SHAHRYAR NASHAT Education Solo Exhibitions
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Baltic Triennial 13 – Give up the Ghost
BALTIC TRIENNIAL 13 – GIVE UP THE GHOST Contemporary Art Centre (CAC), Vilnius 11 May – 12 August, 2018 Private view 11 May, 6pm Artistic Director: Vincent Honoré BT13 – GIVE UP THE GHOST launches its fi rst chapter at Contemporary Art Centre (CAC), Vilnius on Friday, 11 May with an evening of performances followed by a public programme on Saturday, 12 May. BT13 in Vilnius includes works by Caroline Achaintre, Evgeny Antufi ev, Korakrit Arunanondchai, Darja Bajagić, Olga Balema, Nina Beier, Huma Bhabha, Dora Budor, Miriam Cahn, Jayne Cortez, Melvin Edwards, Daiga Grantina, Max Hooper Schneider, Anna Hulačová, Pierre Huyghe, E’wao Kagoshima, Sanya Kantarovsky, Ella Kruglyanskaya, Benoît Maire, Katja Novitskova, Pakui Hardware, Anu Põder, Laure Prouvost, Ieva Rojūtė, Rachel Rose, Augustas Serapinas and Michael E. Smith alongside a public programme of performances by Liv Wynter, Adam Christensen, Anton Lukoszevieze, Ieva Rojūtė and Žygimantas Kudirka celebrating the Triennial. The Baltic Triennial has historically taken place at the CAC Vilnius only. For its 13th edition, it will - for the fi rst time - be organised by and take place in Lithuania, Estonia (opening on June 29th) and Latvia (opening on September 21st), taking the form of three distinct chapters. Baltic Triennial 13 is informed by a shared concern: what does it mean to belong at a time of fractured iden- tities? BT13 – GIVE UP THE GHOST unfolds through and with this very question, careful not to off er a single or illustrative response. Instead, it opts for a collective vision of what is at stake: independence and depen- dency—and everything that lies in between—to territories, cultures, classes, histories, bodies and forms. -
Jahresplaner Grafschaft Bentheim Januar Februar März April Mai Juni Juli August September Oktober November Dezember
Jahresplaner Grafschaft Bentheim Januar Februar März April Mai Juni Juli August September Oktober November Dezember Mo 1 1 Di 1 2 2 1 Mi 2 3 1 Bad Bentheim 3 2 Ritterspiele im Schloß Do 3 Gildehaus 4 2 Bad Bentheim 4 1 Laar 3 Middewinterhornblasen Ritterspiele im Schloß Fahrrad – 4-Tage Nordhorn Grafschafter Triathlon Fr 4 1 1 5 3 Bad Bentheim 5 Wietmarschen 2 4 1 Ritterspiele im Schloß Schützenfest Sa 5 2 2 6 4 Bad Bentheim 1 Bad Bentheim 6 Wietmarschen 3 Bad Bentheim 5 2 Ritterspiele im Schloß Kunstmarkt Schützenfest Stonerock-Festival So 6 3 3 7 Bad Bentheim 5 Bad Bentheim 2 Nordhorn 7 Wietmarschen 4 Uelsen 1 Nordhorn 6 3 1 Nordhorn Grafschafter Anfietsen Ritterspiele im Schloß Fest der Kanäle Schützenfest Kunst- und Handwerkermarkt Internationales Weihnachtsmarkt Bauernmark und Bad Bentheim Straßenkulturfest Zauberfestival/Innenstadt Kunstmarkt Mo 7 4 4 8 6 3 8 5 2 7 4 2 Nordhorn Weihnachtsmarkt Di 8 5 5 9 7 4 9 6 3 8 5 3 Nordhorn Weihnachtsmarkt Mi 9 6 6 10 8 Emlichheim 5 Gildehaus 10 7 4 9 6 4 Nordhorn Großes Reitturnier Schützenfest Weihnachtsmarkt Do 10 7 7 11 9 Emlichheim 6 Gildehaus 11 Uelsen 8 5 10 7 5 Nordhorn Großes Reitturnier Schützenfest Schützenfest Weihnachtsmarkt Fietsen ohne Grenzen Uelsen Nordhorn Bronzezeittage Maikirmes Fr 11 8 8 12 10 Emlichheim 7 Gildehaus 12 Uelsen 9 6 11 8 6 Nordhorn Fietsen ohne Grenzen Schützenfest Schützenfest Weihnachtsmarkt Nordhorn Uelsen Bad Bentheim Maikirmes Bronzezeittage Weihnachtsmarkt Sa 12 9 Bad Bentheim 9 13 Bad Bentheim 11 Emlichheim 8 Nordhorn 13 Uelsen 10 7 12 9 7 Laar Storno ( Kabarett ) Bad Bentheimer Fietsen ohne Grenzen Klostermarkt Schützenfest Weihnachtsmarkt Emlichheim Waldlauf Nordhorn Uelsen Knobeln (Feuerwehr) Maikirmes Bronzezeittage Nordhorn Weihnachtsmarkt Bad Bentheim Weihnachtsmarkt Uelsen Weihnachtsmarkt So 13 10 Nordhorn 10 14 Emlichheim 12 Nordhorn 9 Nordhorn 14 Bad Bentheim 11 8 Nordhorn 13 10 Nordhorn 8 Nordhorn Karnevalsumzug Frühlingsfest Maikirmes Frühlingsfest Blanke Intern. -
