Ten Days Till Biography
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
B.D. Lenz - List of Licensed Music
B.D. Lenz - List of Licensed Music Network Program Episode Song AMC Breaking Bad Episode 514 A Higher Law MTV Making the Band II Episode 610 611 Lost and Found MTV 10 on Top Jersey Shore / Bruno Mars Here and Now MTV Monterey 40 Lost and Found MTV True Life I'm Addicted to Caffeine Etude2 Phat Hip Hop MTV True Life I Have a new Step-parent Etude2 Phat Hip Hop MTV Catfish Trina and Scorpio Etude4 Bmin Ost MTV Catfish Mike and Felicia Etude4 Bmin Ost MTV MTV Oshq Deewane July 29, 2006 Along the Way MTV Date My Mom September 5, 2008 Mumbo Jumbo MTV Top 20 Video Countdown Stix-n-Stones MTV Made Colin is Made into a Rapper Noxious Fumes NBC Chicago Fire Episode 711 A Higher Law MTV UK Gonzo Gold Acoustics 201 Perserverance MTV2 Cribs September 5, 2008 As If / Lazy Bones MTV India Semi Girebaal June 18, 2006 Famous Last Words MTV Europe Gonzo Episode 208 Tell the World MTV TR3s Pimpeando Pimped Bikes Grandma Rosocha MTV TR3s Quiero My Boda Halle and Daneil Grandma Rosocha MTV TR3s Quiero My Boda Raquel and Philipe Hot Spot MTV TR3s Quiero Mis Quinces Priscilla Tiffany and Lauren MTV TR3s Quiero Mis Quinces Stephanie Duenas Grandma Rosocha VH1 Behind the Music Fantasia So Far So Good VH1 I Want to Work For Diddy Episode 204 Mumbo Jumbo VH1 Brooke Knows Best Season 2 - Episode 10 Lazy Bones VH1 Driven Janet Jackson As If / Lazy Bones VH1 Classic Hangin' with Neil Peart Part 3 Noxious Fumes VH1 Celebrity Fit Club UK May 10, 2005 As If VH1 Best Week Ever February 3, 2006 Tell the World VH1 Best Week Ever Episode 309 Walt's Waltz VH1 My Big Fat -
Laupäev / Saturday 17.10.2020 RING 1 Kohtunik / Judge: Anne Klaas, Eesti
Laupäev / Saturday 17.10.2020 RING 1 Kohtunik / Judge: Anne Klaas, Eesti BOSTONI TERJER / BOSTON TERRIER (140) kell / time 10:00 ISASED BEEBIKLASS / DOGS BABY CLASS 1 BOKS-BEST SAIZ KEEP SMILING BRUNO EST-02409/20 978101082406629 sünd 30.04.2020 i CANMOY'S BOSTON LET'S ROCK e CANMOY'S BOSTON CELEBRATION kasv Klarissa Orgusaar & Igor Orgusaar, Eesti om Eveli Mäepalu, Eesti EMASED AVAKLASS / BITCHES OPEN CLASS 2 HAZEL APHRODITE EST JCH LTU JCH EST-04069/19 982126054683815 sünd 23.11.2018 i ARCUS MANO AREKA e MATERA'S UBI A STAR kasv J Jevtichova, United Kingdom om Jelena Aleksejeva, Eesti CHIHUAHUA, PIKAKARVALINE / CHIHUAHUA, LONG-HAIRED (218) kell / time 10:00 ISASED JUUNIORIKLASS / DOGS JUNIOR CLASS 3 AMIROYAL VERSAL II EST-03213/20 643094100627616 sünd 15.06.2019 i AMIROYAL IN LOVE e LYUPRI J'AI DE LA CHANCE kasv N.A. Kanaeva, Russia om Svetlana Araslanova, Eesti 4 VINZENTA TEMI ORLANDO BLOOM EST-03394/19 978101082606977 sünd 10.06.2019 i PHILFORT HARLEI HELIOS e VINZENTA TEMI LESEDY LA RONA kasv Irene Montvila, Eesti om Irene Montvila & Valentina Voropai, Eesti ISASED AVAKLASS / DOGS OPEN CLASS 5 YUZHNIY ANGEL BILLY BOS RKF5473600 643094100636417 sünd 09.10.2018 i VARTTAVO BOMBEY e YUZHNIY ANGEL GRACE KELLI kasv Anastasia Popandupolo, Russia om Anastasia Popandupolo, Russia EMASED JUUNIORIKLASS / BITCHES JUNIOR CLASS 6 RUTA DEL SOL DALI DIAMOND EST JCH EST-00565/20 991001003083380 sünd 21.11.2019 i OBAMA DES ETOILES D’ARTEMIS e RUTA DEL SOL DIAMOND ARE FOREVER kasv Jaana Vahter, Eesti om Jaana Vahter, Eesti EMASED NOORTEKLASS / BITCHES -
Reality Television Participants As Limited-Purpose Public Figures
Vanderbilt Journal of Entertainment & Technology Law Volume 6 Issue 1 Issue 1 - Fall 2003 Article 4 2003 Almost Famous: Reality Television Participants as Limited- Purpose Public Figures Darby Green Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Privacy Law Commons Recommended Citation Darby Green, Almost Famous: Reality Television Participants as Limited-Purpose Public Figures, 6 Vanderbilt Journal of Entertainment and Technology Law 94 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol6/iss1/4 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. All is ephemeral - fame and the famous as well. betrothal of complete strangers.' The Surreal Life, Celebrity - Marcus Aurelius (A.D 12 