Eui Academic Publications 2016
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Political Change and Course of Schizophrenia in East Germany, 1984 ±1994
Soc Psychiatry Psychiatr Epidemiol (2000) 35: 255±258 Ó Steinkop-Verlag 2000 ORIGINAL PAPER S. Priebe á M. BroÈ ker Political change and course of schizophrenia in East Germany, 1984 ±1994 Accepted: 28 February 1999 Abstract Background: We tested the hypothesis that the Until 1989 people in East Germany had been living in political change occurring in East Germany after the fall a totalitarian socialist system. They were not allowed to of the Berlin Wall in November 1989 aected patients travel to Western countries, and many people were with long-term schizophrenia, resulting in more and subject to political persecution and harassment (Am- longer hospitalisations. Methods: In two samples in East nesty International 1989). However, some social factors Germany (120 patients in East Berlin, 70 patients in that might be regarded as having a negative in¯uence on Chemnitz) and in a control group from West Berlin (40 the course of schizophrenia were comparatively fa- patients), hospitalisations for each month between vourable: there was no homelessness, no formal unem- November 1984 and October 1994 were assessed. Each ployment, and illegal drugs were hardly available. This sample included all schizophrenia patients who were in changed after reuni®cation. From 1990 onwards, people continuous treatment in the given community mental were living in a politically free country, but there was health centre throughout the full observation period. substantial unemployment, wider availability of illegal Results: Hospitalisation indices were not higher after drugs, and increasing homelessness. November 1989 than before in any of the groups. Con- Did those historical changes have an impact on the clusions: There is no evidence that political change in course of illness in patients with long-term schizophrenia? East Germany negatively aected the course of long- Schizophrenia patients may have been particularly upset term schizophrenia as assessed by hospitalisations. -
Anatomie Der Staatssicherheit Geschichte, Struktur Und Methoden — Mfs-Handbuch —
Anatomie der Staatssicherheit Geschichte, Struktur und Methoden — MfS-Handbuch — Bitte zitieren Sie diese Online-Publikation wie folgt: Roger Engelmann, Frank Joestel: Die Zentrale Auswertungs- und Informationsgruppe (MfS-Handbuch). Hg. BStU. Berlin 2009. http://www.nbn-resolving.org/urn:nbn:de:0292-97839421302024 Mehr Informationen zur Nutzung von URNs erhalten Sie unter http://www.persistent-identifier.de/ einem Portal der Deutschen Nationalbibliothek. Vorbemerkung Das Handbuchprojekt »Anatomie der Staatssicherheit« ist eines der ältesten Vorhaben des Forschungsbereiches der Bundesbeauftragten für die Stasi-Unterlagen (BStU). Es wurde bereits im Jahr 1993 begonnen – wenige Monate nach der Gründung der Abteilung »Bil- dung und Forschung« und stellt dem wissenschaftlichen Fachpublikum wie auch anderen interessierten Nutzern von Stasi-Akten in kontinuierlich erscheinenden Teillieferungen umfassendes Grundwissen zum MfS zur Verfügung: die Entwicklung der Gesamtinstituti- on MfS in ihrem historischen Kontext, die Geschichte seiner wichtigsten Arbeitsbereiche, grundlegende Darlegungen zu den hauptamtlichen und inoffiziellen Mitarbeitern sowie verschiedene Übersichten und Materialien zur Struktur des MfS und ihrer Entwicklung, Kurzbiographien des Leitungspersonals und eine Edition der wichtigsten Grundsatzdoku- mente. Das »MfS-Handbuch« folgt der Verpflichtung der BStU zur »Aufarbeitung der Tätigkeit des Staatssicherheitsdienstes durch Unterrichtung der Öffentlichkeit über Struk- tur, Methoden und Wirkungsweise des Staatssicherheitsdienstes« -
Gesualdo Madrigaux Livre I Solistes Des Arts Florissants Paul Agnew
