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573824 Itunes Lortzing
LORTZING Opera Overtures Der Waffenschmied Undine Der Wildschütz Hans Sachs Malmö Opera Orchestra Jun Märkl Albert Lortzing (1801–1851) though, sketched out a plan for an opera on the subject as wrong Peter. Ivanov hands it to the Tsar, thereby obtaining early as 1845, and he was certainly aware of Lortzing’s the latter’s blessing for his union with Marie. Van Bett was Opera Overtures work. Set in 1517, when Sachs would have been 23 and a yet another of Lortzing’s richly comic bass creations, and Gustav Albert Lortzing was a multifaceted man of the staged work, first produced the evening before his death. young cobbler, Lortzing’s opera centres on Sachs’s Lortzing himself created the tenor role of Peter Ivanov. theatre – actor, singer, librettist, composer and conductor. The relatively brief and sprightly overture sets the scene courtship of his first wife, Kunigunde, daughter of goldsmith Andreas Hofer is, like Der Weihnachtsabend , a one-act Though international currency of his operas has been for a behind-the-scenes one-act piece in the tradition of Steffen (the counterpart of Wagner’s Pogner). Steffen has piece composed in 1832. It features real and imaginary limited, on German stages he was for some 150 years the Cimarosa’s Il maestro di capella , Mozart’s Der offered Kunigunde’s hand as the prize in a singing contest, episodes of the life of the innkeeper and drover who in 1809 most performed composer after Mozart and Verdi. While Schauspieldirektor and similar works. In the castle of a but has arranged that the winner should be Eoban Hesse, led the Tyrolean rebellion against occupation by Bavarian the pace of productions there has slackened over the past Count (another of those comic bass roles), the household an alderman from Augsburg. -
Martinu° Classics Cello Concertos Cello Concertino
martinu° Classics cello concertos cello concertino raphael wallfisch cello czech philharmonic orchestra jirˇí beˇlohlávek CHAN 10547 X Bohuslav Martinů in Paris, 1925 Bohuslav Martinů (1890 – 1959) Concerto No. 1, H 196 (1930; revised 1939 and 1955)* 26:08 for Cello and Orchestra 1 I Allegro moderato 8:46 2 II Andante moderato 10:20 3 III Allegro – Andantino – Tempo I 7:00 Concerto No. 2, H 304 (1944 – 45)† 36:07 © P.B. Martinů/Lebrecht© P.B. Music & Arts Photo Library for Cello and Orchestra 4 I Moderato 13:05 5 II Andante poco moderato 14:10 6 III Allegro 8:44 7 Concertino, H 143 (1924)† 13:54 in C minor • in c-Moll • en ut mineur for Cello, Wind Instruments, Piano and Percussion Allegro TT 76:27 Raphael Wallfisch cello Czech Philharmonic Orchestra Bohumil Kotmel* • Josef Kroft† leaders Jiří Bělohlávek 3 Miloš Šafránek, in a letter that year: ‘My of great beauty and sense of peace. Either Martinů: head wasn’t in order when I re-scored it side lies a boldly angular opening movement, Cello Concertos/Concertino (originally) under too trying circumstances’ and a frenetically energetic finale with a (war clouds were gathering over Europe). He contrasting lyrical central Andantino. Concerto No. 1 for Cello and Orchestra had become reasonably well established in set about producing a third version of his Bohuslav Martinů was a prolific writer of Paris and grown far more confident about his Cello Concerto No. 1, removing both tuba and Concerto No. 2 for Cello and Orchestra concertos and concertante works. Among own creative abilities; he was also receiving piano from the orchestra but still keeping its In 1941 Martinů left Paris for New York, just these are four for solo cello, and four in which much moral support from many French otherwise larger format: ahead of the Nazi occupation. -
