cumulative (chronological) index of articles, muqarnas i–xxv 377

CUMULATIVE CHRONOLOGICAL INDEX OF ARTICLES, MUQARNAS IXXV

Muqarnas I (1983)

Oleg Grabar, “Reflections on the Study of Islamic Art” Walter B. Denny, “Dating Ottoman Turkish Works in the Saz Jonathan M. Bloom, “The Mosque of al †ākim in Cairo” Style” Caroline Williams, “The Cult of ʿAlid Saints in the Fatimid Monu - Anthony Welch and Howard Crane, “The Tughluqs: Master ments of Cairo. Part I: The Mosque of al-Aqmar” Builders of the Delhi Sultanate” Ranee A. Katzenstein and Glenn D. Lowry, “Christian Themes in Wayne E. Begley, “Four Mughal Caravanserais Built during the Thirteenth-Century Islamic Metalwork” Reigns of Jahāngīr and Shāh Jahān” Sheila S. Blair, “The Octagonal Pavilion at Natanz: A Reexami- William J. R. Curtis, “Type and Variation: Berber Collective nation of Early Islamic Architecture in Iran” Dwellings of the Northwestern Sahara” Lisa Golombek, “The Resilience of the Friday Mosque: The Case of Herat”

Muqarnas II (1984)

Oleg Grabar, “Reflections on Mamluk Art” Marilyn Jenkins, “Mamluk Underglaze-Painted Pottery: Foun- Karl Stowasser, “Manners and Customs at the Mamluk Court” da tions for Future Study” André Raymond, “Cairo’s Area and Population in the Early Fif- George T. Scanlon, “Mamluk Pottery: More Evidence from Fus- teenth Century” tat” John Alden Williams, “Urbanization and Monument Construc- Louise W. Mackie, “Toward an Understanding of Mamluk Silks: tion in Mamluk Cairo” National and International Considerations” Laila ʿAli Ibrahim, “Residential Architecture in Mamluk Cairo” David James, “Some Observations on the Calligrapher and Illu- Donald P. Little, “The †aram Documents as Sources for the Arts minators of the Koran of Rukn al-Dīn Baybars al-Jāshnagīr” and Architecture of the Mamluk Period” Esin Atıl, “Mamluk Painting in the Late Fifteenth Century” David A. King, “The Astronomy of the Mamluks: A Brief Over- Ira M. Lapidus, “Mamluk Patronage and the Arts in Egypt: Con- view” cluding Remarks” James W. Allan, “Shaʿbān, Barqūq, and the Decline of the Mam- luk Metalworking Industry”

Muqarnas III (1985)

Oleg Grabar, “Upon Reading al-Azraqi” Gülru Necipoğlu-Kafadar, “The Süleymaniye Complex in Istan- Eva Baer, “The Mihrab in the Cave of the Dome of the Rock” bul: An Interpretation” Jonathan M. Bloom, “The Origins of Fatimid Art” Alan W. Fisher and Carol Garrett Fisher, “A Note on the Loca- Caroline Williams, “The Cult of ʿ Alid Saints in the Fatimid Monu- tion of the Royal Ottoman Ateliers” ments of Cairo. Part II: The Mausolea” Ülkü Ü. Bates, “Two Ottoman Documents on Architects in Yasser Tabbaa, “The Muqarnas Dome: Its Origin and Meaning” Egypt” Sheila S. Blair, “The Madrasa at Zuzan: Islamic Architecture in James Dickie, “The Mughal Garden: Gateway to Paradise” Eastern Iran on the Eve of the Mongol Invasions” Helen Jessup, “Dutch Architectural Visions of the Indonesian Tradition” 378 cumulative (chronological) index of articles, muqarnas i–xxv

Muqarnas IV (1987)

Oleg Grabar, “On Catalogues, Exhibitions, and Complete Yasser Tabbaa, “Bronze Shapes in Iranian Ceramics of the Works” Twelfth and Thirteenth Centuries” Jonathan M. Bloom, “The Mosque of the Qarafa in Cairo” Mehrdad Shokoohy and Natalie H. Shokoohy, “The Architecture Leonor Fernandes, “The Foundation of Baybars al-Jashankir: Its of Baha al-Din Tughrul in the Region of Bayana, Rajasthan” Waqf, History, and Architecture” Glenn D. Lowry, “Humayun’s Tomb: Form, Function, and Howard Crane, “Some Archaeological Notes on Turkish Sardis” Meaning in Early Mughal Architecture” Nancy Shatzman Steinhardt, “Siyah Qalem and Gong Kai: An Peter Alford Andrews, “The Generous Heart or the Mass of Istanbul Album Painter and a Chinese Painter of the Mongo- Clouds: The Court Tents of Shah Jahan” lian Period” Priscilla P. Soucek, “Persian Artists in Mughal India: Influences Doğan Kuban, “The Style of Sinan’s Domed Structures” and Transformations” A. J. Lee, “Islamic Star Patterns”

Muqarnas V (1988)

