Just because it’s in New York? and I’ve kept reminding myself that the artist’s job is to look out, to see Cronin: Because both Philip Pearlstein and Lee Bontecou were teaching the world as incomplete, then try to complete it in my studio.