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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Shaman Ritualive Mp3, Flac, Wma
Shaman RituAlive mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: RituAlive Country: Germany Released: 2004 Style: Heavy Metal, Symphonic Rock, Speed Metal, Power Metal MP3 version RAR size: 1855 mb FLAC version RAR size: 1574 mb WMA version RAR size: 1215 mb Rating: 4.4 Votes: 924 Other Formats: AAC FLAC MP4 ASF AC3 VOX MIDI Tracklist Hide Credits CD-1 Ancient Winds CD-2 Here I Am CD-3 Distant Thunder CD-4 For Tomorrow CD-5 Time Will Come CD-6 Over Your Head CD-7 Fairy Tale CD-8 Blind Spell CD-9 Ritual CD-10 Sign Of The Cross CD-11 Pride CD-12 Eagle Fly Free DVD-1 Ancient Winds DVD-2 Here I Am DVD-3 Distant Thunder DVD-4 For Tomorrow DVD-5 Time Will Come DVD-6 Lisbon DVD-7 Guitar Solo DVD-8 Drum Solo Over Your Shoulder DVD-9 Bongos [Derbak] – George MouzayekViolin [Electric] – Marcus Viana DVD-10 Piano Solo Fairy Tale DVD-11 Violin [Electric] – Marcus Viana DVD-12 Blind Spell DVD-13 Ritual Sign Of The Cross DVD-14 Guitar – Sascha PaethVocals – Tobias Sammet Pride DVD-15 Guitar – Sascha PaethVocals – Tobias Sammet DVD-16 Carry On Eagle Fly Free DVD-17 Guitar – Michael WeikathVocals – Andi Deris DVD-18 Lasting Child Companies, etc. Marketed By – Nothing To Say Distributed By – Wagram Music Recorded At – Credicard Hall Credits Featuring – Andi Deris, George Mouzayek, Marcus Viana, Michael Weikath, Sascha Paeth, Tobias Sammet Notes Recorded at Credicard Hall, São Paulo, on April 5th, 2003. Also included on DVD : -"Fairy Tale" & "For Tomorrow" video clips - making of Ritual Tour - photo gallery plus band discography. -
Blackmoore Free
FREE BLACKMOORE PDF Julianne Donaldson | 304 pages | 10 Sep 2013 | Shadow Mountain | 9781609074609 | English | United States Ritchie Blackmore - Wikipedia Richard Hugh Blackmore born 14 April is an English guitarist and songwriter. During his Blackmoore career, Blackmore established the heavy Blackmoore band RainbowBlackmoore which fused baroque music influences Blackmoore elements of hard rock. The family moved to HestonMiddlesexwhen Blackmore was two. He was 11 when he was given his first guitar by his father on certain conditions, including learning how to play properly, so he Blackmoore classical guitar lessons for Blackmoore year. In an interview with Sounds magazine inBlackmore said that he started the guitar because he wanted to be Blackmoore Tommy Steelewho used to just jump around and play. Blackmore loathed school and hated his teachers. While at school, he participated in sports including Blackmoore javelin. Blackmore left school at age 15 and started work as an apprentice radio mechanic at nearby Heathrow Airport. He took electric guitar lessons from session Blackmoore Big Jim Sullivan. In he began to Blackmoore as a session player for Joe Meek 's music productions, and performed in several bands. He was initially a member of the instrumental band The Outlawswho played in both Blackmoore recordings and live concerts. Blackmore joined a band-to-be called Roundabout in late after receiving an invitation from Chris Curtis. Curtis originated the concept of the band, but would be forced out before the band fully formed. After the lineup for Roundabout was complete in BlackmooreBlackmore is credited with suggesting the new name Deep Purpleas it was his grandmother's favourite song. -
LANCER “Second Storm”
