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Lightspeed Magazine, Issue 122 (July 2020)
TABLE OF CONTENTS Issue 122, July 2020 FROM THE EDITOR Editorial: July 2020 SCIENCE FICTION Zen and the Art of an Android Beatdown, or Cecile Meets a Boxer: A Love Story Tochi Onyebuchi The End of the World Measured in Values of N Adam-Troy Castro The Blue Fairy’s Manifesto Annalee Newitz The Swallows of the Storm Ray Nayler FANTASY Baba Yaga and the Seven Hills Kristina Ten A Siege of Cranes Benjamin Rosenbaum Great Gerta and the Mermaid Mari Ness Rosamojo Kiini Ibura Salaam EXCERPTS The Sin in the Steel Ryan Van Loan NONFICTION Book Reviews: July 2020 Chris Kluwe Media Review: July 2020 LaShawn M. Wanak Interview: Alaya Dawn Johnson Christian A. Coleman AUTHOR SPOTLIGHTS Kristina Ten Adam-Troy Castro Mari Ness Ray Nayler MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks Support Us on Patreon, or How to Become a Dragonrider or Space Wizard About the Lightspeed Team Also Edited by John Joseph Adams © 2020 Lightspeed Magazine Cover by Galen Dara www.lightspeedmagazine.com Editorial: July 2020 John Joseph Adams | 247 words Welcome to Lightspeed’s 122nd issue! Our cover art this month is from Galen Dara, illustrating our first original fantasy short of the month: “Baba Yaga and the Seven Hills,” by Kristina Ten. Is there a place for a centuries- old Russian witch in San Francisco? You’d be surprised! Mari Ness takes us to Neverland in her piratical tale of “Great Gerta and the Mermaid.” Plus, we have fantasy reprints by Benjamin Rosenbaum (“A Siege of Cranes”) and Kiini Ibura Salaam (“Rosamojo”). During lockdown, it was hard not to think in terms of apocalypses. -
Venetian Twins Book and Lyrics by Nick Enright Music by Terence Clarke Based on the Play by Carlo Goldoni
1 Venetian Twins Book and lyrics by Nick Enright Music by Terence Clarke Based on the play by Carlo Goldoni Venetian Twins is a rollicking, fast-paced, farcical romp of mistaken identities, love, lust, chivalry, murder – and more. Oh – and it is partly told through song. Yep! It’s got it all. Synopsis – so you get the idea! Scene 1 The play opens in the home of the Judge of Verona. His daughter, Rosina, is waiting to meet her fiancé, Zanetto, with her maid, Colombina She is hoping to wed Zanetto’s servant. The Judge has arranged the marriage because Rosina is ‘young and pretty’, and Zanetto is ‘young and pretty rich’. He is one of orphaned twins, the other twin being Tonino, who lives in Venice. Zanetto is a ‘boy from the bush’, who is waiting for his money and jewels to arrive with his servant to ‘get married’. When finally left alone with Rosina, he demonstrates that he is unfamiliar with how to woo a woman, and Rosina thinks he is a fool, slaps him, and he leaves. Rosina is comforted by her father’s loyal friend, Pancrazio, who secretly lusts after her. (He’s a villain!) SCENE 2 Beatrice, a young woman who has run away from Venice, who has been waiting for her beloved, Tonino (Zanetto’s twin), decides she can no longer wait for him. Tonino’s friend, Florindo (who is crazy about her) doesn’t want her to leave. Enter Lelio (who is also crazy about Beatrice) and is following her around. He confronts Florindo, and they start a swordfight. -
Hiphop Aus Österreich
