Polina Gagarina Lullaby
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Nystemmeseddel GP 2013
Stemmeseddel til nalen LØRDAG DEN 18. MAJ KL. 21.00 PÅ DR1 Sms-stemmer koster 1 kr. + alm. sms-takst. Ved deltagelse fraskrives 14 dages fortrydelsesret Land Kunstner Titel SMS stemme til Din stemme Resultat 1 Frankrig Amandine Bourgeois L'enfer et Moi SMS 01 til 1212 2 Litauen Andrius Pojavis Something SMS 02 til 1212 3 Moldova Aliona Moon O Mie SMS 03 til 1212 4 Finland Krista Siegfrids Marry Me SMS 04 til 1212 Contigo Hasta El Final ESDM Contigo Hasta El Final (With YouSMS Until 05 The til 1212End) 5 Spanien (With You Until The End) 6 Belgien Roberto Bellarosa Love Kills SMS 06 til 1212 7 Estland Birgit Et Uus Saaks Alguse SMS 07 til 1212 8 Hviderusland Alyona Lanskaya Solayoh SMS 08 til 1212 9 Malta Gianluca Tomorrow SMS 09 til 1212 10 Rusland Dina Garipova What If SMS 10 til 1212 11 Tyskland Cascada Glorious SMS 11 til 1212 12 Armenien Dorians Lonely Planet SMS 12 til 1212 13 Holland Anouk Birds SMS 13 til 1212 14 Rumænien Cezar It's My Life SMS 14 til 1212 15 Storbritannien Bonnie Tyler Believe In Me SMS 15 til 1212 16 Sverige Robin Stjernberg You SMS 16 til 1212 ByeAlex Kedvesem (Zoohacker Remix)SMS 17 til 1212 17 Ungarn (Zoohacker Remix) 18 Danmark Emmelie de Forest Only Teardrops SMS 18 til 1212 19 Island Eythór Ingi Ég Á Líf SMS 19 til 1212 20 Aserbajdsjan Farid Mammadov Hold Me SMS 20 til 1212 21 Grækenland Koza Mostra feat. Agathon AlcoholIakovidis Is Free SMS 21 til 1212 Agathon Iakovidis 22 Ukraine Zlata Ognevich Gravity SMS 22 til 1212 23 Italien Marco Mengoni L'Essenziale SMS 23 til 1212 24 Norge Margaret Berger I Feed You My Love SMS 24 til 1212 25 Georgien Nodi Tatishvili & Sophie GelovaniWaterfall SMS 25 til 1212 Sophie Gelovani 26 Irland Ryan Dolan Only Love Survives SMS 26 til 1212. -
American Rock Band Aerosmith Back to Moscow to Perform During Moscow City Day
Beat: Music AMERICAN ROCK BAND AEROSMITH BACK TO MOSCOW TO PERFORM DURING MOSCOW CITY DAY SEPT. 5 LUBYANSKAYA PLOSHAD IN MOSCOW PARIS - MOSCOW, 24.08.2015, 17:11 Time USPA NEWS - Moscow authorities approved the program of the City Day celebrations, which will be held on September 5. Lubyanka Square will become the main venue of the festivities. There, the legendary rock group Aerosmith will perform along with... Moscow authorities approved the program of the City Day celebrations, which will be held on September 5. Lubyanka Square will become the main venue of the festivities. There, the legendary rock group Aerosmith will perform along with the Gorky Park, Jukebox Trio, John Newman, Polina Gagarina, Grigory Leps and Dima Bilan. Concert will start at 15:00 and run until 22:30. Back when people first started paying attention to Aerosmith in the mid “˜70s, they were called the American version of the Rolling Stones. After following “˜Attic´ with the barnstorming “˜Rocks,´ Aerosmith fell into a decade-long haze of drugs, despair and lackluster records. But the original group cleaned up and reunited in the mid “˜80s and staged one of rock´s greatest comebacks. Moscow City Day is an annual festival traditionally celebrated on the first weekend of the autumn. This year the celebration will take place on September 5 and 6. Every year people crowd the city to take part in different entertainment, ranging from concerts and festivals to exhibitions and theatrical performances. Moscow celebrates the birth of the Russian capital with a series of parades and entertainment events. The celebrations begin on the Saturday with a procession of floats and city officials along Tverskaya Street and finishing at the Kremlin. -