Oleg Grabar, “Between Connoisseurship and Technology: A Godfrey Goodwin, “Gardens of the Dead in Ottoman Times” Review” Jale Erzen, “Sinan as Anti-Classicist” Howard Crane, “Traditional Pottery Making in the Sardis Maurice Cerasi, “Late Ottoman Architects and Master Builders” Region of Western Turkey” R. D. McChesney, “Four Sources on Shah ʿAbbas’s Building of Jonathan M. Bloom, “The Introduction of the Muqarnas into Isfahan” Egypt” Elizabeth B. Moynihan, “The Lotus Garden Palace of Zahir al- Marilyn Jenkins, “Mamluk Jewelry: Influences and Echoes” Din Muhammad Babur” Doris Behrens-Abouseif, “The Takiyyat Ibrahim al-Kulshani in William G. Klingelhofer, “The Jahangiri Mahal of the Agra Fort: Cairo” Expression and Experience in Early Mughal Architecture”

Muqarnas VI (1989)

Oleg Grabar, “An Exhibition of High Ottoman Art” Iqtidar Alam Khan, “New Light on the History of Two Early Nasser Rabbat, “The Meaning of the Umayyad Dome of the Mughal Monuments of Bayana” Rock” Eva Baer, “Jeweled Ceramics from Medieval Islam: A Note on Jamel Akbar, “Khatta and the Territorial Structure of Early Mus- the Ambiguity of Islamic Ornament” lim Towns” Peter Chelkowski, “Narrative Painting and Painting Recitation Saleh Lamei Mostafa, “The Cairene Sabil: Form and Meaning” in Qajar Iran” Sergei Chmelnizkij, “Methods of Constructing Geometric Orna- Donna Stein, “Three Photographic Traditions in Nineteenth- mental Systems in the Cupola of the Alhambra” Century Iran” I. I. Notkin, “Genotypes of Spatial Form in the Architecture of B. W. Robinson, “Qajar Lacquer” the East” Layla S. Diba, “Persian Painting in the Eighteenth Century: Tra- Perween Hasan, “Sultanate Mosques and Continuity in Bengal dition and Transmission” Architecture” Nancy Micklewright, “Late-Nineteenth-Century Ottoman Wed- ding Costumes as Indicators of Social Change”

Muqarnas VII (1990)

Oleg Grabar, “Europe and the Orient: An Ideologically Charged Michael E. Bonine, “The Sacred Direction and City Structure: Exhibition” A Preliminary Analysis of the Islamic Cities of Morocco” Thomas Leisten, “Between Orthodoxy and Exegesis: Some D. Fairchild Ruggles, “The Mirador in Abbasid and Hispano- Aspects of Attitudes in the Shariʿa toward Funerary Archi- Umayyad Garden Typology” tecture” Mohammad Yusuf Siddiq, “An Epigraphical Journey to an East- Sergei Chmelnizkij, “The Mausoleum of Muhammad Bosharo” ern Islamic Land” Sheila S. Blair, “Sufi Saints and Shrine Architecture in the Early Ulrike al-Khamis, “The Iconography of Early Islamic Lusterware Fourteenth Century” from Mesopotamia: New Considerations” cumulative (chronological) index of articles, muqarnas i–xxv 379

Scott Redford, “How Islamic Is It? The Innsbruck Plate and Its Leonard Helfgott, “Carpet Collecting in Iran, 1873–1883: Robert Setting” Murdoch Smith and the Formation of the Modern Persian Gülru Necipoğlu, “From International Timurid to Ottoman: Carpet Industry” A Change of Taste in Sixteenth-Century Ceramic Tiles” Jo Tonna, “The Poetics of Arab-Islamic Architecture”

Muqarnas VIII (1991)

Oleg Grabar, “K. A. C. Creswell and His Work” Sheila S. Blair, “Surveyor versus Epigrapher” Julian Raby, “Reviewing the Reviewers” Alastair Northedge, “Creswell, Herzfeld, and Samarra” J. W. Allan, “New Additions to the New Edition” G. R. D. King, “Creswell’s Appreciation of Arabian Architecture” Robert Hillenbrand, “Creswell and Contemporary Central Mark Horton, “Primitive Islam and Architecture in East Africa” European Scholarship” Gloria Karnouk, “The Creswell Library: A Legacy” Eric Fernie, “The History of Medieval Architecture from Caro- Teresa Fitzherbert, “The Creswell Photographic Archive at the lingian to Romanesque: Criteria and Definitions from 1925 Ashmolean Museum, Oxford” to the Present Day” R. W. Hamilton, “Keppel Archibald Cameron Creswell, 1879– Cyril Mango, “Approaches to Byzantine Architecture” 1974” J. M. Rogers, “Architectural History as Literature: Creswell’s Reading and Methods” Note Jonathan M. Bloom, “Creswell and the Origins of the Minaret” R. D. McChesney, Postscript to “Four Sources on Shah ʿAbbas’s John Warren, “Creswell’s Use of the Theory of Dating by the Building of Isfahan” Acuteness of the Pointed Arches in Early Muslim Architec- ture” Muqarnas IX (1992)