AMPHITHÉÂTRE – CITÉ DE LA MUSIQUE Gesualdo Madrigaux Livre I Solistes des Arts Florissants Paul Agnew Mardi 23 octobre 2018 – 20h30 Concert enregistré par France Musique. Ce concert est diffusé en direct sur le site internet live.philharmoniedeparis.fr où il restera disponible pendant 4 mois. PROGRAMME Carlo Gesualdo (1566-1613) Ne reminiscaris Domine Luzzasco Luzzaschi (1545-1607) Dolorosi martir, fieri tormenti Claudio Monteverdi (1567-1643) Baci soavi, e cari Luca Marenzio (1553-1599) Baci soavi, e cari (Prima parte) Baci amorosi, e belli (Seconda parte) Baci affamati, e ‘ngordi (Terza parte) Baci cortesi, e grati (Quarta parte) Baci, ohimè, non mirate (Quinta & ultima parte) Carlo Gesualdo Tribulationem et dolorem Hei mihi domine Luca Marenzio Tirsi morir volea (Prima parte) Frenò Tirsi il desio (Seconda parte) Così moriro i fortunati amanti (Terza parte) 3 Benedetto Pallavicino (1551-1601) Tirsi morir volea (Prima parte) Frenò Tirsi il desio (Seconda parte) Così moriro i fortunati amanti (Terza parte) ENTRACTE Carlo Gesualdo Baci soavi e cari Quant’ha di dolce Amore (Seconda parte) Madonna, io ben vorrei Com’esser può ch’io viva se m’uccidi? Gelo ha Madonna il seno, e fiamma il volto Mentre Madonna il lasso fianco posa Ahi, troppo saggia nell’errar (Seconda parte) Se da sì nobil mano Amor, pace non chero (Seconda parte) Sì gioioso mi fanno i dolor miei O dolce mio martire Tirsi morir volea Frenò Tirsi il desio (Seconda parte) Mentre, mia stella, miri Non mirar, non mirare Questi leggiadri odorosetti fiori Felice primavera Danzan -
Spaces Between Beginning and End.Indd
Spaces between Beginning and End: Thoughts on Peter Voigt’s Film Essay Dusk: 1950s East Berlin Bohemia BY CLAUS LÖSER Oh, joyful time of beginnings! The page white and the pencil sketches the overall plan! First line in nothingness, boldly rising through the void into everything! Excavate the ground and depth: the building will be tall. Seeing what has never been seen! Testing the new! —Bertolt Brecht, “Ach, wie doch einst ich sie sah!“1 When Peter Voigt’s documentary Dämmerung – Ostberliner Bohème der 50er Jahre (Dusk: 1950s East Berlin Bohemia) celebrated its premiere in the Grüne Salon of Berlin’s Volksbühne, only those in the know and especially interested • A 2018 DVD Release by the DEFA Film Library • A 2018 DVD Release by the DEFA viewers came to the screening. There were very few reviews. A regular theatrical release did not occur afterwards. In a certain sense, the film arrived both too early and too late. Five years earlier, it would have been a sensation. At the time of its premiere, however, the systematic—and still continuing—examination of phenomena of GDR cultural history had not yet begun. Besides, in the early 1990s, many potentially interested viewers were preoccupied with the reorganization of their daily lives that accompanied the fundamental paradigm change of 1989-90. In view of an uncertain future, affected contemporaries had no relevant interest in tracing the peculiarities of a 1950s East Berlin Bohemia, as Voigt’s title promised. The film did not fit the political mainstream either. Because, back then, the history of the GDR was, “above all, interpreted Dusk: 1950s East Berlin Bohemia in light of its inglorious end,” as film historian Ralf Schenk noted in relation to this film, in particular.2 Public discourse focused primarily on clear victim-perpetrator scenarios; perspectives that dealt with differentiated formations located between opportunism and resistance during the SED dictatorship were not in demand. -
Gesualdo Paul Agnew Madrigali Libri Primo & Secondo FRANZ LISZT CARLO GESUALDO (1566-1613) Madrigali a Cinque Voci
