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IIJ and the NHK Symphony Orchestra to Stream Hi-Res Audio Performances
For Immediate Release IIJ and the NHK Symphony Orchestra to Stream Hi-Res Audio Performances --This technological partnership is the first hi-res streaming of NHKSO concerts, confirming the feasibility of regular streaming services-- TOKYO—April 28, 2017—Internet Initiative Japan Inc. (IIJ, NASDAQ: IIJI, TSE1: 3774), one of Japan's leading Internet access and comprehensive network solutions providers, and the NHK Symphony Orchestra, Tokyo, (NHKSO) today announced that they are making hi-res recordings of the public performances of “The Meidensha 120th Anniversary | NHKSO Afternoon Classic Series” that are being held in April, May, and June 2017. They will then make these recordings available for on-demand streaming starting on May 19, 2017. This is the first time that performances of the NHKSO—a prominent orchestra in Japan—will be streamed in hi-res audio. IIJ will record three matinee performances at the Muza Kawasaki Symphony Hall in hi-res audio, using DSD 5.6 MHz (*1) and PCM 96 kHz / 24 bit (*2) formats. These recordings will be available for free and on demand as programs on IIJ's hi-res streaming service, PrimeSeat (*3). At the same time, IIJ will stream on-demand videos of the concerts for multiple devices, including PCs and smartphones. High-resolution audio formats—including the popular DSD and PCM systems—faithfully reproduce analog sound without compression, allowing listeners to enjoy the immersive, high-quality acoustic experience of a concert hall right in their homes. After evaluating this project's technological partnership for hi-res audio streaming, IIJ and the NHKSO will consider expanding the number of concerts they stream, to deliver even more NHKSO performances in high-quality audio to customers living room. -
886448056478.Pdf
1 Modest Mussorgsky (1839-1881) Pictures at an Exhibition [34:10] K The Marketplace of Limoges (The Big News) [1:30] Tondichtung für großes Orchester (frei nach Friedrich Nietzsche) Limoges. Le Marché (La Grande Nouvelle) Tableaux d’une exposition Allegretto vivo, sempre scherzando Orchestrated by Maurice Ravel (1875-1937) L Catacombae, sepulchrum Romanum [2:16] A Promenade [1:37] Largo Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto M Cum mortuis in lingua mortua [1:57] B Gnomus [2:47] Andante non troppo, con lamento Vivo N The Hut on Chicken’s Legs (Baba-Yaga) [3:24] C Promenade [0:56] La Cabane sur des pattes de poule (Baba-Yaga) Moderato comodo e con delicatezza Allegro con brio, feroce – Andante mosso – Allegro molto D Il vecchio castello [4:42] O The Great Gate of Kiev [5:40] Andante Le Grande Porte de Kiev E Promenade [0:31] Allegro alla breve. Maestoso. Con grandezza Moderato non tanto, pesamente P F Tuileries Gardens (Children Quarrelling at Play) [1:03] Khovanstchina: Entr’acte to Act IV, Scene 2 Tuileries (Disspute d’enfants aprèes jeux) “Prince Galitzin’s Journey into Exile” [4:41] Allegretto non troppo, capriccioso Orchestrated by Nikolai Rimsky-Korsakov (1844-1908) G Bydlo [3:14] Q Sempre moderato, pesande St. John’s Night on the Bare Mountain (A Night at Bare Mountain, Original version) [12:57] H Promenade [0:42] Tranquillo Total Playing Time [52:05] I Ballet of Chicks in Their Shells [1:14] Ballet des poussins dans leurs coques Scherzino. Vivo leggiero J Samuel Goldenberg and Schmuyle [2:31] Andante 2 NHK Symphony Orchestra, Tokyo Recorded: September 14 & 15, 2016, Suntory Hall, Tokyo (Live Recording at The Subscription Concerts No. -
