Helloween in Tion“, Somit Also Keine Hirnproduktion
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Epica Lyriel Freedom Call Robin Trower Bret Hard
www.rtp-bonn.de Nr. 1 · Frühjahr 2012 KÖLN | DÜSSELDORF rockt! Region BONN | KOBLENZ | KOSTENLOS 24.03., Andernach, JUZ EPICA LYRIEL 30.03. FREEDOM CALL Andernach, JUZ ROBIN TROWER mit Terminkalender zum Herausnehmen BRET HARD RECORDS Liebe Leser, * 23.03.1932 � 25.02.2012 das Jahr 2012 ist nun schon zwei Monate alt und einige tolle Konzerte sind mit Erfolg gelaufen. Doch auch in den kommenden Monaten haben wir tolle Events für euch organisiert. In Andernach, Juz schwingen wir die Heavy Metal-Keule mit RAGE, EPICA, FREEDOM CALL, zudem stellen wir euch das Juz vor (schade, so etwas gibt es in Bonn nicht!). Außerdem gibt es Interviews zu kommenden Konzerten mit ROBIN TROWER, PERZONAL WAR, LYRIEL etc. Im Businesstalk stellen wir Chris von Bret Hard Records vor. Wir wünschen euch ein schönes Jahr 2012 und viel Erfolg bei euren Plänen und Vorsätzen. Ach ja, ab jetzt ist das Wir möchten diese Ausgabe dem Bluesmusiker LOUISIANA RED (bürger- lich Iverson Minter) widmen, der am 25.02.2012 im Alter von 79 Jahren Heft komplett farbig, schreibt doch mal, wie Euch das unerwartet gestorben ist. Das geplante Konzert am 7.4. Bonn, Harmonie neue Layout gefällt. fällt damit natürlich aus. Er war einer der letzten großen amerikanischen Delta Blues-Musiker. Die beiden Konzerte, die wir in der Harmonie mit ihm Viel Spaß beim Lesen, veranstaltet haben (2006/07), werden uns immer in toller Erinnerung blei- Jürgen + Manni ben. Rest in Peace, Red! Impressum: INHALT SEITE Verlag: Interview: FREEDOM CALL . 4 SP Medienservice Friesdorferstr. 122, 53173 Bonn Interview: RAGE . 6+7 Tel.: 0228 / 390 22-0, Fax: 0228 / 390 22-10 Business Talk: Chris Brett Hard Records . -
Rock Bottom Playlist, Radio FSK Hamburg, Samstag, 04.02.2017, 23.00-2.00 Uhr Live + Rotation Bis 11.00 Uhr (So.) Moderator: Jörg Reiche, Co-Moderatorin: Jackie Kah
Rock Bottom Playlist, Radio FSK Hamburg, Samstag, 04.02.2017, 23.00-2.00 Uhr live + Rotation bis 11.00 Uhr (So.) Moderator: Jörg Reiche, Co-Moderatorin: Jackie Kah Nr. Band / Artist Album Song 1 Heaven & Hell Radio City Music Hall – Live 2007 Neon Knights 2 Dorrn I Don't Fit Scarborough Fair 3 Broken Key Face In The Dust Brick 4 Barb Wire Dolls Desperate Heart Attack 5 Enfeeble Momentum Of Tranquility Epidemedia 6 Anvil Anvil Is Anvil Gun Control 7 Ironbite Blood And Thunder D.E.A.D.B.E.A.T 8 Hammerfall Built To Last Dethrone And Defy 9 Irreverence Raise Chaos – Live In Milan The Dark Fields 10 Freedom Call Master Of Light A World Beyond 11 Elysian Gates Crossroads Crossroads 12 Edenbridge The Great Momentum Shiantara 13 Hydra Solar Empire Crystalline Cage Seite 1 14 The Murder Of My Sweet Echoes Of The Aftermath Personal Hell 15 Envinya The Harvester The Harvester 16 Kobra And The Lotus Words Of The Prophets Sign Of The Gypsy Queen 17 TBC The Rise Crystal Bride 18 Atlas Pain What The Oak Left To The Moon 19 Dave Evans Sinner Back On The Firing Line 20 Danko Jones Single My Little Rock'n Roll 21 White Mountain Single Before I Forget 22 Accept Restless & Live Fall Of The Empire 23 Elysian Gates Crossroads One Open Gate 24 Pride Of Lions Fearless Fearless 25 Dorrn I Don't Fit Painkiller 26 Chrome Molly Hoodoo Voodoo Hoodoo Voodoo 27 Punk Fiction Feat. Jackie EP Denim Demon 28 Ben Granfelt Another Day Another Day 29 TBC The Rise My Sweet Hell 30 Smash Into Pieces Rise And Shine Higher Seite 2 31 Hydra Solar Empire Between Two Worlds Seite 3. -
LANCER “Second Storm”