Important Rider Info!!! Dear Participants, the Preparations for Our 44Th
Important rider info!!! Dear participants, the preparations for our 44th Uelsen ADAC cross-country ride 2021 are in full swing. The route and special stages are ready. Many hard-working hands are trying to put on a great event for you. The paddock will again be on the company grounds of van der Most in Itterbeck on Kirchweg. Admission here is only for riders and a chaperone, (children under 13 do not count). All participants have to hand in the completed and signed Covid self-disclosure form (see attachment or "notice board") at the gate, as well as prove that they have been vaccinated and that the 14-day period has been observed, that they are recovering, or submit an up-to-date (official) negative test from a test centre. After meeting these requirements you will receive an event wristband and for service vehicles a pass. In addition, it is necessary that you log in via the QR code attached to the gate or at the paper collection. QR codes are also available for the individual exams and ZK1. We would ask you to register on Friday when you leave the exams (registration/deregistration). This information must also be passed on to your supervisors. We are not allowed to exceed the number of 500 persons. However, as usually not everyone is in the paddock, we can prove this by registering at the individual locations. With your support, you make our work easier and we can allow attendants at the event. Spectators are not allowed in the paddock! We hope that we will not be slowed down in our preparations due to Corona and that all riders will be able to arrive without any problems. -
Fahrplan 2020/2021
RB 56 BAD BENTHEIM – NORDHORN – NEUENHAUS IC-ANSCHLÜSSE AB BAD BENTHEIM · IC nach Berlin ab 07:21 Uhr MONTAG BIS FREITAG (nicht an Feiertagen – 24.12. & 31.12.) ( danach jeweils ab 09:28 Uhr Anschluss in Bad Bentheim von der RB 61 alle 2 Stunden) aus Richtung Hengelo – – 6:52 7:52 8:52 9:52 10:52 11:52 12:52 13:52 14:52 15:52 16:52 17:52 18:52 19:52 20:52 21:52 · IC nach Amsterdam ab 08:44 Uhr FAHRPLAN 2020/2021 aus Richtung Bielefeld – 6:03 7:03 8:03 9:03 10:03 11:03 12:03 13:03 14:03 15:03 16:03 17:03 18:03 19:03 20:03 21:03 22:03 (verkehrt alle 2 Stunden) Zugnummer 83640 83642 83644 83648 83652 83654 83656 83658 83660 83664 83666 83668 83670 83672 83674 83676 83678 83680 TICKETS & TARIFE RB BAD BENTHEIM NEUENHAUS Sie können Tickets an den Automaten an al- Bad Bentheim ab – 6:09 7:09 8:09 9:09 10:09 11:09 12:09 13:09 14:09 15:09 16:09 17:09 18:09 19:09 20:09 21:09 22:09 len Bahnhöfen und Haltepunkten, im Inter- Quendorf ab – 6:14 7:14 8:14 9:14 10:14 11:14 12:14 13:14 14:14 15:14 16:14 17:14 18:14 19:14 20:14 21:14 22:14 net (mit der FahrPlaner-App oder unter www. Regiopa Express Nordhorn-Blanke ab – 6:24 7:24 8:24 9:24 10:24 11:24 12:24 13:24 14:24 15:24 16:24 17:24 18:24 19:24 20:24 21:24 22:24 niedersachsentarif.de) oder bei personen- bedienten Verkaufsstellen an den Bahnhö- Nordhorn an – 6:27 7:27 8:27 9:27 10:27 11:27 12:27 13:27 14:27 15:27 16:27 17:27 18:27 19:27 20:27 21:27 22:27 fen in Bad Bentheim, Nordhorn und Neuen- Nordhorn ab 5:31 6:31 7:31 8:31 9:31 10:31 11:31 12:31 13:31 14:31 15:31 16:31 17:31 18:31 19:31 20:31 21:31 – haus käufl ich erwerben. -
9.6.–9.9.2018 Press
