CATALOG 2015

www.vgs-guitars.com 100 101

Changes and errors excepted colour variations may occur due to printing techniques. GEWA music GmbH, Oelsnitzer Str. 58, D-08626 Adorf Tel. +49 (0) 37423 - 778 333, Fax +49 (0) 37423 - 778 93 33

[email protected], www.gewamusic.com P501.413 Item-No: AN EYE FOR DETAIL 6 – 10...... Root Series – Made in Europe PRO 11...... Selection 64...... RoadCruiser OUR MAIN GOAL FOR OUR INSTRUMENTS ISN’T ANOTHER

MEANINGLESS DESIGN. WE AIM RATHER TO CONVINCE YOU 12 – 17...... Bayou 65 – 67...... Stage WITH OUR CLOSE ATTENTION TO DETAIL AND ENSURING THAT THE HIGHEST QUALITY STANDARDS ARE MET TO COPE WITH 18 – 21...... Grand Bayou 68 – 76...... Eruption THE RIGOURS OF EVERYDAY USE. 22 – 26...... Rose 77 ...... Screech WE JUST LOVE THE CHALLENGE OF CHARMING THE NATU- RAL SOUNDS OUT OF A PIECE OF WOOD WHILST COMBINING ACOUSTIC 27 – 31...... Belle Rose 78...... Spirit TRADITIONAL DESIGNS WITH WELL THOUGHT OUT DETAILED 79 – 81...... Radioactive SOLUTIONS.

ELECTRIC 82...... E-Bass IN THIS FAST MOVING WORLD WE MAKE SURE THAT ENOUGH CARE, ATTENTION AND TIME IS GIVEN THROUGHOUT THE SELECT WHOLE PRODUCTION PROCESS TO PROVIDE OUR CUSTOMERS WITH THE LONG-LASTING QUALITY INSTRUMENTS THEY NEED. 38 – 39...... RoadCruiser CLASSIX

OUR IDEAS, INSPIRATION AND CHALLENGES COME DIRECTLY 40 – 41...... SkyCruiser 83 – 84...... RoadCruiser content FROM MUSICIANS AND WE TAKE GREAT DELIGHT IN SEEING 42...... Screech ...... SkyCruiser THESE IDEAS TURNED INTO REALITIES, PLUS IT’S A GREAT 85 JOY FOR US TO SEE AN INSTRUMENT GO FROM THE DRAWING 43 – 44...... Soulmaster 86...... Soulmaster BOARD TO THE CONCERT ARENA.

45...... Cobra 87...... Cobra WE WILL STAY “TUNED” AND WE WILL KEEP ON GIVING YOUNG AND INNOVATIVE IDEAS A CHANCE AND IN SO DOING SEE 46...... Stage 88...... Eruption 2 THEM BECOME ACCESSIBLE TO ALL BY STAYING AFFORDABLE. 3 ON THAT “NOTE” - „KEEP ROCKING“. 47 – 56...... Eruption 89...... E-Bass

57 – 58...... Mustang 90 – 95...... Effect Pedals YOURS TRULY, 59 – 63...... E-Bass 99...... Hardware & Electronics ELECTRIC ELECTRIC ACOUSTIC SERIES

The VGS ROOT series guitars in classic Dreadnought shapes with solid tops make perfect workhorses in any situation. The VGS Avalanche bridge shape ensures sufficient pressure and optimal sound transmission from the string to the top and body. The electro-acoustic models are equipped with well-known Fishman electronics including a built-in chromatic tuner. Express your feelings with these reliable and affordable pieces of art! Made in Europe.

The VGS BAYOU series is characterized by the well-established combination of solid spruce tops on back and sides made from mahogany. Centrepiece of the different body shapes is the asymmetric „Sound Control Bridge“ that allows for a harmonized mass and frequency distribution. Exciting details and unique decorations make sure that great sound comes along with an outstanding feel.

The VGS GRAND BAYOU series let‘s you feel and hear the beauty of wood and nature in all its splendour. The open-pored finish as well as the parabolic, braceless back provide a basis for the clear vibration charac- teristics of these guitars. All this is completed by the asymmetric „Sound Control Bridge“ with its harmonized mass and frequency distribution. This series is completely made in Europe - including the state-of-the-art ACOUSTIC machine heads from Schaller, Germany. The VGS ROSE series features the classic combination of spruce and rosewood available in some of the most popular body shapes throughout the history of guitar making. The graceful acoustic sound of the solid SERIES top is even enhanced by the „Katayama Acoustic Chamber“. This non-electronic component inside the guitar acoustic produces a natural surround sound and a balanced frequency distribution. All this is completed by the asym- metric „Sound Control Bridge“ and the love for cosmetic details typical for these guitars.

The VGS BELLE ROSE series grants you maximum sound and feel under all conditions. If it is the parapolic, braceless back, the sound-enhancing „Katayama Acoustic Chamber“ or the asymmetric „Sound Control Bridge“ - all these unique details contribute to a balanced sound projection and a harmonious overall perfor- mance. The solid European spruce top, paired with back and sides from Indian rosewood, sets the basis for VGS Acoustic Guitars represent the virtuoso accomplishment this exceptional acoustic guitar experience 100% made in Europe. German made Schaller machine heads of acoustic guitars in proven style. ensure reliable tuning stability and the B-Band electronics with jack- and XLR-outputs are the power source for on-stage sessions with the electro-acoustic models. 4 Body shapes, wood selection and construction are optimally 5 attuned for guitars with distinctive design. AMERICAN ROOTS - MADE IN EUROPE Root

The VGS Root Series combines the construction of the American acoustic guitar with the tradition of European guitar making. Mini Dreadnought, travel guitar The development team, consisting of guitar makers, musicians and designers, is based in the so called “Musikwinkel“ (= „musi- Solid Spruce top cal corner“) in the Saxon Vogtland - the centre of traditional European instrument making. The father of the modern acoustic guitar, C.F. Martin, was also domiciled here, before he went to the New World and laid the foundation for the instrument that we Mahogany back and sides RT-Voyage know today. Mahogany neck, Rosewood fingerboard and bridge Dovetail neck/body joint This, along with the extensive know-how in developing musical instruments, inspired us at VGS to produce high-grade acoustic  guitars in Europe. Traditional handiwork and love for detail are as much in the fore as the use of state-of-the-art machinery and Scale 570 mm, nut width 43 mm latest technology. The solid tonewood tops from European spruce are naturally dried for years and hand-selected. The top brac- Bonoid nut and bridge inlay ing was custom-attuned to the desired Root sound. The result are guitars with a constant quality of sound and manufacturing, VGS „Avalanche“ bridge produced in an environment that reflects our high demand for guitar making that is socially and ecologically compliant. Chrome plated machine heads Optima strings, made in Germany With gig bag

The instruments of the VGS Root Series are made of American Roots: solid tops with traditional x-bracing … which was especially adapted for VGS Roots. handselected, naturally dried tonewoods. root root

VGS Root guitars combine traditional European hand- with latest technology … and modern production methods. work … natural satin open pore VG500.291 6 7 made in europe

The passion for detail can be seen and felt throughout … the entire production process. Root