Central Asia-Caucasus
Central Asia-Caucasus Analyst BI-WEEKLY BRIEFING VOL. 15 NO. 11 29 MAY 2013 Searchable Archives with over 1,500 articles at http://www.cacianalyst.org ANALYTICAL ARTICLES: FIELD REPORTS: UZBEKISTAN’S POST-SOVIET GENERATION LEAPFROGS TURKMENISTAN ADOPTS INTO POWER ELECTRIC POWER INDUSTRY Nicklas Norling DEVELOPMENT PLAN Tavus Rejepova IVANISHVILI AND THE GEORGIAN- ORTHODOX CHURCH: AN ALLIANCE KAZAKHSTAN PREPARES FOR STARTING TO SOUR? “INNOVATION REVOLUTION” Ariela Shapiro Georgiy Voloshin UNCERTAIN APPLICATION OF A NEW TURN IN RUSSIA’S MILITARY JUSTICE AFTER GEORGIA’S POLICY IN CENTRAL ASIA? MAY 17 DEMONSTRATIONS Stephen Blank Eka Janashia NORTH CAUCASUS INSURGENCY RUSSIA ACCUSES AZERBAIJAN MAKES INROADS TO TATARSTAN, OF FRAUDULENT BASHKORTOSTAN EUROVISION VOTE Emil Souleimanov Mina Muradova Central Asia-Caucasus Analyst BI-WEEKLY BRIEFING VOL. 15 NO. 11 29 May 2013 Contents Analytical Articles UZBEKISTAN’S POST-SOVIET GENERATION LEAPFROGS 3 INTO POWER Nicklas Norling IVANISHVILI AND THE GEORGIAN-ORTHODOX CHURCH: 6 AN ALLIANCE STARTING TO SOUR? Ariela Shapiro A NEW TURN IN RUSSIA’S MILITARY POLICY IN CENTRAL ASIA? 9 Stephen Blank NORTH CAUCASUS INSURGENCY MAKES INROADS TO 12 TATARSTAN, BASHKORTOSTAN Emil Souleimanov Field Reports TURKMENISTAN ADOPTS ELECTRIC POWER INDUSTRY 15 DEVELOPMENT PLAN Tavus Rejepova KAZAKHSTAN PREPARES FOR “INNOVATION REVOLUTION” 16 Georgiy Voloshin UNCERTAIN APPLICATION OF JUSTICE AFTER GEORGIA’S 18 MAY 17 DEMONSTRATIONS Eka Janashia RUSSIA ACCUSES AZERBAIJAN OF FRAUDULENT 20 EUROVISION VOTE Mina Muradova THE CENTRAL ASIA-CAUCASUS ANALYST Editor: Svante E. Cornell Associate Editor: Niklas Nilsson Assistant Editor, News Digest: Alima Bissenova Chairman, Editorial Board: S. Frederick Starr The Central Asia-Caucasus Analyst is an English-language journal devoted to analysis of the current issues facing Central Asia and the Caucasus. -
L'italia E L'eurovision Song Contest Un Rinnovato
La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente. -
60Th Eurovision Song Contest 2015 Vienna / Austria 1St Semi Final 19Th May 2015
60th Eurovision Song Contest 2015 Vienna / Austria 1st Semi Final 19th May 2015 Country Participant Song My Notes My Points Rank Qualifer 1 Moldova Eduard Romanyuta I Want Your Love 2 Armenia Genealogy Face The Shadow 3 Belgium Loïc Nottet Rhythm Inside 4 Netherlands Trijntje Oosterhuis Walk Along 5 Finland Pertti Kurikan Nimipäivät Aina Mun Pitää 6 Greece Maria-Elena Kyriakou Last Breath 7 Estonia Elina Born & Stig Rästa Goodbye To Yesterday 8 FYR Macedonia Daniel Kajmakoski Autumn Leaves 9 Serbia Bojana Stamenov Beauty Never Lies 10 Hungary Boggie Wars For Nothing 11 Belarus Uzari & Maimuna Time 12 Russia Polina Gagarina A Million Voices 13 Denmark Anti Social Media The Way You Are 14 Albania Elhaida Dani I'm Alive 15 Romania Voltaj De La Capăt 16 Georgia Nina Sublati Warrior [email protected] http://www.eurovisionlive.com © eurovisionlive.com 60th Eurovision Song Contest 2015 Vienna / Austria 2nd Semi Final 21st May 2015 Country Participant Song My Notes My Points Rank Qualifier 1 Lithuania Monika & Vaidas This Time 2 Ireland Molly Sterling Playing With Numbers 3 San Marino Michele Perniola & Anita Simoncini Chain Of Lights 4 Montenegro Knez Adio 5 Malta Amber Warrior 6 N0rway Mørland & Debrah Scarlett A Monster Like Me 7 Portugal Leonor Andrade Há Um Mar Que Nos Separa 8 Czech Republic Marta Jandová & Václav Noid Bárta Hope Never Dies 9 Israel Nadav Guedj Golden Boy 10 Latvia Aminata Love Injected 11 Azerbaijan Elnur Huseynov Hour Of The Wolf 12 Iceland María Ólafsdóttir Unbroken 13 Sweden Måns Zelmerlöw Heroes 14 Switzerland Mélanie René Time To Shine 15 Cyprus Giannis Karagiannis One Thing I Should Have Done 16 Slovenia Maraaya Here For You 17 Poland Monika Kuszyńska In The Name Of Love [email protected] http://www.eurovisionlive.com © eurovisionlive.com. -
