Refining Russia : Advice Literature, Polite Culture, and Gender from Catherine to Yeltsin

Total Page:16

File Type:pdf, Size:1020Kb

Refining Russia : Advice Literature, Polite Culture, and Gender from Catherine to Yeltsin d:/1kelly/pre.3d ± 15/5/1 ± 14:28 ± disk/sh REFINING RUSSIA d:/1kelly/pre.3d ± 15/5/1 ± 14:28 ± disk/sh d:/1kelly/pre.3d ± 15/5/1 ± 14:28 ± disk/sh REFINING RUSSIA Advice Literature, Polite Culture, and Gender from Catherine to Yeltsin CATRIONA KELLY 1 d:/1kelly/pre.3d ± 15/5/1 ± 14:28 ± disk/sh 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogota Buenos Aires Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris SaÄo Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Catriona Kelly 2001 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2001 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available ISBN 0-19-815987-0 13579108642 Typeset in Imprint by Joshua Associates Ltd., Oxford Printed in Great Britain on acid-free paper by Biddles Ltd., Guildford and King's Lynn d:/1kelly/pre.3d ± 15/5/1 ± 14:28 ± disk/sh In Memoriam Alexander Kelly (30 June 1929±23 October 1996) d:/1kelly/pre.3d ± 15/5/1 ± 14:28 ± disk/sh Acknowledgements The composition of acknowledgements is a particularly prickly task for the author of a book about etiquette literature. Fear of failing to express gratitude with sucient fulsomeness vies with a horror of the conventional phrases of thanks set out in manuals of polite behaviour. I should therefore not only reiterate the time-honoured formula about how the faults here are my own, and its virtues due to others, but also emphasize that the sentiments here, whatever their infelicities of expression, at least have the merit of not being copied straight out of an unctuous letter-writing manual, or a collection of kumplimenty meant to be recited on all fours. I began work on this book some time before moving to New College, Oxford, an institution whose motto isÐby a happy coincidenceÐ `Manners Makyth Man'. The fact that I have been able to explore the rami®cations of this insight in Russian culture (and also of the no less important insight that `manners makyth woman') is to a large extent attributable to the excellent conditions for work, congenial atmosphere, and stimulating company that New College oers. Among individuals there, I would particularly like to thank my counterparts in French, German, and Spanish, Ann Jeerson, Karen Leeder, Neil McKinlay, and Wes Williams; and Mark Grith, who loaned me examples of Victorian advice books from his collection. At the University of Oxford in general, I have been helped (as always) by the stas of the Taylorian and Bodleian Libraries, and have had amicable and fruitful exchanges about the book's subject matter with the various members of the Sub-Faculty of Russian and other Slavonic Languages. Undergraduate and graduate students at Oxford have fostered the discussions in the book, directly and indirectly, through lively, curious, and sceptical questions and observations about all manner of subjects. I would also like to thank my former comrades-in-arms at the School of Slavonic and East European Studies, University College London, where I was working when I launched myself on the book, particularly Faith Wigzell, another pioneer in the ®eld of `pulp non-®ction'. Though some Western libraries, for example the Slavonic Library of the University of Helsinki, and the British Library in London, have amassed a number of how-to manuals (sometimes ones that have disappeared from Russian collections), researching this subject would not have been possible without a good deal of time spent in Russia. Here I was dependent not only upon research grants made by New College, but upon the generosity d:/1kelly/pre.3d ± 15/5/1 ± 14:28 ± disk/sh Acknowledgements vii of the British Academy. The award of a Personal Research Grant in 1996, and of places on the Academic Exchange with the Russian Academy of Sciences in 1997 and 1998, was vital to the completion of the book: my thanks go in particular to Jane Lyddon, and to her counterparts at the Russian Academy of Sciences, I. A. Plyusnin in St Petersburg and V. V. Davydov in Moscow. In Russia, those from whose advice and help I bene®ted include the stas of the Russian National Library and Russian State Library, of the Russian State Archive of Literature and Art, and of