Dreadnought Electro-Acoustic Dreadnought R Solid Spruce top Solid Spruce top RT-10E T-10 CE Mahogany back and sides Mahogany back and sides Mahogany neck, Rosewood fingerboard and bridge Mahogany neck, Rosewood fingerboard and bridge

ovetail neck body joint  ovetail neck body joint D / D / / RT-10 Scale 650 mm, nut width 43 mm Scale 650 mm, nut width 43 mm Bonoid nut and bridge inlay Bonoid nut and bridge inlay VGS „Avalanche“ bridge VGS „Avalanche“ bridge Chrome plated machine heads Chrome plated machine heads Optima strings, made in Germany Optima strings, made in Germany

Fishman Isys+

with integrated tuner root Fishman Presys with integrated tuner root

made in europe made in europe 8 9

natural satin aged sunburst natural satin natural satin black VG500.301 VG500.306 VG500.310 VG500.321 VG500.329 Root Acoustic Selection

Electro-Acoustic Stage model with cutaway VGS V-1 acoustic guitar with solid Spruce top

Solid Spruce top Back and sides Mahogany, cream-white bindings Selection Mahogany back and sides Mahogany neck, Rosewood fingerboard, Rosewood bridge Mahogany neck, Rosewood fingerboard and bridge 1 gig bag with 5 mm high-density foam padding Dovetail neck/body joint 1 automatic VGS IT-30 tuner with input jack and integrated microphone RT-S Scale 650 mm, nut width 43 mm Bonoid nut and bridge inlay VGS „Avalanche“ bridge Chrome plated machine heads Optima strings, made in Germany Fishman Isys+ with integrated tuner root

made in europe natural satin 10 VG500.390.800 11

natural satin black VG500.401 VG500.408 Bayou

Dreadnought Electro-Acoustic Dreadnought with Cutaway

Solid Spruce top Solid Spruce top B-10 CE Mahogany back and sides Mahogany back and sides Mahogany neck, Rosewood fingerboard and bridge Mahogany neck, Rosewood fingerboard and bridge Scale 648 mm, nut width 43 mm, 2-way truss rod Scale 648 mm, nut width 43 mm, 2-way truss rod B-10 Bonoid saddle and bridge inlay Bonoid saddle and bridge inlay Wooden soundhole rosette Wooden soundhole rosette Chrome-plated machine heads, black ebonite buttons Chrome-plated machine heads, black ebonite buttons black binding along Black pickguard, enclosed Black pickguard, enclosed black binding along body, head plate with Fishman Isys+ with integrated tuner body, head stock with maple binding maple binding bayou

maple binding on body bayou maple binding on and head stock body and head stock

12 13

natural satin satin black satin black natural satin VG500.500 VG500.508 VG500.518 VG500.510 Bayou

Electro-Acoustic Grand Auditorium with cutaway Electro-Acoustic Jumbo with Cutaway

Solid Spruce top Solid Spruce top B-90 CE Mahogany back and sides Mahogany back and sides Mahogany neck, Rosewood fingerboard and bridge Mahogany neck, Rosewood fingerboard and bridge Scale 648 mm, nut width 43 mm, 2-way truss rod Scale 864 mm, nut width 42 mm, 2-way truss rod B-20 CE Bonoid saddle and bridge inlay Bonoid saddle and bridge inlay Wooden soundhole rosette Wooden soundhole rosette Chrome-plated machine heads, black ebonite buttons Chrome plated machine heads, black buttons Black pickguard, enclosed Black pickguard, enclosed Fishman Isys+ with integrated tuner Fishman Isys+ with integrated tuner Black binding along body, head stock with Maple binding

black binding along body, head stock with maple binding bayou maple binding on body and head stock bayou

natural satin 14 VG500.590 15

natural satin natural satin satin black VG500.520 VG500.521 VG500.528 KATATONIA Bayou ANDERS NYSTRÖM

Electro-Acoustic Jumbo with Cutaway, 12-string Solid Spruce top Mahogany back and sides Mahogany neck, Rosewood fingerboard and bridge Scale 648 mm, nut width 48 mm, 2-way truss rod B-40-12 CE Bonoid saddle and bridge inlay Wooden soundhole rosette Chrome-plated machine heads, black ebonite buttons Black pickguard, enclosed Fishman Isys+ with integrated tuner Black binding along body, head stock with Maple binding artist bayou

natural satin VG500.540 16 17 Grand Bayou

Dreadnought Electro-Acoustic Dreadnought with Cutaway GB-12 CE Solid Cedar top Solid Cedar top Mahogany back and sides Mahogany back and sides Arched back without bracing Arched back without bracing Cedro neck, Rosewood fingerboard and bridge Cedro neck, Rosewood fingerboard and bridge GB-12 Scale 650 mm, nut width 44 mm Scale 650 mm, nut width 44 mm Bonoid saddle and bridge inlay Bonoid saddle and bridge inlay Wooden soundhole rosette Wooden soundhole rosette Chrome-plated Schaller M6 machine heads, Chrome-plated Schaller M6 machine heads, black synthetic buttons in ebony look black synthetic buttons in ebony look Maple binding on body and head stock Maple binding on body and head stock Transparent pickguard, enclosed Transparent pickguard, enclosed Fishman Presys+ with integrated tuner

grand bayou

bayou

grand natural satin open pore VG500.802 natural satin open pore VG500.812 18 19 made in europe made in europe Grand Bayou

Electro-Acoustic Grand Auditorium with cutaway Mini-Jumbo Solid Cedar top Solid Cedar top

Mahogany back and sides Mahogany back and sides GB-32 Arched back without bracing Arched back without bracing Cedro neck, Rosewood fingerboard and bridge Cedro neck, Rosewood fingerboard and bridge GB-22 CE Scale 650 mm, nut width 44 mm Scale 650 mm, nut width 44 mm Bonoid saddle and bridge inlay Bonoid saddle and bridge inlay Wooden soundhole rosette Wooden soundhole rosette Chrome-plated Schaller M6 machine heads, Chrome-plated Schaller M6 machine heads, black synthetic buttons in ebony look black synthetic buttons in ebony look Maple binding on body and head stock Maple binding on body and head stock Transparent pickguard, enclosed Transparent pickguard, enclosed Fishman Presys+ with integrated tuner grand bayou

bayou

grand natural satin open pore VG500.822 natural satin open pore VG500.832 20 21 made in europe made in europe Rose