Alexej Gerassimez, Percussionist & Composer
Alexej Gerassimez, Percussionist & Composer Percussionist Alexej Gerassimez, born 1987 in Essen, Germany, is as multi-faceted as the instruments he works with. His repertoire ranges from classical to contemporary and jazz to minimal music whilst also performing his own works. Alexej Gerassimez performs as a guest soloist with internationally renowned orchestras including those of the Munich Philharmonic Orchestra, the Konzerthausorchester Berlin, the SWR Radio Symphony Orchestra Stuttgart and the Radio Symphony Orchestra Berlin under the direction of conductors such as Gerd Albrecht, Tan Dun, Kristjan Järvi, Eivind Gullberg Jensen and Michel Tabachnik. In addition, Alexej Gerassimez creates solo programmes and participates as an enthusiastic chamber musician in a vast variety of ensembles. His partners include the pianists Arthur and Lucas Jussen, the jazz pianist Omer Klein and the SIGNUM saxophone quartet. In the new concept program “Genesis of Percussion” Alexej Gerassimez and his percussion group take the audience on a discovery voyage through a wide variety of rhythmic and stylistic cultures, making the origin of sounds and rhythms within our everyday environment visible. Concerts in 2019 lead the ensemble to the Prinzregententheater Munich, the Konzerthaus Dortmund, the Tonhalle Düsseldorf and the Heidelberger Frühling. Other highlights of the 2018-2019 season include his Japan debut, the beginning of a three-year residency at the Konzerthaus Dortmund as “Junger Wilder” and the beginning as a stART artist of Bayer Kultur in Leverkusen. His own compositions are characterized by the exploration of rhythmic and acoustic possibilities as well as by the creation of individual sounds and the joy of crossing borders. Accordingly, Alexej Gerassimez integrates not only the usual percussion and melody instruments but also objects from different contexts such as bottles, brake discs, barrels or ship propellers. -
A Winter Concert Celebrating Female Composers Featuring
The Hartford High School Performing Arts Department proudly presents A Winter Concert Celebrating Female Composers featuring Concert Band Concert Choir World Drumming Chamber Choir Jazz Band Tuesday, December 10, 2019 7:00pm Hartford High School Auditorium Danielle Conerty, Instrumental Director Andrea Nardone, Choral Director Concert Band Rhythm Stand……………………………………………..…Jennifer Higdon The Haunted Carousel……………………..………………..Erika Svanoe Theremin Soloist- Lex Johnson Chasing Sunlight…………………………………….……….Cait Nishimura Soloist: Noah Lerner Winter Milky Way……………………………………Yukiko Nishimura Concert Choir Winter Ride……….……………….……….…….….Mari Esabel Valverde Search Mvt 1: Curiosity (Why Are?) & Mvt 3: Contemplation (I Wonder Why?)………………..………………….…Caroline Mallonée Tell ‘Em I’m Gone………….…………………….………arr. Alice Parker Featuring: Samantha Gibbs Daniel, Daniel, Servant of the Lord………….arr. Undine S. Moore Soloists: Zachary Carter & A.J. DeFelice World Drumming Desert Fire, On the Mountain, & Rock It!.................Will Schmid Chamber Choir Perhaps…………………………………………………………Dale Trumbore I Got A Key…………………………………….……….…….arr. Joni Jensen Jazz Band Tenor Madness……………………………………………….Sonny Rollins Soloists: Camden Luca, Parrish Gelhar-Pacht, Noah Lerner, Katya Mueller, Bea Wendling, David Rule, & Shawn Adams Hot Chocolate ……………………………….…………….…arr. John Berry I Want You Back……………………………..………….arr. John Wasson Concert Band Flute Alto Saxophone Trumpet Sofia Asis Josh Asis Megan Duranceau Ceaira Bellavance* Olivia Chase Jacob Helms Madi D’Amico* Arianna Heijn Eddie -
