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The Narrative of Censorship in Cuban Novels of the 1990S Britton W
The Narrative of Censorship in Cuban Novels of the 1990s Britton W. Newman A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages and Literatures (Spanish). Chapel Hill 2012 Approved by: Prof. Rosa Perelmuter Prof. Alicia Rivero Prof. Juan Carlos González Espitia Prof. Emilio del Valle Escalante Prof. Oswaldo Estrada Abstract BRITTON W. NEWMAN: The Narrative of Censorship in Cuban Novels of the 1990s (Under the Direction of Rosa Perelmuter) While significant attention has been paid to the practices of censorship under the revolutionary Cuban government, little has been written about the way that such censorship has been portrayed by those writers directly affected. My dissertation fills that void by analyzing the thematization of censorship in Cuban novels of the 1990s. Drawing from the 1990s production of four of the most important contemporary Cuban novelists— Jesús Díaz, Leonardo Padura, Pedro Juan Gutiérrez and José Manuel Prieto—I identify the “narrative of censorship” that undergirds each of their novels. This narrative line shows the process of internalization of the norms of censorship, the effects that such internal censorship has on an individual and the struggle through which the individual can eventually overcome it. Its remarkably similar portrayal by each author suggests that censorship, both in the form of external repression and of learned behaviors, continued to be an important factor in Cuban expression during the 1990s. In Chapter 1 I divide the phenomenon of censorship into the two levels of external—repression imposed by official or societal pressures—and internal—the masking impulse that aims to avoid the real or perceived punishment that would follow expression. -
Literature for the Planet Author(S): Wai Chee Dimock Source: PMLA, Vol
Literature for the Planet Author(s): Wai Chee Dimock Source: PMLA, Vol. 116, No. 1, Special Topic: Globalizing Literary Studies (Jan., 2001), pp. 173-188 Published by: Modern Language Association Stable URL: http://www.jstor.org/stable/463649 Accessed: 04-03-2015 17:04 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Modern Language Association is collaborating with JSTOR to digitize, preserve and extend access to PMLA. http://www.jstor.org This content downloaded from 137.190.201.136 on Wed, 04 Mar 2015 17:04:06 UTC All use subject to JSTOR Terms and Conditions i 6. I Literature for the Planet WAI CHEE DIMOCK HEYEAR WAS 1934, A YEARIN WHICHOSIP MANDELSTAM lived in constantterror. Just a few months before, he had commit- ted political suicide by recitinga satiricalpoem on Stalin,featuring "the ten thick worms his fingers" and "the huge laughing cockroaches on his top lips." The poem concludes: He forges decrees in a line like horseshoes, One for the groin, one the forehead, temple, eye. He rolls the executions on his tongue like berries. He wishes he could hug them like big friends from home.1 Mandelstam's arrestcame as expected. -
Boris Pasternak - Poems
Classic Poetry Series Boris Pasternak - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Boris Pasternak(10 February 1890 - 30 May 1960) Boris Leonidovich Pasternak was a Russian language poet, novelist, and literary translator. In his native Russia, Pasternak's anthology My Sister Life, is one of the most influential collections ever published in the Russian language. Furthermore, Pasternak's theatrical translations of Goethe, Schiller, Pedro Calderón de la Barca, and William Shakespeare remain deeply popular with Russian audiences. Outside Russia, Pasternak is best known for authoring Doctor Zhivago, a novel which spans the last years of Czarist Russia and the earliest days of the Soviet Union. Banned in the USSR, Doctor Zhivago was smuggled to Milan and published in 1957. Pasternak was awarded the Nobel Prize for Literature the following year, an event which both humiliated and enraged the Communist Party of the Soviet Union. In the midst of a massive campaign against him by both the KGB and the Union of Soviet Writers, Pasternak reluctantly agreed to decline the Prize. In his resignation letter to the Nobel Committee, Pasternak stated the reaction of the Soviet State was the only reason for his decision. By the time of his death from lung cancer in 1960, the campaign against Pasternak had severely damaged the international credibility of the U.S.S.R. He remains a major figure in Russian literature to this day. Furthermore, tactics pioneered by Pasternak were later continued, expanded, and refined by Aleksandr Solzhenitsyn and other Soviet dissidents. <b>Early Life</b> Pasternak was born in Moscow on 10 February, (Gregorian), 1890 (Julian 29 January) into a wealthy Russian Jewish family which had been received into the Russian Orthodox Church. -
[JAOG]⋙ the Stalin Epigram: a Novel by Robert Littell