9.6.–9.9.2018 Press Kit The Berlin Biennale is funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation) and organized by KUNST-WERKE BERLIN e. V. CONTENT • Factsheet • 7.3.2018 10th Berlin Biennale Announces Venues • 14.2.2018 First Iteration of School of Anxiety in Johannesburg and Upcoming Event in Nairobi • 30.6.2017 Launch of the Public Program I’m Not Who You Think I’m Not • 29.4.2017 Berlin Biennale for Contemporary Art Announces Curatorial Team • 29.11.2016 German Federal Cultural Foundation Increases Funding • 24.11.2016 Gabi Ngcobo Appointed as Curator of the 10th Berlin Biennale for Contemporary Art As of March 20, 2018/subject to change FACTSHEET Title We don’t need another hero Curator Gabi Ngcobo Curatorial Team Nomaduma Rosa Masilela Serubiri Moses Thiago de Paula Souza Yvette Mutumba Director Gabriele Horn Duration of the Exhibition 9.6.–9.9.2018 Press Conference and Press Preview Press conference: 7.6.2018, 11 am, Akademie der Künste Press preview: 7.–8.6.2018, 10 am–6 pm, all venues (press accreditation necessary) Opening 8.6.2018, 7–10 pm, all venues (open to the public) First Day Open to the Public 9.6.2018, 11 am–7 pm Venues Akademie der Künste Hanseatenweg 10, 10557 Berlin-Tiergarten KW Institute for Contemporary Art Auguststraße 69, 10117 Berlin-Mitte ZK/U – Center for Art and Urbanistics Siemensstraße 27, 10551 Berlin-Moabit Volksbühne Pavilion Rosa-Luxemburg-Platz, 10178 Berlin-Mitte Opening Hours Wed–Mon 11 am–7 pm, Thu 11 am–9 pm All venues are closed on Tuesdays Press Accreditation Accreditation for the press preview will take place in spring 2018 via an online form. -
Edward Hopper» Und «Stilles Sehen – Bilder Der Ruhe » Bis 26
Medienmitteilung, 30. April 2020 Fondation Beyeler ab Montag, 11. Mai 2020 wieder geöffnet Ausstellungen «Edward Hopper» und «Stilles Sehen – Bilder der Ruhe » bis 26. Juli verlängert, «Goya» verschoben Die Fondation Beyeler wird ab Montag, den 11. Mai wieder täglich offen sein. Zu sehen ist die Ausstellung über den grossen amerikanischen Künstler Edward Hopper sowie die Sammlungspräsentation «Stilles Sehen – Bilder der Ruhe». Beide Ausstellungen haben in der Corona- Krise unerwartet und dramatische Aktualität bekommen. Sie werden aufgrund des Besucherinteresses bis zum 26. Juli 2020 verlängert. Tickets können ab Donnerstag 7. Mai online unter www.fondationbeyeler.ch gebucht werden. Die Fondation Beyeler hat für Besuchende und Mitarbeitende ein umfassendes Schutzkonzept erarbeitet, um die Massnahmen der Covid-19- Verordnung des Bundes optimal umzusetzen. Dazu gehören die Beschränkung der Besucherzahl durch Onlinetickets mit Zeitslots ebenso wie eine neue Besucherführung im Park und im Museum mit räumlich getrenntem Ein- und Ausgang. Alle Veranstaltungen sind bis auf Weiteres abgesagt, Führungen finden in reduzierter Form ausserhalb der Öffnungszeiten statt. Die grosse Goya Ausstellung, deren Eröffnung am 15. Mai geplant war, wird verschoben. Ein neues Datum wird im Juni kommuniziert. Edward Hopper als «Maler der Stunde» in der Corona-Krise Über 100‘000 begeisterte Besucherinnen und Besucher sahen in den sieben Wochen vor der temporären Museumsschliessung aufgrund der Corona-Krise die Ausstellung «Edward Hopper». In dieser kurzen Zeit war «Edward Hopper» auf dem besten Weg zum Publikumsliebling. Der Katalog war ausverkauft und musste bereits nachgedruckt werden. Seither haben sich im Museum und in den sozialen Medien viele Menschen eine Wiedereröffnung und eine Verlängerung der Ausstellung gewünscht. Der Kooperationspartner, das Whitney Museum of American Art in New York und die anderen amerikanischen Leihgeber haben eingewilligt. -
GCC Founded 2013 in Dubai Selected Exhibitions 2021 Post-Capital: Art and the Economics of the Digital Age, MUDAM, Luxembourg Ci
