DOCSLIB.ORG

Krasiński, Zygmunt

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Krasiński, Zygmunt 467 Koresh, David 468 View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jagiellonian Univeristy Repository Krasin´ski, Zygmunt Napoleon Stanisław Adam Feliks Zygmunt Krasiń- ski, more commonly known as Zygmunt Krasiński (1812–1859), was one of the Three Bards of Poland, the nation’s greatest national poets or wieszczowie (poet-prophets) of the Romantic period – the other two being Adam Mickiewicz and Juliusz Słowacki. Some speak of Poland’s Four Bards, adding Cyprian Norwid to the list; notably, all four were Roman Catholics. The Bible exerted a profound influence upon his literary art throughout his career as a writer. Krasiński was born and died in Paris. His father, Wincenty Krasiński (1782–1858), was a general in Napoleon’s army, and his mother, Maria Urszula Radziwiłł (Radziwiłłówna), was a Polish princess. Zygmunt Krasiński, in addition to being a poet, was an aristocrat, philosopher, dramatist, novelist, pro- lific epistolist, and the first Ordinate in the largest land estate in Opinogóra, near Ciechanów. He debuted as a writer in 1828, publishing ma- cabre gothic novels. He showed in this work the constant, characteristic elements of his writing, so his obsessions over the suffering and massacre of Encyclopedia of the Bible and Its Reception vol. 15 Bereitgestellt von | De Gruyter / TCS © Walter de Gruyter, Berlin/Boston, 2017 Angemeldet Heruntergeladen am | 01.09.17 09:18 469 Krasin´ski, Zygmunt 470 Polish civilians (e.g., by the Russian army at the presents as a sin, from a NT, Christian, ethical view- time of Kościuszko’s Insurrection), the interior tur- point, the vengeance taken by the main hero on the moil of the Romantic national struggle for Poland’s enemy (ancient Rome). Behind the ancient mask independence. This spiritual conflict resulted in his (i.e., Rome’s fall) is presented also a contemporary prolific literary production full of frenzy, frenetic history of Poland (with Moscow figuring as a “third images of hell, madness, and the sharp dissonances Rome,” and Russia as Poland’s main enemy, but of his religious and social contexts. with the message that the Poles should not take re- Krasiński studied law at the Warsaw Imperial venge). Through its presentation of Christianity’s University (1827–29) but was expelled after refrain- role, Irydion became an apology for spiritual activity ing from participation in the patriotic Polish dem- and Christian suffering, depicting what the Polish onstrations in Warsaw against the Russian occupa- Romantics spoke of metaphorically as the “resurrec- tion. Subsequently he studied in Geneva (1829–30), tion from the labor of all the centuries,” as well as where he met Mickiewicz and became familiar with the spiritual motives of the human soul in the con- the literature and ideas of Western European Ro- text of Christian ethics, and the struggle of the sub- manticism. In 1832 he returned to Poland, from jugated nation against its oppressors. where accompanied his father on at trip to Peters- Irydion, though it reflected a change in Krasiń- burg, the capital of Russia. There, he wrote the first ski’s views on society (toward organic conservatism version of Polish drama entitled Irydion (1832). and Roman Catholic, universal ethics), was read by Krasiński subsequently was permitted to travel Poles as a work about their national struggle for abroad to Vienna receive therapy for his ailing eyes. independence at a time when Poland was triply par- There, in 1833, he wrote the most important work, titioned between Germany, Austria, and Russia. Nie-Boska Komedia (The Undivine Comedy), published The drama resulted from the popular Polish Ro- anonymously in 1835 in Paris. Inspired by Dante’s mantic messianic idea discussed presently below. Divine Comedy, this drama reflects Krasiński’s mod- From 1839–46 Krasiński wrote O stanowisku Pol- ern, historical-philosophical concept of tragedy, ski z Bożych i ludzkich względów (About Poland’s stand “tragizm” (tragedism), portraying the social