Christopher S. Taylor, “Reevaluating the Shiʿi Role in the Devel- A. Ghouchani and C. Adle, “A Sphero-Conical Vessel as Fuqqāʿa, opment of Monumental Islamic Funerary Architecture: The or a Gourd for ‘Beer’” Case of Egypt” Summer S. Kenesson, “Nasrid Luster Pottery: The Alhambra Nuha N. N. Khoury, “The Mihrab Image: Commemorative Vases” Themes in Medieval Islamic Architecture” Massumeh Farhad, “An Artist’s Impression: Muʿin Musavvir’s Doris Behrens-Abouseif, “The Façade of the Aqmar Mosque in Tiger Attacking a Youth” the Context of Fatimid Ceremonial” Barbara Finster, “An Outline of the History of Islamic Religious Mohammad al-Asad, “The Mosque of Muhammadʿ Ali in Cairo” Architecture in Yemen” Marilyn Jenkins, “Early Medieval Islamic Pottery: The Eleventh Robert Hillenbrand, “Turco-Iranian Elements in the Medieval Century Reconsidered” Architecture of Pakistan: The Case of the Tomb of Rukn-i Robert B. Mason, Ronald M. Farquhar, and Patrick E. Smith, ʿAlam at Multan” “Lead-Isotope Analysis of Islamic Glazes: An Exploratory Subhash Parihar, “A Little-Known Mughal College in India: The Study” Madrasa of Shaykh Chillie at Thanesar” Wijdan Ali, “The Status of Islamic Art in the Twentieth Century”

Muqarnas X (1993)

Oleg Grabar: Bibliography, 1953–93 Hafez K. Chehab, “On the Identification of ʿAnjar (ʿAyn al-Jarr) Annabelle Simon-Cahn, “The Fermo Chasuble of St. Thomas as an Umayyad Foundation” Becket and Hispano-Mauresque Cosmological Silks: Some Ghazi Bisheh, “From Castellum to Palatium: Umayyad Mosaic Speculations on the Adaptive Reuse of Textiles” Pavements from Qasr al-Hallabat in Jordan” Eva R. Hoffman, “The Author Portrait in Thirteenth-Century Nuha N. N. Khoury, “The Dome of the Rock, the Kaʿba, and Arabic Manuscripts: A New Islamic Context for a Late- Ghumdan: Arab Myths and Umayyad Monuments” Antique Tradition” Nasser Rabbat, “The Dome of the Rock Revisited: Some Remarks Jonathan M. Bloom, “On the Transmission of Designs in Early on al-Wasiti’s Accounts” Islamic Architecture” Beatrice St. Laurent and András Riedlmayer, “Restorations of Yasser Tabbaa, “Survivals and Archaisms in the Architecture of Jerusalem and the Dome of the Rock and Their Political Sig- Northern Syria, ca. 1080–ca. 1150” nificance, 1537–1928” 380 cumulative (chronological) index of articles, muqarnas i–xxv

Archie G. Walls, “Ottoman Restorations to the Sabil and to the Lisa Golombek, “The Paysage as Funerary Imagery in the Timu- Madrasa of Qaytbay in Jerusalem” rid Period” M. Tarek Swelim, “An Interpretation of the Mosque of Sinan Thomas W. Lentz, “Dynastic Imagery in Early Timurid Wall Pasha in Cairo” Painting” Mohammad al-Asad, “The Mosque of al-Rifaʿi in Cairo” Sheila S. Blair, “The Development of the Illustrated Book in Iran” Khaled Asfour, “The Domestication of Knowledge: Cairo at the Edward J. Keall, “One Man’s Mede Is Another Man’s Persian; Turn of the Century” One Man’s Coconut Is Another Man’s Grenade” Daniel Pipes, “Egyptian Family Life in 1919” Massumeh Farhad and Marianna Shreve Simpson, “Sources for Jamel Akbar, “Gates as Signs of Autonomy in Muslim Towns” the Study of Safavid Painting and Patronage, or Méfiez-vous Scott Redford, “The Seljuqs of Rum and the Antique” de Qazi Ahmed” Howard Crane, “Evliya Çelebi’s Journey through the Pamphy- Zahra Faridany-Akhavan, “All the King’s Toys” lian Plain in 1671–72” Sheila R. Canby, “Depictions of Buddha Sakyamuni in the Jamiʿ Gülru Necipoğlu, “Challenging the Past: Sinan and the Competi- al-Tavarikh and the Majmaʿ al-Tavarikh” tive Discourse of Early-Modern Islamic Architecture” Anthony Welch, “Architectural Patronage and the Past: The Esin Atıl, “The Story of an Eighteenth-Century Ottoman Festi- Tughluq Sultans of India” val” Michael Brand, “Orthodoxy, Innovation, and Revival: Con- Tülay Artan, “The Kadırga Palace: An Architectural Recon- siderations of the Past in Imperial Mughal Tomb Architec- struction” ture” Ayda Arel, “Gothic Towers and Baroque Mihrabs: The Post- Perween Hasan, “The Footprint of the Prophet” Classical Architecture of Aegean Anatolia in the Eighteenth Michael W. Meister, “Style and Idiom in the Art of Uparāmala” and Nineteenth Centuries” Deborah Klimburg-Salter, “Dokhtar-i-Noshirwan (Nigar) Recon- Walter B. Denny, “Quotations in and out of Context: Ottoman sidered” Turkish Art and European Orientalist Painting” Nancy Shatzman Steinhardt, “The Tangut Royal Tombs near Fay Arrieh Frick, “Possible Sources for Some Motifs of Decora- Yinchuan” tion on Islamic Ceramics” Zakaria Ali, “Notes on the Sejarah Melayu and Royal Malay Art”

