Resolved Stolen Art Claims
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Rembrandt Van Rijn
Rembrandt van Rijn 1606-1669 REMBRANDT HARMENSZ. VAN RIJN, born 15 July er (1608-1651), Govaert Flinck (1615-1660), and 1606 in Leiden, was the son of a miller, Harmen Ferdinand Bol (1616-1680), worked during these Gerritsz. van Rijn (1568-1630), and his wife years at Van Uylenburgh's studio under Rem Neeltgen van Zuytbrouck (1568-1640). The brandt's guidance. youngest son of at least ten children, Rembrandt In 1633 Rembrandt became engaged to Van was not expected to carry on his father's business. Uylenburgh's niece Saskia (1612-1642), daughter Since the family was prosperous enough, they sent of a wealthy and prominent Frisian family. They him to the Leiden Latin School, where he remained married the following year. In 1639, at the height of for seven years. In 1620 he enrolled briefly at the his success, Rembrandt purchased a large house on University of Leiden, perhaps to study theology. the Sint-Anthonisbreestraat in Amsterdam for a Orlers, Rembrandt's first biographer, related that considerable amount of money. To acquire the because "by nature he was moved toward the art of house, however, he had to borrow heavily, creating a painting and drawing," he left the university to study debt that would eventually figure in his financial the fundamentals of painting with the Leiden artist problems of the mid-1650s. Rembrandt and Saskia Jacob Isaacsz. van Swanenburgh (1571 -1638). After had four children, but only Titus, born in 1641, three years with this master, Rembrandt left in 1624 survived infancy. After a long illness Saskia died in for Amsterdam, where he studied for six months 1642, the very year Rembrandt painted The Night under Pieter Lastman (1583-1633), the most impor Watch (Rijksmuseum, Amsterdam). -
GAIN-Tokyo-Workshop-Report.Pdf
September 12th, 2018 Global AI Narratives – Tokyo Workshop 01 Table of Contents Summary ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・2 Welcome remarks ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・5 ・Dr Stephen Cave, Executive Director, CFI, University of Cambridge ・Professor Emeritus Shuji Hashimoto, Vice President, Waseda University Session 1: UK AI Narratives ・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 7 ・Dr Kanta Dihal, PI ‘Global AI Narratives’ CFI, University of Cambridge ・Dr Stephen Cave, Executive Director, CFI, University of Cambridge ・Dr Sarah Dillon, University Lecturer in Literature and Film and co-PI ‘AI Narratives’ at CFI, University of Cambridge Session 2: JAPAN AI Narratives ・・・・・・・・・・・・・・・・・・・・・・・・・・9 ・Professor Toshie Takahashi, Faculty of Letters, Arts and Sciences, Waseda University ・Mr Masayoshi Sakai, visiting research fellow, GLOCOM(Center for Global Communications, International University of Japan) ・Professor Osamu Sakura, the Interfaculty Initiative in Information Studies, University of Tokyo, and RIKEN Center for Advanced Intelligence Project (AIP) ・Dr Kentaro Watanabe, Planning Offcer, Research Planning Offce for Artifcial Intelligence, Department of Information Technology and Human Factors, National Institute of Advanced Industrial Science and Technology (AIST) Session 3: KOREA AI Narratives ・・・・・・・・・・・・・・・・・・・・・・・・・ ・13 ・Professor Kyung Sin Park, Korea University Law School, Director, Open Net Korea ・Professor Chihyoung Jeon, KAIST ・Professor So-Young Kim, Head of the Graduate School of Science & Technology Policy, KAIST ・Dr Kyoungmi Oh, Seoul National University of Science and Technology Session 4: Interactive Exercise on Global AI Narratives “Cultural Differences between East and West about AI Imaginings” ・・・・・・・・ ・16 Closing Remarks ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ ・20 Professor Hironori Kasahara, Waseda University, IEEE Computer Society 2018 President Speakers and Participants ・・・・・・・・・・・・・・・・・・・・・・・・・・・ ・22 September 12th, 2018 Global AI Narratives – Tokyo Workshop September 12th, 2018 Global AI Narratives – Tokyo Workshop 02 Summary Dr. Stephen Cave & Dr. -