1-180), Meditations IV Mole, and I'm a Celebrity: Get Me Out of Here! feature B-list celebrities in reality television situations. Are You Hot places In the future everyone will be world-famous for fifteen half-naked twenty-somethings in the limelight, where their minutes. egos are validated or vilified by celebrity judges.' Temptation -Andy Warhol (A.D. 1928-1987) Island and Paradise Hotel place half-naked twenty-somethings in a tropical setting, where their amorous affairs are tracked.' TheAnna Nicole Show, the now-defunct The Real Roseanne In the highly lauded 2003 Golden Globe® and Show, and The Osbournes showcase the daily lives of Academy Award® winner for best motion-picture, Chicago foulmouthed celebrities and their families and friends. -
Classrooms Piling High
UNIVERSITY OF NORTH FLORIDA March www.unfspinnaker.com 14 Volume 30, Issue 26 2007 Wednesday Classrooms piling high Administration searches for answer to tight classroom space in fall 2007 BY SARAH DIENER ASSISTANT NEWS EDITOR The University of North Florida’s Space Committee is finding ILLUSTRATION: new ways to accommodate classes during the Student Union con- ROBERT K. PIETRZYK struction planned for summer 2007. Currently, nearly 100 classes are in need of space for the Fall 2007 semester. Committee members said they are UNF faculty confident finding spaces for the classes will not be a problem. “We’re in as good of shape as we can be,” said Joann Campbell, lowest paid associate vice president for academic affairs. PHO Over the course of campus construction, which has included T O ILLUSTRATION: JEN QUINN O ILLUSTRATION: the demolition of Building 11 and future removal of the portables near lots 3 and 4, many classrooms have been eliminated or made in state unavailable for student use, said Shari Shuman, vice president of administration and finance. To compensate for the missing class- BY MATT COLEMAN rooms, the Space Committee has planned new areas of FEATURES EDITOR See ROOM, page 4 Professors at the University of North Florida are the lowest paid out of all 11 public universi- ties in the state, according to a study by UNF computing profes- sor Dr. William Klostermeyer. SB 228 Bright Futures SB 850 Technology fee HB 289 Textbook pricing The study showed UNF What’s ranked last among the other 11 WHAT IT MEANS WHAT IT MEANS WHAT IT MEANS schools with an average salary of $59,466, more than $10,000 below going on in l l l Students may apply Bright State universities may Some textbooks sold in on- the state average of $71,994. -
What About the Osbournes? Each Member of the Osbournes Has a Developed
The Osbournes’: Genre, Reality TV, and the Domestication of Rock ‘n Roll by Rick Pieto and Kelly Otter The latest trend of television programming is reality TV, a genre that finds its most valuable content in the unabashed display of individuals willing to be put on display as they part with their privacy, dignity, and composure. The genre is clear, yet the formula varies so as to keep it fresh and increasingly bizarre to maintain its audience. Young women compete for a husband on camera by attempting to win the affection of a bachelor in six weeks; individuals compete for money by conquering their fears and consume live insects or allow themselves to be submerged under water for as long as possible; and couples test the strength of their relationships by subjecting themselves to the temptation of desirable strangers. Love, fear, and conflict provide the substance of a good story, and television producers have found a context in which drama is manufactured before a camera crew. But given the absence of a constructed context and specific roles to play, how do we define The Osbournes? How should we generically define this program about an aging heavy metal rock star and his “dysfunctional family?” One way to begin to place The Osbournes within an appropriate genre is to look at MTV’s presentation of the show. MTV sells The Osbournes as a reality TV sitcom and indeed its narrative structure is loosely similar to the sitcom formula, with real-life segments edited and sequenced to be reminiscent of a scripted program. -