Muqarnas XI (1994)

Avinoam Shalem, “Fountains of Light: The Meaning of Medieval Cammy Brothers, “The Renaissance Reception of the Alhambra: Islamic Rock Crystal Lamps” The Letters of Andrea Navagero and the Palace of Charles V” Charles E. Nicklies, “The Church of the Cuba near Castiglione di Barbara Brend, “A Sixteenth-Century Manuscript from Trans- Sicilia and Its Cultural Context” oxiana: Evidence for a Continuing Tradition in Illustration” M. James Blackman and Scott Redford, “Glazed Calcareous Clay Hafez Chehab, “Reconstructing the Medici Portrait of Amir Ceramics from Gritille, Turkey” Fakhr al-Din al-Maʿani” R. Stephen Humphreys, “Women as Patrons of Religious Archi- Sussan Babaie, “Shah ʿAbbas II, the Conquest of Qandahar, the tecture in Ayyubid Damascus” Chihil Sutun, and Its Wall Paintings” Caroline Williams, “The Mosque of Sitt Hadaq” Ebba Koch, “Diwan-i ʿAmm and Chihil Sutun: The Audience Mehrdad Shokoohy, “Sasanian Royal Emblems and Their Halls of Shah Jahan” Reemergence in the Fourteenth-Century Deccan” Dwight F. Reynolds, “Feathered Brides and Bridled Fertility: Architecture, Ritual, and Change in a Northern Egyptian Vil- lage”

Muqarnas XII (1995)

Robert B. Mason, “New Looks at Old Pots: Results of Recent Günkut Akın, “The Müezzin Mahfili and Pool of the Selimiye Multidisciplinary Studies of Glazed Ceramics from the Mosque in Edirne” Islamic World” Derin Terzioğlu, “The Imperial Circumcision Festival of 1582: Edward J. Keall, “Forerunners of Umayyad Art: Sculptural Stone An Interpretation” from the Hadramawt” Serpil Bağcı, “A New Theme of the Shirazi Frontispiece Minia- Avinoam Shalem, “From Royal Caskets to Relic Containers: Two tures: TheDīvān of Solomon” Ivory Caskets from Burgos and Madrid” David J. Roxburgh, “Heinrich Friedrich von Diez and His Epony - Ethel Sara Wolper, “The Politics of Patronage: Political Change mous Albums: Mss. Diez A. Fols. 70–74” and the Construction of Dervish Lodges in Sivas” Lisa Golombek, “The Gardens of Timur: New Perspectives” Robert Ousterhout, “Ethnic Identity and Cultural Appropriation I. I. Notkin, “Decoding Sixteenth-Century Muqarnas Drawings” in Early Ottoman Architecture” cumulative (chronological) index of articles, muqarnas i–xxv 381

Muqarnas XIII (1996)

Oleg Grabar, “Michael Meinecke and His Last Book” Michael Cooperson, “Baghdad in Rhetoric and Narrative” Thomas Leisten, “Mashhad al-Nasr: Monuments of War and Aptullah Kuran, “A Spatial Study of Three Ottoman Capitals: Victory in Medieval Islamic Art” Bursa, Edirne, and Istanbul” Jere L. Bacharach, “Marwanid Umayyad Building Activities: Filiz Çağman and Zeren Tanındı, “Remarks on Some Manu- Speculations on Patronage” scripts from the Topkapı Palace Treasury in the Context of Nasser Rabbat, “Al-Azhar Mosque: An Architectural Chronicle Ottoman-Safavid Relations” of Cairo’s History” Yıldırım Yavuz, “The Restoration Project of the Masjid al-Aqsa Howyda N. al-Harithy, “The Complex of Sultan Hasan in Cairo: by Mimar Kemalettin (1922–26)” Reading Between the Lines” Anthony Welch, “A Medieval Center of Learning in India: The Nuha N. N. Khoury, “The Meaning of the Great Mosque of Cór- Haus Khas Madrasa in Delhi” doba in the Tenth Century” Alpay Özdural, “On Interlocking Similar or Corresponding Fig- ures and Ornamental Patterns of Cubic Equations”