Martinu° Classics Cello Concertos Cello Concertino
martinu° Classics cello concertos cello concertino raphael wallfisch cello czech philharmonic orchestra jirˇí beˇlohlávek CHAN 10547 X Bohuslav Martinů in Paris, 1925 Bohuslav Martinů (1890 – 1959) Concerto No. 1, H 196 (1930; revised 1939 and 1955)* 26:08 for Cello and Orchestra 1 I Allegro moderato 8:46 2 II Andante moderato 10:20 3 III Allegro – Andantino – Tempo I 7:00 Concerto No. 2, H 304 (1944 – 45)† 36:07 © P.B. Martinů/Lebrecht© P.B. Music & Arts Photo Library for Cello and Orchestra 4 I Moderato 13:05 5 II Andante poco moderato 14:10 6 III Allegro 8:44 7 Concertino, H 143 (1924)† 13:54 in C minor • in c-Moll • en ut mineur for Cello, Wind Instruments, Piano and Percussion Allegro TT 76:27 Raphael Wallfisch cello Czech Philharmonic Orchestra Bohumil Kotmel* • Josef Kroft† leaders Jiří Bělohlávek 3 Miloš Šafránek, in a letter that year: ‘My of great beauty and sense of peace. Either Martinů: head wasn’t in order when I re-scored it side lies a boldly angular opening movement, Cello Concertos/Concertino (originally) under too trying circumstances’ and a frenetically energetic finale with a (war clouds were gathering over Europe). He contrasting lyrical central Andantino. Concerto No. 1 for Cello and Orchestra had become reasonably well established in set about producing a third version of his Bohuslav Martinů was a prolific writer of Paris and grown far more confident about his Cello Concerto No. 1, removing both tuba and Concerto No. 2 for Cello and Orchestra concertos and concertante works. Among own creative abilities; he was also receiving piano from the orchestra but still keeping its In 1941 Martinů left Paris for New York, just these are four for solo cello, and four in which much moral support from many French otherwise larger format: ahead of the Nazi occupation. -
Alexej Gerassimez, Percussionist & Composer
Alexej Gerassimez, Percussionist & Composer Percussionist Alexej Gerassimez, born 1987 in Essen, Germany, is as multi-faceted as the instruments he works with. His repertoire ranges from classical to contemporary and jazz to minimal music whilst also performing his own works. Alexej Gerassimez performs as a guest soloist with internationally renowned orchestras including those of the Munich Philharmonic Orchestra, the Konzerthausorchester Berlin, the SWR Radio Symphony Orchestra Stuttgart and the Radio Symphony Orchestra Berlin under the direction of conductors such as Gerd Albrecht, Tan Dun, Kristjan Järvi, Eivind Gullberg Jensen and Michel Tabachnik. In addition, Alexej Gerassimez creates solo programmes and participates as an enthusiastic chamber musician in a vast variety of ensembles. His partners include the pianists Arthur and Lucas Jussen, the jazz pianist Omer Klein and the SIGNUM saxophone quartet. In the new concept program “Genesis of Percussion” Alexej Gerassimez and his percussion group take the audience on a discovery voyage through a wide variety of rhythmic and stylistic cultures, making the origin of sounds and rhythms within our everyday environment visible. Concerts in 2019 lead the ensemble to the Prinzregententheater Munich, the Konzerthaus Dortmund, the Tonhalle Düsseldorf and the Heidelberger Frühling. Other highlights of the 2018-2019 season include his Japan debut, the beginning of a three-year residency at the Konzerthaus Dortmund as “Junger Wilder” and the beginning as a stART artist of Bayer Kultur in Leverkusen. His own compositions are characterized by the exploration of rhythmic and acoustic possibilities as well as by the creation of individual sounds and the joy of crossing borders. Accordingly, Alexej Gerassimez integrates not only the usual percussion and melody instruments but also objects from different contexts such as bottles, brake discs, barrels or ship propellers. -