Les Arts Florissants Gesualdo Paul Agnew MADRIGALI LIBRI PRIMO & SECONDO FRANZ LISZT CARLO GESUALDO (1566-1613) MADRIGALI A CINQUE VOCI CD 1 Libro primo (Ferrara, 1594) 1 | Baci soavi, e cari. Giovanni Battista Guarini. Rime amorose Prima parte 2 | Seconda parte: Quant’ha di dolce Amore 2’31 3 | Madonna, io ben vorrei. Incerto MA, MR, SC, PA, EG 3’00 4 | Com’esser può ch’io viva se m’uccidi? Incerto MA, HM, MR, PA, EG 2’12 5 | Gelo ha Madonna il seno. Torquato Tasso, Rime HM, MR, PA, SC, EG 2’07 6 | Mentre Madonna il lasso fianco posa. Torquato Tasso, Rime MA, MR, SC, PA, EG 2’14 Prima parte 7 | Seconda parte: Ahi, troppo saggia nell’errar. 2’10 8 | Se da sì nobil mano. Torquato Tasso, Rime HM, MR, PA, SC, EG 1’54 Prima parte 9 | Seconda parte: Amor, pace non chero 1’27 10 | Sì gioioso mi fanno i dolor miei. Luigi Cassola HM, MA, MR, SC, EG 2’44 11 | O dolce mio martire. Incerto MA, MR, SC, PA, EG 2’27 12 | Tirsi morir volea. Battista Guarini, Rime HM, MR, PA, SC, EG 2’19 Prima parte 13 | Seconda parte: Frenò Tirsi ’l desio 2’45 14 | Mentre, mia stella, miri. Torquato Tasso MA, MR, SC, PA, EG 2’16 15 | Non mirar, non mirare. Filippo Alberti MA, HM, MR, PA, EG 2’21 16 | Questi leggiadri odorosetti fiori. Livio Celiano (alias Angelo Grillo) HM, MR, PA, SC, EG 2’50 17 | Felice primavera. Torquato Tasso MA, MR, SC, PA, EG 1’32 Prima parte 18 | Seconda parte: Danzan le ninfe honeste, e i pastorelli 1’26 19 | Son sì belle le rose. -
Newsletter.05
College of L e t t e r s & S c i e n c e U n i v e r s i t y D EPARTMENT o f of California B e r k e l e y MUSIC IN THIS ISSUE Alumni Newsletter S e p t e m b e r 2 0 0 5 September 2005 D EAR A LUMNI AND F RIENDS , Note from the Chair reetings to all from the PEOPLE 1–3Update on the last 4 years GUniversity of California, ince the last newsletter, Wye Allanbrook Berkeley, Department of Music, Scompleted her term as department chair, Centenary Celebration this year celebrating our 100th having contributed enormous effort on 100 years of music at Cal birthday! (See article below.) behalf of the new Hargrove Music Library 1, 8–9 This newsletter has always Bonnie Wade building. For the past two years, she has Faculty News Creative accomplishments, been intended as an occasional publication been a Fellow at the National Humanities honors & awards, new to bring to you news of the department. Center in North Carolina. She returns to 4arrivals– Melford6 & Midiyanto For comprehensive details and regular teaching in the 2005–06 academic year. updates please visit our websites: http:// In fall 2003, Allanbrook was succeeded music.berkeley.edu (department); www. by Anthony Newcomb, who served as Gifts to the Department lib.berkeley.edu/MUSI (music library); and department chair for two years. After a 6 www.cnmat.berkeley.edu (Center for New long and distinguished career as teacher Music and Audio Technologies, CNMAT). -
Carlo GESUALDO Da Venosa Madrigals Book 1 Delitiæ Musicæ • Marco Longhini
570548 bk Gesualdo US 29/1/10 13:06 Page 12 Carlo GESUALDO da Venosa Madrigals Book 1 Delitiæ Musicæ • Marco Longhini Marco Longhini Photo: Agnes Spaak 8.570548 12 570548 bk Gesualdo US 29/1/10 13:06 Page 2 Carlo * Danzan le ninfe oneste * The honest nymphs and shepherds dance GESUALDO – Seconda parte – Part Two da Venosa (Torquato Tasso) (1566-1613) Danzan le ninfe oneste e i pastorelli The honest nymphs and shepherds dance e i susurranti augelli in fra le fronde and amid the leaves the birds softly sing THE FIRST BOOK OF MADRIGALS, 1594 al mormorar dell’onde e vaghi fiori above the murmuring water, and the Graces IL PRIMO LIBRO DE’ MADRIGALI, 1594 donan le grazie ai pargoletti amori. give pretty flowers to the little cupids. 1 Baci soavi e cari (part 1) (a, b, d, e, f) 3:36 ( Son sì belle le rose ( The roses nature gave you 2 Quanto ha di dolce amore (part 2) (a, b, d, e, f) 3:15 (Livio Celiano) 3 Madonna, io ben vorrei (a, b, c, d, f) 3:35 Son sì belle le rose The roses nature gave you 4 Come esser può ch’io viva? (a, b, c, e, f) 2:41 che in voi natura pose are as beautiful 5 Gelo ha madonna in seno (a, b, c, d, f) 2:39 come quelle che l’arte as those that art 6 Mentre madonna (part 1) (b, c, d, e, f) 2:39 nel vago seno ha sparte. has strewn on your fair breast. -