Our Rose- and Belle-Rose-Series VGS-Guitars are equipped with a Dreadnought sound-enhancing Katayama Acoustic Chamber. Solid Spruce top Back and sides Rosewood This provides: R-10 Mahogany neck, Rosewood fingerboard and bridge ~ balanced frequency accentuation, especially in bass and mid range frequencies. Scale 648 mm, nut width 43 mm, 2-way truss rod ~ mature sound, like a guitar that has been played for many years. Katayama Acoustic Chamber ~ longer sustain and constant level of decay ut and bridge inlay made of bone ~ widespread sound projection. N ~ mild and mellow character. Wooden soundhole rosette ~ clear and fast sound projection. Chrome-plated machine heads, black ebonite buttons ~ silky natural reverb. Black binding along body, cream coloured purfling at back and sides, head stock with Maple binding Transparent pickguard, enclosed rose katayama

dB

-1 Frequency Analysis Frequency Analysis LEFT -2 -4 dB dB -7 -10 -10 -10 -16 with Acoustic Chamber -90 -16 -20 -20 -10 -7 -30 Green = with AC-1 -30 -4 -2 -40 Yellow = Normal -40 -1 -50 -50 -1 -2 RIGHT -60 -4 Green = with AC-1 -60 -7 -10 Yellow = Normal -70 -70 -16 -90 -80 -80 Normal -16 -10 -7 -4 Hz 171 343 687 1375 2750 5500 11000 Hz 2000 4000 6000 8000 10000 12000 14000 16000 18000 20000 -2 natural gloss / satin neck -1 Freq: 5124 hz Type: Normal Freq: 8325 hz Type: Linear [ Test by Jeri ] 22 hms 0:25.0 0:50.0 1:15.0 1:40.0 2:05.0 2:30.0 2:55.0 3:20.0 3:45.0 4:10.0 4:35.0 Value: 0 dB FFT Size: 256 [ Test by Jeri ] Value: 0 dB FFT Size: 256 VG501.300 23

SOUND WAVEFORM GRAPH FREQUENCY ANALYSIS GRAPH FREQUENCY ANALYSIS GRAPH Played guitar song »Sakura no Shirase« Played guitar song »Sakura no Shirase« Played guitar song »Sakura no Shirase« on same pattern on same pattern on same pattern Horizontal direction = Time Ruler Green = with AC-1/Yellow = without AC (Normal) Green = with AC-1 / Yellow = without AC (Normal) (Unit = MM:SS) Horizontal direction = Frequency Ruler (Unit = Hz) Horizontal direction = Frequency Ruler (Unit = Hz) Vertical direction = Amplitude Ruler Vertical direction = Amplitude Ruler (Unit = dB) Vertical direction = Amplitude Ruler (Unit = dB) (Unit = dB/-90 to 0 dB) Graph type = Normal Graph type = Linear Rose

Electro-Acoustic Dreadnought with Cutaway Electro-Acoustic Grand Auditorium with cutaway

Solid Spruce top Solid Spruce top R-20 CE Back and sides Rosewood Back and sides Rosewood Mahogany neck, Rosewood fingerboard and bridge Mahogany neck, Rosewood fingerboard and bridge Scale 648 mm, nut width 43 mm, 2-way truss rod Scale 648 mm, nut width 43 mm, 2-way truss rod R-10 CE Katayama Acoustic Chamber Katayama Acoustic Chamber Nut and bridge inlay made of bone Nut and bridge inlay made of bone Wooden soundhole rosette Wooden soundhole rosette Chrome-plated machine heads, black ebonite buttons Chrome-plated machine heads, black ebonite buttons Black binding along body, cream coloured purfling at back Black binding along body, cream coloured purfling at back and sides, and sides, head stock with Maple binding head stock with Maple binding Transparent pickguard, enclosed Transparent pickguard, enclosed Fishman Presys+ with integrated tuner Fishman Presys+ with integrated tuner rose rose

natural gloss / satin neck VG501.310

natural gloss / satin neck 24 VG501.320 25 Rose Belle Rose

Orchestra model Dreadnought Solid Spruce top Solid Spruce top

Back and sides Rosewood Back and sides Rosewood BR-10 Mahogany neck, Rosewood fingerboard and bridge Arched back without bracing Scale 648 mm, nut width 45 mm, 2-way truss rod Cedro neck, Rosewood fingerboard and bridge R-50 Katayama Acoustic Chamber Scale 650 mm, nut width 44 mm Nut and bridge inlay made of bone Katayama Acoustic Chamber Wooden soundhole rosette Wooden soundhole rosette Chrome-plated machine heads, black ebonite buttons Chrome-plated Schaller M6 machine heads, black synthetic buttons Black binding along body, cream coloured purfling at back in ebony look and sides, head stock with Maple binding Black binding along body, cream coloured purfling at back and sides, Transparent pickguard, enclosed head stock with Maple binding Transparent pickguard, enclosed belle

rose rose

natural gloss / satin neck VG501.350 natural gloss / satin neck VG501.800 26 27 made in europe DRONE Belle Rose MORITZ (MUTZ) HEMPEL

Electro-Acoustic Grand Auditorium with cutaway Solid Spruce top Back and sides Rosewood Arched back without bracing Cedro neck, Rosewood fingerboard and bridge BR-20 CE Scale 650 mm, nut width 44 mm Katayama Acoustic Chamber Bonoid saddle and bridge inlay Wooden soundhole rosette Chrome-plated Schaller M6 machine heads, black synthetic buttons in ebony look Black binding along body, cream coloured purfling at back and sides, head plate with Maple binding Transparent pickguard, enclosed B-Band UST pickup and T55 pre-amp with integrated tuner; artist jack and XLR outlet rose

belle natural gloss / satin neck VG501.820 28 29 made in europe INDEPENDENT Belle Rose NEIL TAYLOR

Electro-Acoustic Mini-Jumbo Solid Spruce top Back and sides Rosewood Arched back without bracing Cedro neck, Rosewood fingerboard and bridge BR-30 E Scale 650 mm, nut width 44 mm Katayama Acoustic Chamber Bonoid saddle and bridge inlay Wooden soundhole rosette Chrome-plated Schaller M6 machine heads, black synthetic buttons in ebony look Black binding along body, cream coloured purfling at back and sides, head plate with Maple binding Transparent pickguard, enclosed B-Band UST pickup and T55 pre-amp with integrated tuner;

jack and XLR outlet artist rose

belle natural gloss / satin neck VG501.830 30 31 made in europe ELECTRIC SERIES

The VGS SELECT Series embodies affordable pro-quality. Selected wood, EMG HZ pickups or especially developed VGS pickups as well as professional hardware are being processed. On top, models of the VGS Select Series are also available with the cutting-edge Evertune bridge system - absolutely unique in this price range! All this combined with a sense of playing usually connected with instruments that are considerably more expensive - welcome to the professional middle class!

The VGS PRO Series reflects manufacturing at the highest level. The hardware comes from well-known sup- pliers like Schaller and Wilkinson. In addition, some models are also available with the cutting-edge Evertune bridge or innovative True-Temperament-Fretting system. Legendary pickups of EMG and Seymour Duncan or models of the custom manufacturer Bare Knuckle are put to work. And we made no cutbacks with the choice of wood. All in all, these are high-class instruments made for the professional use in studio and on stage. ELECTRIC The VGS CLASSIX series offers classic guitar designs at a very fair price-performance-ratio. Notwithstanding SERIES the appealing price, important features like Korean-made high-quality pickups, selected hardware and high electric playing comfort are not forgone.

VGS Electric Guitars close the gap between latest innovation and timeless style.