revolu- for the sake of Divine and human reasons), which tion as a negative, destructive force that would de- draws the persona of the biblical God into associa- stroy the aristocracy in a future massacre. In his tion with human, Polish, and actual contemporary opinion, tragedy is the extermination of two com- affairs. In 1840 Krasiński began to conceptualize pletely radically different “partial points of view,” his long poem Przedświt (Predawn), which was pub- which (like Hegel’s thesis and antithesis) are recon- lished under the pseudonym K. Gaszyński in 1843, ciled through the synthesis, a universal rationale, in Paris. This poem reflects his distinctly Polish the Absolute: Jesus Christ. The Undivine Comedy, re- messianic conviction that “dead” (i.e., partitioned) flecting Krasiński’s biblical inspiration, expresses of Poland would inevitably be “resurrected” (i.e., re- both the original vision of Jesus and the vision of gain national independence) by the messiah, and, the cross. One of the heroes of Undivine Comedy is a as a Christian nation, would “live again,” as Jesus child, Orcio, a boy probably of poetic genius, with Christ after his resurrection. the power of true poetic creativity. An alter ego of In 1844 Krasiński published in Paris the po- Krasiński himself, he has a weak psychological con- lemic work, O prawdach żywotnych narodu polskiego struction, existing on the border of the spiritual (About the alive truths of Polish nation), composed world of the souls of the dead and the reality of from an antirevolutionary point of view against the the living. The physical aspect of his suffering is philosopher and economist Henryk Michał Kamień- blindness, which the Bible associates with divine ac- ski (1813–1866). Also, in his biblically-entitled lyri- tivity – e.g., the blind innocent Tobit (Tob 2 : 10; cal piece, Psalm miłości (Psalm of love), citing the 7 : 7), or Jesus healing the blind (e.g., Matt 9 : 27– ideal of Christian love, Krasiński opposed Kamień- 31; 20 : 29–34). ski’s revolutionary social espousal of the execution The Undivine Comedy’s fourth part presents the of Polish noblemen by the Polish peasants. How- struggle of two armies or “camps.” Aristocrats, col- ever, when Kamieński was arrested by the Germans, lected in the Holy Trinity trenches, are cowardly Krasiński defended him, on the gospel principle of and egoistic. After the revolutionists triumph, their “loving one’s enemies” (e.g., Matt 5 : 44), as a Chris- leader, called “Pankracy” (Pancratio), has vision of tian and a Pole. Christ. Pankracy is killed, after exclaiming: “Gali- During his travel through Polish lands, Krasiń- laee vicisti!” (You have won, Galilaen!). This last ski created the cycle of biblically-inspired lyrical scene of Krasiński’s drama, esteemed by many as poems entitled Psalmy przyszłości (Psalms of the fu- one of the greatest of all Romantic dramas, ex- ture), published in Paris in 1845 under the pseudo- pressed his providentionalism. nym Spirydion Prawdzicki. These three psalms are From 1833–35, Krasiński wrote in Rome the based on the three theological virtues, faith, hope, last version of his Romantic drama, Irydion (pub- and love, but their real subject is the evolution of lished anonymously in Paris, 1836). This drama the human being’s creative spiritual development. Encyclopedia of the Bible and Its Reception vol. 15 Bereitgestellt von | De Gruyter / TCS © Walter de Gruyter, Berlin/Boston, 2017 Angemeldet Heruntergeladen am | 01.09.17 09:18 471 Kraus, Josef Martin 472 In this work, Krasiński was inspired by the biblical Secondary: ■ Cieślak, S., Trójca romantyczna: fascynacje świ- form of the Psalms, but he also extols the impor- ętością (Warsaw 2015). ■ Gardner, M. M., The Anonymous tance of the role of the Polish nobility and aristoc- Poet of Poland (Cambridge, Mass. 1919). ■ Jagodzińska, J., racy in the history of the Polish nation, glorifies Misterium romantyczne: Liturgiczno-rytualne wymiary świata przedstawionego w III części Dziadów Adama Mickiewicza, Nie-Bos- feudalism, and opposes social revolution, advocat- kiej komedii Zygmunta