the Centre for the Preservation of Documents Relating to Youth Organ- izations (the former Komsomol archive). The employees of these institu- tions work in conditions that range from the dicult to the appalling: salaries are paid months in arrears, the fabric of buildings deteriorates almost as one watches, and money for book purchasing and conservation grows ever shorter. Nevertheless, they are places where the old intelligentsia traditions of unstinting hard work and devotion to the life of the mind remains largely intact. I also warmly acknowledge the kindness of many friends and colleagues in Russia, in particular N. A. Azhgikhina, A. D. Baiburin, K. A. Barsht, A. I. Blyumbaum, M. L. Gasparov, A. M. Konechnyi, K. A. Kumpan, N. L. Pushkareva, M. A. Robinson, L. I. Sazonova, and B. A. Uspensky. Occasionally, when they learned that I was working on a topic to do with politeness, Russians who were meeting me for the ®rst time seemed to sense some anxiety that they might be about to become the subjects of my research; I hope that these chance acquaintances will be relieved to learn this is not that sort of book, though I fear it will also disappoint still further those who mistakenly assumed me to be an expert source of advice on the table-settings, gestures, and dress favoured by chic British society. In a broad thematic treatment of this kind, it is as important to grasp what needs to be left out as what should be included. Here, as well as in ®nding new areas to explore, I was especially helped by the incisive comments on early drafts of Stephen Lovell, Robert Service, and above all Steve Smith. Others who have oered invaluable comments on the manuscript in whole or in part include Robin Aizlewood, Simon Dixon, Barbara Engel, Rebecca Friedman, Barbara Heldt, Isabel de Madariaga, Michelle L. Marrese, Wendy Rosslyn, and Gerry Smith. Those who have supplied material, discussed ideas, and oered encourage- ment include (besides those already mentioned), Daniel Beer, Tim Binyon, Philip Bullock, Martin Dewhirst, Sheila Fitzpatrick, Peter France, Katya Golynkina, Malcolm Jones, Andrew Kahn, Lyubov' Kiseleva, Eve Levin, Michelle L. Marrese, Susan Morrissey, Arja Rosenholm, Wendy Rosslyn, and participants at seminars and conferences in various parts of Europe and in America: those at `Gender in Russian History and Culture' at the d:/1kelly/pre.3d ± 15/5/1 ± 14:28 ± disk/sh viii Acknowledgements University of Birmingham, especially Linda Edmondson and Bill Wagner; Carolyn Jursa Ayers and others at the `All by Myself' conference on autobiography at the University of Groningen, Netherlands; Hubertus Jahn and other members of the Lehrstuhl OsteuropaÈische Geschichte at the University of Erlangen; audiences at Bribery and Corruption in Russian Culture, and Reinterpreting Russian History, both held at SSEES, University of London; Christa Binswanger, Gerhard Ritz, Carmen Scheide and other participants at a conference on Gender and Russian Modernism in ZuÈrich; Jostein Bùrtnes, Knut Grimstad, Astrid Brokke, and others at the Gender and Russian Literature Workshop at the University of Tromsù; Anthony Cross, Simon Franklin, Chris Ward, and others in the Depart- ment of Slavonic Languages, University of Cambridge; my fellow- panellists Louise McReynolds and Bob Weinberg and a doughty band of other hurricane-survivors at the AAASS meeting in Boca Raton, Florida; members of the BASEES Russian Revolution Study Group at Durham; Ralph and Oxana Cleminson and the audience of the Russian Circle in Winchester. Thanks also to my editors at Oxford University Press, Sophie Goldsworthy, Matthew Hollis, and Mary Worthington. Nearer home, Ian Thompson has not only made civilized existence possible, but has, as always, contributed far more to my work than I ever will to his researches in the ®eld of neuroscience; the chasing of tail (own), biting of ankles and boxing of ears (mine), and other reprehensible antics of the half-tamed feline who shares our house at least provided distractions when I hit sticky moments at the word processor. Among the rest of my family, I would especially like to mention my father, whose undying enthusiasm for every interesting human activity, from Brahms piano sonatas to scandalous gossip, is, I hope, directly re¯ected here. Though he, alas, will never read it, I dedicate the book to his memory.