K – T Z GCC founded 2013 in Dubai selected exhibitions 2021 Post-Capital: Art and the Economics of the Digital Age, MUDAM, Luxembourg City (LU) K60, Wilhelm Hallen, Berlin (DE) Total Landscaping, Warhouse 421, Abu Dhabi (UAE) 2018 Jahresgaben, Bonner Kunstverein (DE) 2018 Crude, Jameel Arts Centre, Dubai (AE) Address of Glory, Project native Informant, London (UK) Belief in the Power of Believe, The James Gallery – The Center for Humanities, New York (US) (solo) The Room at Art Dubai, Dubai (AE) Hello World. Revising a Collection, Hamburger Bahnhof – Museum für Gegenwart, Berlin (DE) Peer to Peer, Museum Sztuki, Łódź (PL) 2017 We are Here, Museum of Contemporary Art, Chicago (US) Belief in the Power of Believe, Art Basel Parcour, Naturhistorisches Museum, Basel (CH) Gestures, Kraupa-Tuskany Zeidler, Berlin (DE) (solo) Whitney Biennial, Whitney Museum of American Art, New York (US) Commercial Break, Public Art Fund’s 40th anniversary season, New York (US) 2016 Positive Pathways (+), Mitchell-Innes & Nash, New York (US) (solo) We Dance, We Smoke, We Kiss, Fahrenheit, curated by Myriam Ben Salah, Los Angeles (US) Imperfect Chronology: Mapping the Contemporary II, Whitechapel Gallery, London (UK) The Present in Drag, 9th Berlin Biennale curated by DIS, Berlin (DE) 2015 Imperfect Chronology: Debating Modernism II, Whitechapel Gallery, London (UK) A Wonderful World Under Construction, Art Basel Miami Beach (US) (solo) Joint Declaration, Nicc Vitrine, Belgium (BE) (solo) Like the deserts miss the real, curated by Myriam Ben Salah, Galerie Steineck, -
CV EDUCATION 2011 Master of Fine Arts In
SARAH JANSSEN | CV [email protected] www.sarahjanssen.com *1986 in Nordhorn, Germany Lives and works in Groningen, the Netherlands EDUCATION 2011 Master of Fine Arts in Interactive Media and Environments, Frank Mohr Institute, Groningen, the Netherlands 2009 Bachelor of Design in Art and Crossmedia Design, AKI Academy of Art & Design, Enschede, the Netherlands PRIZES / NOMINATIONS 2017 Semi-finalist Canon Grand Prix 2017 2013 Winner of the artist stipend 2013, Emsländische Landschaft e.V. 2012 Winner of the Hendrik de Vries Stipend 2012 Selected Member of the Groningen Talent Group 2012 2011 Nomination for the George Verberg Stipend 2011 Member of the Virtueel Platform HOT100 2011 2009 Member of the Virtueel Platform HOT100 2009 EXHIBITIONS / SCREENINGS 2018 MARKER art manifestation, Grote Markt/CBK Groningen, Groningen, the Netherlands 2016 Raytracing, melklokaal, Heerenveen, the Netherlands Binnar Festival de Artes, Vila Nova De Famalicão, Portugal UMW Media Wall, University of Mary Washington, Fredericksburg, USA 2015 Sarah Janßen, (solo exhibition), Städtische Galerie Papenburg, Germany Transfluxxion, Kunstschule Zinnober, Papenburg, Germany Woest, online collectie Zomerexpo Incubarte 7, Espai d'Art Fotogràfic, Valencia, Spain Fonlad Festival 2015, Espaço Partícula, Coimbra, Portugal Kunst im Kreishaus, (solo exhibition), Nordhorn, Germany 2014 Movie - Kunstverein Weil am Rhein, Kino Kandern, Kandern, Germany Mmm, MOHR MOHR MOHR, Haarlem, the Netherlands Images from thin air, (solo exhibition) different locations, Groningen, the Netherlands 2013 Koetshuis Mensinge, Roden, the Netherlands Academie Minerva, Groningen, the Netherlands Altes Rathaus Neuenhaus, (solo exhibition) Neuenhaus, Germany Atelier Horneman, Ten Boer, the Netherlands 2012 CBK Groningen, Groningen, the Netherlands Kunstvlaai, Amsterdam, the Netherlands FREEZE Festival, Leeuwarden, the Netherlands Noorderzon Festival, Groningen, the Netherlands 2011 Streaming Festival 2011, The Hague, the Netherlands 26. -
Final Programme