LANCER “Second Storm” LANCER’s new album “Second Storm” is a lesson in melodic metal and follows a long tradition of outstanding Swedish Metal Bands like Hammerfall, Sabaton and many more! The album has been recorded in the world famous Leon Music Studios with producer Gustav Ydenius (Steelwing, Mustasch, Enforcer) and the cover artwork has been painted by Dimitar Nikolov (who has previously made artwork for Steelwing and Katana). The Swedish melodic metal band draws its inspiration from classical acts like Iron Maiden, Helloween and Gamma Ray, adding a personal and modern touch to the sound. LANCER met at the Music Academy of Ingesund in Arvika, Sweden, and the common passion for heavy metal forged them together and LANCER was born. They invaded the metal scene in the spring of 2012 with their debut EP “Purple Sky”. The EP got a warm welcome from all around the world and gave the band a record deal with the Swedish label Doolittle Group AB, owned by the world famous metal vocalist Christian Liljegren (Narnia) and a deal with Japanese label King Records at this time. I early 2013 the follow up to the “Purple Sky” EP, LANCER’s self-titled debut album was released world wide. The album was produced by Tommy Reinxeed and Ronny Milianowicz (previous collaborations with Hammerfall, Michael Kiske and Timo Tolkki to name a few!), and it received amazing reviews from the metal press all around the world. Japanese Burrn Magazine gave the album 75/100 and Sweden Rock Magazine 7/10, naming the band a new hope for European power metal, and it received even higher grades from several European and American reviewers. -
Sascha G. Interviewt Sascha G
Helloween – Sascha G. interviewt Sascha G. Martin Häusler Viele Fans „anspruchsvoller“ Musik, die Mitte der 1970er geboren sind, dürften in ihrer Jugend ihre ersten Erfahrungen mit Dreizehn-Minuten-Songs, virtuosen Performances und episch aufgebauten Kompositionen voller thematischer Wechsel und Entwicklungen mit den beiden „Keeper Of The Seven Keys“-Alben von Helloween gemacht haben. Metal-Alben, die weit mehr boten, als der Metal der späten Achtziger für gewöhnlich zu bieten hatte und konsequenterweise auch außerhalb des Spartenpublikums viele Fans gewannen – ähnlich wie fast zeitgleich Die Toten Hosen im Punkrock. Wo „die Hosen“ allerdings zum Unmut der Altfans beständig diesen Anspruch weiterverfolgten, verloren Helloween das Mainstream-Publikum bei Line-up-Wechseln und nach dem experimentellen (aber großartigen!) „Chameleon“-Album. Die folgende Rückkehr ins Metal-Genre hielt die Band am Leben, aber eine ganze Reihe Nachwuchsmetaller, die ihrerseits hörbar von Helloween beeinflusst waren, zog langsam an den Innovatoren vorbei. Doch Helloween haben sich in ihrer seit 2005 beständigen Besetzung mit großartigen Alben stetig ihren Platz zurückerkämpft, und als 2016 mit Kai Hansen und Michael Kiske die beiden Ex-Sänger der Band wieder zum festen Line-up stießen, fanden sich Helloween plötzlich genau da, wo sie 1989 gewesen waren: auf der Höhe einer Erfolgswelle. Nun erscheint das erste gemeinsame Album der siebenköpfigen Schlüsselmeister-Truppe – und Gitarrist Sascha Gerstner hat sich die Zeit genommen, Prog-Betreuer Sascha G. (nicht verwandt oder gar identisch), alles Wissenswerte zum „Helloween“-Album zu verraten. Die Rezension zum Album (#TotW auf BetreutesProggen.de i.d. KW24) findet Ihr übrigens genau hier! BP: Noch ein paar Tage, und das Album erscheint, ganz einfach „Helloween“ betitelt. -
Helloween Destruction Morbid Angel Audrey Horne
CD-BACKCOVER ZUMSELBERBASTELN!EINFACHANDENMARKIERUNGENAUSSCHNEIDENUNDINEINECD-BLANKO-HÜLLELEGEN.FERTIG! GEMA 1. HELLOWEEN - Pumpkins United 6:21 12.2017 (Kai Hansen, Andi Deris, Michael Weikath) BMG Rights Management* Nuclear Blast/Warner 2. DESTRUCTION - United By Hatred 4:36 (Michael Sifringer, Marcel Schirmer) Wintrup Musikverlage* Nuclear Blast/Warner LAUSCHANGRIFF 3. MORBID ANGEL - Piles Of Little Arms 3:44 (Azagthoth/Tucker) Azagthoth and Tucker* Silver Lining/Warner VOL.059 4. AUDREY HORNE - This Is War 6:17 (Torkjell Rød, Arve Isdal, Thomas Tofthagen, Espen Lien, Kjetil Greve) Iron Avantgarde Publishing* Napalm/Universal 5. HARD ACTION - Nothing Ever Changed 3:15 (Ville Valavuo, Gunther Kivioja) Copyright Control* Svart/Cargo 6. CAVALERA CONSPIRACY - Insane 3:50 (Max Cavalera, Iggor Cavalera, Marc Rizzo/Max Cavalera) Kobalt Music Publishing Ltd.