Recommended publications
  • Organisational Structure, Programme Production and Audience
    OBSERVATOIRE EUROPÉEN DE L'AUDIOVISUEL EUROPEAN AUDIOVISUAL OBSERVATORY EUROPÄISCHE AUDIOVISUELLE INFORMATIONSSTELLE http://www.obs.coe.int TELEVISION IN THE RUSSIAN FEDERATION: ORGANISATIONAL STRUCTURE, PROGRAMME PRODUCTION AND AUDIENCE March 2006 This report was prepared by Internews Russia for the European Audiovisual Observatory based on sources current as of December 2005. Authors: Anna Kachkaeva Ilya Kiriya Grigory Libergal Edited by Manana Aslamazyan and Gillian McCormack Media Law Consultant: Andrei Richter The analyses expressed in this report are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members and the Council of Europe. CONTENT INTRODUCTION ...........................................................................................................................................6 1. INSTITUTIONAL FRAMEWORK........................................................................................................13 1.1. LEGISLATION ....................................................................................................................................13 1.1.1. Key Media Legislation and Its Problems .......................................................................... 13 1.1.2. Advertising ....................................................................................................................... 22 1.1.3. Copyright and Related Rights .........................................................................................
    [Show full text]
  • Scout and Guide Stamps Club BULLETIN #335
    Scout and Guide Stamps Club BULLETIN Volume 58 No. 3 (Whole No. 335) See article starting on page 13. MAY / JUNE 2014 1 Editorial Sorry this issue is a bit late but I gave Colin Walker extended time as he is finishing his new book on Scouting in the First World War. Since my last Editorial I have completed my last Gang Show - which went very smoothly from my point of view but I’m afraid there were a lot of complaints to the DC about my going and also the prohibiting of over 25's from appearing on stage, which he has also enforced. They are trying to put together a new team so it will be interesting to see how matters progress. I have missed out the humorous postcards from this issue as I have two interesting, but longer articles, to include. I hope that you like them. As I am typing this I have just finished watching the 70th Anniversary of D-Day events on television and the more that I watch the more that I come to admire the bravery of ordinary people - on both sides of the divide. My own father was a gunner on merchant ships during the later stages of the war (having been on a reserved occupation in the Police for the first few years). His vessel was due to be part of the first wave of the invasion and they duly left the UK loaded up with troops early on the morning of 6th June, 1944. However they only got about half way across the English Channel when the boiler on the ship failed and they then had to limp back to Portsmouth for repairs - and in the process no doubt saving a lot of lives.
    [Show full text]
  • Network Map of Knowledge And
    Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W.
    [Show full text]
  • TCB Groove Program
    www.piccolotheatre.com 224-420-2223 T-F 10A-5P 37 PLAYS IN 80-90 MINUTES! APRIL 7- MAY 14! SAVE THE DATE! NOVEMBER 10, 11, & 12 APRIL 21 7:30P APRIL 22 5:00P APRIL 23 2:00P NICHOLS CONCERT HALL BENITO JUAREZ ST. CHRYSOSTOM’S Join us for the powerful polyphony of MUSIC INSTITUTE OF CHICAGO COMMUNITY ACADEMY EPISCOPAL CHURCH G.F. Handel's As pants the hart, 1490 CHICAGO AVE PERFORMING ARTS CENTER 1424 N DEARBORN ST. EVANSTON, IL 60201 1450 W CERMAK RD CHICAGO, IL 60610 Domenico Scarlatti's Stabat mater, TICKETS $10-$40 CHICAGO, IL 60608 TICKETS $10-$40 and J.S. Bach's Singet dem Herrn. FREE ADMISSION Dear friends, Last fall, Third Coast Baroque’s debut series ¡Sarabanda! focused on examining the African and Latin American folk music roots of the sarabande. Today, we will be following the paths of the chaconne, passacaglia and other ostinato rhythms – with origins similar to the sarabande – as they spread across Europe during the 17th century. With this program that we are calling Groove!, we present those intoxicating rhythms in the fashion and flavor of the different countries where they gained popularity. The great European composers wrote masterpieces using the rhythms of these ancient dances to create immortal pieces of art, but their weight and significance is such that we tend to forget where their origins lie. Bach, Couperin, and Purcell – to name only a few – wrote music for highly sophisticated institutions. Still, through these dance rhythms, they were searching for something similar to what the more ancient civilizations had been striving to attain: a connection to the spiritual world.