De Garagemannen Van 'Pimp My Ride'
De MTV-tv-serie ‘Pimp My Ride’, over het omtoveren van oude roestige auto’s in glimmende pooierbakken, maakte ‘pimpen’ tot een trend. Huizen, fietsen, dieren, mensen, alles wordt tegenwoordig gepimpt – luxe opgekalefaterd. Maar de mensen in de originele ‘Pimp My Ride’-garage, West Coast Customs in Los Angeles, willen niet meer op MTV. Ze vertellen aan Freek Staps waarom ISH: Ik ben nu acteur, man Foto’s Claudia van Roudendal UITGEPIMPT: Deel van de crew van de garage WestCoast Customs in Los Angeles,bij een ‘gepimpte' wagen: ‘Teleurgesteld’. Foto Patrik Giardino/ Corbis SEAN: Ik weet niet of dit programma goed was voor ons. Ik laste, maar je zag mij nooit De garagemannen van ‘Pimp My Ride’ willen geen auto’s meer pimpen voor MTV aan het einde van het jaar die loonsver- nog een beroemdheid kende die de boel Alleen aan die laatste kostenpost wist probeerden er wel iets moois en veiligs de garage. hoging eindelijk doorkomt) toch echt gratis aan elkaar wilde praten? Nou, nee hij een mouw te passen: fabrikanten van van te maken. Maar het waren barrels, Haus: „De mannen die wel werkten eens de bekleding van de stoelen te ruk- dus.” Maar de inmiddels dertigjarige geluidsboxen zo groot als automoto- man, big pieces of shit, echt waar. Maar kregen geen waardering van buiten- ken en er massagemotortjes onder te in- Haus gelooft in risico’s nemen. Daarom ren, van schuifdaken van zwart suède wat kun je doen in een paar dagen?” staanders. Ik was ze de hele dag maar RYAN HAUS: We probeerden er iets stalleren zodat het cruisen door de stad, maakte hij zijn middelbare school niet en van gele en rode verf, ideaal voor wil- De kijker ervaart de serie als een aan- schouderklopjes aan het geven.” moois en veiligs van te maken over de snelweg of langs het strand nog af, daarom begon hij een eigen bedrijf de vlammen op de zijkant van de auto, eenschakeling van grappen en grollen. -
GRANDPA "Pilot" 1/21/15 by Daniel Chun ©2015, ABC Studios. All
GRANDPA "Pilot" 1/21/15 by Daniel Chun ©2015, ABC Studios. All rights reserved. This material is the exclusive property of ABC Studios and is intended solely for the use of its personnel. Distribution to unauthorized persons or reproduction, in whole or in part, without the written consent of ABC Studios is strictly prohibited. Grandpa 1. COLD OPEN INT. A DIMLY-LIT ROOM - NIGHT CLOSE UP on JIMMY’s handsome face, with the eyes and the hair and the sexy everything. JAZZY music plays faintly underneath. Jimmy stares right at camera - intense, smoldering, searching. JIMMY Hah! There you are, you little bastard. REVEAL that he’s looking in the mirror of a men’s room. He finds and plucks a grey hair from the middle of his head. He checks himself out again and smiles: perfect. He walks out. Note - the following is an evolving master shot using a combination of motion control and time lapse. It’s like the guy who shot Birdman had sex with the guy who shot the Steve Carell motion control shot in Crazy Stupid Love and they had a baby that was this shot. The funniest, coolest, sexiest opening to a comedy pilot ever. No pressure. INT. JIMMY’S RESTAURANT - CONTINUOUS Jimmy walks down the hall toward the main dining room. The song gets louder and we hear the lyrics: ...and all the girls dreamed that they’d be your partner, they’d be your partner and--” “YOU’RE SO VAIN” plays as Jimmy strolls into his crowded, old- school-cool restaurant, Jimmy's. -
Reality TV and Interpersonal Relationship Perceptions
