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Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me. -
MOORE CASTING C/O Skyway Studios, 3201 Dickerson Pike - SUITE 110 NASHVILLE, TENNESSEE 37207 (615) 831-0039 & (615) 650-6293
MOORE CASTING c/o Skyway Studios, 3201 Dickerson Pike - SUITE 110 NASHVILLE, TENNESSEE 37207 (615) 831-0039 & (615) 650-6293 Regina Moore Email: [email protected] Web Site: www.moorecasting.com FILM “Run the Race” Principal Casting Run the Race Productions, LLC “Autumn” Principal Casting Autumn Productions “The Road Less Traveled” Featured Extras & Extras Sweet Road,LLC “I Can Only Imagine”- Principals-Regional Casting Assist Beverly Holloway Casting “Sweet, Sweet Summertime” Principals Triple Horse Studios “Love is Alive” Principals & Extras Bella Veritas Productions “The Upside of Down” Principals & Extras Bella Veritas Productions “The Song” Principals, Extras, Audience City on the Hill Productions “Welcome to Inspiration” Principals & Extras For Our Father Films, LLC “Into the Wild” - remote Principal John Kelly “The Green Mile” Casting Support Castle Rock Pictures, Inc. “Grace Unplugged” Assist. w/ Search Coran Deo Studios, Inc. “Civil Brand” Principals & Extras Brand Productions “Pirates Of The Plain” Principal Pirates Production, LLC Neil Young “Heart of Gold” Audience Producer Paramount Classics "10 Seconds" Principals & Extras Bella Veritas Production “Blackbirds and Blazers” Principals & Extras Wa Ya Productions “Bedlam” Principals & Extras Ghostwaters Productions “The Expert” Facilities/Casting Assist. Arch Stanton Productions “Calling All Kids” Principals & Extras Vision Tree Films “Daydreams Are Forever” Specialty Casting Vanaheim Studios “On The Way Home” Principals & Extras Cloudland Filmworks “Piece by Piece” Principals Michael Ashcraft Productions “Forgotten Memories” Principals Tim Ormond Productions “Derailers” (Short) Principals & Extras Honest Images Perry Wallace Documentary Extras Black Sheep Stew TELEVISION CMT “Still the King” Featured Extras & Extras Hideout Pictures, LLC 2016 Series – 1st Season PBS Outdoor Host Host PopFizz “AHA” (TV Mini Series) Principals City on a Hill Productions GAC Host Great American Country “Tracks” Pilot Real People Casting Mission Control Media, Inc. -
Spring 2015: View Our
This zine is a product of Feminist Studies 150H Spring 2015 Too young to know Kasey Reinbold my baby brother smiles and coos at the woman making faces laughing hovering above him. “what a ladies man!” they all proclaim. my baby brother turns fifteen and tells us he does not feel sexual attraction: ASEXUAL. my mother’s tongue rejects the word. “you’re too young to know for sure.” the parade in the summer boasts rainbows and glitter and corporate sponsorships. it sings, “we were born this way!” and leaves a sour taste in my mouth. i think the hateful folks may be onto something. maybe our passions and our lusts are a choice. but that choice sure as hell isn’t ours. This is a love letter Jill Pember wrote to her boyfriend. She plans to give it to him before she leaves Santa Barbara for the summer Monika Terry Mass Media: Where No Means Try Harder By Josephine BergillGentile I was recently watching TV and came across a scene from the movie The Devil Wears Prada. The scene is portrayed as highly romantic where the main character, a female, is walking through the streets of Paris at night accompanied by a man. The man kisses her, something she responds to with hesitation stating that she and her longterm boyfriend had just broken up. He proceeds to kiss her as she lists reasons such as, “I’ve had too much to drink and my judgment is impaired,” and ”I barely know you and I’m in a strange city.” Eventually she claims to be out of excuses and she winds up in his hotel room. -
ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
Honey Boo Boo, Tumblr, and the Stereotype of Poor White Trash Ashley F