Leseprobe © Verlag Ludwig, Kiel
Leseprobe © Verlag Ludwig, Kiel Vom Pommerschen Krummstiel nach Sanssouci Leseprobe © Verlag Ludwig, Kiel Die Schirmherrschaft zur Jühlke-Ehrung der Stadt Barth und zum Ausstellungsprojekt Vom Pommerschen Krummstiel bis Sanssouci Ferdinand Jühlke (1815–1893) – ein Leben für den Garten(bau) – in den Jahren 2015–2016 hat der Minister für Wirtschaft, Bau und Tourismus des Landes Mecklenburg-Vorpommern, Herr Harry Glawe, übernommen. Die Ausstellungen und die Begleitpublikation werden unterstützt durch den Landkreis Vorpommern-Rügen und Landrat Herrn Ralf Drescher. Die Ausstellung wird organisiert und getragen von der Stadt Barth und Bürgermeister Dr. Stefan Kerth. Leseprobe © Verlag Ludwig, Kiel Gerd-Helge Vogel VOM POMMERSCHEN KRUMMSTIEL NACH SANSSOUCI Ferdinand Jühlke (1815-1893) Ein Leben für den Garten(bau) Leseprobe © Verlag Ludwig, Kiel Begleitbuch zur Sonderausstellung Vom Pommerschen Krummstiel bis Sanssouci Ferdinand Jühlke (1815–1893) – ein Leben für den Garten(bau) – zum 200. Geburtstag des königlich preußischen Hofgartendirektors Ausstellung in zwei Teilen: Ausstellung Teil I: Pommerscher Krummstiel Ferdinand Jühlke als Gartenbauer an der Königlichen Landwirtschaftlichen Akademie Greifswald-Eldena und als Chronist des Gartenbaus in Neuvorpommern und Rügen 1. September 2015 – 2. November 2015 Ausstellung Teil II: Sanssouci Ferdinand Jühlke als visionärer Gartenbaulehrer und traditioneller Gartengestalter in Preußen und Europa: »Utile dulci – Nützlich und schön.« Juni 2016 – November 2016 im Vineta-Museum der Stadt Barth, Lange Straße 16, 18356 Barth, T 038231 81771, [email protected] Herausgeber: Dr. Gerd Albrecht Vineta-Museum, Barth im Auftrag der Stadt Barth Konzeption und Gesamtleitung der Ausstellung: Dr. Gerd Albrecht in Zusammenarbeit mit PD Dr. Gerd-Helge Vogel Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar. -
25 Recommended Recordings of Negro
25 Recommended Recordings of Negro Spirituals for Solo Vocalist Compiled by Randye Jones This is a sample of recordings recommended for enhancing library collections of Spirituals and, thus, is limited (with one exception) to recordings available on compact disc. This list includes a variety of voice types, time periods, interpretative styles, and accompaniment. Selections were compiled from The Spirituals Database, a resource referencing more than 450 recordings of Negro Spiritual art songs. Marian Anderson, Contralto He’s Got the Whole World in His Hands (1994) RCA Victor 09026-61960-2 CD, with piano Songs by Hall Johnson, Harry T. Burleigh, Lawrence Brown, J. Rosamond Johnson, Hamilton Forrest, Florence Price, Edward Boatner, Roland Hayes Spirituals (1999) RCA Victor Red Seal 09026-63306-2 CD, recorded between 1936 and 1952, with piano Songs by Hall Johnson, John C. Payne, Harry T. Burleigh, Lawrence Brown, Hamilton Forrest, Robert MacGimsey, Roland Hayes, Florence Price, Edward Boatner, R. Nathaniel Dett Angela Brown, Soprano Mosiac: a collection of African-American spirituals with piano and guitar (2004) Albany Records TROY721 CD, variously with piano, guitar Songs by Angela Brown, Undine Smith Moore, Moses Hogan, Evelyn Simpson- Curenton, Margaret Bonds, Florence Price, Betty Jackson King, Roland Hayes, Joseph Joubert Todd Duncan, Baritone Negro Spirituals (1952) Allegro ALG3022 LP, with piano Songs by J. Rosamond Johnson, Harry T. Burleigh, Lawrence Brown, William C. Hellman, Edward Boatner Denyce Graves, Mezzo-soprano Angels Watching Over Me (1997) NPR Classics CD 0006 CD, variously with piano, chorus, a cappella Songs by Hall Johnson, Harry T. Burleigh, Marvin Mills, Evelyn Simpson- Curenton, Shelton Becton, Roland Hayes, Robert MacGimsey Roland Hayes, Tenor Favorite Spirituals (1995) Vanguard Classics OVC 6022 CD, with piano Songs by Roland Hayes Barbara Hendricks, Soprano Give Me Jesus (1998) EMI Classics 7243 5 56788 2 9 CD, variously with chorus, a cappella Songs by Moses Hogan, Roland Hayes, Edward Boatner, Harry T. -