REFLECTIONS 148X210 UNTOPABLE.Indd 1 20.03.15 10:21 54 Refl Ections 54 Refl Ections 55 Refl Ections 55 Refl Ections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS MERCI CHÉRIE – MERCI, JURY! AUSGABE 2015 | ➝ Es war der 5. März 1966 beim Grand und belgischen Hitparade und Platz 14 in Prix d’Eurovision in Luxemburg als schier den Niederlanden. Im Juni 1966 erreichte Unglaubliches geschah: Die vielbeachte- das Lied – diesmal in Englisch von Vince te dritte Teilnahme von Udo Jürgens – Hill interpretiert – Platz 36 der britischen nachdem er 1964 mit „Warum nur war- Single-Charts. um?“ den sechsten Platz und 1965 mit Im Laufe der Jahre folgten unzähli- SONG CONTEST CLUBS SONG CONTEST 2015 „Sag‘ ihr, ich lass sie grüßen“ den vierten ge Coverversionen in verschiedensten Platz belegte – bescherte Österreich end- Sprachen und als Instrumentalfassungen. Wien gibt sich die Ehre lich den langersehnten Sieg. In einem Hier bestechen – allen voran die aktuelle Teilnehmerfeld von 18 Ländern startete Interpretation der grandiosen Helene Fi- der Kärntner mit Nummer 9 und konnte scher – die Versionen von Adoro, Gunnar ÖSTERREICHISCHEN schließlich 31 Jurypunkte auf sich verei- Wiklund, Ricky King und vom Orchester AUSSERDEM nen. Ein klarer Sieg vor Schweden und Paul Mauriat. Teilnehmer des Song Contest 2015 – Rückblick Grand Prix 1967 in Wien Norwegen, die sich am Podest wiederfan- Hier sieht man das aus Brasilien stam- – Vorentscheidung in Österreich – Das Jahr der Wurst – Österreich und den. mende Plattencover von „Merci Cherie“, DAS MAGAZIN DES der ESC – u.v.m. Die Single erreichte Platz 2 der heimi- das zu den absoluten Raritäten jeder Plat- schen Single-Charts, Platz 2 der deutschen tensammlung zählt. DIE LETZTE SEITE ections | Refl AUSGABE 2015 2 Refl ections 2 Refl ections 3 Refl ections 3 Refl ections INHALT VORWORT PRÄSIDENT 4 DAS JAHR DER WURST 18 GRAND PRIX D'EUROVISION 60 HERZLICH WILLKOMMEN 80 „Building bridges“ – Ein Lied Pop, Politik, Paris. -
Media Policy in a Pandemic: Lessons from Moldova, Ukraine and Latvia
This policy brief series is part of the Media Enabling Democracy, Inclusion and Accountability in Moldova (MEDIA-M) project November 2020 | No 14 Media Policy in a Pandemic: Lessons from Moldova, Ukraine and Latvia Anastasia Nani, Lolita Buka, Gina Lentine Introduction Since the outbreak of the global coronavirus pandemic in March 2020, governments around the world have struggled to protect citizens from both the pathogen itself and its multifaceted impact on society. The regulatory framework for independent media has emerged as a central arena of this struggle, as governments strove to balance national health priorities and an “infodemic” of disinformation with the need to keep citizens informed and uphold fundamental media freedoms. In Moldova, Ukraine and Latvia, government approaches to regulating media during the pandemic grappled with similar vulnerabilities, including the lack of a cohesive national informational space in multilingual societies, high levels of disinformation, and