Leseprobe © Verlag Ludwig, Kiel
Leseprobe © Verlag Ludwig, Kiel Vom Pommerschen Krummstiel nach Sanssouci Leseprobe © Verlag Ludwig, Kiel Die Schirmherrschaft zur Jühlke-Ehrung der Stadt Barth und zum Ausstellungsprojekt Vom Pommerschen Krummstiel bis Sanssouci Ferdinand Jühlke (1815–1893) – ein Leben für den Garten(bau) – in den Jahren 2015–2016 hat der Minister für Wirtschaft, Bau und Tourismus des Landes Mecklenburg-Vorpommern, Herr Harry Glawe, übernommen. Die Ausstellungen und die Begleitpublikation werden unterstützt durch den Landkreis Vorpommern-Rügen und Landrat Herrn Ralf Drescher. Die Ausstellung wird organisiert und getragen von der Stadt Barth und Bürgermeister Dr. Stefan Kerth. Leseprobe © Verlag Ludwig, Kiel Gerd-Helge Vogel VOM POMMERSCHEN KRUMMSTIEL NACH SANSSOUCI Ferdinand Jühlke (1815-1893) Ein Leben für den Garten(bau) Leseprobe © Verlag Ludwig, Kiel Begleitbuch zur Sonderausstellung Vom Pommerschen Krummstiel bis Sanssouci Ferdinand Jühlke (1815–1893) – ein Leben für den Garten(bau) – zum 200. Geburtstag des königlich preußischen Hofgartendirektors Ausstellung in zwei Teilen: Ausstellung Teil I: Pommerscher Krummstiel Ferdinand Jühlke als Gartenbauer an der Königlichen Landwirtschaftlichen Akademie Greifswald-Eldena und als Chronist des Gartenbaus in Neuvorpommern und Rügen 1. September 2015 – 2. November 2015 Ausstellung Teil II: Sanssouci Ferdinand Jühlke als visionärer Gartenbaulehrer und traditioneller Gartengestalter in Preußen und Europa: »Utile dulci – Nützlich und schön.« Juni 2016 – November 2016 im Vineta-Museum der Stadt Barth, Lange Straße 16, 18356 Barth, T 038231 81771, [email protected] Herausgeber: Dr. Gerd Albrecht Vineta-Museum, Barth im Auftrag der Stadt Barth Konzeption und Gesamtleitung der Ausstellung: Dr. Gerd Albrecht in Zusammenarbeit mit PD Dr. Gerd-Helge Vogel Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar. -
Kalendár Výročí
Č KALENDÁR VÝROČÍ 2010 H U D B A Zostavila Mgr. Dana Drličková Bratislava 2009 Pouţité skratky: n. = narodil sa u. = umrel výr.n. = výročie narodenia výr.ú. = výročie úmrtia 3 Ú v o d 6.9.2007 oznámili svetové agentúry, ţe zomrel Luciano Pavarotti. A hudobný svet stŕpol… Muţ, ktorý sa narodil ako syn pekára a zomrel ako hudobná superstar. Muţ, ktorého svetová popularita nepramenila len z jeho výnimočného tenoru, za ktorý si vyslúţil označenie „kráľ vysokého cé“. Jeho zásluhou sa opera ako okrajový ţáner predrala do povedomia miliónov poslucháčov. Exkluzívny svet klasickej hudby priblíţil širokému publiku vystúpeniami v športových halách, účinkovaním s osobnosťami popmusik, či rocku a charitatívnymi koncertami. Spieval takmer výhradne taliansky repertoár, debutoval roku 1961 v úlohe Rudolfa v Pucciniho Bohéme na scéne Teatro Municipal v Reggio Emilia. Jeho ľudská tvár otvárala srdcia poslucháčov: bol milovníkom dobrého jedla, futbalu, koní, pekného oblečenia a tieţ obstojný maliar. Bol poverčivý – musel mať na vystú- peniach vţdy bielu vreckovku v ruke a zahnutý klinec vo vrecku. V nastupujúcom roku by sa bol doţil 75. narodenín. Luciano Pavarotti patrí medzi najväčších tenoristov všetkých čias a je jednou z mnohých osobností, ktorých výročia si budeme v roku 2010 pripomínať. Nedá sa v úvode venovať detailnejšie ţiadnemu