* Napalm/Universal 7. STÄLKER - Shadow Of The Sword 3:28 (David John Rynhart King, Christopher Calavrias, Nicholas George Oakes/David John Rynhart King, Christopher Calavrias) Iron Avantgarde Publishing* Napalm/Universal 8. JESS AND THE ANCIENT ONES - Return To Hallucinate 2:28 VOL.059 (Thomas Corpse) Copyright Control* Svart/Cargo LAUSCHANGRIFF 9. DEGIAL - Annihilation Banner 4:17 (Degial) Sepulchral Voice/Soulfood 10. HAMFERD - Hon Syndrast 6:06 (Theodor Kapnas, Jón Aldará, Remi Kofoed Johannesen, John Egholm, Esmar Joensen, Ísak Petersen) Metal Blade/Sony 12.2017 11. ALMANAC - Hail To The King (Edit) 4:58 (Victor Smolski/Andy Franck) Copyright Control* Nuclear Blast/Warner 12. THE WEIGHT - Hard Way 2:47 (Tobias Jussel, Patrick Moosbrugger, Michael Boebel, Andreas Vetter) Copyright Control* Heavy Rhythm & Roll/Rough Trade. -
Deutsche Nationalbibliografie 2018 T 11
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2018 T 11 Stand: 07. November 2018 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2018 ISSN 1613-8945 urn:nbn:de:101-201711171918 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Shaman Ritualive Mp3, Flac, Wma
Shaman RituAlive mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: RituAlive Country: France Released: 2004 Style: Heavy Metal, Symphonic Rock MP3 version RAR size: 1907 mb FLAC version RAR size: 1167 mb WMA version RAR size: 1421 mb Rating: 4.1 Votes: 887 Other Formats: RA MP2 MP4 MP3 AU VQF DXD Tracklist 1 Ancient Winds 2 Here I Am 3 Distant Thunder 4 For Tomorrow 5 Time Will Come 6 Over Your Head 7 Fairy Tale 8 Blind Spell 9 Ritual 10 Sign Of The Cross 11 Pride 12 Eagle Fly Free Video Carry On Companies, etc. Marketed By – Nothing To Say Distributed By – Wagram Music – WAG 334 Recorded At – Credicard Hall Licensed To – Nothing To Say Credits Bass, Backing Vocals – Luis Mariutti Drums, Percussion – Ricardo Confessori Electric Guitar, Acoustic Guitar, Backing Vocals – Hugo Mariutti Featuring – Andi Deris, George Mouzayek, Marcus Viana, Michael Weikath, Sascha Paeth, Tobias Sammet Guest, Keyboards – Fabio Ribeiro Vocals, Piano, Keyboards – Andre Matos Notes Made in France - ECC Recorded at Credicard Hall, São Paulo, on April 5th, 2003. "Sign Of The Cross" is a Tobias Sammet's Avantasia cover. "Lisbon" and "Carry On" are Angra covers. "Eagle Fly Free" is a Helloween cover. Barcode and Other Identifiers Barcode: 3 596971 920524 Rights Society: SACEM Other versions Category Artist Title (Format) Label Category Country Year RituAlive (CD, Mercury, 60249815089 Shaman 60249815089 Brazil 2004 Album, Enh) Universal Music RituAlive (Cass, APC JVC 367-4 Shaman Aquarius APC JVC 367-4 Indonesia Unknown Album) RituAlive (CD, MVP-62720 Shaman -
SYLENCER Markus Johansson Amasses Metal All
For Immediate Release August 15, 2012 SYLENCER: Markus Johansson Amasses Metal All-Star Line-Up for Debut Album -- ‘A Lethal Dose of Truth’ Hits Stores on September 4, 2012 Chicago-based musician Markus Johansson’s new project SYLENCER is just breaking into the masses, but true metal fans have felt this presence brewing for a long while. The new SYLENCER album, featuring guest appearances from the accomplished likes of Jordan Rudess (Dream Theater), Rob Caggiano (Anthrax), Brendon Small (Dethklok), Andy LaRocque (King Diamond), Gene Hoglan (Death, Testament) and many more, will be unleashed on the world on September 4, 2012. The album is entitled A Lethal Dose of Truth and will released in the U.S. by SYLENCER’s independent label, Sylencer Records (the album will be released in Germany, Austria, and Switzerland via dPulse Recordings/Ovrtone Music Group, Inc. and distribution partners NEO MCC GmbH/Sony Music Entertainment Germany). Aside from founding members Markus Johansson and Johnny Rox, permanent member status also goes to seasoned drummer Kevin Talley (Dååth, Six Feet Under).. “When we began making this record, we would never in a million years have believed that this is how it was all going to turn out,” states Markus Johansson. “People always ask how we managed to work with so many amazing artists on one album, let alone our first album. Sometimes we would get lucky and bump into someone in a recording studio, or at the Rainbow on Sunset Boulevard. Other times it was a seemingly wild game of Six Degrees Of Separation, or an instance of Facebook suggesting I befriend an artist's profile. -
