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Teilnachlass Max Reinhardt Wienbibliothek Im Rathaus Handschriftensammlung ZPH 989 Bestandssystematik
Teilnachlass Max Reinhardt Wienbibliothek im Rathaus Handschriftensammlung ZPH 989 Bestandssystematik Wienbibliothek im Rathaus/Handschriftensammlung - Teilnachlass Max Reinhardt / ZPH 989 ________________________________________________________________________________________________________________________________________ Biographische Informationen Reinhardt, Max (eigentlich: M. Goldmann): 9. 9. 1873 Baden - 31. 10. 1943 New York; Schauspieler, Regisseur, Theaterleiter; 1938 Emigration über London nach New York; Wien, Berlin, New York. Provenienz des Bestands Der Teilnachlass Max Reinhardt wurde von der Wienbibliothek im Rathaus im Jahr 1998 von einem Antiquariat gekauft. Umfang 16 Archivboxen, 1 Foliobox, 1 Großformatmappe. Information für die Benützung Die in geschwungenen Klammern angeführten Zahlen beziehen sich auf die jeweiligen Nummern in der Publikation: Max Reinhardt. Manuskripte, Briefe, Dokumente. Katalog der Sammlung Dr. Jürgen Stein. Bearbeitet und herausgegeben von Hugo Wetscherek. Für die Ordnungssystematik wurden alle Informationen aus der o.a. Publikation - inklusive Verweise auf angegebene Primär- und Sekundärliteratur - ohne Prüfung auf Richtigkeit mit Zustimmung des Herausgebers verwendet. Die Orthographie der Zitate wurde vereinheitlicht. 2 Wienbibliothek im Rathaus/Handschriftensammlung - Teilnachlass Max Reinhardt / ZPH 989 ________________________________________________________________________________________________________________________________________ Abkürzungsverzeichnis Anm. Anmerkung(en) Beil. Beilage(n) -
Events in 5673—Introduction 221
EVENTS IN 5673—INTRODUCTION 221 EVENTS IN 5673 JULY 1, 1912, TO JUNE 30, 1913 INTRODUCTION I In the events of the year 5G73 for the Jewry, the Balkan Wars rank first. Waged with incredible brutality, they brought widespread suffering to the Jews in the former limits of the Turkish Empire. The success of the Balkan States has re- sulted in the transfer of 120,000 Jews from Turkish sov- ereignty, under which they have lived since their exile from Spain and Portugal. Servia and particularly Greece now have large Jewish communities within their territory, and the Bul- garian Jewry will be greatly enlarged. Roumania adds to her population and citizenship the Jews of Silistria. For the Balkan Jewry, the change involves new conditions, social and economic as well as political. Their situation in what was formerly Turkey in Europe, and their future, as described by the representatives of the Jewish organizations of Europe and America that united for the work of relief, cannot but be of great concern to the Jews the world over (see pp. 188-206). Notable in connection with the Balkan War are two things: the prompt and generous response of the prosperous Jewries in Western Europe and America to the Balkan distress, and the effort to secure a guarantee for the civil and political liberty and equality of the Jews in the conquered territory. An in- ternational association, the Union des Associations Israelites, 222 AMERICAN JEWISH YEAR BOOK was formed for unifying relief work and effort toward the re- habilitation of the ruined communities. Representatives were dispatched to the scene to insure systematic action, and a study made of the situation with a view to the permanent improve- ment of conditions among the 200,000 Jews in the former boundaries of Turkey in Europe. -
From Machiavellism to the Holocaust the Ethical-Political Historiography of George L
From Machiavellism to the Holocaust The Ethical-Political Historiography of George L. Mosse Inauguraldissertation der Philosophisch-historischen Fakultät der Universität Bern zur Erlangung der Doktorwürde vorgelegt von Karel Plessini Italien Akademisches Jahr 2008/2009 Hauptgutachterin: Prof. Dr. Marina Cattaruzza Zweitgutachter: Prof. Dr. Emilio Gentile 1 Contents INTRODUCTION: THE SERPENT AND THE DOVE...................................................................... 6 The Link Between Life and Work..................................................................................................... 11 The Devil's Advocate.......................................................................................................................... 13 Mosse the Scholar................................................................................................................................ 15 Pioneering Cultural History................................................................................................................ 18 Machiavellism and the Holocaust...................................................................................................... 19 I – FROM MACHIAVELLISM TO TOTALITARIANISM.................................................................... 23 At the Edge of Catastrophe: George Mosse and Politics............................................................ 26 Sir Edward Coke and the Fate of Liberalism: A Fighter in a Lost Cause?................................. 30 The New Leviathan........................................................................................................................... -