LANCER “Second Storm” LANCER’s new album “Second Storm” is a lesson in melodic metal and follows a long tradition of outstanding Swedish Metal Bands like Hammerfall, Sabaton and many more! The album has been recorded in the world famous Leon Music Studios with producer Gustav Ydenius (Steelwing, Mustasch, Enforcer) and the cover artwork has been painted by Dimitar Nikolov (who has previously made artwork for Steelwing and Katana). The Swedish melodic metal band draws its inspiration from classical acts like Iron Maiden, Helloween and Gamma Ray, adding a personal and modern touch to the sound. LANCER met at the Music Academy of Ingesund in Arvika, Sweden, and the common passion for heavy metal forged them together and LANCER was born. They invaded the metal scene in the spring of 2012 with their debut EP “Purple Sky”. The EP got a warm welcome from all around the world and gave the band a record deal with the Swedish label Doolittle Group AB, owned by the world famous metal vocalist Christian Liljegren (Narnia) and a deal with Japanese label King Records at this time. I early 2013 the follow up to the “Purple Sky” EP, LANCER’s self-titled debut album was released world wide. The album was produced by Tommy Reinxeed and Ronny Milianowicz (previous collaborations with Hammerfall, Michael Kiske and Timo Tolkki to name a few!), and it received amazing reviews from the metal press all around the world. Japanese Burrn Magazine gave the album 75/100 and Sweden Rock Magazine 7/10, naming the band a new hope for European power metal, and it received even higher grades from several European and American reviewers. -
Sascha G. Interviewt Sascha G
Helloween – Sascha G. interviewt Sascha G. Martin Häusler Viele Fans „anspruchsvoller“ Musik, die Mitte der 1970er geboren sind, dürften in ihrer Jugend ihre ersten Erfahrungen mit Dreizehn-Minuten-Songs, virtuosen Performances und episch aufgebauten Kompositionen voller thematischer Wechsel und Entwicklungen mit den beiden „Keeper Of The Seven Keys“-Alben von Helloween gemacht haben. Metal-Alben, die weit mehr boten, als der Metal der späten Achtziger für gewöhnlich zu bieten hatte und konsequenterweise auch außerhalb des Spartenpublikums viele Fans gewannen – ähnlich wie fast zeitgleich Die Toten Hosen im Punkrock. Wo „die Hosen“ allerdings zum Unmut der Altfans beständig diesen Anspruch weiterverfolgten, verloren Helloween das Mainstream-Publikum bei Line-up-Wechseln und nach dem experimentellen (aber großartigen!) „Chameleon“-Album. Die folgende Rückkehr ins Metal-Genre hielt die Band am Leben, aber eine ganze Reihe Nachwuchsmetaller, die ihrerseits hörbar von Helloween beeinflusst waren, zog langsam an den Innovatoren vorbei. Doch Helloween haben sich in ihrer seit 2005 beständigen Besetzung mit großartigen Alben stetig ihren Platz zurückerkämpft, und als 2016 mit Kai Hansen und Michael Kiske die beiden Ex-Sänger der Band wieder zum festen Line-up stießen, fanden sich Helloween plötzlich genau da, wo sie 1989 gewesen waren: auf der Höhe einer Erfolgswelle. Nun erscheint das erste gemeinsame Album der siebenköpfigen Schlüsselmeister-Truppe – und Gitarrist Sascha Gerstner hat sich die Zeit genommen, Prog-Betreuer Sascha G. (nicht verwandt oder gar identisch), alles Wissenswerte zum „Helloween“-Album zu verraten. Die Rezension zum Album (#TotW auf BetreutesProggen.de i.d. KW24) findet Ihr übrigens genau hier! BP: Noch ein paar Tage, und das Album erscheint, ganz einfach „Helloween“ betitelt. -
Helloween Destruction Morbid Angel Audrey Horne
CD-BACKCOVER ZUMSELBERBASTELN!EINFACHANDENMARKIERUNGENAUSSCHNEIDENUNDINEINECD-BLANKO-HÜLLELEGEN.FERTIG! GEMA 1. HELLOWEEN - Pumpkins United 6:21 12.2017 (Kai Hansen, Andi Deris, Michael Weikath) BMG Rights Management* Nuclear Blast/Warner 2. DESTRUCTION - United By Hatred 4:36 (Michael Sifringer, Marcel Schirmer) Wintrup Musikverlage* Nuclear Blast/Warner LAUSCHANGRIFF 3. MORBID ANGEL - Piles Of Little Arms 3:44 (Azagthoth/Tucker) Azagthoth and Tucker* Silver Lining/Warner VOL.059 4. AUDREY HORNE - This Is War 6:17 (Torkjell Rød, Arve Isdal, Thomas Tofthagen, Espen Lien, Kjetil Greve) Iron Avantgarde Publishing* Napalm/Universal 5. HARD ACTION - Nothing Ever Changed 3:15 (Ville Valavuo, Gunther Kivioja) Copyright Control* Svart/Cargo 6. CAVALERA CONSPIRACY - Insane 3:50 (Max Cavalera, Iggor Cavalera, Marc Rizzo/Max Cavalera) Kobalt Music Publishing Ltd.* Napalm/Universal 7. STÄLKER - Shadow Of The Sword 3:28 (David John Rynhart King, Christopher Calavrias, Nicholas George Oakes/David John Rynhart King, Christopher Calavrias) Iron Avantgarde Publishing* Napalm/Universal 8. JESS AND THE ANCIENT ONES - Return To Hallucinate 2:28 VOL.059 (Thomas Corpse) Copyright Control* Svart/Cargo LAUSCHANGRIFF 9. DEGIAL - Annihilation Banner 4:17 (Degial) Sepulchral Voice/Soulfood 10. HAMFERD - Hon Syndrast 6:06 (Theodor Kapnas, Jón Aldará, Remi Kofoed Johannesen, John Egholm, Esmar Joensen, Ísak Petersen) Metal Blade/Sony 12.2017 11. ALMANAC - Hail To The King (Edit) 4:58 (Victor Smolski/Andy Franck) Copyright Control* Nuclear Blast/Warner 12. THE WEIGHT - Hard Way 2:47 (Tobias Jussel, Patrick Moosbrugger, Michael Boebel, Andreas Vetter) Copyright Control* Heavy Rhythm & Roll/Rough Trade. -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
