Israel's Exodus in Transdisciplinary Perspective
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Up from Egypt: Recent Work on the Date and Pharaoh of the Exodus
Up from Egypt The Date and Pharaoh of the Exodus ~= """'''''"'~ ~ ~ ~_ ~ "" ~ ""''"~ =~~ ""'",,"'''' <==~_....=~=".,~"" "'~~= _~ 0_ ~ ~ ¥ _ ~~ ~ ~~ ~ ~~ ~~~~ V~= .......~=~""""__=~ ~ 'f,.' 'f,.' j\"'A''''A''A'''A'''},/''i•.''''A' 'A "'f..t"A:" A' A.:''A:'''fl,''''A'}j:<K'''X''A: A; '1i -,--- -~- -~ ----- ---~- ~~- Introduction The question of the date and pharaoh of the Exodus has been much disputed for over a centwy and has been a favorite passion and voluminous pastime of biblical scholars. The story of Moses and the Exodus from Egypt told in the first fifteen chapters of the Book of Exodus is magnificent as literary art and inspiring as a scripture of faith. It is the founding event of a great religion, and has been a symbol of salvation and freedom ever since. But is it history? This question has exercised the best scholarly minds for more than a centwy, but has still to be conclusively answered. Given the state of our evidence greater certitude may forever elude us. For outside of the Bible no clear references have been discovered. The Egyptian sources are silent as the tomb, and Near Eastern documents say nothing. None theless, the more we learn about ancient Egyptian and Near Eastern history the more realis tic and authentic in its general features the story appears. Much of what we know about the second millennium BCE and the New Kingdom pro vides a plausible and ordinary context for the extraordinary and miraculous events of the Exodus. The problem with this plausibility is that it comes from other periods as well, from the Middle Kingdom to the Saite-Persian era, as has been asserted by Donald Redford. -
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April 17 - 23, 2009 SPANISH FORK CABLE GUIDE 9 Friday Prime Time, April 17 4 P.M. 4:30 5 P.M. 5:30 6 P.M. 6:30 7 P.M. 7:30 8 P.M. 8:30 9 P.M. 9:30 10 P.M. 10:30 11 P.M. 11:30 BASIC CABLE Oprah Winfrey Å 4 News (N) Å CBS Evening News (N) Å Entertainment Ghost Whisperer “Save Our Flashpoint “First in Line” ’ NUMB3RS “Jack of All Trades” News (N) Å (10:35) Late Show With David Late Late Show KUTV 2 News-Couric Tonight Souls” ’ Å 4 Å 4 ’ Å 4 Letterman (N) ’ 4 KJZZ 3The People’s Court (N) 4 The Insider 4 Frasier ’ 4 Friends ’ 4 Friends 5 Fortune Jeopardy! 3 Dr. Phil ’ Å 4 News (N) Å Scrubs ’ 5 Scrubs ’ 5 Entertain The Insider 4 The Ellen DeGeneres Show (N) News (N) World News- News (N) Two and a Half Wife Swap “Burroughs/Padovan- Supernanny “DeMello Family” 20/20 ’ Å 4 News (N) (10:35) Night- Access Holly- (11:36) Extra KTVX 4’ Å 3 Gibson Men 5 Hickman” (N) ’ 4 (N) ’ Å line (N) 3 wood (N) 4 (N) Å 4 News (N) Å News (N) Å News (N) Å NBC Nightly News (N) Å News (N) Å Howie Do It Howie Do It Dateline NBC A police of cer looks into the disappearance of a News (N) Å (10:35) The Tonight Show With Late Night- KSL 5 News (N) 3 (N) ’ Å (N) ’ Å Michigan woman. (N) ’ Å Jay Leno ’ Å 5 Jimmy Fallon TBS 6Raymond Friends ’ 5 Seinfeld ’ 4 Seinfeld ’ 4 Family Guy 5 Family Guy 5 ‘Happy Gilmore’ (PG-13, ’96) ›› Adam Sandler. -
LOST with a Good Book
The Lost Code: BYYJ C`1 P,YJ- LJ,1 Key Literary References and Influ- Books, Movies, and More on Your Favorite Subjects Heart of Darkness by Joseph Conrad CAS A CONR/ eAudiobook LOST on DVD A man journeys through the Congo and Lost Complete First Season contemplates the nature of good and evil. There are several references, especially in relation to Lost Season 2: Extended Experience Colonel’s Kurtz’s descent toward madness. Lost Season 3: The Unexplored Experience Lost. The Complete Fourth Season: The Expanded The Stand by Stephen King FIC KING Experience A battle between good and evil ensues after a deadly virus With a Good Book decimates the population. Producers cite this book as a Lost. The Complete Fifth Season: The Journey Back major influence, and other King allusions ( Carrie , On Writing , *Lost: Complete Sixth & Final Season is due for release 8/24/10. The Shining , Dark Tower series, etc.) pop up frequently. The Odyssey by Homer FIC HOME/883 HOME/ CD BOOK 883.1 HOME/CAS A HOME/ eAudiobook LOST Episode Guide Greek epic about Odysseus’s harrowing journey home to his In addition to the biblical episode titles, there are several other Lost wife Penelope after the Trojan War. Parallels abound, episode titles with literature/philosophy connections. These include “White especially in the characters of Desmond and Penny. Rabbit” and “Through the Looking Glass” from Carroll’s Alice books; “Catch-22”; “Tabula Rosa” (philosopher John Locke’s theory that the Slaughterhouse-Five by Kurt Vonnegut FIC VON human mind is a blank slate at birth); and “The Man Behind the Curtain” A World War II soldier becomes “unstuck in time,” and is and “There’s No Place Like Home” ( The Wonderful Wizard of Oz ). -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