The Stalin Epigram: A Novel Robert Littell Click here if your download doesn"t start automatically The Stalin Epigram: A Novel Robert Littell The Stalin Epigram: A Novel Robert Littell Based on a riveting historical episode, The Stalin Epigram is a fictional rendering of the life of Osip Mandelstam, perhaps the greatest Russian poet of the twentieth century -- and one of the few artists in Soviet Russia who daringly refused to pay creative homage to Joseph Stalin. The poet's defiance of the Kremlin dictator and the Bolshevik regime -- particularly his outspoken criticism of Stalin's collectivization rampage that drove millions of Russian peasants to starvation -- reached its climax in 1934 when Mandelstam, putting his life on the line, composed a searing indictment of Stalin in a sixteen-line epigram and secretly recited it to a handful of friends and fellow artists. Would Stalin and his merciless state security apparatus get wind of this brazenly insulting poem? Would the poet's body and spirit be crushed under the weight of the state if they did? Narrated in turn by Mandelstam himself, his devoted wife, his great friends the poets Boris Pasternak and Anna Akhmatova, along with vivid fictional characters, The Stalin Epigram is the page-turning tale of courage and the human spirit told in deftly poetic prose by a perceptive, talented writer. With the benefit of extraordinary research and an almost mystical empathy, bestselling author Robert Littell has drawn a fictional portrait of the beleaguered poet struggling to survive the running riot of Stalinist Russia in the 1930s. This memorable novel culminates in a wholly unexpected encounter that illuminates the agonizing choices Russian intellectuals faced during the Stalinist terror and explains what drew Robert Littell to the poignant subject in the first place. -
Dvigubski Full Dissertation
The Figured Author: Authorial Cameos in Post-Romantic Russian Literature Anna Dvigubski Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Anna Dvigubski All rights reserved ABSTRACT The Figured Author: Authorial Cameos in Post-Romantic Russian Literature Anna Dvigubski This dissertation examines representations of authorship in Russian literature from a number of perspectives, including the specific Russian cultural context as well as the broader discourses of romanticism, autobiography, and narrative theory. My main focus is a narrative device I call “the figured author,” that is, a background character in whom the reader may recognize the author of the work. I analyze the significance of the figured author in the works of several Russian nineteenth- and twentieth- century authors in an attempt to understand the influence of culture and literary tradition on the way Russian writers view and portray authorship and the self. The four chapters of my dissertation analyze the significance of the figured author in the following works: 1) Pushkin's Eugene Onegin and Gogol's Dead Souls; 2) Chekhov's “Ariadna”; 3) Bulgakov's “Morphine”; 4) Nabokov's The Gift. In the Conclusion, I offer brief readings of Kharms’s “The Old Woman” and “A Fairy Tale” and Zoshchenko’s Youth Restored. One feature in particular stands out when examining these works in the Russian context: from Pushkin to Nabokov and Kharms, the “I” of the figured author gradually recedes further into the margins of narrative, until this figure becomes a third-person presence, a “he.” Such a deflation of the authorial “I” can be seen as symptomatic of the heightened self-consciousness of Russian culture, and its literature in particular. -
Friday, December 7, 2018
Friday, December 7, 2018 Registration Desk Hours: 7:00 AM – 5:00 PM, 4th Floor Exhibit Hall Hours: 9:00 AM – 6:00 PM, 3rd Floor Audio-Visual Practice Room: 7:00 AM – 6:00 PM, 4th Floor, office beside Registration Desk Cyber Cafe - Third Floor Atrium Lounge, 3 – Open Area Session 4 – Friday – 8:00-9:45 am Committee on Libraries and Information Resources Subcommittee on Copyright Issues - (Meeting) - Rhode Island, 5 4-01 War and Society Revisited: The Second World War in the USSR as Performance - Arlington, 3 Chair: Vojin Majstorovic, Vienna Wiesenthal Institute for Holocaust Studies (Austria) Papers: Roxane Samson-Paquet, U of Toronto (Canada) "Peasant Responses to War, Evacuation, and Occupation: Food and the Context of Violence in the USSR, June 1941–March 1942" Konstantin Fuks, U of Toronto (Canada) "Beyond the Soviet War Experience?: Mints Commission Interviews on Nazi-Occupied Latvia" Paula Chan, Georgetown U "Red Stars and Yellow Stars: Soviet Investigations of Nazi Crimes in the Baltic Republics" Disc.: Kenneth Slepyan, Transylvania U 4-02 Little-Known Russian and East European Research Resources in the San Francisco Bay Area - Berkeley, 3 Chair: Richard Gardner Robbins, U of New Mexico Papers: Natalia Ermakova, Western American Diocese ROCOR "The Russian Orthodox Church and Russian Emigration as Documented in the Archives of the Western American Diocese of the Russian Orthodox Church Outside of Russia" Galina Epifanova, Museum of Russian Culture, San Francisco "'In Memory of the Tsar': A Review of Memoirs of Witnesses and Contemporaries of Emperor Nicholas II from the Museum of Russian Culture of San Francisco" Liladhar R. -