32 A variety of different series and shapes for different require- 33 ments, yet every single model pursuing the goal of our vision. Select your Shape! Also available with Evertune bridge

Also available with Also available with Evertune bridge Evertune bridge shapes

Also available with Evertune bridge shapes

Also available with Also available with 34 Evertune bridge Evertune bridge 35

Eruption Radioactive Stage Screech Soulmaster Roadcruiser Spirit Mustang SkyCruiser Cobra Tune Once - Play Forever True Temperament - frets of the future!

EverTune bridge systems work on a purely mechanical basis and keep your guitar automatically in tune after a one-time There’s really nothing like the True Temperament Fretting System in the world of adjustment. Also, when changing strings and using the same string gauge by the same string producer. After mounting the guitars. This heavenly gift to all guitarists struggling to get a perfect intonated guitar new strings, they can be put into the same setting as the previous set of strings quickly and easily by some turns of the ma- is just unbelievable. chine heads. For instance: all minor and major chords in the lower position sound amazing, and The basic functions of the EverTune systems are based on trigonometry and some rudimentary physics: Each string has, what’s even more amazing - the same open chords played an octave up also ring when correctly tuned, a steady tension. The EverTune system employs a spring, that – when correctly adjusted – counter- out perfectly in tune. acts the respective string with the same tension. Changes in tension, like straining the material or slight de-tunings at the machine heads are now automatically balanced. So what’s wrong with straight frets? Standard equal tempered fret spacing is calcu- The EverTune is split into six segments with six single springs – one segment being responsible for a string. If a string snaps lated from one single piece of information about the instrument - the scale length. the tuning of the other strings will not be affected. External influences like cold (off-stage) and warmth (on-stage) are offset However the frequency of a vibrating string is determined by three factors: the spea- by the system. king length, its mass, and the tension applied. All three of these factors are affected to varying degrees when a string is pressed down on a fret.

The only way to fully compensate for these parameters is to adjust each and every string-to-fret contact point on the fingerboard separately, until each and every note plays the target frequency exactly. This - which is impossible on a guitar with tradi- tional, one-piece, straight frets - is exactly what True Temperament does, with Dyna- mic Intonation-, and Curved Frets. tt Turn until the note Use key to tune Turn head until the Move head

stays the same the guitar here note goes sharp half a turn back The Swedish inventor Anders Thidell spent over 15 years developing Curved Frets

1 2 3 4 fretting You are now in This is the bend stop the „sweetspot“, you are ready to play and Dynamic Intonation. It all started years ago when Anders had his own trio Elec- free floating tric Church and couldn’t get the sound he heard inside his head, no matter what guitar he tried. Anders then realised that the fretboard had to be modified with 31 Changing strings position (distance from the farthest stop ca. 2mm), the system is curved frets to get the exact intonated positions.

evertune • guide the strings from behind through the designated holes activated, even bendings are adjusted by the system, there will be • turn the machine head until you reach the sweet-spot, do the set-up no changes in sound while bending the strings. The set-up of the In 2005 he teamed up with veteran guitar builder/technician Paul Guy - an interna- of the guitar guitar is done in the sweet-spot. By using the provided hex-wrench • turn the machine head until the bend-stop (proceed as described it is possible to adjust string-action, intonation and tuning of the tionally acknowledged authority in the field of guitar tuning - who convinced him to below) instrument. develop a temperament using 12 notes per octave, instead of the 31 he came up with before. The result ended up in Thidell Formula 1 - a 12 note per octave well- Back-stop Bend-stop • The single saddles are in the far stop position, the system is out of 36 • The machine heads of the single strings are turned until the tuning temperament. Together they developed the system into what True Temperament is 37 action and works like any other bridge. of the single strings switches to the next higher note; now turn back today. Sweet-spot a quarter and you are in the bend-stop mode, the system is still • By turning the machine head the saddles are put into a floating active and you can play various bendings as usual. Looks organic, feels natural, sounds divine! RoadCruiser VST-110

Solid, American Alder body Solid, American Alder body Roadcruiser Bolt-on, 1-piece Maple neck, matt vintage finish Bolt-on, 1-part Maple neck, matt vintage finish 25,5“ = 648 mm scale, 43 mm neck width at nut 25,5“ = 648 mm scale, 43 mm neck width at nut Rosewood fingerboard, 22 frets Rosewood fingerboard, 22 frets 2 VGS SouthDrive SCA-10 Single-coils, 1 VGS SouthDrive HBA-10 Passive EMG HZ pickups: 2 x SC-1 Single-coils, 1 x OC-1B Humbucker Roadcruiser Humbucker 5-way switch, Master volume, Master tone 5-way switch, Master volume, Master tone Standard 2-point vibrato Standard 2-point vibrato 3-ply pickguard 3-layer tortoise pickguard Diecast machine heads Diecast machine heads Chrome plated hardware Chrome plated hardware select select

wintery white 38 VG503.000 39

faded tobacco burst mint green faded black relic tobacco burst faded black VG503.010 VG503.012 VG503.015 VG503.020 VG503.015.999 SkyCruiser VTC-100

Solid, American Alder body, Ash top Solid, American Alder body SkyCruiser Bolt-on, 1-part Maple neck, matt vintage finish Bolt-on, 1-part Maple neck, matt vintage finish 25,5“ = 648 mm scale, 42 mm neck width at nut 25,5“ = 648 mm scale, 42 mm neck width at nut Rosewood fingerboard, 21 frets Rosewood fingerboard, 21 frets 1 VGS Tucson TFA-1, 1 VGS Tucson TRA-1 pickup 1 VGS Tucson TFA-1, 1 VGS Tucson TRA-1 pickup SkyCruiser 3-way switch, master volume, master sound 3-way switch, master volume, master sound 3-ply pickguard 3-ply pickguard Kluson-Style machine heads Kluson-Style machine heads Evertune Bridge System Antique silver hardware (used optic) Nickel plated hardware select select

classic 3-tone sunburst VG503.040.999 relic 3-tone sunburst VG503.045 40 41 made in europe Screech Soulmaster

Solid Basswood body Solid, Nato body Soulmaster Bolt-on Maple, Rosewood fingerboard, 24 jumbo frets Bolt-on Maple neck, matt finish 25,5“ = 648 mm scale, 43 mm nut width 25,5“ = 648 mm scale, 42 mm nut width Reversed headstock Rosewood fingerboard, 24 frets Master volume, master tone, 3-way switch 2 VGS Backdraft HBC-10 humbucker Screech Floyd Rose licensed Vibrato 3-way switch, master volume, master tone (Push-Pull for Coil-Split) Diecast machine heads Evertune Bridge System 2 VGS Backdraft HBC-10 humbucker, broad frequency range with Diecast machine heads strong sustain Black hardware Black hardware select select

black VG503.100 satin black metallic VG503.280.999 42 43 Soulmaster Cobra

7-string Solid Basswood body Solid, Nato body Figured Maple top   Bolt-on Maple neck, matt finish 24,75“ = 630 mm scale, 43 mm nut width Cobra Scale 25,5“ = 648 mm, nut width 48 mm VGS-V-inlay in pearl 12-fret Rosewood fingerboard, 24 frets Tune-O-Matic bridge, Stop-Tailpiece Soulmaster 2 VGS Backdraft HBC-10 / 7 humbucker Diecast machine heads 3-way switch, master volume, master tone (Push-Pull for Coil-Split) Bolt-on Maple, Rosewood fingerboard binding, 24 jumbo frets Evertune Bridge System 2 VGS SouthDrive HBA-10 open coil Super Distortion Humbucker Diecast machine heads Master volume, master tone, 3-way switch Black hardware Platinum hardware select select

satin black metallic VG503.281.999 charcoal-black VG503.300 44 45 Stage One Eruption

