The University of Mantua, the Gonzaga, and the Jesuits, 1584–1630
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Integration Processes of Italian Immigrants in the Republic of Nobles
Odrodzenie i Reformacja w Polsce PL ISSN 0029‑8514 Special Issue Wojciech Tygielski (Warszawa) Together or Apart? Integration Processes of Italian Immigrants in the Republic of Nobles There has been quite a lot written on activities of the Italians in the Polish‑Lithuanian Commonwealth. We have many facts about the lives and achievements of many outstanding figures, especially art‑ ists (architects and builders, musicians, people of theatre) as well as merchants and enterprisers. And despite all that, the phenomenon of Italian immigration to the territory of the Polish‑Lithuanian state seems to have been insufficiently examined – both from the perspective of Italian motivations and extent of fulfilment of their life plans related to Poland, and from the perspective of consequences of the Italian presence for the old Polish society – both in the sphere of culture and politics, and economy. Thus, a relative advancement of studies is accompanied by an ignorance (generally, although not always, being a consequence of scarcity of sources) in fundamental questions – a number of Italian immigrants and chronology of their arrival to Poland, their professional structure, and their territorial settlement, especially outside big cities. There is a need for further studies exploring the goals set by individuals belonging to this very diverse community, and assessing the extent to which they were fulfilled. First and foremost, however, it is the scale of impact those Italian ar‑ rivals had on various factions and communities of the old‑Polish society. The whole picture of this process will be very difficult to reconstruct. Before I attempt to do so, I would like to present a few remarks and doubts about the level of their integration and possible group solidarity that characterised the Italian minority in the Commonwealth. -
Ottoman Merchants in the Adriatic. Trade and Smuggling
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of University of Primorska ACTA HISTRIAE • 16 • 2008 • 1-2 received: 2008-01-27 UDC 355.49:343.712.2(262.3)"14/16" original scientific article OTTOMAN MERCHANTS IN THE ADRIATIC. TRADE AND SMUGGLING Maria Pia PEDANI University Ca'Foscari of Venice, Department of Historical Studies, I-30123 Venezia, Dorsoduro 3484/d e-mail: [email protected] ABSTRACT th In the 15 century sultans discovered the economic importance of the Adriatic. th They accepted doges' rule on this sea but, at the end of the 16 century, the presence of Christian and Muslim pirates marred the relations between the two states. Ottoman merchants used to cross the Adriatic to reach the markets of Venice and Ancona. Be- sides regular trade there was also smuggling: above all arms were exported to the Empire while wheat went westwards. Several links united the two commercial commu- nities: for instance, subjects of the Republic embarked sometimes on Ottoman ships; in the ports of the Serenissima the sultan's merchants used to pay the same customs as Venetians and, sometimes, they also insured themselves with Venetian companies. The th wars of the end of the 17 century put a momentary stop to Muslim commercial activi- ties in Venice and in the Adriatic. However, at the beginning of the following century, Albanian vessels charged with Ottoman goods appeared again at St. Mark's docks, even if soon after, in the 1720s', short-sighted Venetian protectionist politics pushed them to prefer the port of Trieste. -
The Theatre of the Italian Neo- Avant-Garde. Toronto: University of Toronto Press, 2020