„Pentagonem“ Roste Nové Parkoviště
Informační měsíčník města Jeseník www.jesenik.org srpen 2018 Jeseník prohlubuje 2 Investice města: 3 Pod Tindalovým 4 Zlato pro Elišku 16 vztahy s vysokou Některé skončily, pramenem vzniká Bartuňkovou na školou v Nyse další se rozbíhají atraktivní místo mistrovství republiky Slovo místostarostky Vážení spolu- občané, dnes bych si dovolila vás o něco požádat, ale ještě předtím, než tak učiním, mi dovolte pár slov. V Jeseníku se toho hodně děje. Za poslední necelé čtyři roky jsme město proměnili a dovolím si říct, vylepšili. Nová sportovní hala nebo most na Rejvíz jsou zřejmě největšími projekty, ale rozhodně ne jedinými. Jsou naplánovány další investiční akce, ale je potřeba také řešit stav úřadu města na Tovární ulici, nebo kolik prostřed- V sedle. Školáci mají za sebou polovinu letních prázdnin a užívají si je na rozličných místech, třeba na táborech ků se dá na nevyhovující chodníky. SVČ Duha Jeseník. Foto: SVČ Duha Je toho spousta. Staví se, rekon- struuje se, vznikají nové objekty. Pod „Pentagonem“ roste nové parkoviště Bylo by skvělé, kdyby to takhle mohlo pokračovat do nekonečna, Nejpozději do konce listopadu vznikne v Jeseníku 55 parkovacích letos. Nová parkovací místa ocení ale jednou přijde doba, kdy se míst v blízkosti městského úřadu na ulici Karla Čapka. Součástí především občané, kteří jezdí na Ipos investice budou muset zmírnit. Je stavebních prací jsou přeložky inženýrských sítí, opěrné stěny, vyřídit si zde úřední věci,“ řekla sta‐ to zejména kvůli vzrůstajícím odvodnění, povrchy a nové veřejné osvětlení. rostka města Jana Konvičková. nákladům (např. na provoz haly) „Zhotovitel si převzal staveniště městského úřadu už kapacitně nevy‐ Vybudování parkoviště přijde měst‐ a klesajícím příjmům města. -
Sonic Signatures in Metal Music Production : Teutonic Vs British Vs
Online publications of the Gesellschaft für Popularmusikforschung/ German Society for Popular Music Studies e. V. Ed. by Eva Krisper and Eva Schuck w w w . gf pm- samples.de/Samples1 8 / h e r bs t . pdf Volume 18 (2020) - Version of 11 May 2020 SONIC SIGNATURES IN METAL MUSIC PRODUCTION TEUTONIC VS BRITISH VS AMERICAN SOUND Jan-Peter Herbst Introduction Popular music studies have seen a rising interest in what could be called »sonic signatures« or »signature sounds«. According to Zagorski-Thomas (2014: 66), the »use of the term in music has been to describe the character of a particular individual or group's performance style and output, but can also relate to a record company or a producer.« He gives the example of producer Phil Spector, who worked with the same pool of musicians, and the Motown label with their iconic band the Funk Brothers, who recorded in the Snakepit studio. Other signature sounds from characteristic instruments and effects devices shape popular music genres (Brockhaus 2017). Even countries and cities can have signature sounds (Simmons 2004; Owsinski 2006; Zagorski- Thomas 2012; Massey 2015; Herbst 2019, 2021), e.g. Philly soul. Many ap- proaches for analysing a recording and its meaning have been pursued. Based on auditory analysis, von Appen (2015), Helms (2015), and Zagorski-Thomas (2015) have interpreted potential decisions in the production process con- cerning their creative and commercial reasons. But as Morey's (2008) analysis of the Arctic Monkeys' demos has shown, even highly skilled production ex- perts and musicologists can be wrong in their assumptions and interpreta- tions. -
Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J.