University of South Carolina Scholar Commons Theses and Dissertations 12-14-2015 Redneckaissance: Honey Boo Boo, Tumblr, and the Stereotype of Poor White Trash Ashley F. Miller University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Mass Communication Commons Recommended Citation Miller, A. F.(2015). Redneckaissance: Honey Boo Boo, Tumblr, and the Stereotype of Poor White Trash. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3217 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. REDNECKAISSANCE: HONEY BOO BOO, TUMBLR, AND THE STEREOTYPE OF POOR WHITE TRASH by Ashley F. Miller Bachelor of Arts Emory University, 2006 Master of Fine Arts Florida State University, 2008 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Mass Communications College of Information and Communications University of South Carolina 2015 Accepted by: August Grant, Major Professor Carol Pardun, Committee Member Leigh Moscowitz, Committee Member Lynn Weber, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies © Copyright by Ashley F. Miller, 2015 All Rights Reserved. ii Acknowledgements Although her name is not among the committee members, this study owes a great deal to the extensive help of Kathy Forde. It could not have been done without her. Thanks go to my mother and fiancé for helping me survive the process, and special thanks go to L. Nicol Cabe for ensuring my inescapable relationship with the Internet and pop culture. -
Friday Prime Time, April 17 4 P.M
April 17 - 23, 2009 SPANISH FORK CABLE GUIDE 9 Friday Prime Time, April 17 4 P.M. 4:30 5 P.M. 5:30 6 P.M. 6:30 7 P.M. 7:30 8 P.M. 8:30 9 P.M. 9:30 10 P.M. 10:30 11 P.M. 11:30 BASIC CABLE Oprah Winfrey Å 4 News (N) Å CBS Evening News (N) Å Entertainment Ghost Whisperer “Save Our Flashpoint “First in Line” ’ NUMB3RS “Jack of All Trades” News (N) Å (10:35) Late Show With David Late Late Show KUTV 2 News-Couric Tonight Souls” ’ Å 4 Å 4 ’ Å 4 Letterman (N) ’ 4 KJZZ 3The People’s Court (N) 4 The Insider 4 Frasier ’ 4 Friends ’ 4 Friends 5 Fortune Jeopardy! 3 Dr. Phil ’ Å 4 News (N) Å Scrubs ’ 5 Scrubs ’ 5 Entertain The Insider 4 The Ellen DeGeneres Show (N) News (N) World News- News (N) Two and a Half Wife Swap “Burroughs/Padovan- Supernanny “DeMello Family” 20/20 ’ Å 4 News (N) (10:35) Night- Access Holly- (11:36) Extra KTVX 4’ Å 3 Gibson Men 5 Hickman” (N) ’ 4 (N) ’ Å line (N) 3 wood (N) 4 (N) Å 4 News (N) Å News (N) Å News (N) Å NBC Nightly News (N) Å News (N) Å Howie Do It Howie Do It Dateline NBC A police of cer looks into the disappearance of a News (N) Å (10:35) The Tonight Show With Late Night- KSL 5 News (N) 3 (N) ’ Å (N) ’ Å Michigan woman. (N) ’ Å Jay Leno ’ Å 5 Jimmy Fallon TBS 6Raymond Friends ’ 5 Seinfeld ’ 4 Seinfeld ’ 4 Family Guy 5 Family Guy 5 ‘Happy Gilmore’ (PG-13, ’96) ›› Adam Sandler. -
B4 the MESSENGER, Friday, March 9, 2012 6:30 7:30 8:30 9:30
B4 B4 THE MESSENGER, Friday, March 9, 2012 03/9 6AM 6:30 7AM 7:30 8AM 8:30 9AM 9:30 10AM 10:30 11AM 11:30 WBKO ^ 5:30 AM Kentucky (N) Good Morning America Andrew Garfield; Richard Blais. (N) Å Live! With Kelly (N) Å The View (N) Å WBKO at Midday (N) % Today Kathy Bates; Elizabeth Olsen. (N) Å The 700 Club (N) Å WHAG News at 12:00PM (N) _ _ Paid Program Storm Stories Å Eyewitness News Daybreak (N) Local 7 News Lifestyles Family Feud Å Family Feud Å Animal Adv Å Swift Justice Å Judge Mathis Å 3 ( 5:00 The Daily Buzz Å Better (N) Å Cash Cab Å Cash Cab Å The Cosby Show Å The Cosby Show Å Law & Order: Criminal Intent Å C ) 5:00 QVC This Morning Perricone MD Cosmeceuticals Kitchen Innovations LizClaiborne New York Fashion. Q Check Style Edition . * 14 News Sunrise (N) Å Today Kathy Bates; Elizabeth Olsen. (N) Å Today (N) Å Today (N) Å :15 Midday With Mike (N) Å 9 + 5:00 Eyewitness News Daybreak (N) Å Good Morning America Andrew Garfield; Richard Blais. (N) Å Live! With Kelly (N) Å The View (N) Å FreeCruise Paid Program ) , Arthur (EI) Å Martha Speaks Å Curious George Å Cat in the Hat Å Super Why! Å Dinosaur Train Å Sesame Street (EI) Å Sid the Science Å WordWorld (EI) Å Super Why! Å Barney & Friends Å L ` Morning News Å Morning News Å CBS This Morning Ewan McGregor; Grant Hill. (N) Å The Doctors (N) Å The Price Is Right (N) Å The Young and the Restless (N) Å & 2 BBC World News Å Kentucky Health Å Body Electric Å TV 411 Å GED Connection Å GED Connection Å Paint This-Jerry Å Quilt in a Day Å Knitting Daily Å Beads, Baubles Å Charlie Rose Å WGN / Paid Program Paid Program Bewitched Å Dream of Jeannie Å Matlock “The Ghost” Å Matlock “The Class” Å In the Heat of the Night “Discovery” Å In the Heat of the Night Å INSP 1 Int’nl Fellowship Life Today Å Creflo Dollar Å Feed the Children Victory Today Life Today Å Joseph Prince Å Joyce Meyer Å Humanitarian Int’nl Fellowship The Waltons “The Idol” TBN 5 Spring Praise-A-Thon Spring Praise-A-Thon HGTV 7 Destination De Marriage/Const. -