2017 Abstracts
Abstracts for the Annual SECAC Meeting in Columbus, Ohio October 25th-28th, 2017 Conference Chair, Aaron Petten, Columbus College of Art & Design Emma Abercrombie, SCAD Savannah The Millennial and the Millennial Female: Amalia Ulman and ORLAN This paper focuses on Amalia Ulman’s digital performance Excellences and Perfections and places it within the theoretical framework of ORLAN’s surgical performance series The Reincarnation of Saint Orlan. Ulman’s performance occurred over a twenty-one week period on the artist’s Instagram page. She posted a total of 184 photographs over twenty-one weeks. When viewed in their entirety and in relation to one another, the photographs reveal a narrative that can be separated into three distinct episodes in which Ulman performs three different female Instagram archetypes through the use of selfies and common Instagram image tropes. This paper pushes beyond the casual connection that has been suggested, but not explored, by art historians between the two artists and takes the comparison to task. Issues of postmodern identity are explored as they relate to the Internet culture of the 1990s when ORLAN began her surgery series and within the digital landscape of the Web 2.0 age that Ulman works in, where Instagram is the site of her performance and the selfie is a medium of choice. Abercrombie situates Ulman’s “image-body” performance within the critical framework of feminist performance practice, using the postmodern performance of ORLAN as a point of departure. J. Bradley Adams, Berry College Controlled Nature Focused on gardens, Adams’s work takes a range of forms and operates on different scales. -
20131111 Medienunternehmen
Österreichs größte Medienunternehmen der Standard hat die aktuellsten Umsätze, Mitarbeiterzahlen und Ergebnis- Auf die Quelle weisen die Dreiecke hin. Die Rubrik Medien nennt wesentliche, se der Sender, Verlage und Agenturen zusammengetragen. Die meisten Daten aber nicht alle Titel, Verlage, Sender, Plattformen mit Reichweiten und Marktan- nannten die Player selbst – für das Jahr 2012. Wo sie schwiegen, liefern das Fir- teilen. Neue Daten, Änderungen und allfällige Korrekturen finden Sie dann in menbuch (meist nicht so aktuelle) Werte oder Schätzungen Größenordnungen. aktualisierten Übersichten auf derStandard.at/Etat Gebühren: 595,5 Mio. Euro KENNZAHLEN u Umsatz 2011/12: 452,8 Millionen Euro (2010/11: 466,3 Mio.) (584,2 Mio.) Mediaprint u Konzernergebnis (EGT) 2011/2012: 4,6 Millionen Euro (2010/11: 20,1 Mio.) u Mitarbeiter: 1161 (2010/11: 1166) Umsatz: Werbung: 262 Mio. Euro EIGENTÜMER Kronen Zeitung (50 %), Kurier (50 %) (264,0 Mio.) Kommanditanteile/Gewinnaufteilung: Krone 70 %, Kurier 30 % ORF Krone gehört: Hans Dichand 2010 (50 %, Erbe laut Firmenbuch noch nicht geregelt), WAZ (50 %) TV/Radio: 452,8 † Kurier gehört: Raiffeisen (rund 50,56 %), WAZ (49,44 %) 210,7 Mio. Euro (216,7 Mio.) Millionen Euro Online: MEDIEN Tageszeitungen: zKronen Zeitung dominiert mit 37,4 % Reichweite (38,2) den Zeitungsmarkt Umsatz: 9,7 Mio. Euro (9,0 Mio.) zKurier: 8,5 % (8,1), Mediaprint ist gemeinsamer Verlag | Magazine: Zeitungsbeilagen wie zkrone.tv zkurier.tv zfreizeit z Kurier hält 25,3 % an Verlagsgruppe News (unten) | Radio: zKronehit (einziges -
Tina GARABEDIAN ARM Simon PROULX-SENECAL