social and economic legacies of Soviet influence. Despite these common challenges, each government adopted a distinct approach to addressing media-related issues under the pandemic that has contributed to markedly different results – both in terms of adherence to citizens’ democratic rights and freedoms and to overall societal health outcomes. This brief argues that the approach of each government and society to media policy, including its adherence to fundamental media freedoms, is a key factor in determining the overall effectiveness of the country’s pandemic response. The brief compares government policies relating to media during the pandemic, considers how these policies impacted media and the effectiveness of the country’s coronavirus response, and presents actionable recommendations for Moldova and other countries in the region to develop more effective media policy in times of crisis. -
'Gay Olympics'?: the Eurovision Song Contest and the Politics of LGBT/European Belonging Catherine Baker
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Hull - CRIS The ‘Gay Olympics’?: The Eurovision Song Contest and the politics of LGBT/European belonging Catherine Baker (University of Hull) Accepted for publication in European Journal of International Relations Abstract The politics of gay and transgender visibility and representation at the Eurovision Song Contest, an annual televised popular music festival presented to viewers as a contest between European nations, show that processes of interest to Queer International Relations do not just involve states or even international institutions; national and transnational popular geopolitics over ‘LGBT rights’ and ‘Europeanness’ equally constitute the understandings of ‘the international’ with which Queer IR is concerned. Building on Cynthia Weber’s reading the persona of the 2014 Eurovision winner Conchita Wurst with ‘queer intellectual curiosity’, this paper demonstrates that Eurovision shifted from, in the late 1990s, an emerging site of gay and trans visibility to, by 2008–14, part of a larger discursive circuit taking in international mega-events like the Olympics, international human-rights advocacy, Europe/Russia relations, and the politics of state homophobia and transphobia. Contest organisers thus had to take positions – ranging from detachment to celebration – about ‘LGBT’ politics in host states and the Eurovision region. The construction of spatio-temporal hierarchies around attitudes to LGBT rights, however, revealed exclusions that corroborate other critical arguments on the reconfiguration of national and European identities around ‘LGBT equality’. Introduction The theoretical interventions of Queer International Relations, which recognise how sexualities and gender non-conformity are embedded in international politics, have ‘transformative’ potential for International Relations (Langlois, 2015: 1). -
Contextualizing Immigrant Inter-Wave Dynamics and the Consequences for Migration Processes