Review of Gianluca Rizzo. Poetry on Stage: The Theatre of the Italian Neo- Avant-Garde. Toronto: University of Toronto Press, 2020. Hiju Kim Among the many innovative achievements of the Neoavanguardia and the Gruppo 63, the Nuovo Teatro stands out as a platform that allowed poets to carry their words onto the theatrical stage where art met the public, both literally and figuratively. The Nuovo Teatro was a socially driven artistic practice that breathed life into poetry by bringing the elements of body, voice, and gestures into the textual form. In his expansive and thought-provoking volume Poetry on Stage: The Theatre of the Italian Neo-Avant-Garde, Gianluca Rizzo articulates the visceral and intellectual synergy between poetry and theatre and elucidates the collaborative efforts that flourished among playwrights, directors, actors, and audiences. He stresses the poets’ insistence upon the improvisational freedom of the actors and highlights their sociopolitical objectives devoted to communal meaning-making. By reexamining the birth of Nuovo Teatro, Rizzo challenges the perceived divisions between poetry and theatre overall and critically bridges the purported gaps between the two artistic media. In the first chapter, Rizzo outlines the reasons why certain poets took to theatre as a means of sociopolitical expression by exploring the philosophical contentions that rose out of the Neoavanguardia. The author tackles questions that pertain to the functionality of literature with respect to the public, the “permeability between poetry and drama” (20), and how theatre as a medium promotes inclusivity for audiences through tactile and auditory modes of exchange that result in meaning-driven communal gatherings. -
Archivio Gonzaga
Archivio Gonzaga buste A-Z e 1-3720 (762, in copia del sec. XI-1866) cfr.: Pietro Torelli, L’Archivio Gonzaga di Mantova, Arnaldo Forni Editore, Ostiglia (MN) 1920, ristampa anastatica Mantova 1988, vol. I; Alessandro Luzio, La corrispondenza familiare, amministrativa e diplomatica dei Gonzaga, Verona 1922, ristampa anastatica Mantova 1993, vol. II. Archivio Gonzaga Nota introduttiva L’Archivio Gonzaga si può definire in sostanza come l’antico archivio «segreto» marchionale poi ducale, abbondantemente integrato con altra documentazione di data molto posteriore alla caduta della dinastia; esso è stato inserito, durante i lavori di ordinamento iniziati nel 1760, entro le ventidue classi A-Z fissate col piano di sistemazione variato il 13 agosto 1775. Come tale è poi rimasto, intatto nella sua struttura, a costituire il nucleo più prestigioso e il centro d’attrazione di sempre nuove carte di particolare importanza, sia dell’archivio governativo istituito nel 1786, sia soprattutto dell’archivio storico patrio pervenuto, come si è detto, all’Archivio di Stato di Mantova nel 1899. Un tipico archivio di corte e di cancelleria, insomma, con richiami di atti dalle più svariate magistrature sia comunali che principesche, ma ordinato per materia a posteriori, e quindi in modo tale da non rispecchiare né l’organizzazione della cancelleria, né tanto meno quella degli organi di governo nel loro complesso. Naturalmente esso comprende anche carte di data anteriore all’avvento dei Gonzaga al potere: in particolare quelle che i Gonzaga stessi avevano concentrato nella magna domus dopo la battaglia di piazza San Pietro del 16 agosto 1328, data comunemente accolta come termine della signoria bonacolsiana, e che l’incendio dell’archivio del comune nel 1413 ha reso poi particolarmente preziose. -
Volta, the Istituto Nazionale and Scientific Communication in Early Nineteenth-Century Italy*
Luigi Pepe Volta, the Istituto Nazionale and Scientific Communication in Early Nineteenth-Century Italy* In a famous paper published in Isis in 1969, Maurice Crosland posed the question as to which was the first international scientific congress. Historians of science commonly established it as the Karlsruhe Congress of 1860 whose subject was chemical notation and atomic weights. Crosland suggested that the first international scientific congress could be considered the meeting convened in Paris on January 20, 1798 for the definition of the metric system.1 In September 1798 there arrived in Paris Bugge from Denmark, van Swinden and Aeneae from Germany, Trallès from Switzerland, Ciscar and Pedrayes from Spain, Balbo, Mascheroni, Multedo, Franchini and Fabbroni from Italy. These scientists joined the several scientists already living in Paris and engaged in the definition of the metric system: Coulomb, Mechain, Delambre, Laplace, Legendre, Lagrange, etc. English and American scientists, however, did not take part in the meeting. The same question could be asked regarding the first national congress in England, in Germany, in Switzerland, in Italy, etc. As far as Italy is concerned, many historians of science would date the first meeting of Italian scientists (Prima Riunione degli Scienziati Italiani) as the one held in Pisa in 1839. This meeting was organised by Carlo Luciano Bonaparte, Napoleon’s nephew, with the co-operation of the mathematician Gaetano Giorgini under the sanction of the Grand Duke of Tuscany Leopold II (Leopold was a member of the Royal Society).2 Participation in the meetings of the Italian scientists, held annually from 1839 for nine years, was high: * This research was made possible by support from C.N.R. -