ICE DANCE Date of birth: 13.06.1997 Tina GARABEDIAN Place of birth: Montreal CAN Height: 163 cm ARM Home town: Montreal CAN Profession: student Hobbies: swimming, music Start sk. / Club: 2002 / Armenia Internet / Social Media contact (couple): Facebook: Ice Dance Armenia.com Former Partners Alexandre Laliberte Date of birth: 06.12.1991 Simon PROULX-SENECAL Place of birth: Lasalle CAN Height: 186 cm ARM Home town: Montreal CAN Profession: student Hobbies: swimming, music, biking Start sk. / Club: 1998 / Armenia Internet / Social Media contact (couple): Facebook: Ice Dance Armenia.com Former Partners Melissandre Dumas Coach: Elise Hamel, Shawn Winter Choreographer: Former Coach: Shae Zukiwsky Practice low season: 25 h / week Montreal/CAN Practice high season: 25 h / week Montreal/CAN Music Short Program / Short Dance as of season 2016/2017 Blues Swing Music Free Skating / Free Dance as of season 2016/2017 Pearl Harbour (soundtrack) by Hans Zimmer Personal Best Total Score 139.28 07.12.2016 ISU CS Golden Spin 2016 Personal Best Score Short Dance 53.94 18.11.2016 ISU CS Warsaw Cup 2016 Personal Best Score Free Dance 87.54 07.12.2016 ISU CS Golden Spin 2016 09/10 10/11 11/12 12/13 13/14 14/15 15/16 16/17 Olympic Games World Champ. 27. European Champ. 18. 19. Four Continents World Juniors 16.(1) National Champ. 11.J(3) 11.J(3) 15.J(2) 9.J(1) / 11.S(4) 1.S(1) / 12.S(4) 1.S S=Senior; J=Junior; N=Novice International Competition Year Place Internation Competition Year Place ISU CS Ice Challenge 2015 Graz 2015 6. -
The University of Chicago Objects of Veneration
THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies............................................................................... -
Norges Skøyteforbund Årbok 2015–2017
Norges Skøyteforbund Årbok 2015–2017 Versjon 2 – 30.05.2017 ©Norges Skøyteforbund 2017 Redaktør: Halvor Lauvstad Historikk/resultater: Svenn Erik Ødegård Trond Eng Bjørg Ellen Ringdal Tilrettelegging: Halvor Lauvstad Distribusjon: Elektronisk (PDF) Innholdsfortegnelse Norges Skøyteforbunds Årbok 2015-2017 2/150 Innkalling til ordinært ting for Norges Skøyteforbund Det innkalles herved til Forbundsting på Quality Hotel Edvard Grieg (Sandsliåsen 50, 5254 Bergen) på Sandsli like utenfor Bergen, 9. – 11. juni 2017. Tingforhandlingene starter fredag 9. juni kl. 16.30. Forslag og saker som ønskes behandlet på Skøytetinget 2017, må være begrunnet og innsendt gjennom et lag eller en krets til forbundsstyret innen 9 mai 2017. Minimumskrav for at for at saker/lovforslag skal bli behandlet ifb med NSFs Ting, er at innmeldte saker/forslag inneholder henvisninger til aktuelle lover/regler og konkrete forslag til endret tekst/ordlyd. NSFs lover er her: https://skoyte.klubb.nif.no/dokumentarkiv/Documents/NSF%20lov%20revidert%20NIFs%20lovnorm %20Mai%202017.pdf Forslag/saker sendes elektronisk til Norges Skøyteforbund på epost: [email protected] Skøytetinget 2017 avholdes i henhold til § 14, 15, 16, 17 og 18 i Norges Skøyteforbunds lov. Dagsorden 1. Tingets åpning a) Minnetaler b) Åpningstale c) Hilsningstaler 2. Konstituering a) Godkjenning av innkalling til Tinget b) Godkjenning av fullmaktene c) Godkjenning av dagsorden d) Godkjenning av forretningsorden e) Valg av: - 2 dirigenter - sekretærer - 2 tillitsvalgte til å undertegne protokollen - reisefordelingskomité - tellekorps - Valg av redaksjonskomite på 3 medlemmer 3. Beretninger 4. Regnskap Norges Skøyteforbunds Årbok 2015-2017 3/150 a) Regnskap for perioden 1.1.2015 til 31.12.2015 b) Regnskap for perioden 1.1.2016 til 31.12.2016 5. -
Program At-A-Glance
Sunday, 29 September 2019 Dinner (6:30–8:00 PM) ___________________________________________________________________________________________________ Monday, 30 September 2019 Breakfast (7:00–8:00 AM) Session 1: Extratropical Cyclone Structure and Dynamics: Part I (8:00–10:00 AM) Chair: Michael Riemer Time Author(s) Title 8:00–8:40 Spengler 100th Anniversary of the Bergen School of Meteorology Paper Raveh-Rubin 8:40–9:00 Climatology and Dynamics of the Link Between Dry Intrusions and Cold Fronts and Catto Tochimoto 9:00–9:20 Structures of Extratropical Cyclones Developing in Pacific