American Spiritual Program Fall 2009
Saturday, September 26, 2009 • 7:30 p.m. Asbury United Methodist Church • 1401 Camden Avenue, Salisbury Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music influenced by the spiritual. This concert is sponsored by The Peter and Judy Jackson Music Performance Fund;SU President Janet Dudley-Eshbach; Provost and Senior Vice President of Academic Affairs Diane Allen; Dean Maarten Pereboom, Charles R. and Martha N. Fulton School of Liberal Arts; Dean Dennis Pataniczek, Samuel W. and Marilyn C. Seidel School of Education and Professional Studies; the SU Foundation, Inc.; and the Salisbury Wicomico Arts Council. THE AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM THE SPIRITUAL Walk Together, Children ..........................................................................................arr. William Henry Smith Jacob’s Ladder ..........................................................................................................arr. Harry Robert Wilson Angelique Clay, Soprano Soloist Plenty Good Room ..................................................................................................arr. William Henry Smith Go Down, Moses ............................................................................................................arr. Harry T. Burleigh Frederick Jackson, Bass-Baritone Is There Anybody Here? ....................................................................................................arr. -
Kalendár Výročí
Č KALENDÁR VÝROČÍ 2010 H U D B A Zostavila Mgr. Dana Drličková Bratislava 2009 Pouţité skratky: n. = narodil sa u. = umrel výr.n. = výročie narodenia výr.ú. = výročie úmrtia 3 Ú v o d 6.9.2007 oznámili svetové agentúry, ţe zomrel Luciano Pavarotti. A hudobný svet stŕpol… Muţ, ktorý sa narodil ako syn pekára a zomrel ako hudobná superstar. Muţ, ktorého svetová popularita nepramenila len z jeho výnimočného tenoru, za ktorý si vyslúţil označenie „kráľ vysokého cé“. Jeho zásluhou sa opera ako okrajový ţáner predrala do povedomia miliónov poslucháčov. Exkluzívny svet klasickej hudby priblíţil širokému publiku vystúpeniami v športových halách, účinkovaním s osobnosťami popmusik, či rocku a charitatívnymi koncertami. Spieval takmer výhradne taliansky repertoár, debutoval roku 1961 v úlohe Rudolfa v Pucciniho Bohéme na scéne Teatro Municipal v Reggio Emilia. Jeho ľudská tvár otvárala srdcia poslucháčov: bol milovníkom dobrého jedla, futbalu, koní, pekného oblečenia a tieţ obstojný maliar. Bol poverčivý – musel mať na vystú- peniach vţdy bielu vreckovku v ruke a zahnutý klinec vo vrecku. V nastupujúcom roku by sa bol doţil 75. narodenín. Luciano Pavarotti patrí medzi najväčších tenoristov všetkých čias a je jednou z mnohých osobností, ktorých výročia si budeme v roku 2010 pripomínať. Nedá sa v úvode venovať detailnejšie ţiadnemu z nich, to ani nie je cieľom tejto publikácie. Ţivoty mnohých pripomínajú román, ľudské vlastnosti snúbiace sa s géniom talentu, nie vţdy v ideálnom pomere. Ale to je uţ úlohou muzikológov, či licenciou spisovateľov, spracovať osudy osobností hudby aj z tých, zdanlivo odvrátených stránok pohľadu ... V predkladanom Kalendári výročí uţ tradične upozorňujeme na výročia narodenia či úmrtia hudobných osobností : hudobných skladateľov, dirigentov, interprétov, teoretikov, pedagógov, muzikológov, nástrojárov, folkloristov a ďalších. -