z nich, to ani nie je cieľom tejto publikácie. Ţivoty mnohých pripomínajú román, ľudské vlastnosti snúbiace sa s géniom talentu, nie vţdy v ideálnom pomere. Ale to je uţ úlohou muzikológov, či licenciou spisovateľov, spracovať osudy osobností hudby aj z tých, zdanlivo odvrátených stránok pohľadu ... V predkladanom Kalendári výročí uţ tradične upozorňujeme na výročia narodenia či úmrtia hudobných osobností : hudobných skladateľov, dirigentov, interprétov, teoretikov, pedagógov, muzikológov, nástrojárov, folkloristov a ďalších. -
Nn Arbor 'Ummer >Oc
nn Arbor 'ummer >oc THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN presents Junge Deutsche Philharmonic GERD ALBRECHT Conductor GIDON KREMER, Violinist Monday Evening, July 22, 1985, at 8:00 Power Center for the Performing Arts, Ann Arbor, Michigan Offertorium, Concerto for Violin and Orchestra ................ Sofia Gubaidulina In three parts, played without pause Gidon Kremer, Violinist I N.T E R M I S S I O N Symphony No. 3 in D minor ................................. Anton Bruckner Massig bewegt Adagio quasi andante Scherzo Finale: allegro Sofia Gubaidulina was born in 1931 in Christopol, a small town not far from the Ural Moun tains in the Tatar Autonomous Soviet Republic. She studied piano as a child and "immediately understood that music was to be my profession." After moving to Kazan for several years of study at the Kazan Conservatory, she transferred to the Moscow Conservatory for eight years of undergraduate and graduate study in composition. Her compositions include chamber music for a wide variety of instruments, orchestral works, concerti, and several works for voice and orchestra. Offertorium was completed in 1980, written for, and dedicated to, Gidon Kremer. Kremer introduced the score to the West in Vienna and later presented it in Berlin. On January 3, 1985, Kremer and the New York Philharmonic, under Zubin Mehta, gave the piece its United States premiere in New York's Avery Fisher Hall. Of Offertorium, Harlow Robinson wrote in Musical America: "Although in three parts, the work does not conform to the conventions of the classical-romantic concerto, and Gubaidulina prefers to think of it as a Marge symphonic piece with the violin simply the leading character.' It makes great demands on the soloist, who must produce a sound by turns dry and expansive. -
Bernd Franke Bernd Franke
© Bernd Franke Bernd Franke Contemporary BIOGRAPHY Bernd Franke Bernd Franke was born in 1959 in Weissenfels/Saale and grew up in an open, tolerant, and, with regard to music, an undogmatic family home. There, as a child, he came into contact with classical music, jazz and pop music, which were regarded as completely equal. Such a musical understanding still characterizes him to this day, which explains his passion for improvisation. Characteristic of his œuvre since the 1980s is the crossing of borders, both musically and by incorporating socially relevant themes. Between 1975 and 1981 he studied composition with Siegfried Thiele and conducting with Wolf-Dieter Hauschild at the Felix Mendelssohn Bartholdy Musikhochschule Leipzig. In 1980 he founded the ensemble ‘Junge Musik’ Leipzig and continued to lead the group until 1983. Since 1981 he has taught at the Institute of Musicology at Leipzig University and the Felix Mendelssohn Bartholdy Musikhochschule Leipzig. Since 2003 he has been Professor for composition, music of the 20th and 21st century, music theory and analysis at the University of Leipzig. He was also the recipient of the Hanns Eisler Prize