Muqarnas XIV (1997)

Stephen Vernoit, “The Rise of Islamic Archaeology” Klaus Kreiser, “Public Monuments in Turkey and Egypt, 1840– Doris Behrens-Abouseif, “The Lion-Gazelle Mosaic at Khirbat 1916” al-Mafjar” Karin Rührdanz, “About a Group of Truncated Shāhnāmas: Francisco Prado-Vilar, “Circular Visions of Fertility and Punish- A Case Study in the Commercial Production of Illustrated ment: Caliphal Ivory Caskets from al-Andalus” Manuscripts in the Second Part of the Sixteenth Century” Avinoam Shalem, “Jewels and Journeys: The Case of the Medi- Salome Zajadacz-Hastenrath, “A Note on Babur’s Lost Funerary eval Gemstone Called al-Yatima” Enclosure at Kabul” F. B. Flood, “Umayyad Survivals and Mamluk Revivals: Qala- Ebba Koch, “Mughal Palace Gardens from Babur to Shah Jahan wunid Architecture and the Great Mosque of Damascus” (1526–1648)” Ayşıl Tükel Yavuz, “The Concepts That Shape Anatolian Seljuq Anthony Welch, “The Shrine of the Holy Footprint in Delhi” Caravanserais” Timothy Insoll, “Mosque Architecture in Buganda, Uganda” Amy Singer, “The Mülknāmes of Hürrem Sultan’s Waqf in Jeru- salem”

Muqarnas XV (1998)

K. A. C. Creswell, “Mardīn and Diyārbekr” Maurice Cerasi, “The Formation of Ottoman House Types: Ulrike al-Khamis, “An Early Bronze Ewer Reexamined” A Comparative Study in Interaction with Neighboring Cul- Cynthia Robinson, “Ubi Sunt: Memory and Nostalgia in Taifa tures” Court Culture” Ron Fuchs, “The Palestinian Arab House and the Islamic ‘Primi- David J. Roxburgh, “Disorderly Conduct?: F. R. Martin and the tive Hut’” Bahram Mirza Album” Ali S. Asani and Carney E. S. Gavin, “Through the Lens of Mirza Lucienne Thys-Şenocak, “The Yeni Valide Mosque Complex at of Delhi: The Debbas Album of Early-Twentieth-Century Eminönü” Photographs of Pilgrimage Sites in Mecca and Medina” Sabri Jarrar, “Suq al-Maʿrifa: An Ayyubid Hanbalite Shrine in al- Jürgen Wasim Frembgen, “Religious Folk Art as an Expression Haram al-Sharif” of Identity: Muslim Tombstones in the Gangar Mountains of Alpay Özdural, “Sinan’s Arşın: A Survey of Ottoman Architec- Pakistan” tural Metrology” 382 cumulative (chronological) index of articles, muqarnas i–xxv

Muqarnas XVI (1999)

Rafi Grafman and Myriam Rosen-Ayalon, “The Two Great Syr- Leonid A. Beliaev and Alexei Chernetsov, “The Eastern Con- ian Umayyad Mosques: Jerusalem and Damascus” tribution to Medieval Russian Culture” Mariam Rosser-Owen, “A Córdoban Ivory Pyxis Lid in the Ash- Willem Floor, “Art (Naqqashi) and Artists (Naqqashan) in Qajar molean Museum” Persia” Eva Baer, “The Human Figure in Early Islamic Art: Some Pre- Mohammad al-Asad, “The Mosque of the Turkish Grand liminary Remarks” National Assembly in Ankara: Breaking with Tradition” Ömür Bakırer, “The Story of Three Graffiti” Hana Taragan, “Architecture in Fact and Fiction: The Case of the Çiğdem Kafesçioğlu, “‘In the Image of Rum’: Ottoman Archi- New Gourna Village in Upper Egypt” tectural Patronage in Sixteenth-Century Aleppo and Damas- cus”

Muqarnas XVII (2000)

David J. Roxburgh, “The Study of Painting and the Arts of the Priscilla P. Soucek, “The Theory and Practice of Portraiture in Book” the Persian Tradition” Jonathan M. Bloom, “The Introduction of Paper to the Islamic Yves Porter, “From the ‘Theory of the TwoQalam s’ to the ‘Seven Lands and the Development of the Illustrated Manuscript” Principles of Painting’: Theory, Terminology, and Practice in Sheila S. Blair, “Color and Gold: The Decorated Papers Used in Persian Classical Painting” Manuscripts in Later Islamic Times” David J. Roxburgh, “Kamal al-Din Bihzad and Authorship in Eva R. Hoffman, “The Beginnings of the Illustrated Arabic Book: Persianate Painting” An Intersection Between Art and Scholarship” Zeren Tanındı, “Additions to Illustrated Manuscripts in Otto- Abolala Soudavar, “The Age of Muhammadi” man Workshops” Lâle Uluç, “Selling to the Court: Late-Sixteenth-Century Man u- Serpil Bağcı, “From Translated Word to Translated Image: The script Production in Shiraz” Illustrated Şehnâme-i Türkî Copies” John Seyller, “A Mughal Code of Connoisseurship”