Krasińskiego i Księdzu Marku Juliusza ing instead the Christian idea of social solidarity Słowackiego (Toruń 2006). ■ Lednicki, W. (ed.), Zygmunt Kra- and love of all social classes – rather than the notion sin´ ski, Romantic Universalist: An International Tribute (New of one class opposed to the other. York 1964). [Esp. 228] ■ Maciejewski, M., “Biblia,” Słownik After the local Polish Uprising in 1846 against literatury polskiej XIX wieku (ed. J. Bachórza/A. Kowalczyk; German occupation in the region of Wielkopolska Wrocław 21994) 81–92. ■ Pieróg, S., “Mesjanizm,” in (Great Poland), Krasiński wrote some texts on the Słownik literatury polskiej XIX wieku (ed. J. Bachórza/A. Ko- walczyk; Wrocław 21994) 536–40. ■ Siennicki, J., Chrześci- event: e.g., the Polish poem entitled in Latin Resur- jańska wizja dziejów w pismach Zygmunta Krasińskiego (Lublin recturis (1851, Resurrected), which describes the idea 2002). ■ Sudolski, Z., “Krasiński Zygmunt,” Encyklopedia of Poland’s christlike resurrection in the process of katolicka 9 (ed. B. Migut; Lublin 2002) 1209–11. ■ Śliwiń- armed uprising – which may also be linked meta- ski, M., Antyk i chrześcijaństwo w twórczości Zygmunta Krasiński- phorically with the rebellion of the ancient Macca- ego (Słupsk 1986). bees, recounted in the deuterocanonical scriptures Marek Mariusz Tytko named after them. The year 1847 marks the start of the most deeply Christian period of Krasiński’s life and liter- ary creativity, grounded in a zealous messianic ideal, a fervent, gospel literary voice, and expressive of an evangelical love of God and all humanity. Krasiński’s Legenda z Trzech myśli (A legend of three ideas) involves the concept of the przechrystuso- wienie or “super-Christianization,” the moulding of a human being according the model of Christ. Kra- siński’s over-Christianization is something like “divination” in Christian theology, so divination of the human being by Christ, making the human di- vine, in Greek: θωσης.
Load more

Recommended publications
  • The Young Narcyza Żmichowska's Reception of Western Cultural
    Rocznik Komparatystyczny – Comparative Yearbook – Komparatistisches Jahrbuch 7 (2016) DOI: 10.18276/rk.2016.7-16 Ursula Phillips UCL School of Slavonic and East European Studies (SSEES) With Open Eyes: The Young Narcyza Żmichowska’s Reception of Western Cultural Influences Narcyza Żmichowska (1819–1876) is not a name instantly recognizable outside Poland. In the English-speaking world, however, she is not unknown thanks to research on women’s history, where she is usually discussed in connection with the group of women with whom she was associated in the 1840s known as the Enthu- siasts (Fraisse and Perrot, 1993: 485). It is thanks to the appearance of Grażyna Borkowska’s book in English (2001) that her achievements as a literary author have become better known among Slavists and women’s literature researchers outside Poland. An English translation of Żmichowska’s best known novel Poganka (The Heathen) appeared in 2012 with a substantial introduction placing the work in both its Polish and European contemporary contexts (Żmichowska, 2012). Recently, this novel has featured alongside works by Charlotte Brontë, Daphne du Maurier and others, in a PhD dissertation inspired by psychoanalytic theories of femininity and mirroring, thereby proving her potential for comparative analysis (Naszkowska, 2012). The aim of the current article is to discuss this non-Polish context, and how foreign inspirations made their way into Żmichowska’s work and thinking. Like many other Polish cultural figures, Żmichowska maintained a close con- nection with France, although she never became an émigrée. Her literary activity is a testament nonetheless to how, despite spending more or less her whole life in the partitioned Polish lands, mostly in the Russian partition but also in the 1840s in the Poznań region of the Prussian, she was able to keep abreast of philosophical, political and literary developments in France and Germany and, in the latter part of her life, in Britain, North America, Italy and Scandinavia.