Classrooms Piling High
UNIVERSITY OF NORTH FLORIDA March www.unfspinnaker.com 14 Volume 30, Issue 26 2007 Wednesday Classrooms piling high Administration searches for answer to tight classroom space in fall 2007 BY SARAH DIENER ASSISTANT NEWS EDITOR The University of North Florida’s Space Committee is finding ILLUSTRATION: new ways to accommodate classes during the Student Union con- ROBERT K. PIETRZYK struction planned for summer 2007. Currently, nearly 100 classes are in need of space for the Fall 2007 semester. Committee members said they are UNF faculty confident finding spaces for the classes will not be a problem. “We’re in as good of shape as we can be,” said Joann Campbell, lowest paid associate vice president for academic affairs. PHO Over the course of campus construction, which has included T O ILLUSTRATION: JEN QUINN O ILLUSTRATION: the demolition of Building 11 and future removal of the portables near lots 3 and 4, many classrooms have been eliminated or made in state unavailable for student use, said Shari Shuman, vice president of administration and finance. To compensate for the missing class- BY MATT COLEMAN rooms, the Space Committee has planned new areas of FEATURES EDITOR See ROOM, page 4 Professors at the University of North Florida are the lowest paid out of all 11 public universi- ties in the state, according to a study by UNF computing profes- sor Dr. William Klostermeyer. SB 228 Bright Futures SB 850 Technology fee HB 289 Textbook pricing The study showed UNF What’s ranked last among the other 11 WHAT IT MEANS WHAT IT MEANS WHAT IT MEANS schools with an average salary of $59,466, more than $10,000 below going on in l l l Students may apply Bright State universities may Some textbooks sold in on- the state average of $71,994. -
TLC PRIMETIME HIGHLIGHTS: Weeks of February 10Th and February 17Th (As of 2.3.14)
TLC PRIMETIME HIGHLIGHTS: Weeks of February 10th and February 17th (as of 2.3.14) Below please find program highlights for TLC’s primetime schedule for the weeks of February 10th and 17th. There are preview episodes and episodic photography available for select programs/episodes on press.discovery.com. Please check with us for further information. TLC PRESS CONTACT: Jordyn Linsk: 240-662-2421 [email protected] TH WEEK OF FEBRUARY 10 (as of 2.3.14) OF NOTE THIS WEEK: Special Premieres SAY YES TO THE DRESS: THE BIG DAY – Friday, February 14 UNTOLD STORIES OF THE ER: SEX EDITION – Saturday, February 15 MONDAY, FEBRUARY 10 9:00PM ET/PT CAKE BOSS – “BICEPS AND BIRTHDAYS” Buddy rolls up his sleeves and shows off his muscles when he must make a cake for a family of professional arm wrestlers. And Mauro and his kids plan a surprise romantic birthday celebration for Madeline inside the bakery. TUESDAY, FEBRUARY 11 9:00PM ET/PT MY 600-LB. LIFE – “PAULA’S STORY” Paula has had a tough life, and at over 600lbs, has built a physical wall around herself to push people away. When she suddenly loses someone she loves, Paula can no longer ignore the threat of losing her own life – especially for her children’s sake. WEDNESDAY, FEBRUARY 12 9:00PM ET/PT HOARDING: BURIED ALIVE – “A VCR FOR EVERY DAY OF THE WEEK” John and Joe are a father and son duo who both hoard. Their home—which has no functional bedroom or usable kitchen—is packed to the ceiling with items the pair has relentlessly accumulated over the past decade. -
GRANDPA "Pilot" 1/21/15 by Daniel Chun ©2015, ABC Studios. All
GRANDPA "Pilot" 1/21/15 by Daniel Chun ©2015, ABC Studios. All rights reserved. This material is the exclusive property of ABC Studios and is intended solely for the use of its personnel. Distribution to unauthorized persons or reproduction, in whole or in part, without the written consent of ABC Studios is strictly prohibited. Grandpa 1. COLD OPEN INT. A DIMLY-LIT ROOM - NIGHT CLOSE UP on JIMMY’s handsome face, with the eyes and the hair and the sexy everything. JAZZY music plays faintly underneath. Jimmy stares right at camera - intense, smoldering, searching. JIMMY Hah! There you are, you little bastard. REVEAL that he’s looking in the mirror of a men’s room. He finds and plucks a grey hair from the middle of his head. He checks himself out again and smiles: perfect. He walks out. Note - the following is an evolving master shot using a combination of motion control and time lapse. It’s like the guy who shot Birdman had sex with the guy who shot the Steve Carell motion control shot in Crazy Stupid Love and they had a baby that was this shot. The funniest, coolest, sexiest opening to a comedy pilot ever. No pressure. INT. JIMMY’S RESTAURANT - CONTINUOUS Jimmy walks down the hall toward the main dining room. The song gets louder and we hear the lyrics: ...and all the girls dreamed that they’d be your partner, they’d be your partner and--” “YOU’RE SO VAIN” plays as Jimmy strolls into his crowded, old- school-cool restaurant, Jimmy's. -
Reality TV and Interpersonal Relationship Perceptions
REALITY TV AND INTERPERSONAL RELATIONSHIP PERCEPTIONS ___________________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of MissouriColumbia ______________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________________________________________________ by KRISTIN L. CHERRY Dr. Jennifer Stevens Aubrey, Dissertation Supervisor MAY 2008 © Copyright by Kristin Cherry 2008 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled REALITY TV AND INTERPERSONAL RELATIONSHIP PERCEPTIONS presented by Kristin L. Cherry, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Jennifer Stevens Aubrey Professor Michael Porter Professor Jon Hess Professor Mary Jeanette Smythe Professor Joan Hermsen ACKNOWLEDGEMENTS I would like to acknowledge all of my committee members for their helpful suggestions and comments. First, I would like to thank Jennifer Stevens Aubrey for her direction on this dissertation. She spent many hours providing comments on earlier drafts of this research. She always made time for me, and spent countless hours with me in her office discussing my project. I would also like to thank Michael Porter, Jon Hess, Joan Hermsen, and MJ Smythe. These committee members were very encouraging and helpful along the process. I would especially like to thank them for their helpful suggestions during defense meetings. Also, a special thanks to my fiancé Brad for his understanding and support. Finally, I would like to thank my parents who have been very supportive every step of the way. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS……………………………………………………………..ii LIST OF FIGURES……………………………………………………………..…….…iv LIST OF TABLES………………………………………………………………….……v ABSTRACT………………………………………………………….…………………vii Chapter 1. -
Maternal Representation in Reality Television: Critiquing New Momism in Tlc’S Here Comes Honey Boo Boo and Jon & Kate Plus 8
MATERNAL REPRESENTATION IN REALITY TELEVISION: CRITIQUING NEW MOMISM IN TLC’S HERE COMES HONEY BOO BOO AND JON & KATE PLUS 8 A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in English By Isabel Silva, B.A. Washington, DC March 24, 2014 Copyright 2014 by Isabel Silva All Rights Reserved ii MATERNAL REPRESENTATION IN REALITY TELEVISION: CRITIQUING NEW MOMISM IN TLC’S HERE COMES HONEY BOO BOO AND JON & KATE PLUS 8 Isabel Silva, B.A. Thesis Advisor: Pamela A. Fox , Ph.D . ABSTRACT This thesis explores the ways that TLC’s reality programs, specifically Here Comes Honey Boo Boo and Jon and Kate Plus Eight, serve as hegemonic systems for the perpetuation of what Susan Douglas and Meredith Michaels call “new momism.” As these authors demonstrate in The Mommy Myth, the media have served as a powerful hegemonic force in the twentieth and twenty-first centuries for the construction of this dominating ideology of proper motherhood which undermines the social victories of feminism. Expanding upon Douglas’ and Michaels’ analysis of national constructions of motherhood, I explore the role of reality television, a relatively new cultural medium, within the historical tradition of hegemonic institutions. My research examines representations of motherhood specifically within reality programs which document a family’s day- to-day life, differing from other types of reality shows because they take place within the private sphere of the home. These programs market performances of motherhood that invite viewers, specifically those who are mothers themselves, to construct their own identities in opposition to “transgressive” mothers and in awe of “ideal” mothers, thereby reaffirming the oppressive and unreasonable expectations of twenty-first century motherhood.