Frederik Dörfler-Trummer HipHop aus Österreich Studien zur Popularmusik Frederik Dörfler-Trummer (Dr. phil.), geb. 1984, ist freier Musikwissenschaftler und forscht zu HipHop-Musik und artverwandten Popularmusikstilen. Er promovierte an der Universität für Musik und darstellende Kunst Wien. Seine Forschungen wurden durch zwei Stipendien der Österreichischen Akademie der Wissenschaften (ÖAW) so- wie durch den österreichischen Wissenschaftsfonds (FWF) gefördert. Neben seiner wissenschaftlichen Arbeit gibt er HipHop-Workshops an Schulen und ist als DJ und Produzent tätig. Frederik Dörfler-Trummer HipHop aus Österreich Lokale Aspekte einer globalen Kultur Gefördert im Rahmen des DOC- und des Post-DocTrack-Programms der ÖAW. Veröffentlicht mit Unterstützung des Austrian Science Fund (FWF): PUB 693-G Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Na- tionalbibliografie; detaillierte bibliografische Daten sind im Internet über http:// dnb.d-nb.de abrufbar. Dieses Werk ist lizenziert unter der Creative Commons Attribution 4.0 Lizenz (BY). Diese Li- zenz erlaubt unter Voraussetzung der Namensnennung des Urhebers die Bearbeitung, Verviel- fältigung und Verbreitung des Materials in jedem Format oder Medium für beliebige Zwecke, auch kommerziell. (Lizenztext: https://creativecommons.org/licenses/by/4.0/deed.de) Die Bedingungen der Creative-Commons-Lizenz gelten nur für Originalmaterial. Die Wieder- verwendung von Material aus anderen Quellen (gekennzeichnet -
Autolux – Transit Transit 1
DEC. 2010 • VOL. 21 ISSUE # 264 • ALWAYS FREE • SLUGMAG.COM SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 21• Issue # 264 •December 2010 • slugmag.com Publisher: Eighteen Percent Gray [email protected] Editor: Angela H. Brown Jemie Sprankle Managing Editor: [email protected] Jeanette D. Moses Shauna Brennan Editorial Assistant: Ricky Vigil [email protected] Action Sports Editor: Marketing: Ischa Buchanan, Jea- Adam Dorobiala nette D. Moses, Jessica Davis, Billy Copy Editing Team: Jeanette D. Ditzig, Hailee Jacobson, Stephanie Moses, Rebecca Vernon, Ricky Buschardt, Giselle Vickery, Veg Vollum, Vigil, Esther Meroño, Liz Phillips, Katie Josh Dussere, Chrissy Hawkins, Emily Panzer, Rio Connelly, Joe Maddock, Burkhart, Rachel Roller, Jeremy Riley. Alexander Ortega, Mary Enge, Kolbie SLUG GAMES Coordinators: Mike Stonehocker, Cody Kirkland, Hannah Brown, Jeanette D. Moses, Mike Reff, Christian. Sean Zimmerman-Wall, Adam Doro- Daily Calendar Coordinator: biala, Jeremy Riley, Katie Panzer, Jake Jessica Davis Vivori, Brett Allen, Chris Proctor, Dave [email protected] Brewer, Billy Ditzig. Social Networking Coordinator: Distribution Manager: Eric Granato Katie Rubio Distro: Eric Granato, Tommy Dolph, Cover Photo: “Drawn” by Jake Garn Tony Bassett, Joe Jewkes, Jesse See page 18 Hawlish, Nancy Burkhart, Adam Heath, Design Interns: Adam Dorobiala, Adam Okeefe, Manuel Aguilar, Chris Eric Sapp Proctor, David Frohlich. Ad Designers: Todd Powelson, Office Interns: Jessica Davis, Jeremy Kent Farrington, -
Kinsella Feb 13
MORPHEUS: A BILDUNGSROMAN A PARTIALLY BACK-ENGINEERED AND RECONSTRUCTED NOVEL MORPHEUS: A BILDUNGSROMAN A PARTIALLY BACK-ENGINEERED AND RECONSTRUCTED NOVEL JOHN KINSELLA B L A Z E V O X [ B O O K S ] Buffalo, New York Morpheus: a Bildungsroman by John Kinsella Copyright © 2013 Published by BlazeVOX [books] All rights reserved. No part of this book may be reproduced without the publisher’s written permission, except for brief quotations in reviews. Printed in the United States of America Interior design and typesetting by Geoffrey Gatza First Edition ISBN: 978-1-60964-125-2 Library of Congress Control Number: 2012950114 BlazeVOX [books] 131 Euclid Ave Kenmore, NY 14217 [email protected] publisher of weird little books BlazeVOX [ books ] blazevox.org 21 20 19 18 17 16 15 14 13 12 01 02 03 04 05 06 07 08 09 10 B l a z e V O X trip, trip to a dream dragon hide your wings in a ghost tower sails crackling at ev’ry plate we break cracked by scattered needles from Syd Barrett’s “Octopus” Table of Contents Introduction: Forging the Unimaginable: The Paradoxes of Morpheus by Nicholas Birns ........................................................ 11 Author’s Preface to Morpheus: a Bildungsroman ...................................................... 19 Pre-Paradigm .................................................................................................. 27 from Metamorphosis Book XI (lines 592-676); Ovid ......................................... 31 Building, Night ...................................................................................................... -