Exodus 202 1 Edition Dr
Notes on Exodus 202 1 Edition Dr. Thomas L. Constable TITLE The Hebrew title of this book (we'elleh shemot) originated from the ancient practice of naming a Bible book after its first word or words. "Now these are the names of" is the translation of the first two Hebrew words. "The Hebrew title of the Book of Exodus, therefore, was to remind us that Exodus is the sequel to Genesis and that one of its purposes is to continue the history of God's people as well as elaborate further on the great themes so nobly introduced in Genesis."1 Exodus cannot stand alone, in the sense that the book would not make much sense without Genesis. The very first word of the book, translated "now," is a conjunction that means "and." The English title "Exodus" is a transliteration of the Greek word exodus, from the Septuagint translation, meaning "exit," "way out," or "departure." The Septuagint translators gave the book this title because of the major event in it, namely, the Israelites' departure from Egypt. "The exodus is the most significant historical and theological event of the Old Testament …"2 DATE AND WRITER Moses, who lived from about 1525 to 1405 B.C., wrote Exodus (17:14; 24:4; 34:4, 27-29). He could have written it, under the inspiration of the 1Ronald Youngblood, Exodus, pp. 9-10. 2Eugene H. Merrill, Kingdom of Priests, p. 57. Copyright Ó 2021 by Thomas L. Constable www.soniclight.com 2 Dr. Constable's Notes on Exodus 2021 Edition Holy Spirit, any time after the events recorded (after about 1444 B.C.). -
Exodus 24 BIG IDEA: When It Appears That God Has Lost Control of His Good Plan for Your Life, Be Assured That You Are Not Forgot
GOD, ARE YOU STILL IN CONTROL? The Isolation of Moses Exodus 24 Steve Holdaway, LifeSpring Church, 04.19.20 BIG IDEA: When it appears that God has lost control of his good plan for your life, be assured that you are not forgotten. Exodus 24:15-18 NIV When Moses went up on the mountain, the cloud covered it, and the glory of the Lord settled on Mount Sinai. For six days the cloud covered the mountain, and on the seventh day the Lord called to Moses from within the cloud. To the Israelites the glory of the Lord looked like a consuming fire on top of the mountain. Then Moses entered the cloud as he went on up the mountain. And he stayed on the mountain forty days and forty nights. Exodus 32:1-6; Exodus 32:19-24; Exodus 34:1-11 Lessons from the story of Moses on the mountain: When you feel most alone, be assured that… God is working out his plan for history and for you. He will speak to you, but you might have to isolate. God will provide his presence in place of answers. Exodus 33:14 The Lord replied, "My Presence will go with you, and I will give you rest." BIG IDEA: When it appears that God has lost control of his good plan for your life, be assured that you are not forgotten. When Moses went up on the mountain, the cloud covered it, and the glory of the Lord settled on Mount Sinai. For six days the cloud covered the mountain, and on the seventh day the Lord called to Moses from within the cloud. -
Symbolism of the Ibex Motif in Negev Rock Art
Supplementary Information SI Fig. 1. Male ibex on the cliffs of the Ramon Crater, central Negev highlands (Photograph by U. Avner, 2012). SI Fig. 2. Ibex hunting scenes in neighboring deserts: A. Sakaka, Sa‘udi ‘Arabia (‘Abdul Nayeem 2002:202), B. Najran, Sa‘udi ‘Arabia (courtesy of Christian Robin), C. Wadi Abu-Qwei, Eastern desert, Egypt, late Predynastic (Redford & Redford 1989:13, c.f. Morrow et al. 2010:218), D. Wadi Abu-Wasil, Eastern desert, Egypt (Morrow et al. 2010:189). SI Fig. 3. Ibex with dogs and hunters in Near Eastern art: A. Susa, Iran ca. 4000 BC. (Clark 2001:69), B. Iran, ca. 800 BC (Kist et al. 2003: Fig. 11), C. Saqqara, Egypt, ca. 2320 BC. (Malek 2001:83), D. Hierakonopolis, Egypt, ca. 2990 BC, lower part of palette (Malek 2001:32, Ashmolean E.3924). SI Fig. 4. Saving the ibex: A. Achaemenid seal impression, Persepolis, ca. 600 BC (Root 2002:182), B. Mesopotamian seal impression, ca. 4th millennium BC (Amiet 1961: No. 698). C. Dilmun, Ba rain (Højland et al. 2005: Fig. 17). ḥ SI Fig. 5. Seal impressions with ibex up and down: A. Akkad, ca.1800 BC, (Hartner 1965: Fig. 25), B-D. Cyprus, ca.1600 BC (Kenna 1967: Figs. 15, 28, 29). SI Fig. 6. Metal object from Nabataean temple at Jebel Serbal, Sinai, 1st century BC-3rd century AD (Avner in press: Fig. 13). SI Fig. 7. Susa, Iranian bowl, ca. 3400 BC (Pope & Ackerman 1938: Pl. 3c). SI Fig. 8. Ibex with celestial symbols: A. Ramat Matred, central Negev Highlands, B. -