The Formation of Kyrgyz Foreign Policy 1991-2004
THE FORMATION OF KYRGYZ FOREIGN POLICY 1991-2004 A Thesis Presented to the Faculty Of The FletCher SChool of Law and DiplomaCy, Tufts University By THOMAS J. C. WOOD In partial fulfillment of the requirements for the Degree of Doctor of Philosophy May 2005 Professor Andrew Hess (Chair) Professor John Curtis Perry Professor Sung-Yoon Lee ii Thomas J.C. Wood [email protected] Education 2005: Ph.D. Fletcher School of Law and Diplomacy, Tufts University Dissertation Formation of Kyrgyz Foreign Policy 1992-2004 Supervisor, Professor Andrew Hess. 1993: M.A.L.D. Fletcher School of Law and Diplomacy, Tufts University 1989: B.A. in History and Politics, University of Exeter, England. Experience 08/2014-present: Associate Professor, Political Science, University of South Carolina Aiken, Aiken, SC. 09/2008-07/2014: Assistant Professor, Political Science, University of South Carolina Aiken, Aiken, SC. 09/2006-05/2008: Visiting Assistant Professor, Political Science, Trinity College, Hartford, CT. 02/2005 – 04/2006: Program Officer, Kyrgyzstan, International Foundation for Election Systems (IFES) Washington DC 11/2000 – 06/2004: Director of Faculty Recruitment and University Relations, Civic Education Project, Washington DC. 01/1998-11/2000: Chair of Department, Program in International Relations, American University – Central Asia, Bishkek, Kyrgyzstan. 08/1997-11/2000: Civic Education Project Visiting Faculty Fellow, American University- Central Asia, Bishkek, Kyrgyzstan. Languages Languages: Turkish (advanced), Kyrgyz (intermediate), Russian (basic), French (intermediate). iii ABSTRACT The Evolution of Kyrgyz Foreign PoliCy This empirical study, based on extensive field research, interviews with key actors, and use of Kyrgyz and Russian sources, examines the formation of a distinct foreign policy in a small Central Asian state, Kyrgyzstan, following her independence from the Soviet Union in 1991. -
National Awakening in Belarus: Elite Ideology to 'Nation' Practice
National Awakening in Belarus: Elite Ideology to 'Nation' Practice Tatsiana Kulakevich SAIS Review of International Affairs, Volume 40, Number 2, Summer-Fall 2020, pp. 97-110 (Article) Published by Johns Hopkins University Press For additional information about this article https://muse.jhu.edu/article/783885 [ Access provided at 7 Mar 2021 23:30 GMT from University Of South Florida Libraries ] National Awakening in Belarus: Elite Ideology to ‘Nation’ Practice Tatsiana Kulakevich This article examines the formation of nationalism in Belarus through two dimensions: elite ideology and everyday practice. I argue the presidential election of 2020 turned into a fundamental institutional crisis when a homogeneous set of ‘nation’ practices against the state ideology replaced existing elite ideology. This resulted in popular incremental changes in conceptions of national understanding. After twenty-six consecutive years in power, President Lukashenka unintentionally unleashed a process of national awakening leading to the rise of a new sovereign nation that demands the right to determine its own future, independent of geopolitical pressures and interference. Introduction ugust 2020 witnessed a resurgence of nationalist discourse in Belarus. AUnlike in the Transatlantic world, where politicians articulate visions of their nations under siege—by immigrants, refugees, domestic minority popu- lations—narratives of national and political failure dominate in Belarus Unlike trends in the Transatlantic resonate with large segments of the voting public. -
Osip Emilevich Mandelstam - Poems
Classic Poetry Series Osip Emilevich Mandelstam - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Osip Emilevich Mandelstam(1891 - 1938) Osip Mandelstam, also Osip Mandel'shtam, was born in Warsaw and grew up in sburg. His father was a successful leather-goods dealer and his mother a piano teacher. Mandelstam's parents were Jewish, but not very religious. At home Mandelstam was taught by tutors and governesses. He attended the prestigious Tenishev School (1900-07) and traveled then to Paris (1907-08) and Germany (1908-10), where he studied Old French literature at the University of Heidelberg (1909-10). In 1911-17 he studied philosophy at St. Petersburg University but did not graduate. Mandelstam was member of 'Poets Guild' from 1911 and hand close personal ties with Anna Akhmatova and Nikolai Gumilev. His first poems appeared in 1910 in the journal Apollon. As a poet Mandelstam gained fame with the collection 'KAMEN' (Stone), which appeared in 1913. The subject matters ranged from music to such triumphs of culture as the Roman classical architecture and the Byzantine cathedral of Hagia Sophia in Constantinople. It was followed by 'TRISTIA' (1922), which confirmed his position as a poet, and 'STIKHOTVORENIA' 1921-25, (1928). In Tristia Mandelstam made connections with the classical world and contemporary Russia as in Kamen, but among the new themes was the notion of exile. The mood is sad, the poet is saying his farewells: "I have studied science of saying good-by in 'bareheaded laments at night'. Mandelstam welcomed February 1917 Revolution but he was hostile at first to October 1917 Revolution. -