    [Show full text]
  • In the Lands of the Romanovs: an Annotated Bibliography of First-Hand English-Language Accounts of the Russian Empire
    ANTHONY CROSS In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of The Russian Empire (1613-1917) OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/268 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917) Anthony Cross http://www.openbookpublishers.com © 2014 Anthony Cross The text of this book is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt it and to make commercial use of it providing that attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Cross, Anthony, In the Land of the Romanovs: An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917), Cambridge, UK: Open Book Publishers, 2014. http://dx.doi.org/10.11647/ OBP.0042 Please see the list of illustrations for attribution relating to individual images. Every effort has been made to identify and contact copyright holders and any omissions or errors will be corrected if notification is made to the publisher. As for the rights of the images from Wikimedia Commons, please refer to the Wikimedia website (for each image, the link to the relevant page can be found in the list of illustrations).
    [Show full text]
  • January 21, 1974 Secret Telegram No. 901 - from Moscow to Warsaw
    Digital Archive digitalarchive.wilsoncenter.org International History Declassified January 21, 1974 Secret Telegram No. 901 - From Moscow to Warsaw Citation: “Secret Telegram No. 901 - From Moscow to Warsaw,” January 21, 1974, History and Public Policy Program Digital Archive, Archive of the Ministry of Foreign Affairs, Warsaw (AMSZ), z-Depesze, Moskwa 1974. Obtained and translated for CWIHP by Malgorzata K. Gnoinska. http://digitalarchive.wilsoncenter.org/document/113673 Summary: Nowak reports on how the Chinese are using anti-Soviet propaganda at home and abroad to undermine Soviet influence and encourage possible coups. He notes that this is especially seen in Sino-Japanese relations and recent visits by Japanese politicians to China. Original Language: Polish Contents: English Translation Secret Telegram No. 901 From Moscow to Warsaw, January 21, 1974 Szyszko From Kowalczyk's conversation with the Deputy Director in the Far Eastern Department of Foreign Ministry – Dubrovsky 1. Recently, the Soviets have been increasingly following China's international activities. Its nature is becoming brutally anti-Soviet. [Chinese] are increasingly trying to involve various elements and centers in the capitalist countries, as well as those of the Third World. This is taking place in the U.S., Japan, and the FRG. The Chinese are reactivating the activities of pro-Chinese groupings in the communist and workers' movement (the latest example is the FRG). The main task of these groupings is to currently strengthen socialist elements in these countries and to bring about an internal coup, while at the same time to undermine the position of the Soviet Union and the CPSU. According to Dubrovsy, the Chinese are outright assuring the governments in some of these capitalist countries that these Maoist groupings will be loyal to the authorities and are not directed against them.
    [Show full text]
  • Refractions of Rome in the Russian Political Imagination by Olga Greco
    From Triumphal Gates to Triumphant Rotting: Refractions of Rome in the Russian Political Imagination by Olga Greco A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Comparative Literature) in the University of Michigan 2015 Doctoral Committee: Professor Valerie A. Kivelson, Chair Assistant Professor Paolo Asso Associate Professor Basil J. Dufallo Assistant Professor Benjamin B. Paloff With much gratitude to Valerie Kivelson, for her unflagging support, to Yana, for her coffee and tangerines, and to the Prawns, for keeping me sane. ii TABLE OF CONTENTS Dedication ............................................................................................................................... ii Introduction ............................................................................................................................. 1 Chapter I. Writing Empire: Lomonosov’s Rivalry with Imperial Rome ................................... 31 II. Qualifying Empire: Morals and Ethics of Derzhavin’s Romans ............................... 76 III. Freedom, Tyrannicide, and Roman Heroes in the Works of Pushkin and Ryleev .. 122 IV. Ivan Goncharov’s Oblomov and the Rejection of the Political [Rome] .................. 175 V. Blok, Catiline, and the Decomposition of Empire .................................................. 222 Conclusion ........................................................................................................................... 271 Bibliography .......................................................................................................................