Vocal Recital Michelle Lee, Piano
Department of Music College of Fine Arts presents a Vocal Recital Michelle Lee, piano PROGRAM Songs of the African-American Experience Undine Smith Come Down Angels (1904-1989) Sheronda McKee, soprano Hall Johnson Ride On King Jesus ( 1888-1970) Amanda Mura, soprano Harry T. Burleigh Were You There ( 1866-1948) Erin Kennelly, soprano Mark Hayes There is a Balm in Gilead (b. 1953) Dominick Chenes, tenor Moses Hogan My Good Lord's Done Been Here (1957-2003) Brian Myer, baritone arr. James Miller (with Ensemble) I Wanna Be Ready Isabella Ivy, soprano H. Leslie Adams Creole Girl (b. 1932) Stephanie Redman, soprano arr. J. Rosemond Johnson Steal Away to Jesus Casey Gardner, soprano Joel K. Byrd Swing Low Sweet Chariot (b. 1979) Nathan VanArsdale, bass-baritone John Dangerfield Cooper Lord Have I Seen ( 1923-2006) Christina Chenes, soprano Harry T. Burleigh Wade in the Water Belinda Jackley, mezzo-soprano Harry T. Burleigh Go Down Moses Jonathan Napier-Morales, baritone Hall Johnson Give Me Jesus Isabella Ivy, soprano Robert Owens From Mortal Storm Song Cycle (b. 1925) A House in Taos Daniel Hunter, baritone Betty Jackson King Ride Up in the Chariot (1888-1970) Lamia Porter, soprano Margaret Bonds You Can Tell the World (1913-1972) Christina Chenes, soprano Harry T. Burleigh Sometimes I Feel Like a Motherless Child Jonathan Mancheni, tenor Moses Hogan Deep River Nathan VanArsdale, bass-baritone William Grant Still Here's One (1895-1978) Latoya Lain, mezzo-soprano Margaret Bonds My Soul's Been Anchored in the Lord Dominick Chenes, tenor Tuesday, February 28, 2012 7:30p.m. -
Nn Arbor 'Ummer >Oc
nn Arbor 'ummer >oc THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN presents Junge Deutsche Philharmonic GERD ALBRECHT Conductor GIDON KREMER, Violinist Monday Evening, July 22, 1985, at 8:00 Power Center for the Performing Arts, Ann Arbor, Michigan Offertorium, Concerto for Violin and Orchestra ................ Sofia Gubaidulina In three parts, played without pause Gidon Kremer, Violinist I N.T E R M I S S I O N Symphony No. 3 in D minor ................................. Anton Bruckner Massig bewegt Adagio quasi andante Scherzo Finale: allegro Sofia Gubaidulina was born in 1931 in Christopol, a small town not far from the Ural Moun tains in the Tatar Autonomous Soviet Republic. She studied piano as a child and "immediately understood that music was to be my profession." After moving to Kazan for several years of study at the Kazan Conservatory, she transferred to the Moscow Conservatory for eight years of undergraduate and graduate study in composition. Her compositions include chamber music for a wide variety of instruments, orchestral works, concerti, and several works for voice and orchestra. Offertorium was completed in 1980, written for, and dedicated to, Gidon Kremer. Kremer introduced the score to the West in Vienna and later presented it in Berlin. On January 3, 1985, Kremer and the New York Philharmonic, under Zubin Mehta, gave the piece its United States premiere in New York's Avery Fisher Hall. Of Offertorium, Harlow Robinson wrote in Musical America: "Although in three parts, the work does not conform to the conventions of the classical-romantic concerto, and Gubaidulina prefers to think of it as a Marge symphonic piece with the violin simply the leading character.' It makes great demands on the soloist, who must produce a sound by turns dry and expansive. -