Solid, Nato body Solid Basswood body, flat top Bolt-on Maple neck, matt finish 24,75“ = 630 mm scale, 43 mm nut width Eruption 25,5“ = 648 mm scale, 42 mm nut width Set Maple neck, Rosewood fingerboard, 22 Jumbo frets Rosewood fingerboard, 22 frets 2 VGS SouthDrive HBC-10RD: Super Distortion Humbucker Sound 2 VGS Backdraft HBC-10 humbucker VGS-V fingerboard inlays Stage 3-way switch, master volume, master tone (Push-Pull for Coil-Split) 2 volume, 1 tone control, 3-way switch Tune-O-Matic bridge, string-thru construction Tune-O-Matic bridge, Stop-Tailpiece Diecast machine heads Diecast machine heads Black hardware Platinum hardware select select

satin black VG503.390 46 47

animal scratch silver animal scratch black VG503.420 VG503.421 Eruption

Solid mahogany body Solid mahogany body Arched maple top Flamed Maple top Eruption Set Mahogany neck, Rosewood fingerboard with binding, 22 jumbo frets Set mahogany neck, rosewood fingerboard with binding, 22 jumbo frets 24,75“ = 630 mm scale, 43 mm neck width at nut 24,15“ = 630 mm scale, 43 mm neck width at nut 2x VGS Ridgetop HBAC-1 humbucker: High Output Vintage Sound 2 volume, 2 tone controls, 3-way switch Eruption 2 volume, 2 tone controls, 3-way switch VGS-V fingerboard inlays VGS-V fingerboard inlays Tune-O-Matic bridge, Stop-Tailpiece Evertune Bridge System Kluson-style machine heads Diecast machine heads Nickel plated hardware select select 2x VGS Ridgetop 2x VGS SouthDrive HBAC-1 humbucker: HBC-10ZE humbucker black high output vintage VG503.455.999 sound 48 49

faded tobacco lemon oil VG503.465 VG503.462 Eruption

Solid mahogany body Solid Basswood body 24,75“ = 630 mm scale, 43 mm nut width 24,75“ = 630 mm scale, 43 mm nut width Eruption Set Maple neck, Rosewood fingerboard, 22 Jumbo frets Set Maple neck, Rosewood fingerboard, 22 Jumbo frets 1 EMG HZ open coil OC-1 Neck Humbucker: warm, singing sound 2 VGS SouthDrive HBC-10: Super Distortion Humbucker Sound 1 EMG HZ open coil OC-1 Bridge Humbucker: powerful output with VGS-V fingerboard inlays Eruption clearly defined sound 2 volume, 1 tone control, 3-way switch VGS-V fingerboard inlays Tune-O-Matic bridge, Stop-Tailpiece 2 volume, 1 tone control, 3-way switch Diecast machine heads Tune-O-Matic bridge, Stop-Tailpiece Black hardware Diecast machine heads Chrome hardware select select

flying sparks black VG503.490 50 51

gloss black gloss black VG503.482 VG503.483 Eruption

Solid Basswood body Solid Basswood body 24,75“ = 630 mm scale, 43 mm nut width 24,75“ = 630 mm scale, 43 mm nut width Eruption Set Maple neck, Rosewood fingerboard, 22 Jumbo frets Set Maple neck, Rosewood fingerboard, 22 Jumbo frets 1 EMG HZ open coil OC-1 Neck Humbucker: warm, singing sound 1 EMG HZ open coil OC-1 Neck Humbucker: warm, singing sound 1 EMG HZ open coil OC-1 Bridge Humbucker: powerful output with 1 EMG HZ open coil OC-1 Bridge Humbucker: powerful output with Eruption clearly defined sound clearly defined sound VGS-V fingerboard inlays VGS-V fingerboard inlays 2 volume, 1 tone control, 3-way switch 2 volume, 1 tone control, 3-way switch Tune-O-Matic bridge, Stop-Tailpiece Tune-O-Matic bridge, Stop-Tailpiece Diecast machine heads Diecast machine heads Black hardware Black hardware select select

flying sparks red 52 VG503.491 53

black cherry black cherry VG503.502 VG503.502.999 Eruption

Solid Basswood body Solid Basswood body 24,75“ = 630 mm scale, 43 mm nut width 24,75“ = 630 mm scale, 43 mm nut width Eruption Set Maple neck, Rosewood fingerboard, 22 Jumbo frets Set Maple neck, Rosewood fingerboard, 22 Jumbo frets 1 EMG HZ open coil OC-1 Neck Humbucker: warm, singing sound 1 EMG HZ open coil OC-1 Neck Humbucker: warm, singing sound 1 EMG HZ open coil OC-1 Bridge Humbucker: powerful output with 1 EMG HZ open coil OC-1 Bridge Humbucker: powerful output with Eruption clearly defined sound clearly defined sound VGS-V fingerboard inlays 2 volume, 1 tone control, 3-way switch 2 volume, 1 tone control, 3-way switch VGS-V fingerboard inlays Tune-O-Matic bridge, Stop-Tailpiece Tune-O-Matic bridge, Stop-Tailpiece Diecast machine heads Diecast machine heads Black hardware Platinum hardware select select

gloss white VG503.530 54 55

jet black faded jet black faded VG503.503.999 VG503.503 Eruption Speed King Mustang VSH-120

Solid mahogany body Semi-Hollow body with sustain block and VGS „Reaping Hook“ holes

Set Mahogany neck, Rosewood fingerboard with binding, 22 jumbo frets 24,75“ scale, 42 mm nut width Mustang 24,75“ = 630 mm scale, 43 mm neck width at nut Set Mahogany neck, Ebony fingerboard with binding and 22 frets 2 VGS Ridgetop HBCOC-1 humbucker 2 volume, 1 tone control, 3-way switch 2 volume, 2 tone controls, 3-way switch VGS-V fingerboard inlays Eruption VGS-V fingerboard inlays Tune-O-Matic bridge, Stop-Tailpiece Tune-O-Matic bridge, Stop-Tailpiece Diecast machine heads Diecast machine heads Chrome hardware Chrome hardware select select

raven black VG503.540 2 VGS Ridgetop HBAC-1 Humbucker 56 57 2 VGS Ridgetop HBAOC-1 Humbucker