    [Show full text]
  • Adam Mickiewicz's
    Readings - a journal for scholars and readers Volume 1 (2015), Issue 2 Adam Mickiewicz’s “Crimean Sonnets” – a clash of two cultures and a poetic journey into the Romantic self Olga Lenczewska, University of Oxford The paper analyses Adam Mickiewicz’s poetic cycle ‘Crimean Sonnets’ (1826) as one of the most prominent examples of early Romanticism in Poland, setting it across the background of Poland’s troubled history and Mickiewicz’s exile to Russia. I argue that the context in which Mickiewicz created the cycle as well as the final product itself influenced the way in which Polish Romanticism developed and matured. The sonnets show an internal evolution of the subject who learns of his Romantic nature and his artistic vocation through an exploration of a foreign land, therefore accompanying his physical journey with a spiritual one that gradually becomes the main theme of the ‘Crimean Sonnets’. In the first part of the paper I present the philosophy of the European Romanticism, situate it in the Polish historical context, and describe the formal structure of the Crimean cycle. In the second part of the paper I analyse five selected sonnets from the cycle in order to demonstrate the poetic journey of the subject-artist, centred around the epistemological difference between the Classical concept of ‘knowing’ and the Romantic act of ‘exploring’. Introduction The purpose of this essay is to present Adam Mickiewicz's “Crimean Sonnets” cycle – a piece very representative of early Polish Romanticism – in the light of the social and historical events that were crucial for the rise of Romantic literature in Poland, with Mickiewicz as a prize example.
    [Show full text]
  • Nineteenth-Century French Challenges to the Liberal Image of Russia
    Ezequiel Adamovsky Russia as a Space of Hope: Nineteenth-century French Challenges to the Liberal Image of Russia Introduction Beginning with Montesquieu’s De l’esprit des lois, a particular perception of Russia emerged in France. To the traditional nega- tive image of Russia as a space of brutality and backwardness, Montesquieu now added a new insight into her ‘sociological’ otherness. In De l’esprit des lois Russia was characterized as a space marked by an absence. The missing element in Russian society was the independent intermediate corps that in other parts of Europe were the guardians of freedom. Thus, Russia’s back- wardness was explained by the lack of the very element that made Western Europe’s superiority. A similar conceptual frame was to become predominant in the French liberal tradition’s perception of Russia. After the disillusion in the progressive role of enlight- ened despotism — one must remember here Voltaire and the myth of Peter the Great and Catherine II — the French liberals went back to ‘sociological’ explanations of Russia’s backward- ness. However, for later liberals such as Diderot, Volney, Mably, Levesque or Louis-Philippe de Ségur the missing element was not so much the intermediate corps as the ‘third estate’.1 In the turn of liberalism from noble to bourgeois, the third estate — and later the ‘middle class’ — was thought to be the ‘yeast of freedom’ and the origin of progress and civilization. In the nineteenth century this liberal-bourgeois dichotomy of barbarian Russia (lacking a middle class) vs civilized Western Europe (the home of the middle class) became hegemonic in the mental map of French thought.2 European History Quarterly Copyright © 2003 SAGE Publications, London, Thousand Oaks, CA and New Delhi, Vol.
    [Show full text]
  • Stanislaw Brzozowski and the Migration of Ideas
    Jens Herlth, Edward M. Świderski (eds.) Stanisław Brzozowski and the Migration of Ideas Lettre Jens Herlth, Edward M. Świderski (eds.) with assistance by Dorota Kozicka Stanisław Brzozowski and the Migration of Ideas Transnational Perspectives on the Intellectual Field in Twentieth-Century Poland and Beyond This volume is one of the outcomes of the research project »Standing in the Light of His Thought: Stanisław Brzozowski and Polish Intellectual Life in the 20th and 21st Centuries« funded by the Swiss National Science Foundation (project no. 146687). The publication of this book was made possible thanks to the generous support of the »Institut Littéraire Kultura«. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivatives 4.0 (BY-NC-ND) which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for com- mercial use, further permission is required and can be obtained by contacting [email protected] Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder. The obligation to research and clear permission lies solely with the party re-using the material.