Key of F Minor, German Designation)
F dur C F Dur C EFF DOOR C (key of F major, German designation) F moll C f Moll C EFF MAWL C (key of f minor, German designation) Fa bemol majeur C fa bémol majeur C fah bay-mawl mah-zhör C (key of F flat major, French designation) Fa bemol mayor C FAH bay-MAWL mah-YAWR C (key of F flat major, Spanish designation) Fa bemol menor C FAH bay-MAWL may-NAWR C (key of f flat minor, Spanish designation) Fa bemol mineur C fa bémol mineur C fah bay-mawl mee-nör C (key of f flat minor, French designation) Fa bemolle maggiore C fa bemolle maggiore C FAH bay-MOHL-lay mahd-JO-ray C (key of F flat major, Italian designation) Fa bemolle minore C fa bemolle minore C FAH bay-MOHL-lay mee-NO-ray C (key of f flat minor, Italian designation) Fa diese majeur C fa dièse majeur C fah deeezz mah-zhör C (key of F sharp major, French designation) Fa diese mineur C fa dièse mineur C fah deeezz mee-nör C (key of f sharp minor, French designation) Fa diesis maggiore C fa diesis maggiore C FAH deeAY-zeess mahd-JO-ray C (key of F sharp major, Italian designation) Fa diesis minore C fa diesis minore C FAH deeAY-zeess mee-NO-ray C (key of f sharp minor, Italian designation) Fa maggiore C fa maggiore C FAH mahd-JO-ray C (key of F major, Italian designation) Fa majeur C fa majeur C fah mah-zhör C (key of F major, French designation) Fa mayor C FAH mah-YAWR C (key of F major, Spanish designation) Fa menor C FAH may-NAWR C (key of f minor, Spanish designation) Fa mineur C fa mineur C fah mee-nör C (key of f minor, French designation) Fa minore C fa minore C FAH mee-NO-ray -
Lersch Gregor H.Pdf
GREGOR H. LERSCH „ART FROM EAST GERMANY?“ – DIE INTERNATIONALE VERFLECHTUNG DER KUNST IN DER DDR: AUSSTELLUNGEN, REZEPTION IM AUSLAND, TRANSFERS Veröffentlichung als ePublikation auf OPUS, dem Publikationsserver der Universitätsbibliothek der Europa-Universität Viadrina Frankfurt (Oder): https://opus4.kobv.de/opus4-euv/home Diese Arbeit wurde als Dissertation zur Erlangung des Doktorgrades der Kulturwissenschaftlichen Fakultät der Europa-Universität Viadrina Frankfurt (Oder) am 5.01.2021 angenommen. Betreut wurde die Dissertation von Prof. Dr. Christoph Asendorf und die Disputation fand am 18.12.2020 statt. Frankfurt (Oder), 2021 „Art from East Germany?“ – Die internationale Verflechtung der Kunst in der DDR: Ausstellungen, Rezeption im Ausland, Transfers 1. Einleitung 1.1. Untersuchungsgegenstand…………………………………………………………………………………………………………………… 1 1.2. Forschungsstand………………………………………………………………………………………………………………………………….. 7 1.3. Kunst in der DDR………………………………………………………………………………………………………………………………….. 11 1.4. Struktur……………………………………………………………………………………………………………………………………………….. 19 2. 1945-1951 2.1. „Kulturnost“ – Liberale Kulturpolitik in der frühen SBZ………………………………………………………………………… 21 2.2.1. Ausstellungen in der SBZ/DDR, die Wiedereröffnung der Berliner Nationalgalerie und Präsentationen internationaler Kunst…………………………………………………………………………………………………. 26 2.2.2. Die Wandbildaktion 1949 und der Einfluss des mexikanischen Muralismo…………………………………………. 38 2.2.3. Die Wiedereröffnung der Nationalgalerie in Berlin…………………………………………………………………………….. 45 2.3. Die Zeitschrift bildende -
The Power of the Past: A