Muqarnas XVIII (2001)

Raya Shani and Doron Chen, “On the Umayyad Dating of the Armen Ghazarian and Robert Ousterhout, “A Muqarnas Draw- Double Gate in Jerusalem” ing from Thirteenth-Century Armenia and the Use of Archi- Finbarr B. Flood, “The Medieval Trophy as an Art Historical tectural Drawings during the Middle Ages” Trope: Coptic and Byzantine ‘Altars’ in Islamic Contexts” Oya Pancaroğlu, “Socializing Medicine: Illustrations of the Kitāb Howayda al-Harithy, “The Concept of Space in Mamluk Archi- al-Diryāq” tecture” Oleg Grabar and Mika Natif, “Two Safavid Paintings: An Essay R. D. McChesney, “Architecture and Narrative: The Khwaja Abu in Interpretation” Nasr Parsa Shrine. Part 1: Constructing the Complex and Its Nebahat Avcioğlu, “Ahmed I and the Allegories of Tyranny in Meaning, 1469–1696” the Frontispiece to George Sandys’s Relation of a Journey” Ruba Kanaʾan, “Waqf, Architecture, and Political Self-Fashion- Caroline Williams, “John Frederick Lewis: ‘Reflections of Real- ing: The Construction of the Great Mosque of Jaffa by ity’” Muham mad Aga Abu Nabbut”

Muqarnas XIX (2002)

Eva Baer, “The Illustrations for an Early Manuscript of Ibn But- R. D. McChesney, “Architecture and Narrative: The Khwaja Abu lan’s Daʿwat al-Aibbāʾ in the L. A. Mayer Memorial in Jeru- Nasr Parsa Shrine. Part 2: Representing the Complex in Word salem” and Image, 1696–1998” Anthony Welch, Hussein Keshani, and Alexandra Bain, “Epi- Machiel Kiel, “The Quatrefoil Plan in Ottoman Architecture graphs, Scripture, and Architecture in the Early Sultanate of Reconsidered in the Light of the ‘Fethiye Mosque’ of Athens” Delhi” Shirine Hamadeh, “Splash and Spectacle: The Obsession with David J. Roxburgh, “Persian Drawing, ca. 1400–1450: Materials Fountains in Eighteenth-Century Istanbul” and Creative Procedures” cumulative (chronological) index of articles, muqarnas i–xxv 383

Willem Floor, “The Talar-i Tavila or Hall of Stables, a Forgotten Jeffrey B. Spurr, “Person and Place: The Construction of Ronald Safavid Palace” Graham’s Persian Photo Album” Brian L. McLaren, “The Italian Colonial Appropriation of Indig- enous North African Vernacular Architecture in the 1930’s”

Muqarnas XX (2003)

Alain Fouad George, “The Geometry of the Qurʾan of Amajur: A Deborah Howard, “Death in Damascus: Venetians in Syria in Preliminary Study of Proportion in Early Arabic Calligraphy” the Mid-fifteenth Century” Anna Contadini, “A Bestiary Tale: Text and Image of the Uni- Zeynep Yürekli, “A Building between the Public and Private corn in the Kitāb naʿt al-ayawān (British Library Or. 2784)” Realms of the Ottoman Elite: The Sufi Convent of Sokollu Persis Berlekamp, “Painting as Persuasion: A Visual Defense of Mehmed Pasha in Istanbul” Alchemy in an Islamic Manuscript of the Mongol Period” Ahmet Ersoy, “A Sartorial Tribute to Late Tanzimat Ottoman- Stefano Carboni, “The Painted-Glass Decoration of the Mauso- ism: The Elbise-i ʿOsŠmāniyye Album” leum of Ahmad ibn Sulayman al-Rifaʿi in Cairo” Kishwar Rizvi, “Religious Icon and National Symbol: The Tomb Marcus Milwright, “Modest Luxuries: Decorated Lead-Glazed of Ayatollah Khomeini in Iran” Pottery in the South of Bilad al-Sham (Thirteenth and Four- Mary McWilliams, “Collecting by the Book: The Shaping of Pri- teenth Centuries)” vate and Public Collections” Heather Ecker, “The Great Mosque of Córdoba in the Twelfth Valérie Gonzalez, “The Comares Hall in the Alhambra and and Thirteenth Centuries” James Turrell’s Space that Sees: A Comparison of Aesthetic Phenomenology”

Muqarnas XXI (2004)