    [Show full text]
  • Introduction
    Introduction Ever since corpus linguistics entered the mainstream, it has become increasingly difficult to keep track of its most recent developments due to the sheer volume of corpus-based, corpus-driven or corpus-informed studies. For twelve years, the conferences known as PALC (Practical Applications in Language and Computers) and organized at the University of ód in Poland have served the international community of corpus and computational linguists by providing a useful forum for the exchange of views and ideas on how corpora and computational tools can be effectively employed to explore and advance our understanding of language. The conferences and the ensuing volumes have attempted to reflect the widening scope and perspectives on language and computers. The present volume is no different in that it documents new developments and explorations in these areas encompassing an array of topics and themes, ranging from national corpora and corpus tools through cognitive processes, discourse and ideology, academic discourse, translation, and lexicography to language teaching and learning. In keeping with the PALC tradition, it is our policy to publish contributions from both seasoned researchers as well as from colleagues who are recently initiated members of the corpus linguistics community. The contributions are drawn from papers presented at the 7th Practical Applications in Language and Computers PALC conference held at the University of ód in 2009. The plenary speakers were Khurshid Ahmad (Trinity College, Dublin), Mark Davies (Brigham Young University), Ken Hyland (then at University of London), Terttu Nevalainen (University of Helsinki) and Margaret Rogers (University of Surrey). This volume is divided into nine Parts, each Part being further subdivided into chapters.
    [Show full text]
  • Venice According… Venice According to Odyniec (And Mickiewicz?) in Romantic Contexts
    Czytanie Literatury https://doi.org/10.18778/2299-7458.09.04 Łódzkie Studia Literaturoznawcze 9/2020 ISSN 2299–7458 ANNA KURSKA e-ISSN 2449–8386 Jan Kochanowski University of Kielce 0000-0002-2776-2449 65 VeNICe ACCoRDING… VeNICe Venice According to Odyniec (and Mickiewicz?) in Romantic Contexts SUMMARY This text is a reconstruction of the image of Venice offered in Listy z podróży by Antoni Edward Odyniec. Against the background of Romantic traditions (Byron, Chateaubriand, Shelley, and Radcliffe), I present how the author shaped the portrait of Venice suspended between the Romantic vision of the city/monster (Leviathan) and the ballad-based vision of the city/Siren. I indicate not only the fact that the im- age of Venice was rooted in the sentimental/Romantic stereotype, but I also define to what extent it was formed by the imagined world of Polish nobility, i.e. szlachta. Most of all, however, I am interested in the traces present in Listy z podróży which enable one to uncover Mickiewicz’s influence on how Odyniec shaped the image of Venice. Keywords Adam Mickiewicz, Antoni Edward Odyniec, Venice, Romanticism, journey. Mickiewicz arrived with Odyniec in Venice on 7 October 1829 “at one in the afternoon”; they stayed at the de Luna Inn, from where they moved the very next day to a private apartment at “Ponte dei Dai, Torre Correnta, al. Moro.” Their visit lasted until 20 October and it was recorded by Antoni Edward Odyniec in a fragment of Listy z podróży that he wrote to Julian Korsak and Ignacy Chodźko. His description raises a major question: to what degree © by the author, licensee Łódź University – Łódź University Press, Łódź, Poland.
    [Show full text]
  • Download Download
    Authorship 9.1 (2020) Rhodes 1 “RÊVE (Romantic Europe: The Virtual Exhibition): Romantic Authorship.” European Romanticisms in Association, http://www.euromanticism.org/virtual-exhibition/reve- the-collections/romantic-authorship.1 In the era of Covid-19, the move to find new ways to share scholarship and to recreate heritage experiences in digital formats has taken on an increased sense of urgency. As 2020 has seen conferences cancelled and museums and galleries around the world close their doors, at least temporarily, researchers, curators and educators have turned to technology as a way of facilitating conversations between people and between objects, collections and exhibits. But even before the pandemic changed the way we communicate, travel, and interact with each other and the spaces we inhabit, physical distance has always placed limitations on the ways in which we connect ideas and objects. While some objects are capable of being, or even designed to be, moved —a notebook, a travelling case, or a handbag, for example—others such as buildings, mountains, monuments, and tombs are (generally) fixed in one particular location. People, however, are mobile. And European Romantic authors such as Rousseau, de Staël, Wollstonecraft, or Byron, whose careers were defined by travel, itinerancy, or exile, were no exception. As Romantic writers moved around the continent, so the objects which they owned and interacted with and which now help us to construct their identities are scattered. Some of these objects, as we have seen, are immovable, and for those which are portable, the question is raised as to whether any single location can justifiably lay sole claim to an author, or the material relics – the ‘scattered leaves’ - which they have left behind.