Hans Werner Henze Und Ingeborg Bachmann: Die Gemeinsamen Werke
Christian Bielefeldt Hans Werner Henze und Ingeborg Bachmann: Die gemeinsamen Werke Christian Bielefeldt, Dr. phil., Studium in Hamburg, Tätigkeit als Theatercellist, 1994 Gründung von TRE MODI, Ensemble für Alte und Neue Musik. 1998-2000 Stipendiat am DFG-Graduiertenkolleg »In- termedialität« (Siegen). Veröffentlichungen zu Neuer Musik und Filmmusik. Christian Bielefeldt Hans Werner Henze und Ingeborg Bachmann: Die gemeinsamen Werke Beobachtungen zur Intermedialität von Musik und Dichtung Der Abdruck von Zitaten aus dem unveröffentlichten Nachlass Inge- borg Bachmanns geschieht mit ausdrücklicher Erlaubnis der Erben, bei denen die Abdruckrechte gleichwohl verbleiben. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Angaben sind im Internet über http://dnb.ddb.de abrufbar. © 2003 transcript Verlag, Bielefeld Umschlaggestaltung: Kordula Röckenhaus, Bielefeld, unter Verwendung einer Partiturseite aus: Hans Werner Henze, Reinschrift der Musik zu Ingeborg Bachmanns Hörspiel »Die Zikaden« (1955/56), S. 1; © Sammlung Hans Werner Henze (Depositum Schott Musik International), Paul Sacher Stiftung, Basel Lektorat & Satz: Christian Bielefeldt Druck: Majuskel Medienproduktion GmbH, Wetzlar ISBN 3-89942-136-1 INHALT Vorwort 9 Biographisches 14 Zur Forschung 17 I. Konzepte von Intermedialität bei Henze und Bachmann 21 Erster Auftakt: Die Konstruktion der Überschreitung 27 Lacan. Sprache, Musik und das Genießen 31 Der Braunschweiger Vortrag: Henzes „geistige Rede der Musik“ 37 Zweiter Auftakt: Die menschliche Stimme 43 Barthes. Die Stimme und das Genießen 45 Musik und Dichtung: Die Intermedialität der Stimme 49 II. Ballettpantomime: Der Idiot 57 Musik aus der Hand der Trauer: Reihen- und Zitattechnik im Idioten 62 Intrada und Danse Nr. -
Senior Recital Lauren Carroll, Soprano Amelia Hammond, Piano
Senior Recital Lauren Carroll, soprano with Amelia Hammond, piano Saturday, May 8, 2021 Sheslow Auditorium in Old Main 7:30 p.m. Chi il bel sogno di Doretta Giacomo Puccini from La rondine (1858-1924) Ein Traum Edvard Grieg Sechs Lieder, Op. 48 (1843-1907) Nachtgebet Joseph Marx (1882-1964) Cäcilie Richard Strauss (1864-1949) Depuis le jour Gustave Charpentier from Louise (1860-1956) Intermission Si, mi chiamano Mimì Giacomo Puccini from La bohéme (1858-1924) Lyric for Truelove Undine Smith-Moore (1904-1989) Monna Innominata Eric Barnum (b. 1979) Touch me Tom Cipullo Late Summer No. 4 (b. 1956) How fair this spot! (Zdes' khorosho!) Sergei Rachmaninoff 12 Romances, Op. 21, No. 7 (1873-1941) A-oo! (Ay-u!) 6 Romances, Op. 38 Spring Waters (Vesennije vody) Op. 14, No. 11 About the Artist Lauren Carroll, soprano is a senior Vocal Performance major and studies under the tutelage of Leanne Freeman- Miller. She is involved in the Drake Opera Theater, Drake Choir and Spēro. Lauren has been featured in operatic roles such as Pamina (Die Zauberflöte), Fiordiligi (Così fan tutte), and Alice Ford (Falstaff). Most recently, Lauren received First Prize in the National MTNA Competition and First Prize in the Schubert Club Competition. Following graduation, Lauren will take part in Houston Grand Opera’s Young Artist Vocal Academy program. In the fall, Lauren will begin her studies at The Shepherd School of Music at Rice University where she will begin pursuing her Master of Music in Vocal Performance. Amelia Hammond is a graduate of Drake University with a Bachelor of Music degree in Piano Performance under the tutelage of Dr.