Adel T. Adamova, “The Iconography ofA Camel Fight” Jeremy Johns and Nadia Jamil, “Signs of the Times: Arabic Sig- Nurhan Atasoy, “Ottoman Garden Pavilions and Tents” natures as a Measure of Acculturation in Norman Sicily” Serpil Bağcı, “Old Images for New Texts and Contexts: Wander- Manuel Keene, “Old World Jades outside China, from Ancient ing Images in Islamic Book Painting” Times to the Fifteenth Century: Section One” Kaveh Bakhtiar, “Palatial Towers of Nasir al-Din Shah” Nasser D. Khalili, “A Recently Acquired Incense Burner in the Doris Behrens-Abouseif, “European Arts and Crafts at the Mam- Khalili Collection” luk Court” G. R. D. King, “The Paintings of the Pre-Islamic Kaʿba” Michele Bernardini, “The Illustrations of a Manuscript of the Mark Kramarovsky, “The ‘Sky of Wine’ of Abu Nuwas and Three Travel Account of François de la Boullaye le Gouz in the Glazed Bowls from the Golden Horde, Crimea” Library of the Accademia Nazionale dei Lincei in Rome” Jens Kröger, “On Mahmud b. Ishaq al-Shihabi’s Manuscript of John Carswell and Julian Henderson, “Rhyton? Write On” Yūsuf va Zulaykhā of 964 (1557)” Pedro Moura Carvalho, “What Happened to the Mughal Fur- Boris I. Marshak, “An Early Seljuq Silver Bottle from Siberia” niture? The Role of the Imperial Workshops, the Decorative Alison Ohta, “Filigree Bindings of the Mamluk Period” Motifs Used, and the Influence of Western Models” Bernard O’Kane, “Chaghatai Architecture and the Tomb of Anna Contadini, “A Wonderful World: Folios from a Dispersed Tughluq Temür at Almaliq” Manuscript of the Nuzhat-Nāma” Julian Raby, “Nur al-Din, the Qastal al-Shuʿaybiyya, and the Yolande Crowe, “A Late Safavid Dish: A Cluster of Exotic Trees ‘Classical Revival’” and Foliage” Günsel Renda, “Sindbādnāma: An Early Ottoman Illustrated Giovanni Curatola, “A Sixteenth-Century Quarrel about Car- Manuscript Unique in Iconography and Style” pets” Tim Stanley, “The Books of Umur Bey” Ibolya Gerelyes, “Seeking the East in the West: The Zsolnay Phe- Zeren Tanındı, “Bibliophile Aghas (Eunuchs) at Topkapı Saray” nomenon” Rachel Ward, “The Inscription on the Astrolabe by ʿAbd al- Rosalind A. Wade Haddon, “Two Ceramic Pieces from the Asian Karim in the British Museum” Art Museum of San Francisco” Owen Wright, “The Sight of Sound” Robert Irwin, “Futuwwa: Chivalry and Gangsterism in Medieval Filiz Yenişehirlioğlu, “Ottoman Ceramics in European Con- Cairo” texts” A. A. Ivanov, “A Second ‘Herat Bucket’ and Its Congeners” 384 cumulative (chronological) index of articles, muqarnas i–xxv

Muqarnas XXII (2005)

Luke Treadwell, “‘Mihrab and ʿAnaza’ or ‘Sacrum and Spear’? A Caroline Finkel and Victor Ostapchuk, “Outpost of Empire: An Reconsideration of an Early Marwanid Silver Drachm” Appraisal of Ottoman Building Registers as Sources for the Hana Taragan, “The ‘Speaking’ Inkwell from Khurasan: Object Archeology and Construction History of the Black Sea For- as ‘World’ in Iranian Medieval Metalwork” tress of Özi” Yury Karev, “Qarakhanid Wall Paintings in the Citadel of Maurice Cerasi, “The Urban and Architectural Evolution of the Samarqand: First Report and Preliminary Observations” Istanbul Divanyolu: Urban Aesthetics and Ideology in Otto- Yvonne Dold-Samplonius and Silvia L. Harmsen, “The Muqar- man Town Building” nas Plate Found at Takht-i Sulayman: A New Interpretation” Paolo Girardelli, “Architecture, Identity, and Liminality: On the Ayşın Yoltar-Yıldırım, “A 1498–99 Khusraw va Shīrīn: Turning Use and Meaning of Catholic Spaces in Late Ottoman Istan- the Pages of an Ottoman Illustrated Manuscript” bul” Samer Akkach, “The Poetics of Concealment: Al-Nabulusi’s Susan Gilson Miller, “Finding Order in the Moroccan City: The Encounter with the Dome of the Rock” ubus of the Great Mosque of Tangier as an Agent of Urban Ebba Koch, “The Taj Mahal: Architecture, Symbolism, and Change” Urban Significance”

Muqarnas XXIII (2006)