The Emergence of the Duchy of Milan: Language and the Territorial State
Jane Black The emergence of the duchy of Milan: language and the territorial state Reti Medievali Rivista, 14, 1 (2013) <http://rivista.retimedievali.it> ??????????????????????????????????????????????. ?????????????????????????? a cura di ??????????????????????????????? Firenze University Press 1 Reti Medievali Rivista, 14, 1 (2013) <http://rivista.retimedievali.it> ISSN 1593-2214 © 2012 Firenze University Press DOI 10.6092/1593-2214/388 The emergence of the duchy of Milan: language and the territorial state di Jane Black The map that appears opposite page one of Bueno de Mesquita’s biography of Giangaleazzo Visconti is labelled Northern and Central Italy, showing the ter- ritories of Giangaleazzo Visconti in 1402; no area on the map is identified as 1 the Duchy of Milan . The titles bestowed on Giangaleazzo by Wenceslas, king of the Romans, in 1395 and 1396 had raised Milan initially, and then the other Vis- 2 conti territories in Lombardy, to the status of duchy . Giangaleazzo himself al- luded to his cities collectively as such: in the testament of 1397, produced in the first flush of his acquisition of the second diploma, he appointed his son Giovanni Maria heir to two areas – «the duchy, or rather the city and diocese of Milan», and «the duchy of the cities of Brescia, Cremona, Bergamo, Como, Lodi, Piacenza, 3 Parma, Reggio and Bobbio» . The duke would surely have been disappointed that his greatest achievement was not recognized on Bueno de Mesquita’s map. And yet the author’s terminology was more realistic than Giangaleazzo’s: it would take more than a dazzling diploma to create a new territory with a name and a rec- ognized identity. -
Vincent De Paul and the Episcopate of France
Vincentian Heritage Journal Volume 10 Issue 2 Article 1 Fall 1989 Vincent de Paul and the Episcopate of France Pierre Blet S.J. Follow this and additional works at: https://via.library.depaul.edu/vhj Recommended Citation Blet, Pierre S.J. (1989) "Vincent de Paul and the Episcopate of France," Vincentian Heritage Journal: Vol. 10 : Iss. 2 , Article 1. Available at: https://via.library.depaul.edu/vhj/vol10/iss2/1 This Articles is brought to you for free and open access by the Vincentian Journals and Publications at Via Sapientiae. It has been accepted for inclusion in Vincentian Heritage Journal by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Vincent de Paul and the Episcopate of France By PIERRE BLET, S.J. TRANSLATED BY FRANCES PROFFITT, D.C.* Historians of Saint Vincent de Paul, both past and present, have described how Anne ofAustria, the queen regent ofFrance, appointed the founder of the Congregation of the Mission to the Council of Conscience and thus put him in a position to have an influence on the naming of bishops. Without making any claim to utilizing new mate rial, much less exhausting the subject, I would like to clarify the matter somewhat. In this regard Pierre Coste has written: Thanks to Saint Vincent, many dioceses were governed by pastors animated with an apostolic zeal that formed a striking contrast with the worldliness of their seniors in the episcopacy. Let it suffice to name Lescot, of Chartres; Perrochel, of Boulogne; Caulet, of Pamiers; Habert, of Vabres; Bassompierre, of Oloron and then of Saintes; Liverdi, of Treguier; Sevin, of Sarlat and then of Cahors; Bosquet, of Lodeve and then of Montpellier, and Brandom, of Perigueux.' This assertion for the most part is justified. -
The Renaissance Society of America Annual Meeting