REALITY TV AND INTERPERSONAL RELATIONSHIP PERCEPTIONS ___________________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of MissouriColumbia ______________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________________________________________________ by KRISTIN L. CHERRY Dr. Jennifer Stevens Aubrey, Dissertation Supervisor MAY 2008 © Copyright by Kristin Cherry 2008 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled REALITY TV AND INTERPERSONAL RELATIONSHIP PERCEPTIONS presented by Kristin L. Cherry, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Jennifer Stevens Aubrey Professor Michael Porter Professor Jon Hess Professor Mary Jeanette Smythe Professor Joan Hermsen ACKNOWLEDGEMENTS I would like to acknowledge all of my committee members for their helpful suggestions and comments. First, I would like to thank Jennifer Stevens Aubrey for her direction on this dissertation. She spent many hours providing comments on earlier drafts of this research. She always made time for me, and spent countless hours with me in her office discussing my project. I would also like to thank Michael Porter, Jon Hess, Joan Hermsen, and MJ Smythe. These committee members were very encouraging and helpful along the process. I would especially like to thank them for their helpful suggestions during defense meetings. Also, a special thanks to my fiancé Brad for his understanding and support. Finally, I would like to thank my parents who have been very supportive every step of the way. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS……………………………………………………………..ii LIST OF FIGURES……………………………………………………………..…….…iv LIST OF TABLES………………………………………………………………….……v ABSTRACT………………………………………………………….…………………vii Chapter 1. -
Our Attorneys
Our Attorneys JAY TAYLOR [email protected] Jay Taylor is the Managing Partner of Taylor Louis LLP. He specializes in business and finance transactions, including structured finance and derivatives, broker-dealer transactions, project finance and complex business deals and structures. His overall expertise is reducing financial risk across a variety of complex transactions and business arrangements. He has approximately 20 years of experience reviewing, drafting, and negotiating structured trading deals and derivatives and project finance documentation. His expertise includes corporate and financial deals and security arrangements for all transaction types. He advises start-up enterprises and middle-market participants in basic and complex financial documentation and risk management issues. Mr. Taylor has represented a global client base which includes some of the world's largest corporations, energy companies, hedge funds and investment banks. His knowledge of financial transactions and products includes credit, equity, commodity, fixed income, currency and futures and options. He understands the actual and theoretical framework of financial risk management. Mr. Taylor has represented clients in a variety of domestic and international deals in his role as Special Counsel for one of the world's largest law firms, where he served as the firm's key point person for training and instruction in the area of financial derivatives and transactional matters. He has formed and advised several start-up enterprises, managed a multi-national transactional risk management project for a global international bank, led a legal risk assessment team for one of the world's largest hedge funds and served as lead commodities lawyer in the U.S. -
Pimp My Ride: Mapping Vernacular Creativity in an Industrial City Andrew T
University of Wollongong Research Online Faculty of Social Sciences - Papers Faculty of Social Sciences 2013 Pimp My Ride: mapping vernacular creativity in an industrial city Andrew T. Warren University of Wollongong, [email protected] Publication Details Warren, A. (2013). Pimp My Ride: mapping vernacular creativity in an industrial city. In L. Andersen & M. Malone (Eds.), All Culture is Local: Good practice in regional cultural mapping and planning from local government (pp. 42-47). Sydney, Australia: UTS epress. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Pimp My Ride: mapping vernacular creativity in an industrial city Abstract This case study reveals how a researcher mapped a creative industry sector - custom car designing in Wollongong - and made it 'visible'. It outlines a process of responsive engagement with youth that revealed a skilled and economic scene that challenges standard conceptions of artistic expression. 