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THE LONDON CHARTERHOUSE Charterhouse Square London EC1
THE LONDON CHARTERHOUSE Charterhouse Square London EC1 London Borough of Islington Historic environment assessment September 2014 © Museum of London Archaeology 2014 Museum of London Archaeology Mortimer Wheeler House 46 Eagle Wharf Road, London N1 7ED tel 020 7410 2200 | fax 020 410 2201 www.museumoflondonarchaeology.org.uk general enquiries: [email protected] THE LONDON CHARTERHOUSE Charterhouse Square London EC1 An historic environment assessment NGR 531945181975 Sign-off history: Issue Date: Prepared by: Checked by Approved by: Reason for Issue: No. 1 16.12.2013 Pat Miller Jon Chandler Laura O’Gorman First issue (Archaeology) Lead Consultant Assistant Project Juan Fuldain Manager (Graphics) 2 15.01.2014 Coralie Acheson - Laura O’Gorman Updated following (Archaeology) client comment 3 12.09.2014 Laura O’Gorman - Laura O’Gorman Separating out planning policy chapter into separate document Finance code:P0072 Museum of London Archaeology Mortimer Wheeler House, 46 Eagle Wharf Road, London N1 7ED tel 0207 410 2200 fax 0207 410 2201 email:[email protected] Museum of London Archaeology is a company limited by guarantee registered in England and Wales with company registration number 07751831 and charity registration number 1143574. Registered office: Mortimer Wheeler House, 46 Eagle Wharf Road, London N1 7ED Historic environment assessment MOLA 2013 Contents Executive summary 1 1 Introduction 2 1.1 Origin and scope of the report 2 1.2 Designated heritage assets 2 1.3 Aims and objectives 3 2 Methodology and sources consulted -
Hay Any Work for Cooper 1 ______
MARPRELATE TRACTS: HAY ANY WORK FOR COOPER 1 ________________________________________________________________________________ Hay Any Work For Cooper.1 Or a brief pistle directed by way of an hublication2 to the reverend bishops, counselling them if they will needs be barrelled up3 for fear of smelling in the nostrils of her Majesty and the state, that they would use the advice of reverend Martin for the providing of their cooper. Because the reverend T.C.4 (by which mystical5 letters is understood either the bouncing parson of East Meon,6 or Tom Cook's chaplain)7 hath showed himself in his late Admonition To The People Of England to be an unskilful and beceitful8 tub-trimmer.9 Wherein worthy Martin quits himself like a man, I warrant you, in the modest defence of his self and his learned pistles, and makes the Cooper's hoops10 to fly off and the bishops' tubs11 to leak out of all cry.12 Penned and compiled by Martin the metropolitan. Printed in Europe13 not far from some of the bouncing priests. 1 Cooper: A craftsman who makes and repairs wooden vessels formed of staves and hoops, as casks, buckets, tubs. (OED, p.421) The London street cry ‘Hay any work for cooper’ provided Martin with a pun on Thomas Cooper's surname, which Martin expands on in the next two paragraphs with references to hubs’, ‘barrelling up’, ‘tub-trimmer’, ‘hoops’, ‘leaking tubs’, etc. 2 Hub: The central solid part of a wheel; the nave. (OED, p.993) 3 A commodity commonly ‘barrelled-up’ in Elizabethan England was herring, which probably explains Martin's reference to ‘smelling in the nostrils of her Majesty and the state’. -
Representing God and Christ in John Bale’S Biblical Plays 49
Contents/sommaire Forms of the Supernatural on Stage: Evolution, Mutations John J. McGavin Staging the Peregrini 3 Jean-Paul Débax Mary — Fourth Person of the Deity? 21 Peter Happé Supernatural Characters in Interludes 33 Roberta Mullini Representing God and Christ in John Bale’s Biblical Plays 49 Sarah Carpenter “Jupiter . appointed his majesty as judge”: Classical Gods and the Performance of Monarchy 65 Olena Lilova Desacralization in John Heywood’s A Merry Play betwene the Pardoner and the Frere 85 Greg Wa l k e r “Ye seem to have that ye have not”: Religious Belief and Doubt in John Heywood’s The Four PP 95 2 THETA XIII CONTENT/SOMMAIRE Richard Hillman Naturalising the Supernatural in a French Reformation Morality: Mankind Justified by Faith: Tragicomedy, by Henri de Barran (1554) 115 Jan Tasker The Disappearing God: From Anthropomorphic to Internalised Relationships of Faith in the Earlier Elizabethan Drama 131 Elisabeth Dutton The Oxford Ghost Walk: Staging the Supernatural in Oxford University Drama 145 Pierre Kapitaniak Sham Shadows on the Stuart Stage: Between Scepticism and Spectacle 171 Pádraic Lamb “O for a Muse of Fire”: Revenant-Authors, Pericles and The Golden Age 187 Alice Equestri Unnatural Naturals? Changelings and Issues of Intellectual Disability in Early Modern English Drama 209 Contributors/Les auteurs 231 Scène Européenne Theta Théâtre anglaisRegards croisés sur la Scène Européenne - Métathéâtre, théâtre dans le théâtre et folie Theta XIII Forms of the Supernatural on Stage: Evolution, Mutations Textes réunis par Richard Hillman Référence électronique [En ligne], John J. McGavin, « Staging the Peregrini », dans Theta XIII, Forms of the Supernatural on Stage: Evolution, Mutations, éd. -
The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2014 A Mirror for Spectators: The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama Virginia Hanlon Murphy University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Murphy, Virginia Hanlon, "A Mirror for Spectators: The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama. " PhD diss., University of Tennessee, 2014. https://trace.tennessee.edu/utk_graddiss/2773 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Virginia Hanlon Murphy entitled "A Mirror for Spectators: The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Heather A. Hirschfeld, Major Professor We have read this dissertation and recommend its acceptance: Rob Stillman, Laura Howes, Kate Buckley Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) A Mirror for Spectators: The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Virginia Hanlon Murphy May 2014 Copyright © 2014 by Virginia H. -
Jonson's Use of the Morality of Vice in Volpone and the Alchemist
JONSON'S USE OF THE MORTALITY VICE IN VOLPONE AND THE ALCHEMIST JONSON'S USE OF THE MORALITY VICE IN VOLPONE AND THE ALCHEMIST By JANE CHRISTINE GARRETT A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Jane Christine Garrett, September, 1990 MASTER OF ARTS (1990) McMaster University (English) Hamilton, Ontario TITLE: Jonson's Use of the Morality of Vice in Volpone and The Alchemist AUTHOR: Jane Christine Garrett, Hons. B.A. (McMaster University) SUPERVISOR: Dr. Anthony Brennan NUMBER OF PAGES: vi, 98 11 ABSTRACT This thesis is an attempt to demonstrate the ways in which Ben Jonson incorporates some of the qualities of the Morality Vice into the lead characters of Volpone and The Alchemist. While critics have often ignored Jonson's Morality heritage, the similarity between his lead cozeners and the Vice is often striking. Face and Mosca's overwhelming love of the theatre manifests itself in their superior ability to create a drama in which their scheming partners and ambitious clients expose the faults to which all humanity is prone. Certainly, as it strives to rule the dramatic world, the Vice forms a precarious bond with the audience. Its Morality traits underscore its evil nature and therefore alienate us from the Vice to some degree. However, this figure could imitate humanity and thus invites the audience into an uncomfortable camaraderie which exposes the spectators' own attraction to greed. The first chapter of my thesis examines many of the Vice's central characteristics, such as his love of masks and his ability to create and sustain anarchy. -
Ph.D. THESIS Ewa Błasiak
UNIVERSITY OF WROCŁAW Faculty of Letters Ph.D. THESIS Ewa Błasiak The Return of the Morality Play in Anglophone Drama of the First Half of the Twentieth Century Supervisor prof. dr hab. Ewa Kębłowska-Ławniczak Co-supervisor dr Marcin Tereszewski Wrocław 2020 2 ACKNOWLEDGEMENTS I wish to express my gratitude to my supervisor, Professor Ewa Kębłowska-Ławniczak, for her mentorship, guidance and constant support throughout the writing process. I am grateful for her patience, encouragement and the time she devoted to helping me develop this project. I would also like to thank her for being an extraordinary academic teacher, for it was the intellectual challenge of her English Literature classes which I attended as a first-year undergraduate student that inspired me to undertake further studies in this direction. I wish to extend my gratitude to my co-supervisor, Doctor Marcin Tereszewski, for the attention he gave to this thesis and for his invaluable suggestions. I am also grateful to the entire Institute of English Studies at the University of Wrocław for providing me with a stable and stimulating academic environment during all the years I spent there as an undergraduate and postgraduate student. I wish to thank all my teachers and lecturers for instilling in me curiosity and equipping me with skills which proved indispensable in working on this thesis. 3 4 Contents Introduction: Within and Beyond the Middle Ages ........................................ 7 Modern reception and assessment of the Middle Ages .................................................... 12 The notion of medievalism ............................................................................................... 18 Part I: The Return of the Morality Play Tradition to Contemporary British, European and American Drama and Its Reception ....................... -
Proceedings of the Shakespeare and His Contemporaries Graduate
THE BRITISH INSTITUTE OF FLORENCE THE ITALIAN ASSOCIATION OF SHAKESPEAREAN AND EARLY MODERN STUDIES Advisory Board Mariacristina Cavecchi, Università degli Studi di Milano Giuliana Iannaccaro, Università degli Studi di Milano Donatella Pallotti, Università degli Studi di Firenze Alessandra Petrina, Università degli Studi di Padova Laura Tosi, Università degli Studi di Venezia “Ca’ Foscari” Humour in Shakespeare’s Arcadia Selected Papers from the “Shakespeare and his Contemporaries” Graduate Conference Florence, 23 April 2015 edited by Roberta Mullini and Maria Elisa Montironi The British Institute of Florence 2017 Humour in Shakespeare’s Arcadia. Selected Papers from the “Shakespeare and his Contemporaries” Graduate Conference. Florence, 23 April 2015 / edited by Roberta Mullini and Maria Elisa Montironi – Firenze: The British Institute of Florence, 2017. © The Contributors, 2017 ISBN (online) 978-88-907244-4-2 http://www.britishinstitute.it/it/biblioteca/biblioteca-harold- acton/events-at-the-harold-acton-library Graphic design by Roberta Mullini Front cover: Will Sommers, by Francis Delaram, active 1615-1624 [Public domain], via Wikimedia at the site https://en.wikipedia.org/wiki/Will_Sommers#/ media/File:WillSommers_engraving_300dpi.jpg.. Back cover: Four figures contemplate the inscription on a tomb in Arcadia. Etch- ing by Etienne Picart after Nicolas Poussin, 1653. Wellcome Library, London. We act in good faith in publishing this material here. However, should they exist, any legitimate copyright holder is invited to contact the editors. This publication has been double blind peer reviewed. This is an open access book licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0), which means that the text may be used for non- commercial purposes, provided credit is given to the author. -
Theta X Responsables Scientifiques Mentions Légales Date De Création
Elisabeth Dutton, « “Whan Foly cometh, all is past”: Revisiting the Drama of Fools in Magnyfycence », « Theta X, Théâtre Tudor », 2011, pp. 53-68 mis en ligne en avril 2013, <https://sceneeuropeenne.univ-tours.fr/theta/theta10>. Theta X est publié par le Centre d’Études Supérieures de la Renaissance, dirigé par Philippe Vendrix, Université François-Rabelais de Tours, CNRS/UMR 7323 Responsables scientifiques Richard Hillman & Pauline Ruberry-Blanc Mentions légales Copyright © 2013 – CESR. Tous droits réservés. Les utilisateurs peuvent télécharger et imprimer, pour un usage strictement privé, cette unité documentaire. Reproduction soumise à autorisation. Date de création Avril 2013 Theta X – Théâtre Tudor Elisabeth DUttON pp. 53-68 CESR, Tours “Whan Foly cometh, all is past”: Revisiting the Drama of Fools in Magnyfycence Elisabeth Dutton University of Fribourg ohn Skelton’s Magnyfycence was probably written 151-20, and was published by William Rastell in . The play Jdramatizes the fall and recovery of the allegorical prince Magnyfycence, who is persuaded by a string of disguised vices to abandon his advisor, Measure; loses Welthfull Felicite and Lyberte; is driven to the point of suicide by Dyspare; and is rescued by Good Hope and re-established in prosper- ity by Redresse, Sad Cyrcumspeccyon and Perseveraunce. The political satire of Magnyfycence has been extensively discussed: Wolsey appears to be the target of much veiled attack, and, as Greg Walker has demonstrated, there are numerous allusions to Henry’s minions who were expelled from court for exerting corrupt influence over the king.1 The play appears to offer advice to princes—it is perhaps a warning to the young King Henry VIII from the man, Skelton, who had been his tutor.2 The play is also of con- siderable interest to any narrative of the development of English theatre: it combines the allegory and fall-and-rise 1 See Greg Walker, Plays of Persuasion, pp. -
Vol 27 No 1 1980.Pdf
(- ~ .. ......• '\ i~.. • Published by THE TENNESSEE GENEALOGICAL. SOCIETY Memphis, Tennessee ... • VOLUME 27 SPRING, 1980 NUMBER 1 - CONTENTS - OVER THE EDITOR' DESK •••••• . · . ... .. 1 NEWS AND NOTES FROM OTHER PUBLICATIONS • . 2 BOOK REVIEWS . ... .. ·. 4 ( 1833 ENUMERAtION, FENTRESS COUNTY, TENNESSEE. · . 9 TENNESSEE NEWS ITEMS FROM MISSISSIPPI NEWSPAPERS • ·... .. 12 FAMILY GATHERINGS . .... .... .. · . · · · 13 BLOUNT COUNTY, TENNESSEE, LOOSE MARRIAGE BONDS AND LICENSES · · · 18 EXCERPT FROM REGISTER OF INTERMENTS AT THE NECROPOLIS · ·· 25 FAYETTE COUNTY, TENNESSEE, COURT MINUTES •• . 26 GREEN CEMETERY, FAYETTE COUNTY, TENNESSEE · . 31 ROGERS FAMILY BIBLE, JACKSON AND SMITH COUNTIES, TENNESSEE · . · ·· 32 INDEX TO 1840 CENSUS, WAYNE COUNTY, TENNESSEE • 33 WAYNE COUNTY, TENNESSEE, REVOLUTIONARY AND MILITARY PENSIONERS 39 JORDAN FAMILY BIBLE, OBION COUNTY, TENNESSEE •••• .. .. 39 WARREN COUNTY, TENNESSEE, DEED BOOK E- Abstracts 40 QUERIES .... .. ....... ... .. .. ... 46 THE TENNESSEE GENEA~OGICAL SOCIETY P. 0, BOX 12124 .. Memphi S t Tennessee 38112 OFFICERS AND STAFF FO~ 1980 President Wilma Sutton Cogdell Vice President Jane C()ok Hollis Recordin~ Secretary Marilyn Johnson Baugus Correspondence Secretary R. F. Simpson, Jr. Librarian Louise +,ittsworth Tyus Assistant Librarian Evelyn Duncan Sigler Surname Index Secretary Betty Key Treasurer Mrs. Homer D. Turner Editor Associate Editor Herbert Ray Ashworth Director Eleanor Riggins Barham Director Laurence B. Gardiner LIBRARY STAFF EDITORIAL STAFF BUSINESS STAFF Lucile Hendren Cox Betsy Foster West . Pauline Casey Briscoe Myrtle Louise Shelton Henrietta D. Gilley Lynn Hodges Craven Herman L. Bogan Betty Cline Miller Jessie Taylor Webb Eleanor W. Griffin Helen Culbreath Hamer Sarah Duncan Blalock Jean Alexander West Amelia Pike Eddlemon Thomas Proctor Hughes, Jr. Elizabeth Riggins Nichols "ANSEARCHIN'" NEWS is the official publication of THE TENNESSEE GENEALOGICAL p~blished SOCIETY; quarterly in March t June,September, and December; annual subscription $8.00. -
Unitarian Gothic: Rebuilding in Hackney in 1858 Alan Ruston 20
istory• ,, VOLUME ONE In this issue - Pepys and Hackney: how Samuel and Elisabeth Pepys visited Hackney for rest and recreation - two ( or one and the same?) Homerton gardens visited by Pepys and Evelyn - The Tyssen family, Lords of the manor in Hackney since the 17th century-how Victorian nonconformists went shop ping for 'off the peg' church architecture- silk manufactur ers, the mentally afflicted, and Victorian orphans at Hackney Wick-the post-war development ofhigh-rise housing across the borough ... Hackney History is the new annual volume ofthe Friends of Hackney Archives. The Friends were founded in 1985 to act as a focus for local history in Hackney, and to support the work ofHackney Archives Department. As well as the annual volume they receive the Department's regular newsletter, The Hackney Terrier, and are invited to participate in visits, walks and an annual lecture. Hackney History is issued free ofcharge to subscribers to the Friends. In 1995 membership is£6 for the calendar year. For further details, please telephone O171 241 2886. ISSN 1360 3795 £3.00 'r.,,. free to subscribers HACKNEY History volume one About this publication 2 Abbreviations used 2 Pepys and Hackney Richard Luckett 3 The Mystery of Two Hackney Gardens Mike Gray 10 The Tyssens: Lords of Hackney Tim Baker 15 Unitarian Gothic: Rebuilding in Hackney in 1858 Alan Ruston 20 A House at Hackney Wick Isobel Watson 25 The Rise of the High-Rise: Housing in Post-War Hackney Peter Foynes 29 Contributors to this issue 36 Acknowledgements 36 THE FRIENDS OF HACKNEY ARCHIVES 1995 About this publication Hackney History is published by the Friends of Hackney Archives. -
A Fifteenth-Century Merchant in London and Kent
MA IN HISTORICAL RESEARCH 2014 A FIFTEENTH-CENTURY MERCHANT IN LONDON AND KENT: THOMAS WALSINGHAM (d.1457) Janet Clayton THOMAS WALSINGHAM _______________________________________________________________________________ CONTENTS ABBREVIATIONS 3 Chapter 1 INTRODUCTION 4 Chapter 2 THE FAMILY CIRCLE 10 Chapter 3 CITY AND CROWN 22 Chapter 4 LONDON PLACES 31 Chapter 5 KENT LEGACY 40 Chapter 6 CONCLUSION 50 BIBILIOGRAPHY 53 ANNEX 59 LIST OF ILLUSTRATIONS Figure 1: The Ballard Mazer (photograph courtesy of the Ashmolean Museum, Oxford, reproduced with the permission of the Warden and Fellows of All Souls College). Figure 2: Thomas Ballard’s seal matrix (photograph courtesy of the Ashmolean Museum, Oxford, reproduced with their permission). Figure 3: Sketch-plan of the City of London showing sites associated with Thomas Walsingham. Figure 4: St Katherine’s Church in 1810 (reproduced from J.B. Nichols, Account of the Royal Hospital and Collegiate Church of St Katharine near the Tower of London (London, 1824)). Figure 5: Sketch-map of Kent showing sites associated with Thomas Walsingham. Figure 6: Aerial view of Scadbury Park (photograph, Alan Hart). Figure 7: Oyster shells excavated at Scadbury Manor (photograph, Janet Clayton). Figure 8: Surrey white-ware decorated jug excavated at Scadbury (photograph: Alan Hart). Figure 9: Lead token excavated from the moat-wall trench (photograph, Alan Hart). 2 THOMAS WALSINGHAM _______________________________________________________________________________ ABBREVIATIONS Arch Cant Archaeologia Cantiana Bradley H. Bradley, The Views of the Hosts of Alien Merchants 1440-1444 (London, 2011) CCR Calendar of Close Rolls CFR Calendar of Fine Rolls CLB (A-L) R.R. Sharpe (ed.), Calendar of Letter-books preserved among the archives of the Corporation of the City of London at the Guildhall (London, 1899-1912) CPR Calendar of Patent Rolls Hasted E. -
Portraits of Dutchess
OF DUTCHESS /680 ,.,/807 Cover: DANIEL CROMMELIN VERPLANCK 1762-1834 Painted by John Singlecon Copley in 1771 CottrteJy of The Metropolitan J\f11Jeum of Art New York. Gift of Bayard Verplanck, 1949 (See page 42) OF DUTCHESS /680-/807 by S. Velma Pugsley Spo11sored by THE DUTCHESS COUNTY AMERICAN REVOLUTION BICENTENNIAL COMMISSION as a 1976 Project Printed by HAMILTON REPRODUCTIONS, Inc. Poughkeepsie, N. Y. FOREWORD The Bicentennial Project rirled "Portraits of Dutchess 1680-1807" began as a simple, personal arrempr ro catalog existing porrrairs of people whose lives were part of rhe county's history in rhe Colonial Period. As rhe work progressed ir became certain rhar relatively few were srill in the Durchess-Purnam area. As so many of rhem had become the property of Museums in other localities it seemed more important than ever ro lisr rhem and their present locations. When rhe Dutchess County American Revolution Bicentennial Commission with great generosity undertook rhe funding ir was possible ro illustrate rhe booklet with photographs from rhe many available sources. This document is nor ro be considered as a geneological or historic record even though much research in rhose directions became a necessity. The collection is meant ro be a pictorial record, only, hoping rhar irs readers may be made more aware rhar these paintings are indeed pictures of our ancestors. Ir is also hoped rhar all museum collections of Colonial Painting will be viewed wirh deeper and more personal interest. The portraits which are privately owned are used here by rhe gracious consent of the owners. Those works from public sources are so indicated.