Travelin Songs
Travelin Songs A Collection of Imagined Historical Events by Janice Franklin Turner A creative project submitted to Sonoma State University In partial fulfillment of the requirements for the degree of MASTER OF ARTS in English Committee Members: Stefan Kiesbye Anne Goldman May 14, 2021 i Copyright 2021 By Janice Franklin Turner ii Authorization for Reproduction of Master’s Project Permission to reproduce this project in its entirety must be obtained from me. May 14, 2021 Janice Franklin Turner iii Travelin Songs A Collection of Imagined Historical Events Creative project by Janice Franklin Turner Abstract The history of the United States has been fraught with contradictions that challenge the meaning of the values we have always professed. Despite it all, Black and other minoritized people have persevered, making lives within the conditions that they have been forced to exist. Yet, there is little in historical documents that captures the laughter, joy and sorrow that creates the soul of a minoritized people. These tales are historically reimagined gazes into Black lives that portrays that which makes us all human. Through this collection, voice is given to what can’t be found in historical documents in an effort to bridge that gap. When we were growing up my mother always told us, “All that don’t kill you will make you strong.” I spent time thinking about the power that exist behind these words as I created the details for each of the stories in this collection. We never thought about Mama’s statement in the literal sense, thinking to do so was much too morbid. -
A Practical Approach to Film, Television, and Commercial Acting
p.i The Science and Art of Acting for the Camera The Science and Art of Acting for the Camera provides a precise yet practical approach to help unlock the mysteries of acting for film and television as well as commercials. Written by veteran actor, producer, director John Howard Swain, the book offers a clear-cut, no-nonsense technique that equips aspiring or working actors with the necessary skills to succeed on camera. The technique teaches you how to build multi- dimensional characters; construct truthful and exciting relationships; ignite stimulating emotions; craft a series of discoveries guaranteed to energize your work; and much, much more. The book also provides instruction for actors working in commercials—from slating, to the dreaded “tell us about yourself” interview, to nailing “the tag” and embracing the cliché—and provides sample copy for students to practice. John Howard Swain has coached a myriad of clients ranging from first-time performers to Emmy Award-winning actors, Supreme Court Justices and Fortune 500 executives. In addition to his New York stage credits he has also guest-starred in dozens of television’s most iconic shows, including such classics as Hill Street Blues to Law & Order: SVU. As a director he has staged over twenty plays, including such hits as That Championship Season, Veronica’s Room, and The Owl and the Pussycat. He has also directed four films: Whose Life, Uncommon, Stand-by, and the multi-award winning short, A Younger Man. Students from his program continue to work across the globe, and can be seen starring on Broadway, in television, and on film. -
Conspicuous Consumption, New-School Hip-Hop and "The New Rock & Roll"