Storm Track and Niino 9:20–9:40 Sinclair and Dacre Poleward Moisture Transport by Extratropical Cyclones in the Southern Hemisphere 9:40–10:00 Discussion Break (10:00–10:30 AM) Session 2: Jet Dynamics and Diagnostics (10:30 AM–12:10 PM) Chair: Victoria Sinclair Time Author(s) Title Breeden 10:30–10:50 Evidence for Nonlinear Processes in Fostering a North Pacific Jet Retraction and Martin Finocchio How the Jet Stream Controls the Downstream Response to Recurving 10:50–11:10 and Doyle Tropical Cyclones: Insights from Idealized Simulations 11:10–11:30 Madsen and Martin Exploring Characteristic Intraseasonal Transitions of the Wintertime Pacific Jet Stream The Role of Subsidence during the Development of North American 11:30–11:50 Winters et al. Polar/Subtropical Jet Superpositions 11:50–12:10 Discussion Lunch (12:10–1:10 PM) Session 3: Rossby Waves (1:10–3:10 PM) Chair: Annika Oertel Time Author(s) Title Recurrent Synoptic-Scale Rossby Wave Patterns and Their Effect on the Persistence of 1:10–1:30 Röthlisberger et al. -
SHAHRYAR NASHAT Education Solo Exhibitions
SHAHRYAR NASHAT Born 1975, Geneva, Switzerland Lives and works in Los Angeles Education 2001-2002 Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands 1995-2000. Ecole Supérieure des Beaux-Arts, Geneva, Switzerland Solo Exhibitions 2020 “Force Life,” The Museum of Modern Art, New York “Bad House,” Rodeo, London, England 2019 Swiss Institute, New York “Start Begging,” SMK, National Gallery of Denmark, Copenhagen “Keep Begging,” Rodeo, Athens, Greece 2018 “Image Is an Orphan,” David Kordansky Gallery, Los Angeles 2017 “The Cold Horizontals,” organized by Elena Filipovic, Kunsthalle Basel, Switzerland “MEAN DREAM & SHOULDER REGIME,” Rodeo Gallery, London 2016 “Model Malady,” Portikus, Frankfurt, Germany “Hard Up For Support,” Schinkel Pavillon, Berlin 2015 “Skins and Stand-ins,” Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts “Posers, Smokers and Backup Dancers,” Silberkuppe, Berlin “Prosthetic Everyday,” 356 Mission Road, Los Angeles 2014 Lauréat du prix Lafayette, Palais de Tokyo, Paris Kunstpreis der Stadt Nordhorn 2014 “Shahryar Nashat,” Städtische Galerie Nordhorn, Germany 2012 “Replay the Ruse,” Silberkuppe, Berlin Stunt, Kunstverein Harburger Bahnhof, Hamburg, Germany 2011 “One Stop Jock,” Rodeo, Istanbul “Workbench,” Studio Voltaire, London “Strawberry 96,” Galleria S.A.L.E.S., Rome 2010 “Line Up,” Kunstverein Nürnberg, Nuremberg, Germany 2009 “Remains To Be Seen,” Kunst Halle Sankt Gallen, St. Gallen, Switzerland “Plaque, “Baltic Centre for Contemporary Art, Newcastle, England “Plaque -
Contemporary Art Magazine Issue # Sixteen December | January Twothousandnine Spedizione in A.P
contemporary art magazine issue # sixteen december | january twothousandnine Spedizione in a.p. -70% _ DCB Milano NOVEMBER TO JANUARY, 2009 KAREN KILIMNIK NOVEMBER TO JANUARY, 2009 WadeGUYTON BLURRY CatherineSULLIVAN in collaboration with Sean Griffin, Dylan Skybrook and Kunle Afolayan Triangle of Need VibekeTANDBERG The hamburger turns in my stomach and I throw up on you. RENOIR Liquid hamburger. Then I hit you. After that we are both out of words. January - February 2009 DEBUSSY URS FISCHER GALERIE EVA PRESENHUBER WWW.PRESENHUBER.COM TEL: +41 (0) 43 444 70 50 / FAX: +41 (0) 43 444 70 60 LIMMATSTRASSE 270, P.O.BOX 1517, CH–8031 ZURICH GALLERY HOURS: TUE-FR 12-6, SA 11-5 DOUG AITKEN, EMMANUELLE ANTILLE, MONIKA BAER, MARTIN BOYCE, ANGELA BULLOCH, VALENTIN CARRON, VERNE DAWSON, TRISHA DONNELLY, MARIA EICHHORN, URS FISCHER, PETER FISCHLI/DAVID WEISS, SYLVIE FLEURY, LIAM GILLICK, DOUGLAS GORDON, MARK HANDFORTH, CANDIDA HÖFER, KAREN KILIMNIK, ANDREW LORD, HUGO MARKL, RICHARD PRINCE, GERWALD ROCKENSCHAUB, TIM ROLLINS AND K.O.S., UGO RONDINONE, DIETER ROTH, EVA ROTHSCHILD, JEAN-FRÉDÉRIC SCHNYDER, STEVEN SHEARER, JOSH SMITH, BEAT STREULI, FRANZ WEST, SUE WILLIAMS DOUBLESTANDARDS.NET 1012_MOUSSE_AD_Dec2008.indd 1 28.11.2008 16:55:12 Uhr Galleria Emi Fontana MICHAEL SMITH Viale Bligny 42 20136 Milano Opening 17 January 2009 T. +39 0258322237 18 January - 28 February F. +39 0258306855 [email protected] www.galleriaemifontana.com Photo General Idea, 1981 David Lamelas, The Violent Tapes of 1975, 1975 - courtesy: Galerie Kienzie & GmpH, Berlin L’allarme è generale. Iper e sovraproduzione, scialo e vacche grasse si sono tra- sformati di colpo in inflazione, deflazione e stagflazione. -