    [Show full text]
  • Invisible Architecture: Ideologies of Space in the Nineteenth-Century City
    Invisible Architecture: Ideologies of Space in the Nineteenth- Century City A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities. 2014 Ben Moore School of Arts, Languages and Cultures 2 Contents Abstract 5 Declaration and Copyright Statement 6 Acknowledgments 7 Note on Abbreviations and Editions 8 Introduction 9 ‘Invisible’ vs ‘Ideology’ 11 The Constellation and the Dialectical Image 17 The Optical Unconscious 21 Architectural Unconscious 24 The City from Above and the City from Below 29 Reading Modernity, Reading Architecture 34 Cities and Texts 36 Chapters 1. Gogol’s Dream-City 41 Unity and Multiplicity 45 Imagination and Dreams 57 Arabesque, Ecstasy, Montage 66 The Overcoat 75 2. The Underground City: Kay, Engels and Gaskell 80 James Kay and Friedrich Engels’s Manchester 84 Cellar-dwelling 93 Mary Barton’s Cellars 100 3. The Unstable City: Dombey and Son 113 The Two Houses of Dombey 117 The Trading House 120 The Domestic House 132 The Railway 141 4. The Uncanny City: Our Mutual Friend 154 3 In Search of a Clue 158 The River and the Gaze 166 Uncanny Houses 171 Hidden Secrets and Hauntings 174 Uncanny Return 180 The Hollow down by the Flare 184 5. Zola’s Transparent City 192 The Spectacle as Relation between Part and Whole 192 Zola and Montage 199 La Curée and Haussmann’s Paris 204 Au Bonheur des Dames and the Commodified World 215 Conclusion: Thoughts on Whiteness 226 The Whiteness of the Whale 227 Two Theories of Whiteness 232 Whiteness in the City I: Concealment and Revelation 234 Whiteness in the City II: Ornament and Fashion 239 Whiteness in the City III: Targeted by Whiteness 244 Carker’s Whiteness 246 Bibliography 249 List of Illustrations 1.
    [Show full text]
  • The Swiss and the Romanovs
    Swiss American Historical Society Review Volume 57 Number 2 Article 3 6-2021 The Swiss and the Romanovs Dwight Page Follow this and additional works at: https://scholarsarchive.byu.edu/sahs_review Part of the European History Commons, and the European Languages and Societies Commons Recommended Citation Page, Dwight (2021) "The Swiss and the Romanovs," Swiss American Historical Society Review: Vol. 57 : No. 2 , Article 3. Available at: https://scholarsarchive.byu.edu/sahs_review/vol57/iss2/3 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Swiss American Historical Society Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Page: The Swiss and the Romanovs The Swiss and the Romanovs by Dwight Page For centuries, the Swiss people and government have sup- ported the cultural, intellectual, and economic objectives of the Rus- sian people and the Russian government. Especially during the Impe- rial Era of Russian history (1682-1917), the assistance provided to the ruling house of Russia by Swiss nationals was indispensable and of vital importance in helping the Russian royal house to achieve its cultural, political, pedagogical, and ecclesiastical goals.1 The Petrine Period (1682-1725) Contacts of some con- sequence between the Swiss and the House of Romanov started as early as the seven- teenth century, when a twenty- year-old Swiss soldier François Lefort came to Moscow in 1675 to serve the Romanov Dynasty, and soon reached a position of prominence. Although Czar 1 The Romanov Dynasty began to rule Russia in 1613 when, shortly after the Time of Troubles, Michael Romanov was accepted as the new Tsar by the boyars in Kostroma, at the Ipatieff Monastery.
    [Show full text]
  • History of Russia to 1855 Monday / Wednesday / Friday 3:30-4:30 Old Main 002 Instructor: Dr
    HIST 294-04 Fall 2015 History of Russia to 1855 Monday / Wednesday / Friday 3:30-4:30 Old Main 002 Instructor: Dr. Julia Fein E-mail: j [email protected] Office: Old Main 300, x6665 Office hours: Open drop-in on Thursdays, 1-3, and by appointment COURSE DESCRIPTION Dear historians, Welcome to the first millennium of Russian history! We have a lively semester in front of us, full of famous, infamous, and utterly unknown people: from Ivan the Terrible, to Catherine the Great, to the serfs of Petrovskoe estate in the 19th century. Most of our readings will be primary documents from medieval, early modern, and 19th-century Russian history, supplemented with scholarly articles and book sections to provoke discussion about the diversity of possible narratives to be told about Russian history—or any history. We will also examine accounts of archaeological digs, historical maps, visual portrayals of Russia’s non-Slavic populations, coins from the 16th and 17th centuries, and lots of painting and music. As you can tell from our Moodle site, we will be encountering a lot of Russian art that was made after the period with which this course concludes. Isn’t this anachronistic? One of our course objectives deals with constructions of Russian history within R ussian history. We will discuss this issue most explicitly when reading Vasily Kliuchevsky on Peter the Great’s early life, and the first 1 HIST 294-04 Fall 2015 part of Nikolai Karamzin’s M emoir , but looking at 19th- and 20th-century artistic portrayals of medieval and early modern Russian history throughout also allows us to conclude the course with the question: why are painters and composers between 1856 and 1917 so intensely interested in particular moments of Russia’s past? What are the meanings of medieval and early modern Russian history to Russians in the 19th and 20th centuries? The second part of this course sequence—Revolutionary Russia and the Soviet Union—picks up this thread in spring semester.