Doris Behrens-Abouseif, “The Islamic History of the Lighthouse Elizabeth Lambourn, “Brick, Timber, and Stone: Building Mate- of Alexandria” rials and the Construction of Islamic Architectural History Stephennie Mulder, “The Mausoleum of Imam al-Shafiʿi” in Gujarat” Anna Contadini, “A Question in Arab Painting: The Ibn al-Sufi Hussein Keshani, “Architecture and the Twelver Shiʿi Tradition: Manuscript in Tehran and Its Art-Historical Connections” The Great Imambara Complex of Lucknow” Chad Kia, “Is the Bearded Man Drowning? Picturing the Figura- İlknur Aktuğ Kolay and Serpil Çelik, “Ottoman Stone Acquisi- tive in a Late-Fifteenth-Century Painting from Herat” tion in the Mid-Sixteenth Century: The Süleymaniye Com- Maryam Ekhtiar, “Practice Makes Perfect: The Art of Calligra- plex in Istanbul” phy Exercises (Siyāh Mashq) in Iran” Vildan Serdaroğlu, “When Literature and Architecture Meet: Abdolhamid Keshmirshekan, “Discourses on Postrevolutionary Architectural Images of the Beloved and the Lover in Six- Iranian Art: Neotraditionalism during the 1990s” teenth-Century Ottoman Poetry” Willem Floor, “The Woodworking Craft and Its Products in Selin İpek, “Ottoman Ravza-ı Mutahhara Covers Sent from Iran” Istanbul to Medina with the Surre Processions” Marcus Milwright, “So Despicable a Vessel: Representations of Tamerlane in Printed Books of the Sixteenth and Seventeenth Centuries”

Muqarnas XXIV (2007)

Sibel Bozdoğan and Gülru Necipoğlu, “Entangled Discourses: Gülru Necipoğlu, “Creation of a National Genius: Sinan and the Scrutinizing Orientalist and Nationalist Legacies in the Archi- Historiography of ‘Classical’ Ottoman Architecture” tectural Historiography of the ‘Lands of Rum’” Shirine Hamadeh, “Westernization, Decadence, and the Turkish Cemal Kafadar, “A Rome of One’s Own: Reflections on Cultural Baroque: Modern Constructions of the Eighteenth Century” Geography and Identity in the Lands of Rum” Sibel Bozdoğan, “Reading Ottoman Architecture through Heghnar Zeitlian Watenpaugh, “An Uneasy Historiography: The Modernist Lenses: Nationalist Historiography and the ‘New Legacy of Ottoman Architecture in the Former Arab Prov- Architecture’ in the Early Republic” inces” S. M. Can Bilsel, “‘Our Anatolia’: Organicism and the Making of Kishwar Rizvi, “Art History and the Nation: Arthur Upham Humanist Culture in Turkey” Pope and the Discourse on ‘Persian Art’ in the Early Twen- Scott Redford, “‘What Have You Done for Anatolia Today?’: tieth Century” Islamic Archaeology in the Early Years of the Turkish Repub- Oya Pancaroğlu, “Formalism and the Academic Foundation of lic” Turkish Art in the Early Twentieth Century” Wendy Shaw, “Museums and Narratives of Display from the Finbarr Barry Flood, “Lost in Translation: Architecture, Tax- Late Ottoman Empire to the Turkish Republic” onomy, and the Eastern ‘Turks’” Nur Altınyıldız, “The Architectural Heritage of Istanbul and the Ahmet Ersoy, “Architecture and the Search for Ottoman Origins Ideology of Preservation” in the Tanzimat Period” cumulative (chronological) index of articles, muqarnas i–xxv 385

Muqarnas XXV (2008)

In Tribute to Oleg Grabar: Bibliography, 1993–2007 Howayda al-Harithy, “Weaving Historical Narratives: Beirut’s Patricia Crone, “‘Barefoot and Naked’: What Did the Bedouin of Last Mamluk Monument” the Arab Conquests Look Like?” Jonathan M. Bloom, “The ‘Fatimid’ Doors of the Fakahani Michael Cook, “The Namesake Taboo” Mosque in Cairo” Gülru Necipoğlu, “The Dome of the Rock as Palimpsest: ʿAbd Lisa Golombek, “From Timur to Tivoli: Reflections on il giardino al-Malik’s Grand Narrative and Sultan Süleyman’s Glosses” all’italiana” Eva R. Hoffman, “Between East and West: The Wall Paintings of Anthony Welch, “The Emperor’s Grief: Two Mughal Tombs” Samarra and the Construction of Abbasid Princely Culture” David J. Roxburgh, “‘The Eye Is Favored for Seeing the Writing’s Yasser Tabbaa, “Andalusian Roots and Abbasid Homage in the Form’: On the Sensual and the Sensuous in Islamic Calligra- Qubbat al-Barudiyyin in Marrakech” phy” Nasser Rabbat, “Design without Representation in Medieval Tülay Artan, “A Book of Kings Produced and Presented as a Egypt” Treatise on Hunting” Sheila S. Blair, “A Brief Biography of Abu Zayd” Mika Natif, “The SOAS Anvār-i Suhaylī: The Journey of a ‘Rein- Scott Redford, “A Newly Read Inscription on the Walls of Anta- carnated’ Manuscript” lya, Turkey” Marianna Shreve Simpson, “Mostly Modern Miniatures: Classi- Cynthia Robinson, “Marginal Ornament: Poetics, Mimesis, and cal Persian Painting in the Early Twentieth Century” Devotion in the Palace of the Lions”