New Multimedia
Zimmerman Library July-Dec 2016 New Multimedia A collection of programs that describe the histories behind the Roman Colosseum, NON-FICTION VIDEOS Chartres Cathedral, and the Great Pyramid of Egypt. DVD 620.009 ENG Long night's journey into day. San Francisco, CA Extreme engineering. [Standard format]. : California Newsreel, c2000. South Africa Louisville, CO : Gaiam Americas, 2010. Disc 1. created its Truth and Reconciliation Widening the Panama Canal ; Boston's big dig ; Commission in 1996 to investigate apartheid-era Building Hong Kong's airport ; Tunneling under crimes. This film follows several TRC cases as the Alps -- Disc 2. Iceland tunnels ; Container victims and perpetrators seek justice, ships ; Oakland Bay Bridge ; Venice flood gates. forgiveness, and renewal. DVD 305.8 LON Narrator: Joseph Giotta (season 1), Nick Schotzki (season 2). Discusses the engineering 9 months that made you. [Widescreen format]. feats of men and women around the globe, [Alexandria, Va.] : PBS Distribution, 2016. including the digging of tunnels, earth-moving, Narrated by Demetri Goritsas. Discover the bridge building, and other almost impossible thrilling story of how you were made, from the achievements to help people negotiate their way moment of conception to the moment of birth 280 through and around large bodies of water. DVD days later. Follow the gestation process, the most 624.1 EXT exquisite biological choreography found in nature. Using the latest scientific research and advances in More engineering disasters. Standard format. medicine, we can now reveal this hidden world in [New York] : History Channel, 2005. Narrated forensic detail. Zeroing in on milestones along the by Harlan Saperstein. -
Unseen Horrors: the Unmade Films of Hammer
Unseen Horrors: The Unmade Films of Hammer Thesis submitted by Kieran Foster In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2019 Abstract This doctoral thesis is an industrial study of Hammer Film Productions, focusing specifically on the period of 1955-2000, and foregrounding the company’s unmade projects as primary case studies throughout. It represents a significant academic intervention by being the first sustained industry study to primarily utilise unmade projects. The study uses these projects to examine the evolving production strategies of Hammer throughout this period, and to demonstrate the methodological benefits of utilising unmade case studies in production histories. Chapter 1 introduces the study, and sets out the scope, context and structure of the work. Chapter 2 reviews the relevant literature, considering unmade films relation to studies in adaptation, screenwriting, directing and producing, as well as existing works on Hammer Films. Chapter 3 begins the chronological study of Hammer, with the company attempting to capitalise on recent successes in the mid-1950s with three ambitious projects that ultimately failed to make it into production – Milton Subotsky’s Frankenstein, the would-be television series Tales of Frankenstein and Richard Matheson’s The Night Creatures. Chapter 4 examines Hammer’s attempt to revitalise one of its most reliable franchises – Dracula, in response to declining American interest in the company. Notably, with a project entitled Kali Devil Bride of Dracula. Chapter 5 examines the unmade project Nessie, and how it demonstrates Hammer’s shift in production strategy in the late 1970s, as it moved away from a reliance on American finance and towards a more internationalised, piece-meal approach to funding. -
Society Newsletters and Journals
chronicles Journal of the Jewish Genealogical And archival Society of Greater Philadelphia דברי הימים IAJGS conference Issue Chronicles - Volume 37-3 Fall 2020 chronicles Journal of the Jewish Genealogical And Archival Society of Greater Philadelphia JGASGP Membership JGASGP Officers Please make checks payable to JGASGP and mail to the address below. Please include your email address President: and zip+4 / postal code address. Annual Dues (January 1 - Dec. 31) Felicia Mode Alexander - [email protected] Individual............................................................. $25 Vice President (Programming): Family of two, per household...............................$35 Membership Applications / Renewals and payments Mark Halpern - [email protected] to: JGASGP • 1657 The Fairway, #145 Secretary & Membership Jenkintown, PA 19046 or online using PayPal. See the membership applica- Marilyn Mazer Golden - [email protected] tion later in this issue for details. Questions about membership status should be Treasurer: directed to [email protected] Tom Perloff - [email protected] Editorial Contributions Immediate Past President: Submission of articles on genealogy for publication Fred Blum - [email protected] in chronicles is enthusiastically encouraged. The editorial board reserves the right to decide whether to publish an article and to edit all submis- sions. Please keep a copy of your material. Anything JGASGP Directors you want returned should be accompanied by a self- Linda Ewall-Krocker - [email protected] addressed stamped envelope. Evan Fishman - [email protected] While email and other electronic files are highly pre- ferred, the editors will be happy to work with you and Joel Spector - [email protected] your material in any form. If you have an idea, please contact Evan Fishman of the Editorial Board by email: [email protected]. -
