Honey Boo Boo, Tumblr, and the Stereotype of Poor White Trash Ashley F
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University of South Carolina Scholar Commons Theses and Dissertations 12-14-2015 Redneckaissance: Honey Boo Boo, Tumblr, and the Stereotype of Poor White Trash Ashley F. Miller University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Mass Communication Commons Recommended Citation Miller, A. F.(2015). Redneckaissance: Honey Boo Boo, Tumblr, and the Stereotype of Poor White Trash. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3217 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. REDNECKAISSANCE: HONEY BOO BOO, TUMBLR, AND THE STEREOTYPE OF POOR WHITE TRASH by Ashley F. Miller Bachelor of Arts Emory University, 2006 Master of Fine Arts Florida State University, 2008 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Mass Communications College of Information and Communications University of South Carolina 2015 Accepted by: August Grant, Major Professor Carol Pardun, Committee Member Leigh Moscowitz, Committee Member Lynn Weber, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies © Copyright by Ashley F. Miller, 2015 All Rights Reserved. ii Acknowledgements Although her name is not among the committee members, this study owes a great deal to the extensive help of Kathy Forde. It could not have been done without her. Thanks go to my mother and fiancé for helping me survive the process, and special thanks go to L. Nicol Cabe for ensuring my inescapable relationship with the Internet and pop culture. iii Abstract Tumblr is an understudied social media site with a young, progressive, and queer user base of content creators. This study examines Tumblr posts about Here Comes Honey Boo Boo to understand the nature of Tumblr and the way a convergent culture that includes non-viewers negotiates a television show dependent on stereotypes. Discourses around authenticity, LGBTQ issues, and body acceptance resist the negative white trash connotations of the show, but this resistance is embedded in stereotypes around race, class, gender, sexuality, and geography. The result is a continuum in which users negotiate what the show means in how they use that show to communicate about other issues based on which axes of power they resist and uphold. This analysis gives insight into how online culture serves to reflect hegemonies without necessarily undermining them, how Tumblr memes serve to define the values of the site, and how an individual television show is co-opted into the online language of memes. iv Table of Contents Acknowledgements ............................................................................................................ iii Abstract .............................................................................................................................. iv List of Figures ................................................................................................................... vii Chapter 1: Introduction ....................................................................................................... 1 1.1 What is Tumblr? ....................................................................................................... 4 1.2 What is Honey Boo Boo? ......................................................................................... 7 1.3 Social Media, Image Macros, and Reality Television: Talking about Stereotypes 14 1.4 Theoretical Perspective: Intersectionality ............................................................... 24 1.5 Personal Background .............................................................................................. 27 1.6 A Note about Language .......................................................................................... 29 1.7 Conclusion .............................................................................................................. 30 Chapter 2: Literature Review ............................................................................................ 31 2.1 White Trash ............................................................................................................. 31 2.2 White Trash Television ........................................................................................... 39 2.3 Reality Television ................................................................................................... 42 2.4 The Online Audience .............................................................................................. 51 2.5 Reality Television and Social Media ...................................................................... 53 2.6 Critical Television Studies ...................................................................................... 55 2.7 Conclusion .............................................................................................................. 59 v Chapter 3: Methods ........................................................................................................... 61 3.1 Rationale ................................................................................................................. 62 3.2 Sample ..................................................................................................................... 68 3.3 Analysis................................................................................................................... 72 Chapter 4: Discourses of the Body ................................................................................... 78 4.1 Fat ........................................................................................................................... 81 4.2 Body Functions ..................................................................................................... 105 4.3 Food ...................................................................................................................... 110 4.4 Sex......................................................................................................................... 121 Chapter 5: LGBTQ and Redneck Discourses ................................................................. 132 5.1 LGBTQ ................................................................................................................. 133 5.2 Redneck Discourse ................................................................................................ 152 Chapter 6: Discussion and Conclusions .......................................................................... 176 6.1 Tumblr ................................................................................................................... 177 6.2 Discourses ............................................................................................................. 184 6.3 Future Studies ....................................................................................................... 189 6.4 Limitations ............................................................................................................ 192 6.5 Conclusion ............................................................................................................ 194 Bibliography ................................................................................................................... 196 Appendix A – Tumblr Definitions .................................................................................. 217 Appendix B – Spreadsheet Example ............................................................................... 218 vi List of Figures Figure 1.1 Condescending Wonka ................................................................................... 17 Figure 1.2 “A dolla makes me holla” ............................................................................... 18 Figure 1.3 Les Miserables ................................................................................................ 19 Figure 3.1 Jennifer Lawrence and Honey Boo Boo ......................................................... 66 Figure 3.2 Tyler Oakley as Mama June ........................................................................... 74 Figure 4.1 Shame to Authenticity Continuum ................................................................. 79 Figure 4.2 Mama eats Glitzy, show style ......................................................................... 82 Figure 4.3 Mama eats Glitzy, meme style ....................................................................... 83 Figure 4.4 Mama is the opposite of a skeleton ................................................................ 84 Figure 4.5 Honey Boo Boo math problem ....................................................................... 86 Figure 4.6 Honey Boo Boo as Patrick Star ...................................................................... 88 Figure 4.7 June as Louis the Alligator ............................................................................. 90 Figure 4.8 June on a water slide ....................................................................................... 92 Figure 4.9 June’s face on famous thin bodies .................................................................. 94 Figure 4.10 “Dear June” ................................................................................................... 95 Figure 4.11 “Mama