LCSH Section O
O, Inspector (Fictitious character) O-erh-kʾun Ho (Mongolia) O-wee-kay-no Indians USE Inspector O (Fictitious character) USE Orhon River (Mongolia) USE Oowekeeno Indians O,O-dimethyl S-phthalimidomethyl phosphorodithioate O-erh-kʾun River (Mongolia) O-wen-kʻo (Tribe) USE Phosmet USE Orhon River (Mongolia) USE Evenki (Asian people) O., Ophelia (Fictitious character) O-erh-to-ssu Basin (China) O-wen-kʻo language USE Ophelia O. (Fictitious character) USE Ordos Desert (China) USE Evenki language O/100 (Bomber) O-erh-to-ssu Desert (China) Ō-yama (Kanagawa-ken, Japan) USE Handley Page Type O (Bomber) USE Ordos Desert (China) USE Ōyama (Kanagawa-ken, Japan) O/400 (Bomber) O family (Not Subd Geog) O2 Arena (London, England) USE Handley Page Type O (Bomber) Ó Flannabhra family UF North Greenwich Arena (London, England) O and M instructors USE Flannery family BT Arenas—England USE Orientation and mobility instructors O.H. Ivie Reservoir (Tex.) O2 Ranch (Tex.) Ó Briain family UF Ivie Reservoir (Tex.) BT Ranches—Texas USE O'Brien family Stacy Reservoir (Tex.) OA (Disease) Ó Broin family BT Reservoirs—Texas USE Osteoarthritis USE Burns family O Hine Hukatere (N.Z.) OA-14 (Amphibian plane) O.C. Fisher Dam (Tex.) USE Franz Josef Glacier/Kā Roimata o Hine USE Grumman Widgeon (Amphibian plane) BT Dams—Texas Hukatere (N.Z.) Oa language O.C. Fisher Lake (Tex.) O-kee-pa (Religious ceremony) USE Pamoa language UF Culbertson Deal Reservoir (Tex.) BT Mandan dance Oab Luang National Park (Thailand) San Angelo Lake (Tex.) Mandan Indians—Rites and ceremonies USE ʻUtthayān hǣng Chāt ʻŌ̜p Lūang (Thailand) San Angelo Reservoir (Tex.) O.L. -
Crisis in Russian Studies? Nationalism (Imperialism), Racism and War
Crisis in Russian Studies? Nationalism (Imperialism), Racism and War TARAS KUZIO This e-book is provided without charge via free download by E-International Relations (www.E-IR.info). It is not permitted to be sold in electronic format under any circumstances. If you enjoy our free e-books, please consider leaving a small donation to allow us to continue investing in open access publications: http://www.e-ir.info/about/donate/ i Crisis in Russian Studies? Nationalism (Imperialism), Racism and War TARAS KUZIO ii E-International Relations www.E-IR.info Bristol, England 2020 ISBN 978-1-910814-55-0 This book is published under a Creative Commons CC BY-NC 4.0 license. You are free to: • Share — copy and redistribute the material in any medium or format • Adapt — remix, transform, and build upon the material Under the following terms: • Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. • NonCommercial — You may not use the material for commercial purposes. Any of the above conditions can be waived if you get permission. Please contact [email protected] for any such enquiries, including for licensing and translation requests. Other than the terms noted above, there are no restrictions placed on the use and dissemination of this book for student learning materials/scholarly use. Production: Michael Tang Cover Image: Triff/Shutterstock A catalogue record for this book is available from the British Library. -
Anais-Marin-Union-State-Of-Belarus
ANAÏS MARIN THE UNION STATE OF BELARUS AND RUSSIA. MYTHS AND REALITIES OF POLITICAL-MILITARY INTEGRATION © 2020 Vilnius Institute for Policy Analysis www.vilniusinstitute.lt ISBN 978-609-8281-00-2 COVER: Presidential Press and Information Office THE UNION STATE OF BELARUS AND RUSSIA – BY ANAÏS MARIN TABLE OF CONTENTS INTRODUCTION .................................................................................................................. 1 THE UNION STATE AT TWENTY ........................................................................................... 2 A dead-born vanity project ..................................................................................................... 3 Irreconcilable views ................................................................................................................. 3 From stalemate to ultimatum… and back to square one ....................................................... 5 DEBUNKING THREE BROTHERHOOD MYTHS ....................................................................... 7 Myth #1. “Belarus is Russia’s closest military ally” ................................................................. 7 Brothers in arms .................................................................................................................. 7 Cracks in the façade ............................................................................................................ 8 Belarus’ security dilemma and entrapment ........................................................................ 9 Disputes