Clifton Chronicle
SUMMER 2012 Volume Twenty-Two Number One CA Publicationlifton of Clifton Town Meeting C You Dohronicle It You Write It We Print It Cincinnati, Ohio 45220 Box 20067 P.O. Clifton Chronicle Clifton Home Composite—You will not be touring this home any time soon, made up of the homes on Evanswood Place by Bruce Ryan, former resident and producer of yearly Evanswood block party invitation where this illustration first appeared. Clifton House Tour this Mother’s Day By Eric Clark Every third year on Mother’s are like stepping back in time to the sored them throughout the ‘70s and Day, a group of Clifton homeowners period in which they were built. ‘80s, taking a hiatus between 1988 open their doors to greater Cincinnati Although we do not disclose and 1997. Since the resumption and say, “Come on in and have a look pictures or the addresses of the of the tours, the event has drawn around!” So, mark your calendars for homes until the day of the tour. We people from all over Cincinnati and Mother’s Day, May 13, 2012. are confident that if you have an ap- has been a great way to spend part Clifton Town Meeting has lined preciation for architecture or interior of Mother’s Day. up some great houses for the 2012 design, or if you just enjoy touring Tickets are $17.50 in advance tour and it includes something for beautiful Clifton homes, you will and $22.50 the day of the tour. Tick- everyone with a wide and eclectic NOT be disappointed. -
Racism and Cultural Diversity in the Mass Media
RACISM AND CULTURAL DIVERSITY IN THE MASS MEDIA An overview of research and examples of good practice in the EU Member States, 1995-2000 on behalf of the European Monitoring Centre on Racism and Xenophobia, Vienna (EUMC) by European Research Centre on Migration and Ethnic Relations (ERCOMER) Edited by Jessika ter Wal Vienna, February 2002 DISCLAIMER ------------------------------------------------------------------------------------ This Report has been carried out by the European Research Centre on Migration and Ethnic Relations (ERCOMER) on behalf of the European Monitoring Centre on Racism and Xenophobia (EUMC). The opinions expressed by the authors do not necessarily reflect the position of the EUMC. Reproduction is authorized, except for commercial purposes, provided the source is acknowledged and the attached text accompanies any reproduction: "This study has been carried out on behalf of the European Monitoring Centre on Racism and Xenophobia (EUMC). The opinions expressed by the authors do not necessarily reflect the position of the EUMC." 2 PREFACE The research interest in analysing the way mass media report on ethnic issues has increased in the Member States over the last decades. And for this reason the EUMC decided to bring together the major research reports and their findings over the last five years in this report "RACISM AND CULTURAL DIVERSITY IN THE MASS MEDIA - an overview of research and examples of good practice in the EU Member States, 1995- 2000". The project has been carried out by Dr Jessika ter Wal, at Ercomer, Utrecht University, the Netherlands. I would like to express my sincere gratitude to her for her excellent work. The report underlines the importance of media research in the area of racism and diversity.