    [Show full text]
  • Studia Politica Nr. 42014
    www.ssoar.info Ghiță Ionescu on the BBC Goșu, Armand Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Goșu, A. (2014). Ghiță Ionescu on the BBC. Studia Politica: Romanian Political Science Review, 14(4), 439-468. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-446573 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de Ghi ță Ionescu on the BBC ARMAND GO ŞU On 9 March 1947, Ghi ță Ionescu landed in London. He had a transit visa to “Belgium-France”, bearing the date 24 February 1947 1. He had obtained the visa at the General Consulate of Great Britain in Istanbul, Galata. The British clerk crossed out with his pen “valid for one day” and wrote “one month”. Ghi ță Ionescu had to hurry. On 22 March 1947, his diplomatic passport was set to expire 2. He had its validity extended by the chargé d'affaires at the Romanian legation in Ankara. He had just been recalled by Alexandru Cretzianu, Romania's Minister Plenipotentiary in Turkey. Shortly after, a new ambassador to Ankara was appointed, convenient to the Petru Groza government, which was dominated by communists. Most likely, his chances of carrying on as economic adviser at the Romanian legation in Turkey's capital, and therefore of having his passport renewed, were rather slim, and the political events in Bucharest did not inspire optimism, since Ghi ță Ionescu made meticulous preparations to head over the the West.
    [Show full text]
  • Russian Women Poets of the Mid-Nineteenth Century H Diana Greene
    Reinventing Romantic Poetry Studies of the Harriman Institute Reinventing Romantic Poetry Russian Women Poets of the Mid-Nineteenth Century h Diana Greene The University of Wisconsin Press The University of Wisconsin Press 1930 Monroe Street Madison, Wisconsin 53711 www.wisc.edu/wisconsinpress/ 3 Henrietta Street London WC2E 8LU, England Copyright © 2004 The Board of Regents of the University of Wisconsin System All rights reserved 54321 Printed in the United States of America Library of Congress Cataloging-in-Publication Data Greene, Diana. Reinventing romantic poetry : Russian women poets of the mid-nineteenth century / Greene, Diana. p. cm.—(Studies of the Harriman Institute) Includes bibliographical references and index. ISBN 0-299-19104-4 (alk. paper) 1. Russian poetry—19th century—History and criticism. 2. Romanticism—Russia. 3. Russian poetry—Women authors—History and criticism. 4.Women and litera- ture—Russia—History—19th century. 5. Rostopchina, Evdokiia, 1812–1858—Criti- cism and interpretation. 6.Krestovskii, V., 1824–1889—Criticism and interpretation. 7.Pavlova, Karolina, 1807–1893—Criticism and interpretation. I. Title: Russian women poets of the mid-nineteenth century. II. Title. III. Series. PG3051. G74 2003 891.71′309145′082—dc21 2003006491 For Milly Contents Acknowledgments ix Introduction 3 1. Social Conditions 21 2. Literary Conventions 38 3. Gender and Genre 57 4. Evdokiia Rostopchina 88 5. Nadezhda Khvoshchinskaia 112 6. Karolina Pavlova 137 7. In Conclusion: Noncanonical Men Poets 167 Appendix 177 Notes 219 Bibliography 281 Index 297 vii Acknowledgments This book could not have been written without the generous help of many people, groups, and institutions. I am delighted to have this op- portunity to thank them.
    [Show full text]