CHICAGO 30 March–1 April 2017 RSA 2017 Annual Meeting, Chicago, 30 March–1 April Photograph © 2017 The Art Institute of Chicago. Institute The Art © 2017 Photograph of Chicago. Institute The Art © 2017 Photograph The Renaissance Society of America Annual Meeting The Renaissance Society of America Annual Meeting Program Chicago 30 March–1 April 2017 Front and back covers: Jacob Halder and Workshop, English, Greenwich, active 1576–1608. Portions of a Field Armor, ca. 1590. Steel, etched and gilded, iron, brass, and leather. George F. Harding Collection, 1982.2241a-h. Art Institute of Chicago. Contents RSA Executive Board .......................................................................5 RSA Staff ........................................................................................6 RSA Donors in 2016 .......................................................................7 RSA Life Members ...........................................................................8 RSA Patron Members....................................................................... 9 Sponsors ........................................................................................ 10 Program Committee .......................................................................10 Discipline Representatives, 2015–17 ...............................................10 Participating Associate Organizations ............................................. 11 Registration and Book Exhibition ...................................................14 Policy on Recording and Live -
The Collection, Exhibition, and Practice of Weltliteratur
All That Is the Case: The Collection, Exhibition, and Practice of Weltliteratur A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Andrew Nance Patten IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Professor Rembert Hueser, Advisor January 2015 Andrew Nance Patten© Acknowledgments This dissertation would not have been possible without the generous support of a number of institutions, fellowship donors, and the lasting encouragement of dedicated family, friends, colleagues, and advisors. To properly express my gratitude for the support I have received would be to exceed the space allotted for acknowledgments. I would like to convey my most sincere appreciation to the following individuals and institutions for their assistance throughout my studies: The Department of German, Scandinavian and Dutch for numerous fellowships and the continued expression of confidence in my research projects and academic development; Hella Mears for the generous Mears Fellowship and the continued commitment to German Studies at the University of Minnesota; Gerhard Weiss for the Gerhard Weiss Summer Fellowship; Die Freie Universität Berlin for the supportive exchange opportunity; and finally the University of Minnesota for the Doctoral Dissertation Fellowship and the absolutely integral progress it afforded me during this year-long award. In the course of my studies, these institutions and private contributors have been essential to my progress. I am very pleased to express my gratitude for their generosity with this dissertation. The personal contributions of my advisors and mentors have been and remain to be central to my research and development as a scholar. Thank you to Rembert Hueser for the many hours of critical input, advice, feedback, and good company throughout the years. -
Collecting and Representing Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral
UNIVERSITY OF CALIFORNIA RIVERSIDE International Projects with a Local Emphasis: Collecting and Representing Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Daniel A. Powazek June 2020 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Randolph Head Dr. Jeanette Kohl Copyright by Daniel A. Powazek 2020 The Thesis of Daniel A. Powazek is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE THESIS International Projects with a Local Emphasis: The Collecting and Representation of Saxon Identity in the Dresden Kunstkammer and Princely Monuments in Freiberg Cathedral by Daniel A. Powazek Master of Arts, Graduate Program in Art History University of California, Riverside, June 2020 Dr. Kristoffer Neville, Chairperson When the Albertine Dukes of Saxony gained the Electoral privilege in the second half of the sixteenth century, they ascended to a higher echelon of European princes. Elector August (r. 1553-1586) marked this new status by commissioning a monumental tomb in Freiberg Cathedral in Saxony for his deceased brother, Moritz, who had first won the Electoral privilege for the Albertine line of rulers. The tomb’s magnificence and scale, completed in 1563, immediately set it into relation to the grandest funerary memorials of Europe, the tombs of popes and monarchs, and thus establishing the new Saxon Electors as worthy peers in rank and status to the most powerful rulers of the period. By the end of his reign, Elector August sought to enshrine the succeeding rulers of his line in an even grander project, a dynastic chapel built into Freiberg Cathedral directly in front of the tomb of Moritz. -