NORFACE MIGRATION Discussion Paper No. 2011-24 Contextualizing immigrant inter-wave dynamics and the consequences for migration processes Agnieszka Kubal and Rianne Dekker 2 www.norface-migration.org Abstract What drives international migration? Theories of migration networks, migration culture, migration systems and cumulative causation suggest that once a critical threshold level of migrants have settled, migration tends to stimulate the creation of social and economic structures that make the process of migration self-perpetuating (cf. Massey et al. 1987; de Haas 2010). One important aspect of the theory is that the more migrants from a particular locality settle in one place, their presence, assistance and established structures in the destination country act as incentives for others to follow in their footsteps, which emphasizes the instrumental role of pioneers’ agency in influencing others to follow suit. A historical perspective on the migration from Ukraine to the United Kingdom and the Netherlands challenges this assumption. While substantial numbers of migrants have settled in those destinations, migration, especially in the last 20 years, has not developed into large, self-sustaining migration systems (in comparison to the dynamic migration linkages between Ukraine and Southern European countries such as Portugal, Italy and Greece). Trying to understand why migration has not taken off, we argue that the role of settled pioneer migrants and their community structures in assisting others to follow in their footsteps should not be taken for granted. We argue that the role of pioneers is much more ambiguous and complex, and the relevant question about ‘bridgeheads’ and ‘gatekeepers’ (cf. Böcker 1994) should not be that of ‘either/or’ but ‘how much’, ‘to what extent’ or ‘under what conditions’. -
Annual Report
ANNUAL REPORT on most significant events of 2014 radio year and core trends in streaming broadcast and music industry' development of 2015 Part 1 – RADIO STARS & RADIO HITS ООО “СОВРЕМЕННЫЕ МЕДИА ТЕХНОЛОГИИ”, 127018 РОССИЯ, МОСКВА, СТАРОПЕТРОВСКИЙ ПРОЕЗД, ДОМ 11, КОРП. 1, ОФИС 111, +7 (495) 645 78 55, +44 20 7193 7003, +1 (347) 274 88 41, +49 69 5780 1997, WWW.TOPHIT.RU CONTENTS Introduction.………………….…………………………………………………………………………………………………………………. 2 Radio stars and radio hits…………………………………………………………………………………………………………………. 4 Artists and songs – Top Hit Music Awards 2015 winners…….…………………………………………………….……… 6 Achievements of record labels in 2014…………………………………………………………………………………………….. 7 Top 10 of Companies with biggest number of spins on radio air……………………..……………………………….. 8 Top 10 Companies with biggest number of songs on radio air …………………………………………………………. 9 Top 10 Companies with biggest number of spins per each song………………………………………………………. 10 Top 10 Companies with biggest number of songs on TOP HIT 100 radio chart…………………………………. 11 Top 10 Companies with best song test results …………………………………………………………………………………. 12 Top 100 of most frequently rotated local and foreign songs on Moscow radio air 2014…………………… 13 Top 20 of hot rotation playlists, set music trends on Moscow radio air 2014.…………………………………… 15 2015: Top Hit 3.0 ……………………………………………………………………………………………………………………………… 19 About the author……………………………………………………………………………………………………………………………… 20 1 ООО “СОВРЕМЕННЫЕ МЕДИА ТЕХНОЛОГИИ” 125130 РОССИЯ МОСКВА СТАРОПЕТРОВСКИЙ ПРОЕЗД, 11, КОРП. 1, ОФИС 102 +7 495 645 7855 +44 20 7193 7003 +1 347 274 8841 +49 69 5780 1997 WWW.TOPHIT.RU Introduction Every day hundreds of millions of people listen to radio, driving their cars. Music, news, programs and advertising are delivered in single information flows to listeners. Today the radio air brodcast is gradually replaced by the Internet streaming, and the place of customary radiostations and TV sets is more often taken by desktops, tablet PCs and smartphones with various entertainment apps in them. -
Russia's Influence and Presence in Latvia