THE POWER OF THE PAST: A H AB E RM AS IAN APPROACH TO THE STUDY OF COLLECTIVE WAR MEMORIES IN INTERNATIONAL RELATIONS ILLUSTRATED BY RECENT FRANCO-GERMAN RELATIONS LOTHAR RAST SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY THE LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE UNIVERSITY OF LONDON SEPTEMBER 2006 UMI Number: U221959 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U221959 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 To Beatriz, Valentina and Daniel Written declaration Herewith I declare that this work is my own. Lothar Rast 30 September 2006 3 % 6 %7r 1 I o <\ \ Abstract The central question of this thesis is how to conceptualise the impact of collective war memories in international politics. The main theoretical argument developed in the work is that Jurgen Habermas’ Critical Theory, in general, and his two concepts of social learning and political legitimacy, in particular, are useful and hitherto unexplored ways of advancing our knowledge concerning that question. Based on this premise the thesis highlights the importance of political memory groups for the formulation of practical imperatives in politics and develops a theoretical concept of social learning that can be applied to the remembering of past wars. -
Dierk Hobbie
DEUTSCHE GEODÄTISCHE KOMMISSION bei der Bayerischen Akademie der Wissenschaften Reihe E Geschichte und Entwicklung der Geodäsie Heft Nr. 30 Dierk Hobbie The development of photogrammetric instruments and methods at Carl Zeiss in Oberkochen München 2010 Verlag der Bayerischen Akademie der Wissenschaften in Kommission beim Verlag C. H. Beck ISSN 0065-5341 ISBN 978-3-7696-9673-8 DEUTSCHE GEODÄTISCHE KOMMISSION bei der Bayerischen Akademie der Wissenschaften Reihe E Geschichte und Entwicklung der Geodäsie Heft Nr. 30 Dierk Hobbie The development of photogrammetric instruments and methods at Carl Zeiss in Oberkochen München 2010 Verlag der Bayerischen Akademie der Wissenschaften in Kommission beim Verlag C. H. Beck ISSN 0065-5341 ISBN 978-3-7696-9673-8 Adresse der Deutschen Geodätischen Kommission: Deutsche Geodätische Kommission Alfons-Goppel-Straße 11 ! D – 80 539 München Telefon (089) 23 031 -1113 ! Telefax (089) 23 031 -1283/ -1100 E-mail [email protected] ! http://dgk.badw.de Adresse des Autors: Dr. Dierk Hobbie Fliederweg 7 • D-89551 Königsbronn e-mail [email protected] Acknowledgement For the valuable support in writing this English edition of the publication DGK - E 30 "Die Entwicklung photogrammetrischer Verfahren und Instrumente bei CARL ZEISS in Oberkochen" I want to express my great thanks to Ernie Wickens © 2010 Deutsche Geodätische Kommission, München Alle Rechte vorbehalten. Ohne Genehmigung der Herausgeber ist es auch nicht gestattet, die Veröffentlichung oder Teile daraus auf photomechanischem Wege (Photokopie, Mikrokopie) -
Geschichte Neuerwerbungsliste 2. Quartal 2002
Geschichte Neuerwerbungsliste 2. Quartal 2002 Geschichte: Allgemeines und Einführungen ........................................................................................................... 2 Geschichtsschreibung und Geschichtstheorie.......................................................................................................... 2 Teilbereiche der Geschichte (Politische Geschichte, Kultur-, Sozial- und Wirtschaftsgeschichte allgemein)........ 3 Historische Hilfswissenschaften.............................................................................................................................. 5 Ur- und Frühgeschichte; Mittelalter- und Neuzeitarchäologie ................................................................................ 8 Allgemeine Weltgeschichte, Geschichte der Entdeckungen, Geschichte der Weltkriege ..................................... 12 Alte Geschichte ..................................................................................................................................................... 21 Europäische Geschichte in Mittelalter und Neuzeit .............................................................................................. 22 Deutsche Geschichte ............................................................................................................................................. 25 Geschichte der deutschen Laender und Staedte..................................................................................................... 35 Geschichte der Schweiz, Österreichs, Ungarns,