Pico, Plato, and Albert the Great: the Testimony and Evaluation of Agostino Nifo EDWARD P
Pico, Plato, and Albert the Great: The Testimony and Evaluation of Agostino Nifo EDWARD P. MAHONEY Giovanni Pico della Mirandola (1463-1494) is without doubt one of the most intriguing figures of the Italian Renaissance. It is thus no surprise that he has attracted the attention of many modern scholars. By reason of the varied interests that are reflected in his writings, contrasting interpretations of Pico have been proposed.1 Our purpose here is not to present a new and different picture of Pico but, rather, to offer a contribution to one fruitful area of research pursued by some recent historians of philosophy, namely, Pico's debt to, and 1. For general presentations of Pico's life and thought, see the classic study of Eugenio Garin, Giovanni Pico della Mirandola: Vita e dottirina (Florence: F. Le Monnier, 1937); Garin's magisterial Storia della filosofia italiana, 2d ed. (Turin: G. Einaudi 1966), 1:458-495. Among more recent general accounts are Pierre-Marie Cordier, Jean Pic de la Mirandole (Paris: Debresse, 1958); Engelbert Monnerjahn, Giovanni Pico della Mirandola (Wiesbaden: F. Steiner, 1960); Paul Oskar Kristeller, Eight Philosophers of the Italian Renaissance (Stanford: Stanford University Press, 1964), pp. 54-71; Giovanni di Napoli, Giovanni Pico della Mirandola e laproblemaύca dottrinale del suo tempo (Rome: Desclee, 1965); Charles Trinkaus, In Our Image and Likeness (Chicago: University of Chicago Press, 1970), 2:505-526; and Henri de Lubac, Pic de la Mirandole: Etudes et discussions (Paris: Aubier Montaigne, 1974). 165 166 EDWARD P. MAHONEY use of, medieval philosophy in his overall philosophical enterprise.2 Of particular concern will be the influence of Albert the Great on Pico, which can be established by a connection that has apparently not been noticed by Pico's historians. -
Antonio Possevino and Jesuits of Jewish Ancestry John Donnelly Marquette University, [email protected]
Marquette University e-Publications@Marquette History Faculty Research and Publications History, Department of 1-1-1986 Antonio Possevino and Jesuits of Jewish Ancestry John Donnelly Marquette University, [email protected] Published version. Archivum Historicum Societatis Iesu. Volume LV. (1986): 3-31. Publisher URL: http://www.sjweb.info/curiafrgen/archives.cfm. © 1986 Institutum Historicum Societatis Iesu. Used with permission. COMMENTARII HIS.TORICI ANTONIO POSSEVINO AND JESUITS OF JEWISH ANCESTRY JOHN PATRICK DONNELLY, S.J. - Marquette University, Milwaukee*. I. POSSEVINO'S PROBABLE JEWISH ANCESTRY Contrary to the attitudes of many Spaniards, indeed of many Christians of his time, Ignatius of Loyola was entirely without racial anti-Semitism. His desire to be conformed to Christ in the tiniest details even led him to regret he was not born of Jewish blood. During its formative era, unlike many reli gious orders of the sixteenth century, the Society of Jesus welcomed Chris tians of Jewish descent into its ranks. As is well known, some of Loyola's closest collaborators were of Jewish descent, for instance, Diego Lainez and l Juan Polanco . Many other Jesuits of Jewish descent made notable con 2 tributions, particularly in the foreign missions • It has not been noticed by scholars that Antonio Possevino (1533-1611), a famous figure in the second generation of Jesuit history, was probably born of Jewish Christian ancestry3. His probable Jewish descent seell1S to have affected his later Jesuit career at various stages. His autobiography, which was written for publication but remains in manuscript, says nothing about any Jewish background. He relates that his grandfather and his father mi grated from Piedmont to Milan, then after its capture by the Spaniards * The author wishes to thank Marquette University and the Gladys Krieble Delmas Founda tion for grants that made the archival research on this article possible.