DEFENCE, FOREIGN POLICY AND SECURITY RUSSIA‘S INFLUENCE AND PRESENCE IN LATVIA ARTURS BIKOVS - ILVIJA BRUGE - ANDRIS SPRUDS www.europeanreform.org @europeanreform A Brussels-based free market, euro-realist think-tank and publisher, established in 2010 under the patronage of Baroness Thatcher. We have satellite offices in London, Rome and Warsaw. New Direction - The Foundation for European Reform is registered in Belgium as a non-for-profit organisation (ASBL) and is partly funded by the European Parliament. REGISTERED OFFICE: Rue du Trône, 4, 1000 Bruxelles, Belgium. EXECUTIVE DIRECTOR: Naweed Khan. www.europeanreform.org @europeanreform The European Parliament and New Direction assume no responsibility for the opinions expressed in this publication. Sole liability rests with the author. Russia‘s influence and presence in Latvia Arturs Bikovs - Ilvija Bruge - Andris Spruds AUTHORS TABLE OF CONTENTS EDITORIAL 7 INTRODUCTION 9 Arturs Bikovs 1 OVERVIEW OF RUSSIAN-LATVIAN RELATIONS - HISTORICAL BACKGROUND AND LEGACY 10 2 ATTITUDES TO RUSSIA IN LATVIA’S SOCIETY 14 3 RUSSIA’S COMPATRIOT POLICY IN LATVIA - CULTURAL AND RELIGIOUS TIES 17 Ilvija Bruge 4 ECONOMIC RELATIONS - TRAJECTORIES OF TRADE AND INVESTMENT 22 5 RUSSIA’S FACTOR IN POLITICAL AND BUSINESS LINKS 26 CONCLUSIONS 30 ANNEX 1 RUSSIA AS A THREAT TO THE STATES BEING IN THE ZONE OF INFLUENCE 31 Andris Spruds ANNEX 2 POPULATION AND LANGUAGES IN THE LATVIA, INCLUDING RUSSIAN 32 MINORITY AND RUSSIAN LANGUAGE ANNEX 3 PARLIAMENTARY ELECTIONS 34 4 New Direction - The Foundation for European Reform www.europeanreform.org @europeanreform 5 Russia‘s influence and presence in Latvia Arturs Bikovs - Ilvija Bruge - Andris Spruds EDITORIAL its former ‘soviet republics’ and its attempts to undermine European unity through energy interests, political funding, and media (dis)information. -
Moscow by Night: Musical Subcultures, Identity Formation, and Cultural Evolution in Russia, 1977–2008
MOSCOW BY NIGHT: MUSICAL SUBCULTURES, IDENTITY FORMATION, AND CULTURAL EVOLUTION IN RUSSIA, 1977–2008 BY GREGORY R. KVEBERG DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Diane Koenker, Chair Professor Kathryn Oberdeck Professor Craig Koslofsky Professor John McKay Professor Mark Steinberg Abstract This dissertation examines the history of musical subcultures in Moscow from 1977 to 2008. It argues that subcultures were not forces for revolutionary change, or natural loci of opposition to the state. Only during the brief period from 1982 to 1984 did the state actively seek to impose a unitary vision of culture on the Soviet Union. Throughout the rest of these three decades, the state allowed a significant range of subcultural expression. This policy won either loyalty or toleration for Brezhnev’s government from a majority of Muscovite subculturalists. It proved similarly successful when re- introduced by Vladimir Putin. This dissertation asserts that this policy of tolerance allowed official culture and subcultures to evolve together in a dialectical process. This work also charts key trends in the development of subcultural identities in Moscow. Subculturalists responded to shifting political and economic situations. They generally greeted the arrival of the market with ambivalence, as many felt that musical legitimacy required artists to eschew commercial success. Subculturalists eagerly embraced the Internet, and used it to form connections to other groups of subculturalists and to archive collective memories. Contact with the west produced a variety of different responses among subculturalists, and these responses speak to larger divisions within Russian society.