'Cruising' with youth and plotting their sites of activity using Google Maps identified an extensive, largely overlooked market and encouraged a renewed discussion about what constituted the city's creative strengths and assets. Keywords my, pimp, ride, mapping, city, vernacular, creativity, industrial Disciplines Education | Social and Behavioral Sciences Publication Details Warren, A. (2013). Pimp My Ride: mapping vernacular creativity in an industrial city. In L. Andersen & M. Malone (Eds.), All Culture is Local: Good practice in regional cultural mapping and planning from local government (pp. 42-47). Sydney, Australia: UTS epress. This book chapter is available at Research Online: http://ro.uow.edu.au/sspapers/2275 CASE STUDY 07 This case study reveals how a researcher mapped Wollongong City Council a creative industry sector – custom car designing in Wollongong – and made it ‘visible’. -
Inspirational Reality TV: the Prosocial Effects of Lifestyle Transforming Reality Programs on Elevation and Altruism
Inspirational Reality TV: The Prosocial Effects of Lifestyle Transforming Reality Programs on Elevation and Altruism Mina Tsay-Vogel and K. Maja Krakowiak In light of recent theories of meaningful media that suggest a host of psychological benefits, the present study uniquely extends the boundaries of the effects of reality TV from simply offering pleasure, diversion, and amusement to its viewers to also providing deep insight and meaning. In particular, a between-subjects experiment (N = 143) examined differences in affective, cognitive, and motivational responses to lifestyle transforming versus game based reality programs. Findings indicate that lifestyle transforming reality TV produced stronger feelings of elevation and percep- tions of the program as moving and thought-provoking than game reality TV, which in turn increased motivations for altruism. Avenues for future research and theore- tical implications of meaningful and inspiring reality TV for positive psychology are discussed. The proliferation and dominance of reality-based programs on television continues to generate considerable scholarly attention. The term, “reality TV,” has commonly encompassed programs that showcase real people or non-actors in unscripted scenarios (Hill, 2005; Nabi, Biely, Morgan, & Stitt, 2003) and claim to portray reality (Cavendar & Fishman, 1998). Such programs (e.g., The Bachelor, Survivor,andThe Real World) have generally been attributed under a single or collective genre. However, in recent years, the emergence of reality TV subgenres based -
Reality TV and the Reinvention of Britishness
From Making Do to Making-Over: Reality TV and the Reinvention of Britishness RACHEL JENNINGS O YOU LIVE IN TRACK SUITS TO CONCEAL YOUR SAGGY TITS AND big bum? Do not despair—you can still go to the ball. If you Dare brave enough to face those scary godmothers Trinny and Susannah, they will tell you in no uncertain terms What Not to Wear. Do you suspect your garden may have inspired T. S. Eliot to write The Wasteland? No fear. The matey experts from Ground Force can transform it into a pastoral idyll in two days. Has your pokey, gloomy British house been stagnating on the market? Perhaps you need the infamous House Doctor to breeze through and eradicate both your personal history and personality with a few cans of magnolia. A significant proportion of British reality TV is in the makeover line, involving the rapid transformation of some facet of a person’s lifestyle through a process that blends fairytale themes with religious ritual. The subject (or victim) on each episode is a Cinderella character (hereafter referred to collectively as ‘‘Cindy,’’ whether an individual, couple, or family unit) who relinquishes existential responsibility and personal power to one or more authority figures. These fairy god- mothers (of both sexes) navigate Cindy through a battle to give up the past leading to her rebirth, frequently on the third or seventh day. It is easy to comprehend why makeover shows are a hit in the United States—they slot neatly into the American dream of con- stant reinvention of the self, played out on a moving frontier.