and Mendelssohn Scholarship in 1981. From 1981 to 1985 he was Meisterschüler at the Academy of Arts in East Berlin. He began regular correspondence with Stockhausen, Nono, Ligeti and Henze in the mid-80s, visiting Lutosławski in Warsaw too. In 1987 he was awarded the Composition prize at the 9th Boswil International Composition Seminar (Künstlerhaus Boswil Foundation, Switzerland) and the Kucyna International Composition Prize, Boston (USA). His association with the Künstlerhaus Boswil Foundation continued in the form of a number of long-term work residencies. -
Journal of the Conductors Guild
Journal of the Conductors Guild Volume 32 2015-2016 19350 Magnolia Grove Square, #301 Leesburg, VA 20176 Phone: (646) 335-2032 E-mail: [email protected] Website: www.conductorsguild.org Jan Wilson, Executive Director Officers John Farrer, President John Gordon Ross, Treasurer Erin Freeman, Vice-President David Leibowitz, Secretary Christopher Blair, President-Elect Gordon Johnson, Past President Board of Directors Ira Abrams Brian Dowdy Jon C. Mitchell Marc-André Bougie Thomas Gamboa Philip Morehead Wesley J. Broadnax Silas Nathaniel Huff Kevin Purcell Jonathan Caldwell David Itkin Dominique Royem Rubén Capriles John Koshak Markand Thakar Mark Crim Paul Manz Emily Threinen John Devlin Jeffery Meyer Julius Williams Advisory Council James Allen Anderson Adrian Gnam Larry Newland Pierre Boulez (in memoriam) Michael Griffith Harlan D. Parker Emily Freeman Brown Samuel Jones Donald Portnoy Michael Charry Tonu Kalam Barbara Schubert Sandra Dackow Wes Kenney Gunther Schuller (in memoriam) Harold Farberman Daniel Lewis Leonard Slatkin Max Rudolf Award Winners Herbert Blomstedt Gustav Meier Jonathan Sternberg David M. Epstein Otto-Werner Mueller Paul Vermel Donald Hunsberger Helmuth Rilling Daniel Lewis Gunther Schuller Thelma A. Robinson Award Winners Beatrice Jona Affron Carolyn Kuan Jamie Reeves Eric Bell Katherine Kilburn Laura Rexroth Miriam Burns Matilda Hofman Annunziata Tomaro Kevin Geraldi Octavio Más-Arocas Steven Martyn Zike Theodore Thomas Award Winners Claudio Abbado Frederick Fennell Robert Shaw Maurice Abravanel Bernard Haitink Leonard Slatkin Marin Alsop Margaret Hillis Esa-Pekka Salonen Leon Barzin James Levine Sir Georg Solti Leonard Bernstein Kurt Masur Michael Tilson Thomas Pierre Boulez Sir Simon Rattle David Zinman Sir Colin Davis Max Rudolf Journal of the Conductors Guild Volume 32 (2015-2016) Nathaniel F. -
Boston Symphony Orchestra Concert Programs, Summer, 2005
anglewood - ORIGINS GAU€RV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 i^^H^H^H^m Wfi? Burning Tree Estates! " ^fWf —-r- m& II •HI I^Sror HI! an inviting opportunity in the Berkshires: our exclusive community of fifteen [ Comforts of Home ] tastefully unique homes. Classic New duality of Life ] England designs, abundant with luxury [ 5rai"<? of Community ] amenities, are built with the discerning homeowner in mind. Each is majestically sited on private wooded acres along tranquil streets. Please schedule an appointment to explore our distinctive designs and the remaining lots available at Burning Tree Estates. For more information please call lli|-{Si4~3 or visit Burning Tree Road BOSTON SYMPHONY ORCHESTRA One Hundred and Twenty- Fourth Season, 2004-05 TANGLEWOOD 2005 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John F. Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Roger T. Servison, Vice-Chairman Edward Linde, Vice-Chairman Vincent M. O'Reilly, Treasurer Harlan E. Anderson Eric D. Collins Edmund Kelly Edward I. Rudman George D. Behrakis Diddy Cullinane, George Krupp Hannah H. Schneider Gabriella Beranek ex-officio R. Willis Leith, Jr. Thomas G. Sternberg Mark G. Borden William R. Elfers Nathan R. Miller Stephen R. Weber Jan Brett Nancy J. Fitzpatrick Richard P. Morse Stephen R. Weiner Samuel B. Bruskin Charles K. Gifford Ann M. Philbin, Robert C. Winters Paul Buttenwieser Thelma E. Goldbere James F. Cleary Life Trustees Vernon R. -