Fluchtpunkt Hollywood Reprint
freyermuth.com Fluchtpunkt Hollywood Folge 5 Eine ganze Kultur wanderte aus, als die Nazis die Macht übernahmen. Mit Beginn des Zweiten Weltkrieges wurde die Neue Welt zur letzten Zuflucht. Eine Spurensuche bei letzten Überlebenden des deutschen Anti- Nazi-Exils in Hollywood Reprint Wunderkind in der Traumfabrik Gottfried Reinhardt ist 19 Jahre alt und zu Besuch in New York, als in Berlin die Nazis an die Macht kommen. In Holly- wood gelingt ihm ein steiler Aufstieg. Der junge Emigrant, Sohn eines berühmten Vaters, wird schnell zu einem der wichtigsten Mittler zwischen dem Film-Establishment und der wachsenden Gemeinde deutscher Flüchtlinge Von Gundolf S. Freyermuth vol. 2009.05 info fluchtpunkt hollywood.1988 folge 5 1/25 freyermuth.com In Amerika fühle ich mich ein wenig als Europäer, und in Europa bin ich Amerikaner«, sagt Gottfried Reinhardt, während wir den Santa Monica Boulevard hinunterfahren und in Overland biegen. »Viele Europäer, die in den dreißiger Jahren hierher kamen, waren hochnäsig und schauten auf die Amerikaner als Barbaren herab. Zum Teil natürlich mit Recht, denn der Film war nicht unbedingt von sehr kultivierten Leuten bevölkert.« Gottfried Reinhardt lächelt. Wir sind auf dem Weg zu seinem alten Arbeitsplatz. Über zwanzig Jahre hat der 75jährige Hitler-Flüchtling in der Traumfabrik namens Metro- Goldwyn-Mayer gearbeitet, von 1934 bis 1954. Heute wird er zum ersten Mal seit seiner Kündigung damals vor 31 Jahren das Gelände wieder betreten. »Dafür ist hier in Kalifornien das Leben soviel leichter, Europa geht ein wenig auf Stel- zen. Ich habe halt beide Seelen in mir ... Sie müssen jetzt links abbiegen.« Vor uns taucht ein weißes Wachthäuschen auf. -
NINOTCHKA (1939, 110 Min)
February 1, 2011 (XXII:3) Ernst Lubitsch, NINOTCHKA (1939, 110 min) Directed by Ernst Lubitsch Written by Charles Brackett, Billy Wilder, Walter Reisch, Melchior Lengyel (story) Produced by Ernst Lubitsch and Sidney Franklin Cinematography by William H. Daniels Edited by Gene Ruggiero Art Direction by Cedric Gibbons Costume Design by Adrian Greta Garbo...Ninotchka Melvyn Douglas...Leon Ina Claire...Swana Bela Lugosi...Razinin Sig Ruman...Iranoff Felix Bressart...Buljanoff Alexander Granach...Kopalski Gregory Gaye...Rakonin CHARLES BRACKETT (November 26, 1892, Saratoga Springs, New National Film Registry 1990 York – March 9, 1969, Los Angeles, California) won four Academy Awards: 1946 – Best Screenplay (The Lost Weekend) – shared w. ERNST LUBITSCH (January 28, 1892, Berlin, Germany – November Billy Wilder; 1951 – Best Screenplay (Sunset Blvd.) – w. Billy 30, 1947, Hollywood, California) won an honorary Academy Wilder, D.M. Marshman Jr.; 1954 – Best Screenplay (Titanic) – w. Award in 1947. He directed 47 films, some of which were 1948 Walter Reisch, Richard L. Breen; and 1958 – Honorary Award – That Lady in Ermine, 1946 Cluny Brown, 1943 Heaven Can Wait, (“for outstanding service to the Academy”). He has 46 1942 To Be or Not to Be, 1941 That Uncertain Feeling, 1940 The screenwriting titles, some of which are 1959 Journey to the Center Shop Around the Corner, 1939 Ninotchka, 1938 Bluebeard's Eighth of the Earth, 1956 “Robert Montgomery Presents”, 1955 The Girl Wife, 1937 Angel, 1935 La veuve joyeuse, 1934 The Merry Widow, in the Red Velvet -
HERR LUBITSCH GOES to HOLLYWOOD KRISTIN THOMPSON Trouble in Paradise and Ninotchka, Featuring Greta FILM FILM Garbo
Ernst Lubitsch, the German film director who left Berlin for Hollywood in 1923, is best remembered for the famous “Lubitsch touch” in such masterpieces as KRISTIN THOMPSON GOES TO HOLLYWOOD HERR LUBITSCH Trouble in Paradise and Ninotchka, featuring Greta FILM FILM Garbo. Kristin Thompson’s study focuses on Lubitsch’s FILM FILM silent films from the years between 1918 and 1927, CULTURE CULTURE tracing the impact this director had on consolidating IN TRANSITION IN TRANSITION classical Hollywood filmmaking. She gives a new assessment of the stylistic two-way traffic between the American and the German film industries, after World War I each other’s strongest rival in Europe. By 1919, Lubitsch had emerged as the finest pro- ponent of the German studio style: sophisticated, urbane and thorough- ly professionalized. He was quick to absorb ‘American’ innovations and stylistic traits, becoming the unique master of both systems and contrib- uting to the golden ages of the Ame- rican as well as the German cinema. Utilizing Lubitsch’s silent films as a Herr Lubitsch key to two great national cinemas, Herr Lubitsch Thompson's extensively illustrated and meticulously researched book goes beyond an authorial study and GGooeess ttoo breaks new ground in cinema history. Kristin Thompson is an honorary HHoollllyywwoooodd fellow at the Department of Commu- nications Arts at the University of Wisconsin, Madison. She is the author of Storytelling in Film and Television. GermanGerman andand AmericanAmerican FilmFilm afterafter ISBN 90-5356-708-9 WorldWorld -