Contraception: from molecular biology to social science and politics Basel, Switzerland 4-7 May 2016 14th Congress - 2nd Global Conference of the European Society of Contraception and Reproductive Health www.escrh.eu/events/esc-events/2016 Final programme Overview Wednesday, 4 May 2016 15:00 - 17:30 Pre-congress workshops 18:00 - 19:30 Opening ceremony 19:30 - 20:30 Welcome reception Thursday, 5 May 2016 08:30 - 17:15 Congress programme 17:15 - 18:15 ESC General Assembly (Room Montréal - members) Friday, 6 May 2016 08:30 - 18:15 Congress programme 20:00 Congress dinner (tickets at the registration desk) Saturday, 7 May 2016 08:30 - 12:00 Congress programme 12:00 - 12:45 Closing and award ceremony Organising society Hosting society Hosting society 15TH CONGRESS OF THE EUROPEAN SOCIETY OF CONTRACEPTION AND REPRODUCTIVE HEALTH Family planning and contraception from the adolescence till the menopause BUDAPEST, HUNGARY, 9 - 12 MAY 2018 WWW.ESCRH.EU Welcome Grüezi Alle mitenand – A warm welcome to Basel to all of you The title of the congress ‘Contraception: from molecular bi- ology to social science and politics’ is not only that of our programme, it is also a promise and a challenge. Our wish is to respond to the multi-dimensional aspects of contracep- tion and reproductive health in general because we firmly believe that one of the most important contributing factors to women’s health is the right for all women everywhere on this globe: • to decide when to have a child and how many children to have, by accessing contraceptive methods that meet their needs; • to have a safe and protected pregnancy and delivery by accessing adequate obstetric care; • to enjoy their sexual life and be protected from violence and abuse by secure sexual rights for women and ac- cess to sexual health care. -
Process Certificate Raiffeisen-Waren Ringe-Wielen-Georgsdorf Eg Raiffeisenstrasse 45, 49824 Ringen, Germany
Process Certificate Raiffeisen-Waren Ringe-Wielen-Georgsdorf eG Raiffeisenstrasse 45, 49824 Ringen, Germany GMP+ International Registration number: GMP018936 Lloyd's Register Quality Assurance declares that it has justifiable confidence that Raiffeisen-Waren Ringe-Wielen-Georgsdorf eG meets the applicable requirements and conditions: corresponding to the scope (s) Therefore, Raiffeisen-Waren Ringe-Wielen-Georgsdorf eG is certified for the standard (s) GMP+ MI105 GMO Controlled Current Certificate: 25 May 2020 Original Approval: 25 May 2020 Certificate Expiry: 24 May 2023 Certificate Number: 10275007 Approval Number(s): 0025811 Issued by: Lloyd’s Register Nederland B.V. ID Nr.: 30073 _______________________________________________________________________________________________________________________________________ Lloyd’s Register Group Limited, its subsidiaries and affiliates, including Lloyd’s Register Quality Assurance Limited (LRQA), and their respective officers, employees or agents are, individually and collectively, referred to in this clause as ‘Lloyd’s Register’. Lloyd’s Register assumes no responsibility and shall not be liable to any person for any loss, damage or expense caused by reliance on the information or advice in this document or howsoever provided, unless that person has signed a contract with the relevant Lloyd’s Register entity for the provision of this information or advice and in that case any responsibility or liability is exclusively on the terms and conditions set out in that contract. Issued by: Lloyd’s Register Nederland B.V., K.P. van der Mandelelaan 41a, 3062 MB Rotterdam, Nederland Lloyd’s Register Quality Assurance: ID Nr.: 30073 Page 1 of 2 Certificate Schedule Certificate Number: 10275007 Location Activities Raiffeisen-Warengenossenschaft Nordhorn eG GMP+ FRA Döppers Esch 11, 48531 Nordhorn, Germany Trade in GMO controlled compound feed and feed materials and storage and transhipment of GMO GMP+ International Registration number: GMP018941 controlled compound feed and feed materials. -