raven black classic 3-tone sunburst VG503.800 VG503.795 Mustang Cobra E-Bass Cobra E-Bass Semi-Hollow body with sustain block and VGS „Reaping Hook“ holes 4-string 24,75“ scale, 42 mm nut width Solid Nato body Set Maple neck, Rosewood fingerboard with binding and 22 frets Bolt-on Maple neck, matt finish 2 VGS Ridgetop DEC-10 pickups 34“ = 860 mm scale, 42 mm neck width at nut 2 volume, 1 tone control, 3-way switch Rosewood fingerboard, 24 jumbo frets Mustang VGS-V fingerboard inlays 1 VGS Bucktown PBA-4, 1 VGS Bucktown JBA-4 pickup, Tune-O-Matic Bridge, Jazz-Tailpiece Master volume, balance, Master tone, VGS Tone-Boost (active) Diecast machine heads Diecast machine heads GOTOH style Nickel hardware Platinum hardware select select

transparent cherry red VG503.810 satin black VG504.110 58 59 Cobra E-Bass Cobra E-Bass 4-string 5-string Solid Basswood body Solid Basswood body Figured Maple top Figured Maple top 34“ = 864 mm scale, 42 mm neck width at nut 34“ = 864 mm scale, 45 mm neck width at nut Set Maple neck, Rosewood fingerboard, 24 jumbo frets Set Maple neck, Rosewood fingerboard, 24 jumbo frets Cobra E-Bass 2 VGS GroveLane SBA-4 Soapbar-style pickups, broad frequency 2 VGS GroveLane SBA-5 Soapbar-style pickups, broad frequency range with strong mid-frequencies range with strong mid-frequencies Master volume, balance, active VGS 3-band EQ Master volume, balance, active VGS 3-band EQ VGS-V-inlay in pearl 12-fret VGS-V-inlay in pearl 12-fret Diecast machine heads GOTOH style Diecast machine heads GOTOH style Platinum hardware Platinum hardware select select

black cherry burst VG504.212 black cherry burst 60 VG504.213 61 Cobra E-Bass Eruption E-Bass Eruption E-Bass

4-string 4-string Solid mahogany body Solid Basswood body Solid Ebony top 32“ = 813 mm scale, 42 mm neck width at nut 34“ = 860 mm scale, 42 mm nut width Set Maple neck, Ebonol fingerboard, 22 jumbo frets Neck-through, 5-piece Mahogany/Maple neck 2 VGS GroveLane SBA-4 Soapbar-style pickups, broad frequency Cobra E-Bass 2 VGS GroveLane SBA-4 Soapbar-style pickups, broad frequency range with strong mid-frequencies range with strong mid-frequencies 2 volume, 1 tone control, 3-way switch Master volume, balance, active VGS 3-band EQ VGS-V-inlay in pearl 12-fret VGS V-inlay in mother-of-pearl 12th fret Tune-O-Matic bridg, Stop-Tailpiece Diecast machine heads GOTOH style Diecast machine heads GOTOH style Platinum hardware Black hardware select select

satin natural VG504.420 black burst faded VG504.440 62 63 RoadCruiser VST-110 Stage One

Solid, American Alder body Solid, American Alder body Bolt-on, 1-part Maple neck, matt vintage finish Solid Maple top, arched, flamed top 25,5“ = 648 mm scale, 43 mm neck width at nut 25,5“ = 648 mm scale, 42 mm nut width Stage Rosewood fingerboard, 22 frets Bolt-on Maple neck, matt finish 2 Seymour Duncan SSL3 single coils, 1x TB-4 humbucker Rosewood fingerboard, 22 frets RoadCruiser 5-way switch, Master volume, Master tone 2 Seymour Duncan Humbucker SH-4 & SH-1 3-ply pickguard 3-way switch, master volume, master tone (Push-Pull for Coil-Split) Kluson-Style machine heads Locking machine heads Sperzel-style Evertune Bridge System Tune-O-Matic bridge, string thru construction Nickel plated hardware Platinum hardware pro pro

64 65

satin faded tobacco burst classic 3-tone sunburst faded tobacco faded tobacco VG507.150.999 VG507.155.999 VG507.205 VG507.205.999 Stage One Octagon Stage Two

Solid, Nato body Solid, American Alder body Solid Maple top, arched, flamed top Solid Flamed Maple top Two 2-way bi-flex truss rods 25,5“ = 648 mm scale, 42 mm nut width Stage Bolt-on, 5-piece Mahogany / Maple neck, matt finish Bolt-on Maple neck, matt finish EMG 85-8H / 81-8H brushed black chrome (metal works) Rosewood fingerboard, 22 frets Stage 3-way switch, master volume, master sound 2 Seymour Duncan SSL1 single coils, 1 Seymour Duncan TB-4 humbucker Evertune Bridge System 5-way switch, Master volume, Master tone (push-pull for coil-split) Special lightweight machine heads (weight reduction headstock) Original Wilkinson WVS50 II Vibrato Chrome hardware Locking machine heads Sperzel-style Platinum hardware pro pro

black cherry VG507.215 66 67

black burst faded VG507.210.999 Eruption HF-1

Solid mahogany body Solid Mahogany body, solid Flamed Maple top Arched maple top 24,75“ scale, 43 mm Ivory graphite nut Eruption Set Mahogany neck, Rosewood fingerboard with binding, 22 jumbo frets Set Mahogany neck, ebonol fingerboard with binding and 22 jumbo frets 24,75“ = 630 mm scale, 43 mm neck width at nut 2 Seymour Duncan humbucker SH 11CC & SH PG1 2 passive EMG humbucker Hz 4 & Hz 4A 2 volume, 2 tone potis, toggle switch Eruption 2 volume, 2 tone controls, 3-way switch VGS-V fingerboard inlays Top with specifically manufactured metal binding Tune-O-Matic bridge, Stop-Tailpiece Weight-reducing body construction (chambered) Used optic finish Tune-O-Matic bridge, Stop-Tailpiece Antique silver hardware (used optic) Antique silver hardware (used optic) pro pro

satin black VG507.360 relic honey VG507.380 68 69 PRETTY MAIDS Eruption KEN HAMMER

Solid Mahogany body, solid Flamed Maple top 24,75“ scale, 43 mm Ivory graphite nut Set Mahogany neck, Ebony fingerboard with binding and 22 jumbo frets 2 active EMG humbucker 81 & 85 2 volume, 1 tone control, 3-way switch Eruption VGS-V fingerboard inlays Tune-O-Matic bridge, Stop-Tailpiece Locking machine heads Platinum hardware

artist pro

ravenblood VG507.400 70 71 Eruption

Solid Mahogany body, solid Flamed Maple top Solid Mahogany body, solid, grained Maple top (AAA selection) 24,75“ scale, 43 mm Ivory graphite nut 24,75“ scale, 43 mm graphite nut Eruption Set Mahogany neck, Ebony fingerboard with binding and 22 jumbo frets Set Mahogany neck, Ebony fingerboard with binding and 22 jumbo frets 2 Seymour Duncan humbucker SH14 & SH 1 VGS-V fingerboard inlays 2 volume, 1 tone control, 3-way switch 2 Seymour Duncan humbucker SH4 & SH1 Eruption VGS-V fingerboard inlays 2 volume, 1 tone control, 3-way switch Tune-O-Matic bridge, Stop-Tailpiece Schaller GTM Tune-O-Matic bridge, Stop-Tailpiece Locking machine heads Schaller M6 locking machine heads Black hardware Chrome hardware pro pro

faded cherry VG507.415 72 73 made in europe

black burst faded black burst faded VG507.390.999 VG507.390 INDEPENDENT ALEX BEYRODT