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-21-2019 1:00 PM "I Need to Fight the Power, But I Need that New Ferrari": Conspicuous Consumption, New-School Hip-hop and "the New Rock & Roll" Emmett H. Robinson Smith The University of Western Ontario Supervisor Keightley, Keir The University of Western Ontario Coates, Norma The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts ©Follow Emmett this andH. Robinson additional Smithworks at:2019 https:/ /ir.lib.uwo.ca/etd Part of the African American Studies Commons, American Material Culture Commons, American Popular Culture Commons, Art Practice Commons, Cultural History Commons, Music Performance Commons, Music Practice Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Languages, Societies, and Cultures Commons, and the Social History Commons Recommended Citation Robinson Smith, Emmett H., ""I Need to Fight the Power, But I Need that New Ferrari": Conspicuous Consumption, New-School Hip-hop and "the New Rock & Roll"" (2019). Electronic Thesis and Dissertation Repository. 6322. https://ir.lib.uwo.ca/etd/6322 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract 2017 marked the year in which hip-hop officially became the most listened-to genre in the United States. This thesis explores hip-hop music’s rise to its now-hegemonic position within the music industry, seeking to provide insight into the increasingly popular sentiment that hip-hop is “the new rock & roll”. -
Chimaerid Pdf 2015
1 The Chimaerid Literature and Arts Magazine 2015 2 Table of Contents *Cover Art by Sabrina Angelides Editor’s Page 3 Artwork by Sarah Iwany 4 Crashing In Love by Elizabeth Sorenson 5 Waiting Belle by Yvette Pollack 6 A Character Study by Rani Pan 7 Artwork by Sarah Iwany 8 El Océano Pacífico by Nicki Williams 9 Big Sur by Melodie Gutierrez !!!!!!!10 California Drought by Melodie Gutierrez !!!!!10 How It Feels To Be Realistic Me by Franchesca Viaud 11 Time by Jessica Alberto !!!!!!!!13 Dreaming by Yvette Pollack !!!!!!!13 Let Me Be by Faridat Ilupeju 14 Artwork by Isabella Carlo 16 Picture This by Jessica Alberto 17 Artwork by Sarah Iwany!!!!!!!!18 Waiting to “Breakaway” by Jessi Dixon !!!!!19 Artwork by Sarah Angelides !!!!!!!24 Letter To My Thirteen-Year-Old Self by Sarah Mensch !!!25 Escaping by Mia Lavallee!!!!!!!!27 The Prancer by Yvette Pollack !!!!!!!28 Artwork by Sarah Iwany!!!!!!!!28 Puttin’ Up With The Putins by Jimmy King!!!!!29 Color Our Lives by Daisy Ruiz !!!!!!!32 Artwork by Sarah Iwany !!!!!!!!33 Me, Myself, and I by Rani Pan !!!!!!!34 Perspective by Mia Lavallee !!!!!!!36 3 Editor’s Page Chimaerid (K-EYE-MI-RID) – The chimaeridae are a group of fish, named after the Greek mythological beast the chimaera, a monster put together from the parts of many animals. Our magazine is also put together from many parts and includes the talents of many types of artists: poets, photographers, playwrights, painters, fiction writers, etc. We’re that kind of fish. Editorial Staff: Jaime Craven, Jimmy King, Rachel Kortman, Sarah Mensch, and Daisy Ruiz. -
Oral History Interview with Inger Frelander Minnesota Historical Society
A TESTIMONY OF PRIDE: THE LIFE AND TIMES OF INGER FRELANDER The following are excerpts taken from interviews with Grandma Frelander--Inger Margrethe Jensen-Frelander--by her grandson Chad C. Barthelemy on November 29, 1986 and January 6 and 7, 1987 at the Virgil and Gloria Strom (Grandma's son-in-law and daughter) residence at 9118 Emerson Ave. So., Bloomington, Minnesota. Frelander [Side one of tape one] C: Let's start out Grandma, by having you tell me aboutInger your origins in Denmark. Society I: My grandma from Copenhagen, Denmark waswith born 75 long years ago in Copenhagen, Denmark. I lived in an orphanage for