(0)30 24 34 59 42 [email protected] Content Facts Curatorial Statement Videostatements Gabriele Ho
Content Facts Curatorial Statement Videostatements Gabriele Horn, Director, Berlin Biennale Hortensia Völckers, Executive Board / Artistic Director, Kulturstiftung des Bundes (German Federal Cultural Foundation) María Berríos, Renata Cervetto, Lisette Lagnado, Agustín Pérez Rubio, Curators, 11th Berlin Biennale Participants Curators Chapters of the epilogue The Crack Begins Within Venues Exchange Publications History of the Berlin Biennale Main funder: Kulturstiftung des Bundes Corporate partner: BMW Curatorial Workshop How to gather Support and Media Partner Transcripts of the video statements As of: 4.9.2020 / Subject to change Press requests T +49 (0)30 24 34 59 42 [email protected] Facts Title of the epilogue The Crack Begins Within Previous exp. 1: The Bones of the World (7.9.–9.11.2019) exp. 2: Virginia de Medeiros – Feminist Health Care Research Group (30.11.2019–8.2.2020) exp. 3: Affect Archives. Sinthujan Varatharajah – Osías Yanov (22.2.–2.5.2020, extended until 25.7.2020) Curators María Berríos, Renata Cervetto, Lisette Lagnado, Agustín Pérez Rubio Director Gabriele Horn Duration of the epilogue 5.9.–1.11.2020 Specifics of the first two weeks of the running time 5.9.2020 First public day of the exhibition (due to the extensive coronavirus measures and the associated admission restrictions there will be no opening) 5. and 6.9.2020 Free admission to all venues (all timeslots are already booked) 9.–12.9.2020 Extended opening hours until 9 pm at KW Institute for Cotemporary Art and Gropius Bau Press preview 4.9.2020, 10 am–7 -
Contemporary Art in Berlin and Beyond
Course Title Contemporary Art in Berlin and Beyond Course Number ARTCR-UE 9052001 SAMPLE SYLLABUS – ACTUAL SYLLABUS MAY VARY Instructor Contact Information Kimberly Bradley [email protected] Course Details Thursdays 3:00pm to 5:45pm Location of class: NYUB AC, room TBC Prerequisites None Units earned 3 Course Description The international contemporary art world is a convoluted interplay of aesthetics and economics; ego and idealism. Museums mount blockbuster shows, art biennials proliferate, art fairs go corporate, and auction sales hit new records. At the same time, public arts funding is slashed, emerging artists struggle, and art criticism remains in a perpetual crisis. Berlin’s art world may be more production-based and experimental than the art scenes of other major western cities, but it is still a microcosm of larger movements. Through readings of theory and criticism, lectures, discussions, site visits, guest speakers, and short- and long-form writing, this course offers an overview of the conventions, trends, history, current developments and myriad structures of today’s art world in general; always keeping Berlin’s local context in mind. This course delves into contemporary art’s current prevailing discourse via methodological analysis, practical observation, and input from professionals currently working in the art’s institutional and commercial sectors. It also offers a critical look at how these larger art-world structures translate to Berlin. This is not an art history course, but our discussions will connect to art history where relevant. Course Objective Through primary and secondary sources (including current art journalism), students learn to identify, analyze and navigate the international contemporary art scene’s idiosyncrasies and issues.