    [Show full text]
  • Konrad Wallenrod by Adam Mickiewicz
    The Project Gutenberg EBook of Konrad Wallenrod by Adam Mickiewicz This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Konrad Wallenrod Author: Adam Mickiewicz Release Date: October 9, 2010 [Ebook 34050] Language: English ***START OF THE PROJECT GUTENBERG EBOOK KONRAD WALLENROD*** [1] KONRAD WALLENROD. An Historical Poem. BY ADAM MICKIEWICZ. TRANSLATED FROM THE POLISH INTO ENGLISH VERSE BY MISS MAUDE ASHURST BIGGS. “Dovete adunque sapere come sono due generazioni da combattere... bisogna essere volpe e leone.” MACCHIAVELLI, Il Principe. LONDON: TRÜBNER & CO., LUDGATE HILL. 1882. [All rights reserved] Contents AUTHOR'S PREFACE . .2 TRANSLATOR'S PREFACE . .4 Introduction. 10 I. The Election. 13 II. .............................. 17 III. 23 IV. The Festival. 33 V. War. 62 VI. The Parting. 69 NOTES. 80 [ii] Printed by BALLANTYNE, HANSON & Co. Edinburgh and London [iii] AUTHOR'S PREFACE THE Lithuanian nation, formed out of the tribes of the Litwini, Prussians and Leti, not very numerous, settled in an inextensive country, not very fertile, long unknown to Europe, was called, about the thirteenth century, by the incursions of its neighbours, to a more active part. When the Prussians submitted to the swords of the Teutonic knights, the Lithuanians, issuing from their forests and marshes, annihilated with sword and fire the neighbouring empires, and soon became terrible in the north. History has not as yet satisfactorily explained by what means a nation so weak, and so long tributary to foreigners, was able all at once to oppose and threaten all its enemies—on one side, carrying on a constant and murderous war with the Teutonic Order; on the other, plundering Poland, exacting tribute from Great Novgorod, and pushing itself as far as the borders of the Wolga and the Crimean [iv] peninsula.
    [Show full text]
  • 'Path Dependence': How Geopolitics and Culture Shape Divisions In
    polish 4()’ 188 14 sociological review ISSN 1231 – 1413 WITOLD MORAWSKI Kozminski University ‘Path Dependence’: How Geopolitics and Culture Shape Divisions in Poland after the Fall of Communism Abstract: I examine two long-wave processes, geopolitics and culture, which I consider to be the main causes for the fall of communism and the beginning of the transformation. As a result of the geopolitical situation—in the shape of communism’s multidimensional defeat by capitalism—the national culture was able to help society use the new geopolitical context successfully. I distinguish two sequences of cause and effect: The geopolitical one, in which the sequence begins with geopolitics treated as an independent variable and an element shaping all systems, which are treated as dependent variables, i.e., communism loses to capitalism downfall of the state, for instance, the ‘Round Table’ downfall of the central, planned economy (economic reform) ‘S’ as organized rebellion the Western model; and the cultural sequence, which begins from culture treated as an independent variable and a factor shaping all systems, which are treated as dependent variables, i.e., community based on national, religious, traditional, and solidarity values ‘us’ against ‘them’ industrial workers and the Church hierarchy supporting gradual change the ruined work environment and civil society Christian Europe and Poland’s mission in East Central Europe. I do not absolutize either geopolitical or cultural explanations (these are tools). I am closest to a configuration approach, in which attention is concentrated on all the factors that could contribute with ‘equal strength’ to forming a ’virtuous circle’. It is a relational approach, neither determinist nor constructivist (voluntarist).
    [Show full text]
  • Grażyna H Alkiewicz
    REVIEWS the methodology used by anna roter-Bourkane, the contexts she describes and the ambition to define the concepts mentioned in the title of the book. at the same time, the authors raises questions about the aesthetics of the treatise-typical features, which in the examined book is not clearly distinguished from the genre of treaty. Key words: treatise; features of treatise; 19th century; poetry; Cyprian norwid; genology. Summary translated by Rafał Augustyn magdaleNa woźNiewsKa-działaK – Phd, assistant professor in the department of theory of Culture and interculturalism, Faculty of Humanities, Cardinal Stefan Wyszyński university (uKSW) in Warsaw. author of the book Poematy narracyjne Cypriana Norwida. Konteksty literacko-kulturalne, estetyka, myśl (2014). uKSW, ul. dewajtis 5, 01-815 Warszawa; e-mail: [email protected] Grażyna H a l k i e w i c z - S o j a k – on tHE HiddEn diMEnSion oF tHE roMantiC HEritaGE doi: http://dx.doi.org/10.18290/sn.2017.35-15en Ewa Szczeglacka-Pawłowska has been consistently developing her research methodology for over a dozen years, looking for a research perspective that would allow to read the poetry of Polish romanticism in exile with respect for the achievements of several generations of editors and historians of literature, but also with emphasis on the researcher’s own, if possible original, approach. this is best evidenced by her two books: Romantyczny homo legens. Zygmunt Krasiński jako czy telnik polskich poetów [romantic homo legens. Zygmunt Krasiński as a reader of Polish poets] (Warsaw 2003, 367 pages) and Romantyzm “brulionowy” [“draft paper” romanticism] (Warsaw 2015, 580 pages).
    [Show full text]
  • Writers of Tales: a Study on National Literary Epic Poetry with a Comparative Analysis of the Albanian and South Slavic Cases
    DOI: 10.14754/CEU.2017.02 WRITERS OF TALES: A STUDY ON NATIONAL LITERARY EPIC POETRY WITH A COMPARATIVE ANALYSIS OF THE ALBANIAN AND SOUTH SLAVIC CASES FRANCESCO LA ROCCA A DISSERTATION IN HISTORY Presented to the Faculties of the Central European University in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy Budapest, Hungary 2016 Supervisor of Dissertation CEU eTD Collection György Endre Szőnyi DOI: 10.14754/CEU.2017.02 COPYRIGHT NOTICE AND STATEMENT OF RESPONSIBILITY Copyright in the text of this dissertation rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European University Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. I hereby declare that this dissertation contains no materials accepted for any other degrees in any other institutions and no materials previously written and/or published by another person unless otherwise noted. CEU eTD Collection DOI: 10.14754/CEU.2017.02 iii ABSTRACT In this dissertation I intend to investigate the history and theory of national literary epic poetry in Europe, paying particular attention to its development among Albanians, Croats, Montenegrins, and Serbs. The first chapters will be devoted to the elaboration of a proper theoretical background and historical framing to the concept of national epic poetry and its role in the cultivation of national thought in Europe.
    [Show full text]
  • A N N Otated B Ook S R Eceived
    A n n otated B ook s R eceived A SUPPLEMENT TO Tran slation R ev iew Volume 23, No. 1–2, 2018 THE UNIVERSITY OF TEXAS AT DALLAS CONTRIBUTORS Linda Snow Stephanie Tamayo Shelby Vincent All correspondence and inquiries should be directed to: Translation Review The University of Texas at Dallas 800 West Campbell Road, JO 51 Richardson, TX 75080-3021 Telephone: 972-883-2093 Fax: 972-883-6303 [email protected] Annota ted B ooks R eceived is a supplement of T ra nsla tion Review, a publication of The Center for Translation Studies at The University of Texas at Dallas. ISSN 0737-4836 Copyright © 2018 by The University of Texas at Dallas The University of Texas at Dallas is an equal opportunity /affirmative action employer. Annotated Books Received — vol. 23.1–2 ANNOTATED BOOKS RECEIVED 23.1 – 2 TABLE OF CONTENTS Albanian ............................................................................................................. 1 Arabic .................................................................................................................. 1 Arabic, French, and Dutch …………………………………………………………… 3 Arabic and Persian …………………………………………………………………… 3 Bulgarian……………………………………………………………………..……...… 4 Catalan………………………………………………………………...……………..… 4 Chinese ................................................................................................................. 5 Croatian ................................................................................................................ 6 Czech………………………………………………………………………………..…… 8 Danish………………………………………………………………………………….…
    [Show full text]