Solid Mahogany body, solid, grained Maple top (AAA selection) 24,75“ scale, 43 mm graphite nut Eruption Set Mahogany neck, Rosewood fingerboard with binding and 22 jumbo frets, True Temperament Fretting System VGS-V fingerboard inlays 2 Bare Knuckle Black Dog Humbucker 2 volume, 1 tone control, 3-way switch Evertune Bridge System Schaller M6 vintage machine heads Nickel hardware With case pro artist

74 75 made in europe

faded cherry VG507.435.999 Eruption Screech

Masterplan Mastermind Roland Grapow Signature Model Solid Basswood body, Quilted Maple top Solid Mahogany body, solid, grained Maple top (AAA selection) 25,5“ scale, 43 mm nut width Screech 24,75“ scale, 43 mm graphite nut Set Maple neck, Ebony fingerboard with 24 jumbo frets Set Maple neck, Ebony fingerboard with binding with 22 Dunlop Accu- Reversed headstock, fingerboard and headstock binding Fret 6000 frets 2 active EMG humbucker 81 TW & 89 Eruption VGS-V fingerboard inlays Master volume (Push-Pull for coil split), Master tone 2 active EMG humbucker 81 & 85 chrome covered (Push-Pull for coil split), 3-way switch 2 volume, 1 tone control, 3-way switch Floyd Rose licensed Vibrato Schaller GTM Tune-O-Matic bridge, Stop-Tailpiece Diecast machine heads Schaller M6 locking machine heads Black hardware Chrome hardware pro pro

natural blackened VG507.420 faded transparent black VG507.305 76 77 made in europe Spirit Radioactive TD-1

Solid Mahogany body, solid Flamed Maple top Tommy Denander Signature Model Radioactive 24,75“ scale, 43 mm Ivory graphite nut Solid, Alder body Set Mahogany neck, Ebony fingerboard with binding and 22 jumbo frets Solid, grained Maple top (AAA selection) 2 Seymour Duncan humbucker SH-4JB & SH-2 25,5“ = 648 mm scale, 42 mm nut width Master volume, master tone, toggle switch Bolt-on Maple neck, slight V-profile, Ebony fingerboard, 24 frets Spirit VGS V-inlay in mother-of-pearl 12th fret 2 EMG-SLV Single-Coils, 1 EMG-85 Humbucker TonePros Wrap around bridge 5-way switch, Master volume, Master tone Self-Locking machine heads Schaller Low Profile Tremolo system Platinum hardware Schaller M6 mini locking machine heads with 10B wing (knurled knob) Ruthenium hardware pro pro

light vintage burst VG507.445 natural blackened VG507.500 78 79 made in europe Radioactive TD-Special-V Radioactive TD-Special

Tommy Denander Signature Model Tommy Denander Signature Model Radioactive Solid, Alder body Solid, Alder body Solid, grained Maple top (AAA selection) Solid, grained Maple top (AAA selection) 25,5“ = 648 mm scale, 42 mm nut width 25,5“ = 648 mm scale, 42 mm nut width Bolt-on Maple neck, slight V-profile, Rosewood fingerboard, 22 frets, Bolt-on Maple neck, slight V-profile, Ebony fingerboard, 24 frets, Radioactive True Temperament Fretting System True Temperament Fretting System Schaller Vibrato 2000 Evertune Bridge System DiMarzio: Injector™ (neck), Area 67™ (middle), Transition™ (bridge) 2 EMG-SLV Single-Coils, 1 EMG-85 Humbucker 5-way switch, Master volume, Master tone 5-way switch, Master volume, Master tone Schaller M6 locking machine heads with 10C wing (knurled knob) Schaller M6 locking machine heads with 10C wing (knurled knob) Nickel hardware Chrome hardware Incl. gig bag (used leather look) 20 mm high-density foam padding With case pro pro

80 81 made in europe made in europe

honey burst black cherry burst VG507.510 VG507.520 Cobra E-Bass RoadCruiser VST-110

4-string Solid Basswood body RoadCruiser Solid mahogany body Bolt-on Maple neck, matt finish Solid Flamed Maple top 25,5“ = 648 mm scale, 43 mm neck width at nut 34“ = 860 mm scale, 42 mm nut width Rosewood fingerboard, 22 frets, 2-way bi-flex truss rod 5-piece Mahogany/Maple neck-through, Ebonol fingerboard 3 VGS Tucson SCC-1 single coils (made in Korea), Cobra E-Bass with 24 jumbo frets 5-way switch, 1 volume & 2 sound controls 2 Seymour Duncan SSB 4 pick-up Chrome plated hardware, diecast machine heads, Standard-Vibrato Master volume, balance, active Seymour Duncan 3-ply pickguard STC-3P 3-band EQ, active/passive switch Diecast machine heads GOTOH style Platinum hardware

5-string classix pro 4-string

82 83

pitch black open pore pitch black open pore natural 3-tone sunburst black / lefthand model black VG507.686 VG507.685 VG502.120 VG502.115 VG502.111 VG502.110 RoadCruiser VST-100 SkyCruiser VTC-100

Solid Basswood body Solid Basswood body SkyCruiser Bolt-on Maple neck, matt finish Bolt-on Maple neck, matt finish 25,5“ = 648 mm scale, 43 mm neck width at nut 25,5“ = 648 mm scale, 42 mm neck width at nut Rosewood fingerboard, 22 frets, 2-way bi-flex truss rod Rosewood fingerboard, 21 frets, 2-way bi-flex truss rod 2 VGS Tucson SCC-1 single coils, 1 VGS Tucson HBC-1 humbucker 1 VGS Tucson TFC-1, 1 VGS Tucson TRC-1 pickup (made in Korea) RoadCruiser (made in Korea), 5-way switch, 1 volume & 2 sound controls 3-way switch, master volume, master sound Chrome plated hardware, diecast machine heads, Standard-Vibrato 3-ply pickguard 3-ply pickguard Chrome plated hardware classix classix

black VG502.170 84 85

black gothic black 3-tone sunburst metallic red metallic silver VG502.130 VG502.133 VG502.135 VG502.145 VG502.147 Soulmaster VSM-120 Cobra

Solid Nyatoh wood body Solid Basswood body Bolt-on Maple neck, matt finish Set Maple neck   25,5“ = 648 mm scale, 43 mm neck width at nut Rosewood fingerboard, 22 frets, 2-way bi-flex truss rod Cobra Rosewood fingerboard, 22 frets, 2-way bi-flex truss rod 24,75“ = 630 mm scale, 43 mm neck width at nut 2 VGS Tucson HBC-B humbucker, 3-way switch, 1 volume and 2 VGS Ridgetop HBCB-1 humbucker (made in Korea), 3-way switch, Soulmaster 1 tone control 2 volume & 2 sound controls Chrome-plated hardware, diecast machine heads, standard vibrato Diecast machine heads, Tune-O-Matic bridge, Stop-Tailpiece Black hardware classix classix

black VG502.190 gothic black VG502.200 86 87 RoadCruiser E-Bass Eruption RoadCruiser VPJ-100