about a year and a half before someone fell over me (laughter) and decided to take me along home. I was sick. I wasn't able to walk. I wasn't Historical able to stand. I wasn't able to do anything, I had rickets so bad. And they doctored with me for about. .. oh, for all ofinterview a year. They wrapped my joints with bandages from my neck down. history Carol: Who's they? Minnesota Oral I: My foster mother. .I should say my foster mother, because the one that did it. And they, and it all settled in my teeth. Rickets always settles someplace, but instead of me becoming a crippled, all it did was settle in my teeth and decayed my teeth-that was all, no big deal. Later on in years that was remedied. Whereas had I been a cripple that would not have been remedied, see. So I could do anything like anybody else. -
My Father's Daughter Eboni G
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 January 2008 My Father's Daughter Eboni G. Rafus University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Rafus, Eboni G., "My Father's Daughter" (2008). Masters Theses 1911 - February 2014. 159. Retrieved from https://scholarworks.umass.edu/theses/159 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. MY FATHER’S DAUGHTER A Thesis Presented by EBONI G. RAFUS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTERS OF FINE ARTS September 2008 Graduate Program for Poets and Writers MY FATHER’S DAUGHTER A Thesis Presented by EBONI G. RAFUS Approved as to style and content by: _______________________________ Sabina Murray, Chair _______________________________ Chris Bachelder, Member ________________________________ Peggy Woods, Member _____________________________ Dara Wier, Director M.F.A. Program for Poets and Writers _______________________________ Joseph Bartolomeo, Chair Department of English PREFACE My Father’s Daughter, part bildungsroman, part family drama, is the story of Tabitha Robinson, a successful writer on a hit prime-time teen drama in Los Angeles who is called home to northern New York to say good-bye to her dying father. Tabitha and her father, Ray, a retired military solider and Southern Baptist minister, were once quite close. As a girl, Tabitha idolized her father despite his long absences and philandering ways. -
Waka Flocka Can You Be My Baby Daddy
Waka Flocka Can You Be My Baby Daddy Yeaaah baby, 17 They like, Monty, can you be my baby daddy, I'm like yeah See Waka Flocka Flames' “Round of Applause” for Montana's inspiration. Lyrics for Tell Daddy by Maejor Ali feat Ying Yang Twins & Waka Flocka Flame. Lil' momma, tell daddy whatcha want, I got you I'mma get a big ball of grape goose You can get loose, shake You can get loose, shake that ass fo' me Baby, tell me what you want, it's yours tonight Bitches to my right, bad bitches to my left Waka Flocka Flame performs at Webster Hall in NYC. 'When I hit the scene, girls yelling and they scream/“Flocka can you be my baby-daddy?”/Yes! If you are in need of a reliable firearm salesmen, contact @guncollection for inquiries Instagram photo by wakaflocka - Cleveland was so lit last night words can't explain money.marie - stefmarie That's my baby daddy @mixxd_princcess. They like, Monty, can you be my baby daddy, I'm like yeah. Lyric Meaning. 'V' refers to the 'vehicle' Monty's got a lot of hot women. See Waka Flocka Flames'. AaronMadison. When she say "I love you Waka Flocka" as gettin dragged out by security is pure comedy! "Flocka can u be my baby daddy?? Yes". Waka Flocka Can You Be My Baby Daddy >>>CLICK HERE<<< Waka Flocka Flame Tattoos / Waka Flocka Flames PETA AD. COULDNT Waka Flocka Flame turns on my flame. Flocka can you be my baby daddy. CNN's Brianna Keilar speaks with rapper Waka Flocka Flame who canceled his scheduled.