SYLENCER Markus Johansson Amasses Metal All
For Immediate Release August 15, 2012 SYLENCER: Markus Johansson Amasses Metal All-Star Line-Up for Debut Album -- ‘A Lethal Dose of Truth’ Hits Stores on September 4, 2012 Chicago-based musician Markus Johansson’s new project SYLENCER is just breaking into the masses, but true metal fans have felt this presence brewing for a long while. The new SYLENCER album, featuring guest appearances from the accomplished likes of Jordan Rudess (Dream Theater), Rob Caggiano (Anthrax), Brendon Small (Dethklok), Andy LaRocque (King Diamond), Gene Hoglan (Death, Testament) and many more, will be unleashed on the world on September 4, 2012. The album is entitled A Lethal Dose of Truth and will released in the U.S. by SYLENCER’s independent label, Sylencer Records (the album will be released in Germany, Austria, and Switzerland via dPulse Recordings/Ovrtone Music Group, Inc. and distribution partners NEO MCC GmbH/Sony Music Entertainment Germany). Aside from founding members Markus Johansson and Johnny Rox, permanent member status also goes to seasoned drummer Kevin Talley (Dååth, Six Feet Under).. “When we began making this record, we would never in a million years have believed that this is how it was all going to turn out,” states Markus Johansson. “People always ask how we managed to work with so many amazing artists on one album, let alone our first album. Sometimes we would get lucky and bump into someone in a recording studio, or at the Rainbow on Sunset Boulevard. Other times it was a seemingly wild game of Six Degrees Of Separation, or an instance of Facebook suggesting I befriend an artist's profile. -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y. -
Samuel Taylor Coleridge
TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr. -
„Pentagonem“ Roste Nové Parkoviště
Informační měsíčník města Jeseník www.jesenik.org srpen 2018 Jeseník prohlubuje 2 Investice města: 3 Pod Tindalovým 4 Zlato pro Elišku 16 vztahy s vysokou Některé skončily, pramenem vzniká Bartuňkovou na školou v Nyse další se rozbíhají atraktivní místo mistrovství republiky Slovo místostarostky Vážení spolu- občané, dnes bych si dovolila vás o něco požádat, ale ještě předtím, než tak učiním, mi dovolte pár slov. V Jeseníku se toho hodně děje. Za poslední necelé čtyři roky jsme město proměnili a dovolím si říct, vylepšili. Nová sportovní hala nebo most na Rejvíz jsou zřejmě největšími projekty, ale rozhodně ne jedinými. Jsou naplánovány další investiční akce, ale je potřeba také řešit stav úřadu města na Tovární ulici, nebo kolik prostřed- V sedle. Školáci mají za sebou polovinu letních prázdnin a užívají si je na rozličných místech, třeba na táborech ků se dá na nevyhovující chodníky. SVČ Duha Jeseník. Foto: SVČ Duha Je toho spousta. Staví se, rekon- struuje se, vznikají nové objekty. Pod „Pentagonem“ roste nové parkoviště Bylo by skvělé, kdyby to takhle mohlo pokračovat do nekonečna, Nejpozději do konce listopadu vznikne v Jeseníku 55 parkovacích letos. Nová parkovací místa ocení ale jednou přijde doba, kdy se míst v blízkosti městského úřadu na ulici Karla Čapka. Součástí především občané, kteří jezdí na Ipos investice budou muset zmírnit. Je stavebních prací jsou přeložky inženýrských sítí, opěrné stěny, vyřídit si zde úřední věci,“ řekla sta‐ to zejména kvůli vzrůstajícím odvodnění, povrchy a nové veřejné osvětlení. rostka města Jana Konvičková. nákladům (např. na provoz haly) „Zhotovitel si převzal staveniště městského úřadu už kapacitně nevy‐ Vybudování parkoviště přijde měst‐ a klesajícím příjmům města. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc.