Oakland Man Arrested for Alleged Rape, Strangulation Council Votes To
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Watch Happy Death Day Free No Survey Or Download Full Watch Happy Death Day 2U HD 720P (2019) Overview : a Sequel to the 2017 Film, "Happy Death Day"
watch happy death day free no survey or download Full Watch Happy Death Day 2U HD 720p (2019) Overview : A sequel to the 2017 film, "Happy Death Day". Jessica Rothe leads the returning cast of HAPPY DEATH DAY 2U, the follow-up to Blumhouse's (Split, Get Out, The Purge series) surprise 2017 smash hit of riveting, repeating twists and comic turns. This time, our hero Tree Gelbman (Rothe) discovers that dying over and over was surprisingly easier than the dangers that lie ahead. Jason Blum once again produces and Christopher Landon returns to write and direct this next chapter, while Happy Death Day executive producers Angela Mancuso and John Baldecchi are newly joined by EP Samson Mucke (Scouts Guide to the Zombie Apocalypse). Happy Death Day 2U Videos: Death makes a killer comeback. Universal Pictures has shared the official Happy Death Day 2U Videos for Blumhouse’s sequel to Happy Death Day, starring returning cast members Jessica Rothe and Israel Broussard. Check out the full Happy Death Day 2U . Happy Death Day centered on college student Tree Gelbman (Rothe) who slips into a horrific time loop as she relives the day of her murder with both its unexceptional details and terrifying end until she discovers her killer’s identity. The film was directed by Landon (Paranormal Activity: The Marked Ones) and written by noted comic book scribe Scott Lobdell and Landon. The film also stars Ruby Modine, Rachel Matthews, Charles Aitken, Jason Bayle, Phi Vu, and Donna Duplantier. Full Watch Happy Death Day 2U HD 720p (2019) Landon has reportedly said that the sequel will answer questions about the first installment’s endless time loop. -
Drama Report 2013/2014
Drama Report Production of feature films and TV drama in Australia 2013/14 Highlights $837 million total production expenditure Up 11 per cent on last year 35 Australian features $297 million Up 18 per cent on last year 49 Australian TV dramas $343 million Down 8 per cent on last year 26 foreign projects $197 million Up 50 per cent on last year Producer Offset total value $137 million © Screen Australia 2014 ISBN: 978-1-920998-29-5 The text in this report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Drama Report 2013/14. You must not alter, transform or build upon the text in this report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/ licenses/by-nc-nd/3.0/ Screen Australia is grateful to all those who contributed data to the compilation of this report. The data provided has been drawn from a number of sources. While Screen Australia has undertaken all reasonable measures to ensure its accuracy, we cannot accept responsibility for inaccuracies and omissions. Cover image: The Code Contents Key terms 4 OVERVIEW 5 ALL DRAMA PRODUCTION 6 AUSTRALIAN FEATURE SLATE – DOMESTIC AND CO-PRODUCTION TITLES 8 Feature budget ranges 8 Sources of finance for Australian features 9 AUSTRALIAN TV DRAMA SLATE – DOMESTIC AND CO-PRODUCTION TITLES 10 Programs for adults 12 Programs for children 13 Sources of finance for Australian TV drama 14 FOREIGN PRODUCTION 15 Features 15 TV drama 15 DRAMA PRODUCTION BY LOCATION 16 Expenditure by state 16 Location of production company 17 TITLES IN THE 2013/14 SLATE 18 PDV SERVICES – FOR FEATURES AND TV DRAMA PRODUCTION 21 METHODOLOGY 25 ABOUT THE REPORT activity in Australia and the Offset’s Australia. -
Increasing Inclusion in Animation
INCLUSION IN ANIMATION? INVESTIGATING OPPORTUNITIES, CHALLENGES, AND THE CLASSROOM TO THE CSUITE PIPELINE USC ANNENBERG INCLUSION INITIATIVE @Inclusionists @wia_animation FEMALES ON SCREEN IN ANIMATED STORYTELLING Percentage of animated films with a female lead or co lead and female cast in TV series 120 Animated Films 100 Animated TV Series % of roles for women of color 3% Film 1717% 39% 12% TV Depicted a Female Female Lead or Cast Co Lead ANIMATED AND LIVE ACTION FEMALE PRODUCERS Percentage of female producers across 1,200 films Animation Live Action 64 52 50 50 40 37 33 34 31 26 22 12 13 15 16 14 13 14 15 16 17 15 19 17 ‘07 ‘08 ‘09 ‘10 ‘11 ‘12 ‘13 ‘14 ‘15 ‘16 ‘17 ‘18 OVERALL WOMEN OF COLOR 37% 15% 5% 1% ANIMATION LIVE ACTION ANIMATION LIVE ACTION © DR. STACY L. SMITH FEMALE DIRECTORS ARE RARE IN ANIMATION Directors by platform across film & TV FILM DIRECTORS TV DIRECTORS 3% 13% WOMEN WOMEN 1% 2% WOMEN OF COLOR WOMEN OF COLOR PIPELINE PROBLEMS: CAREER PROGRESS STALLS FOR FEMALES Percentage of Females in the pipeline to directing animated feature films 3% DIRECTORS 7% 8% 9% HEAD OF STORY HEAD OF ANIMATION WRITERS 18% 16% STORY DEPT. ANIMATORS © DR. STACY L. SMITH WOMEN BELOW THE LINE IN TOP ANIMATED TV SERIES WOMEN WOMEN OF COLOR STORY EDITOR 28% 1% HEAD OF EDITING 18% 4% ANIMATION DIRECTOR 16% 8% LEAD ANIMATOR 20% 13% LEAD CHARACTER DESIGNER 24% 7% LEAD STORYBOARD ARTIST 11% 3% TOTAL 19% 7% FEMALE PRODUCERS BY POSITION Percentage of female producers across 100 top animated series of 2018 % % % % CREATED BY EXEC COEXEC PRODUCERS DEVELOPED BY PRODUCERS PRODUCERS 24 women 71 women 10 women 64 women 3 women of color 6 women of color 0 women of color 16 women of color © DR. -
The Chase Is On! Infamous Cat-And-Mouse Rivals Tom & Jerry
October 28, 2020 The chase is on! Infamous cat-and-mouse rivals Tom & Jerry partner with Macy’s on a zany animatronic float to celebrate their new movie and the 94th Annual Macy’s Thanksgiving Day Parade® BURBANK, CA – October 28, 2020 – On November 26th Macy’s and Warner Bros. team up to bring fans a completely new spectacle of fun and fantasy, as beloved frenemies Tom and Jerry showcase their famous brand of comic chaos with an eye-popping float in the 94th Annual Macy’s Thanksgiving Day Parade®. An American holiday tradition for more than 90 years with more than 50 million fans nationwide, the Parade is fitting partnership for the timeless pop culture icons as Tom and Jerry share in the good wishes of the season and offer fans a taste of what to expect in the big-screen event film “Tom & Jerry,” opening March 5, 2021. Titled “Tourist Trap,” the hilarious and engaging float features animatronics as well as smoke and other effects to spoof city life by throwing Tom into a series of wild squash-and-stretch sight gags the likes of which have entertained audiences everywhere. Among the indignities Tom endures are run-ins with a steamroller, a truck, a deceptively innocent-looking pretzel stand and a sewer gator. He even inflates like a mini Parade balloon as Jerry, ever the instigator, flies above the pandemonium in a drone helicopter. The float itself, a casualty of the endless mayhem, will lurch and limp down the Parade route. The animated/live-action adventure “Tom & Jerry,” starring Chloë Grace Moretz, Michael Peña, Rob Delaney, Colin Jost, and Ken Jeong, debuts in theaters on March 5, 2021. -
Henri Wilkinson
HENRI WILKINSON SELECTED CREDITS ALITA: BATTLE ANGEL (2019) (Orchestrator) US (2019) (Orchestrator) GREEN BOOK (2018) (Orchestrator) THE HANDMAID’S TALE (2017-2019) (Orchestrator) GOD OF WAR (2018) (Orchestrator) BIOGRAPHY Born in Finland to a half-Finnish half-British family, award-winning composer Henri Wilkinson took an interest in playing the piano at a very early age. His father took him to see "Jurassic Park" in 1993 in Newcastle, England. Accompanied by the astonishing visuals and John Williams' blazing music, alongside with a big carton of caramel-coated popcorn, this event as a powerful emotional experience marked a new interest in Wilkinson's life towards films and film music. In high school, Wilkinson took an interest in jazz to the extent that he pursued further education in jazz piano and composition at the Sibelius Academy in Helsinki. After winning an award for a ballad composition and soon after another award for a composition for mixed choir, Wilkinson got an opportunity to compose for several nationally broadcasted television series and commercials and he began actively pursuing a career in composing for film, while continuing to teach and perform. In 2006 Wilkinson received his Master's degree and in 2007 he scored his first theatrical feature film. Wilkinson was accepted to study at the film-scoring program of the USC Thornton School of Music and received several notable grants towards studies in the US. Wilkinson was selected to mentor with multi-Oscar-nominee composer James Newton Howard, and received the opportunity to orchestrate and conduct for an episode of award-winning television series ‘LOST’. -
Simon Slater
HENRI WILKINSON SELECTED CREDITS ALITA: BATTLE ANGEL (2019) (Orchestrator) US (2019) (Orchestrator) GREEN BOOK (2018) (Orchestrator) THE HANDMAID’S TALE (2017-2019) (Orchestrator) GOD OF WAR (2018) (Orchestrator) BIOGRAPHY Born in Finland to a half-Finnish half-British family, award-winning composer Henri Wilkinson took an interest in playing the piano at a very early age. His father took him to see "Jurassic Park" in 1993 in Newcastle, England. Accompanied by the astonishing visuals and John Williams' blazing music, alongside with a big carton of caramel-coated popcorn, this event as a powerful emotional experience marked a new interest in Wilkinson's life towards films and film music. In high school, Wilkinson took an interest in jazz to the extent that he pursued further education in jazz piano and composition at the Sibelius Academy in Helsinki. After winning an award for a ballad composition and soon after another award for a composition for mixed choir, Wilkinson got an opportunity to compose for several nationally broadcasted television series and commercials and he began actively pursuing a career in composing for film, while continuing to teach and perform. In 2006 Wilkinson received his Master's degree and in 2007 he scored his first theatrical feature film. Wilkinson was accepted to study at the film-scoring program of the USC Thornton School of Music and received several notable grants towards studies in the US. Wilkinson was selected to mentor with multi-Oscar-nominee composer James Newton Howard, and received the opportunity to orchestrate and conduct for an episode of award-winning television series ‘LOST’. -
The Peg-Board
ANIMATION GUILD AND AFFILIATED ELECTRONIC AND GRAPHIC ARTS Los Angeles, California, June 2021 Vol. 50, No6 It’s June, and for months now The Animation Guild has been deep in plan- ning for our upcoming negotiations with the AMPTP. So what does that mean? Our contracts: The Animation Guild has fi ve major contracts (collective bargaining agreements, or CBAs) with employers—the major studios who fund and produce the projects we work on—and many individual agreements with smaller studios and producers, that are generally based on our Master Agreement with the Alliance of Motion Picture and Television Producers (AMPTP). These CBAs govern the minimum wages, hours, working con- ditions and benefi ts for our members who are employed at signatory studios. Who we bargain with: The Guild and its parent union, the Internation- al Alliance of Theatrical and Stage Employees (IATSE), negotiate with Walt Disney Animation Studios (TSL), Sony Pictures Animation (SPA), Nickel- odeon and Warner Animation Group (WAG Pictures, Inc.). The AMPTP is a trade association that represents a number of American television and fi lm Negotiations 101 (continued on page 3) IN THIS ISSUE Negotiations 101 ....................................................................... 1 From the Business Representative .................................................... 4 IATSE Basic Agreement Negotiations Update ....................................... 6 Portfolio Review Success! ............................................................. 7 Field Rep Corner ...................................................................... -
Video-Windows-Grosse
THEATRICAL VIDEO ANNOUNCEMENT TITLE VIDEO RELEASE VIDEO WINDOW GROSS (in millions) DISTRIBUTOR RELEASE ANNOUNCEMENT WINDOW DISNEY Fantasia/2000 1/1/00 8/24/00 7 mo 23 Days 11/14/00 10 mo 13 Days 60.5 Disney Down to You 1/21/00 5/31/00 4 mo 10 Days 7/11/00 5 mo 20 Days 20.3 Disney Gun Shy 2/4/00 4/11/00 2 mo 7 Days 6/20/00 4 mo 16 Days 1.6 Disney Scream 3 2/4/00 5/13/00 3 mo 9 Days 7/4/00 5 mo 89.1 Disney The Tigger Movie 2/11/00 5/31/00 3 mo 20 Days 8/22/00 6 mo 11 Days 45.5 Disney Reindeer Games 2/25/00 6/2/00 3 mo 8 Days 8/8/00 5 mo 14 Days 23.3 Disney Mission to Mars 3/10/00 7/4/00 3 mo 24 Days 9/12/00 6 mo 2 Days 60.8 Disney High Fidelity 3/31/00 7/4/00 3 mo 4 Days 9/19/00 5 mo 19 Days 27.2 Disney East is East 4/14/00 7/4/00 2 mo 16 Days 9/12/00 4 mo 29 Days 4.1 Disney Keeping the Faith 4/14/00 7/4/00 2 mo 16 Days 10/17/00 6 mo 3 Days 37 Disney Committed 4/28/00 9/7/00 4 mo 10 Days 10/10/00 5 mo 12 Days 0.04 Disney Hamlet 5/12/00 9/18/00 4 mo 6 Days 11/14/00 6 mo 2 Days 1.5 Disney Dinosaur 5/19/00 10/19/00 5 mo 1/30/01 8 mo 11 Days 137.7 Disney Shanghai Noon 5/26/00 8/12/00 2 mo 17 Days 11/14/00 5 mo 19 Days 56.9 Disney Gone in 60 Seconds 6/9/00 9/18/00 3 mo 9 Days 12/12/00 6 mo 3 Days 101.6 Disney Love’s Labour’s Lost 6/9/00 10/19/00 4 mo 10 Days 12/19/00 6 mo 10 Days 0.2 Disney Boys and Girls 6/16/00 9/18/00 3 mo 2 Days 11/14/00 4 mo 29 Days 21.7 Disney Disney’s The Kid 7/7/00 11/28/00 4 mo 21 Days 1/16/01 6 mo 9 Days 69.6 Disney Scary Movie 7/7/00 9/18/00 2 mo 11 Days 1212/00 5 mo 5 Days 157 Disney Coyote Ugly 8/4/00 11/28/00 3 -
(Walt Disney Pictures & Pixar Animation
Cast Crew Hanham Players Hanham Players Youth Group Act 2 – Creatures to Animals Frozen… (Walt Disney Animation Studios, Walt Disney Pictures, Walt Disney Studio Motion Pictures (2013)) Minions… (Illumination Entertainment & Universal Pictures International (2015)) The Nightmare Before Christmas… (Touchstone Pictures, Skellington Productions Inc., Tim Burton Productions & Walt Disney Pictures (1993)) Monsters Inc.… (Walt Disney Pictures, Pixar Animation Studios & Buena Vista International (2001)) Shrek… (DreamWorks Animation, DreamWorks SKG, Pacific Data Images & United International Pictures (2001)) There will be a 20 minute interval between the two acts. The use of photography and filming equipment is strictly prohibited. Aladdin… (Walt Disney Pictures, Silver Screen Partner, Walt Disney Feature Animation & Buena Vista International Monsters vs. Aliens… (DreamWorks Animation (2009)) (1992)) Despicable Me… (Universal Pictures, Illumination Entertainment & Universal Studios (2010)) Brave… (Walt Disney Pictures, Pixar Animation Studios & Walt Disney Studio Motion Pictures (2012)) Anastasia… (Twentieth Century Fox Film Corporation, Fox Animation Studios, Fox Family Films, The Big Gun Project, Little Wolf Entertainment & 20th Centure Fox (1997)) Toy Story… (Pixar Animation Studios, Walt Disney Pictures & Buena Vista International (1995)) Cars… (Walt Disney Pictures & Pixar Animation Studios (2006)) The Polar Express… (Castle Rock Entertainment, Shangri-La Entertainment, Playtone, ImageMovers, Golden Mean, Universal CGI, Warner Bros. & Park -
Sony Pictures Imageworks' Michelle Grady Appointed
SONY PICTURES IMAGEWORKS’ MICHELLE GRADY APPOINTED TO CREATIVE BC BOARD OF DIRECTORS Grady provides expertise in BC’s film and television, and digital entertainment industries VANCOUVER B.C. (July 25, 2016) – Creative BC adds Michelle Grady, Senior VP, Production at Sony Pictures Imageworks, to its Board of Directors. Grady’s long career in visual effects and post-production will contribute to the current Board’s diverse expertise in the province’s creative economy. “I am honoured to join Creative BC’s Board of Directors,” said Grady. “The province’s visual effects industry is thriving and Vancouver is home to the world’s largest cluster of top visual effects and animation studios. I look forward to working with the Creative BC team to further expand development.” Grady oversees Sony Pictures Imageworks’ growing roster of more than 600 visual effects and animation artists, and with more than 23 years of experience in the visual effects and post- production industry in Vancouver, her career grew alongside the expanding production business in the city. Prior to Imageworks, Grady served as Head of Film at MPC and VP and General Manager at Technicolor, where her experience included managing work on Batman v Superman, Guardians of the Galaxy, Godzilla, Maleficent, and Life of Pi. “Michelle Grady is a great addition to the Board,” said Gordon Esau, Partner at Dentons Canada LLP and Chair of Creative BC’s Board of Directors. “Her expertise in VFX and digital entertainment will help drive the continued growth of BC’s creative economy.” Michelle joins the existing Board, including: ● Gordon Esau, Partner at Dentons Canada LLP, Chair ● Robert Bromley, President of Force Four Entertainment, Vice Chair ● Anne Denman, Executive Director, Okanagan International Animation Festival 2017 ● Colin Browne, Professor Emeritus, School of Contemporary Arts, SFU ● Michael Francis, President, Seed Management ● Pauline Moller, Senior Vice President, Studio Operations, Zynga Inc. -
Open Naibin Chen Dissertation.Pdf
The Pennsylvania State University The Graduate School ESSAYS ON THE ECONOMICS OF THE MOTION PICTURE INDUSTRY A Dissertation in Economics by Naibin Chen © 2020 Naibin Chen Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2020 The dissertation of Naibin Chen was reviewed and approved by the following: Peter Newberry Assistant Professor of Economics Dissertation Co-Advisor Co-Chair of Committee Mark J. Roberts Professor of Economics Dissertation Co-Advisor Co-Chair of Committee Paul L. E. Grieco Associate Professor of Economics Christopher Parker Assistant Professor of Information Technology & Analytics Charles Murry Assistant Professor of Economics Special Member Marc Henry Professor of Economics Graduate Program Director ii Abstract Chapter 1 inspects how critic reviews and audience reviews impact a movie’s box office performance differently. I use a Bayesian Learning model to model the process of consumers forming their beliefs about a movie’s quality, based on their prior, critic reviews, and audience reviews. Consumers then make a discrete choice from the set of movies that are available in a given week. Using a dataset of 665 movies released in 2011-2015, I estimate the model and show that critic reviews and audience reviews have significant and heterogeneous effects on movies produced by major studios or minor studios, movies reviewed by critics before release (regular) or not (cold-opened), and movies with different advertising expenditures. My counterfactual analyses show that forcing movies to be screened before release harms 71% of the cold-opened movies; consumers benefit from the availability of audience reviews by watching more good movies and fewer bad movies, with the quality measured from the perspective of consumers.