Bruckner Symphony Cycles (Not Commercially Available As Recordings) Compiled by John F
Bruckner Symphony Cycles (not commercially available as recordings) Compiled by John F. Berky – June 3, 2020 (Updated May 20, 2021) 1910 /11 – Ferdinand Löwe – Wiener Konzertverein Orchester 1] 25.10.10 - Ferdinand Loewe 1] 24.01.11 - Ferdinand Loewe (Graz) 2] 02.11.10 - Martin Spoerr 2] 20.11.10 - Martin Spoerr 2] 29.04.11 - Martin Spoerr (Bamberg) 3] 25.11.10 - Ferdinand Loewe 3] 26.11.10 - Ferdinand Loewe 3] 08.01.11 - Gustav Gutheil 3] 26.01.11- Ferdinand Loewe (Zagreb) 3] 17.04.11 - Ferdinand Loewe (Budapest) 4] 07.01.11 - Hans Maria Wallner 4] 12.02.11 - Martin Spoerr 4] 18.02.11 - Hans Maria Wellner 4] 26.02.11 - Hans Maria Wallner 4] 02.03.11 - Hans Maria Wallner 4] 23.04.11 - Franz Schalk 5] 05.02.11 - Ferdinand Loewe 6] 21.02.11 - Ferdinand Loewe 7] 03.03.11 - Ferdinand Loewe 7] 17.03.11 - Ferdinand Loewe 7] 02.04.11 - Ferdinand Loewe 8] 23.02.11 - Oskar Nedbal 8] 12.03.11 - Ferdinand Loewe 9] 24.03.11 - Ferdinand Loewe 1910/11 – Ferdinand Löwe – Munich Philharmonic 1] 17.10.10 - Ferdinand Loewe 2] 14.11.10 - Ferdinand Loewe 3] 21.11.10 - Ferdinand Loewe (Fassung 1890) 4] 09.01.11 - Ferdinand Loewe (Fassung 1889) 5] 30.01.11 - Ferdinand Loewe 6] 13.02.11 - Ferdinand Loewe 7] 27.02.11 - Ferdinand Loewe 8] 06.03.11 - Ferdinand Loewe (with Psalm 150 -Charles Cahier) 9] 10.04.11 - Ferdinand Loewe (with Te Deum) 1919/20 – Arthur Nikisch – Leipzig Gewandhaus Orchestra 1] 09.10.19 - Artur Nikisch (1. -
D'indysymphonie Sur Un Chant Montagnard Français Saint
MARTIN HELMCHEN – PIANO ORCHESTRE DE LA SUISSE ROMANDE MAREK JANOWSKI D’INDY SYMPHONIE SUR UN CHANT MONTAGNARD FRANÇAIS SAINT-SAËNS SYMPHONIE NO.2 CHAUSSON SOIR DE FÊTE VINCENT D’INDY (1851-1931) Symphonie sur un chant montagnard français Not a single millionaire among the many in Paris is even thinking about learned from Franck – bases all the movements of a composition on the “Symphonie cévenole” Op. 25 (1886) doing something for classical music. No, any composer outside of theatri- same thematic material. Of course, Franck did not invent this technology: (Symphony on a French Mountain Air) cal scene attempting to write a substantial work in Paris is left completely rather, he distilled it from compositions written by Beethoven, among 1 Assez lent – Modérément animé 10. 46 to his own resources.” others. Perhaps this explains why d’Indy began his Symphonie sur un 2 Assez modéré, mais sans lenteur 6. 33 3 Animé 7. 32 chant Montagnard français with a quote from the first bar of Beethoven’s Martin Helmchen, piano hus wrote a bitter Hector Berlioz in 1854. About 30 years later, the Hammerklavier Sonata, transposed into major. Tmusic world in France had a completely different appearance. The The name Camille Saint-Saëns has already been mentioned. How CAMILLE SAINT-SAËNS (1835-1921) defeat suffered in the French-Prussian war in 1870 had resulted in an could it not be? Saint-Saëns was undoubtedly one of the most influential Symphony No. 2 in A minor Op. 55 (1859) 4 Allegro marcato – upsurge of nationalism, of which music had reaped the benefits.