Sex, Politics, and Comedy
SEX, POLITICS, AND COMEDY GERMAN JEWISH CULTURES Editorial Board: Matthew Handelman, Michigan State University Iris Idelson-Shein, Goethe Universitat Frankfurt am Main Samuel Spinner, Johns Hopkins University Joshua Teplitsky, Stony Brook University Kerry Wallach, Gettysburg College Sponsored by the Leo Baeck Institute London SEX, POLITICS, AND COMEDY The Transnational Cinema of Ernst Lubitsch Rick McCormick Indiana University Press This book is a publication of Indiana University Press Office of Scholarly Publishing Herman B Wells Library 350 1320 East 10th Street Bloomington, Indiana 47405 USA iupress.indiana.edu Supported by the Axel Springer Stiftung This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the University of Minnesota. Learn more at the TOME website, which can be found at the following web address: openmonographs.org. © 2020 by Richard W. McCormick All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. -
Interview with Roger Strauch, Representative of the Coheirs of Rudolf Mosse
Interview with Roger Strauch, representative of the coheirs of Rudolf Mosse March 7, 2017 Kulturstiftung der Länder (KSL): With the project on Rudolf Mosse’s patronage and his lost art collection, Germany will launch its first joint research project into Nazi-looted art with the owner’s heirs. The Mosse heirs – whom you represent – will support the project not only in principle but also as a financial partner. Why do you support the German efforts to reconstruct the Mosse art collection and what do you expect in terms of results? Roger Strauch (RS): We are partners in a serious and conscientious effort to locate Mosse artifacts wherever they are in the world. The Mosse heirs would like to recover stolen assets and to renew academic and popular inter- est in the achievements of a proud, prominent and successful German fami- ly. We are combining our investigative resources, human and financial, to engage in an intensive and comprehensive effort to achieve these objectives. KSL: What is your experience with German reactions to art restitution so far, especially where German museums are concerned? RS: Over the last several years, we have been fortunate to successfully work with many impressive cultural and institutional leaders in Germany. Of course, we appreciate that our ownership claims can be uncomfortable and awkward for the custodians of Mosse artifacts. Not everyone has responded constructively. But I can honestly say that all of the German public institu- tions have been responsive and diligent in their efforts to review our claims. We are impressed and grateful for the understanding and sensitivity we have encountered and are especially appreciative for the leadership from Ms. -
Downloadable
Terezín Declaration – Ten Years Later The documentation, identification and restitution of the cultural assets of WWII victims Proceedingsheld of anin Pragueinternational on 18 –academic 19 June, conference 2019 Documentation Centre for Property Transfers of Cultural Assets of WWII Victims, p.b.o. Documentation Centre for Property Transfers of Cultural Assets of WWII Victims, p.b.o. Terezín Declaration – Ten Years Later 7th International Conference The documentation, identification and restitution of the cultural assets of WWII victims Proceedings of an international academic conference held in Prague on 18 – 19 June, 2019 Documentation Centre for Property Transfers of Cultural Assets of WWII Victims, p.b.o. Čs. armády 34/828, 160 00 Prague 6 Czech Republic +420 603 787 100 [email protected] www.cdmp.cz/en This conference was held with the financial support of the Ministry of Culture of the Czech Republic. This book was published with the support of the Ministry of Culture of the Czech Republic. Copyright © Documentation Centre for Property Transfers of Cultural Assets of WWII Victims, p.b.o., Prague, 2019 Graphic design © František Krejča, 2019 Translation and text revision © Christopher Hopkinson, 2019 Printed by Point4Me ISBN 978-80-907507-1-5 (print) ISBN 978-80-907507-2-2 (online; pdf) All rights reserved. Contents Foreword ................................................................................................. 10 Conference Opening Jaroslav Kubera Welcoming remarks .................................................................................