Solid Basswood body, arched top 4-string Set Maple neck Solid Basswood body Rosewood fingerboard with binding, 22 frets, 2-way bi-flex truss rod Bolt-on Maple neck, matt finish 24,75“ = 630 mm scale, 43 mm nut width Rosewood fingerboard, 20 nickel silver frets, 2-way bi-flex truss rod 2 VGS Ridgetop HBCC-1 humbucker (made in Korea) 3-way switch, 1 VGS Bucktown PBC-4, 1 VGS Bucktown JBC-4 pickup Eruption 2 volume & 2 sound controls (made in Korea), 2 volume & 1 sound control Diecast machine heads, Tune-O-Matic bridge, Stop-Tailpiece Chrome plated hardware, open Schaller-style machine heads Chrome plated hardware classix classix

88 89

cherry burst black gold top black 3-tone sunburst metallic red metallic copper VG502.255 VG502.250 VG502.260 VG502.350 VG502.355 VG502.375 VG502.378 Overdrive pedal Heavy-Distortion pedal Bluesy tweed tone, ideal for distorted, Powerful distortion sounds for heavy riffs dynamic sounds Controls: GAIN / HI / LO / LEVEL Controls: LEVEL / GAIN / HI / LO Extremely solid diecast casing Extremely solid diecast casing Power supply: 9V battery or mains adapter EFFECT Power supply: 9V battery or mains adapter Dimensions: W 75,5 mm, D 116 mm, H 49 mm Dimensions: W 75,5 mm, D 116 mm, H 49 mm PEDALS Pedals

blue bayou overdrive evil creek distortion VG570.205 VG570.214

Distortion pedal Compressor pedal

Harmonic distortion coupled with optimal articulation; Intuitive and effective handling accessories ideal for solo sounds Controls: Gain / Hiss Reduction Controls: TONE / GAIN / CONTOUR / LEVEL Extremely solid diecast casing Extremely solid diecast casing Power supply: 9V battery or mains adapter Power supply: 9V battery or mains adapter Dimensions: W 75,5 mm, D 116 mm, H 49 mm Dimensions: W 75,5 mm, D 116 mm, H 49 mm

90 VGS pedals....solid sounds in sturdy bodies. They can be combined 91 quickly and easily to give your playing a colour that is just perfect hammer bridge lead distortion blue ann compressor . VG570.209 VG570.219 They offer a great sound mix – bluesy tweed tone, spheric sounds, bad-ass distortion sounds for wicked riffs. Noise-Gate pedal Chorus pedal Chromatic floor tuner Phase-Shifter pedal Eliminates annoying noise and humming, Floating and rich vintage-chorus sounds Easy to read display Funky sounds from a different world without affecting the sound negatively Controls: DEPTH / MIX / SPEED Extremely solid diecast casing Controls: DEPTH / RESO / SPEED Control: Output / Sensitivity Extremely solid diecast casing Power supply: 9V battery or mains adapter Extremely solid diecast casing Extremely solid diecast casing Power supply: 9V battery or mains adapter Dimensions: W 75,5 mm, D 116 mm, H 49 mm Power supply: 9V battery or mains adapter Power supply: 9V battery or mains adapter Dimensions: W 75,5 mm, D 116 mm, H 49 mm Dimensions: W 75,5 mm, D 116 mm, H 49 mm Dimensions: W 75,5 mm, D 116 mm, H 49 mm Pedals Pedals

silence noise gate valley of sound chorus trusty tuner analogue surfer phase shifter VG570.224 VG570.234 VG570.244 VG570.254

Echo pedal Equalizer pedal Tremolo pedal Professional switch box  arm rich analogue delay sounds  djustable wave bands  lexibly adjustable free of white noise and  an be operated actively and passively battery W , - A : 100 / 170 / 280 / F , C , accessories Controls: Repeat / Mix / Time 500 / 800 / 1,4k / 2,3k / 5,0k simply legendary! serves merely as power supply for the LED Extremely solid diecast casing Gain control Controls: DEPTH / LEVEL / SPEED 2 guitars alternately on one amp or one guitar Power supply: 9V battery or mains adapter Extremely solid diecast casing Extremely solid diecast casing alternately on two amps Dimensions: W 75,5 mm, D 116 mm, H 49 mm Power supply: 9V battery or mains adapter Power supply: 9V battery or mains adapter Extremely solid diecast casing Dimensions: W 75,5 mm, D 116 mm, H 49 mm Dimensions: W 75,5 mm, D 116 mm, H 49 mm Power supply: 9V battery or mains adapter Dimensions: W 75,5 mm, D 116 mm, H 49 mm accessories

92 93 long field delay salt‘n‘pepper eq turner tremolo pathfinder a/b-box VG570.229 VG570.239 VG570.249 VG570.259 Professional switch box Octaver pedal 8-fold power supply for effect pedals Can be operated actively and passively, battery serves Cool Octaver sounds also in connection with Power: 1 A maximum merely as power supply for the LED integrated distortion Output: 8 x 9V each 100 mA fixed, Wiring options: 2 guitars alternately to one amp, Controls: Drive / Direct Level / Effect Level / 2 x 6-12V adjustable one guitar alternately to 2 amps, 2 guitars to 2 amps, Drive On / Blend 3 blue LEDs for board illumination one guitar one effect loop to one amp pathfinder LS-One  xtremely solid diecast casing ncl mains adapter and connector cables - VG570.260 E I . Line Out / Tuner (adjusted level) Power supply: 9V battery or mains adapter Extremely solid diecast casing Pedals Extremely solid diecast casing Dimensions: W 75,5 mm, D 116 mm, H 49 mm Measurements: 40 x 117 x 72 mm Power supply: 9V battery or mains adapter

Pedals Dimensions: W 75,5 mm, D 116 mm, H 49 mm

bad rock octaver the feeder VG570.264 VG570.281 accessories Professional switch box Wah-Wah pedal Can be operated actively and passively, the power Flexible Wah-Wah pedal with selectable frequency adaptor serves merely as power supply for the LED range, also for bass and 7-string guitars Wiring options: one guitar - 2 effect loops to one Controls: Range Control / Bass-Wah Switch amp, 2 guitars - one effect loop to one amp, 3 guitars Extremely solid casing to 3 amps, one guitar - one effect loop to 2 amps, Power supply: 9V battery or mains adapter accessories 2 guitars to 2 amps, one guitar to 3 amps pathfinder LS-Two Line Out / Tuner (adjusted level) VG570.261 Extremely solid diecast casing 94 Power supply: 9 volt mains adapter 95 Dimensions: W 116 mm, D 75,5 mm, H 49 mm waver wah-wah VG570.269 VGS INTERNATIONAL ARTISTS VGS INTERNATIONAL ARTISTS

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Schaller

EMG www.facebook.com/gewaguitars Fishman

B-Band

Evertune

Katayama

TT-Fretting

Seymour Duncan

Bare Knuckle 98 99 DiMarzio www.vgs-guitars.com Optima