Rock Art of Valcamonica
Emmanuel Anati The Way of Life Recorded in the Rock Art of Valcamonica Introduction The 75 kilometres long Valcamonica (Camon- ica Valley) in the Italian Alps includes over 300.000 rock engravings spanning for 10.000 years, from the Epi-Palaeolithic period to the Middle Ages. The Valley is at the crossing of the Alps from Italy to Central Europe where both ideas and people passed through. This area has been studied uninterruptedly for fifty years thus enabling scholars to recognize stylistic and thematic changes from period to period. Such changes reflect the mutations in way of thinking, in the economy and in the social organization throughout the forma- tive period of modern society. A new research approach was created and applied in this site, concerning the use we can make of rock art as a mean of historical reconstruction, producing a history of periods which were Map of the rock art sites distribution in Valcamonica and Valtellina (Records WARA Documents) considered as prehistoric. Valcamonica has been declared by UNESCO, World Cultural Heritage in 1979 and is the first rock art site way of thinking and in the way of living. in the world to have obtained such nomina- From Epi-Palaeolithic to the Iron Age, style tion. Also it is the first Italian site that became and subject matter appear to derive from a part of the World Heritage list. search of expression, synthesis and symboli- New sceneries of historical reconstruction zation which vary from period to period. In are now emerging from the deciphering of each period the rock art reflects the aes- the content of the messages that rock art thetic and intellectual values of its age. -
Stories of Minjung Theology
International Voices in Biblical Studies STORIES OF MINJUNG THEOLOGY STORIES This translation of Asian theologian Ahn Byung-Mu’s autobiography combines his personal story with the history of the Korean nation in light of the dramatic social, political, and cultural upheavals of the STORIES OF 1970s. The book records the history of minjung (the people’s) theology that emerged in Asia and Ahn’s involvement in it. Conversations MINJUNG THEOLOGY between Ahn and his students reveal his interpretations of major Christian doctrines such as God, sin, Jesus, and the Holy Spirit from The Theological Journey of Ahn Byung‑Mu the minjung perspective. The volume also contains an introductory essay that situates Ahn’s work in its context and discusses the place in His Own Words and purpose of minjung hermeneutics in a vastly different Korea. (1922–1996) was professor at Hanshin University, South Korea, and one of the pioneers of minjung theology. He was imprisonedAHN BYUNG-MU twice for his political views by the Korean military government. He published more than twenty books and contributed more than a thousand articles and essays in Korean. His extended work in English is Jesus of Galilee (2004). In/Park Electronic open access edition (ISBN 978-0-88414-410-6) available at http://ivbs.sbl-site.org/home.aspx Translated and edited by Hanna In and Wongi Park STORIES OF MINJUNG THEOLOGY INTERNATIONAL VOICES IN BIBLICAL STUDIES Jione Havea, General Editor Editorial Board: Jin Young Choi Musa W. Dube David Joy Aliou C. Niang Nasili Vaka’uta Gerald O. West Number 11 STORIES OF MINJUNG THEOLOGY The Theological Journey of Ahn Byung-Mu in His Own Words Translated by Hanna In. -
Bibl 520: the Book of Exodus Course Description Learning Objectives Course Outline Required Texts
BIBL 520: THE BOOK OF EXODUS Carmen Imes July 26 --- 30; 1:30 – 4:30 pm 1 or 2 graduate credit hours; or 1 audit hour Live online & Recorded COURSE DESCRIPTION Exodus is a key book for understanding biblical theology as well as Christian identity and vocation. Together we'll explore God's dramatic deliverance of Jacob's descendants from Egypt and the formation of a new nation at Sinai. We'll consider the historical, literary, and theological dimensions of this book, as well as the ways it continues to inspire and challenge the global church. LEARNING OBJECTIVES Upon the successful completion of this course, students should have a clearer understanding of: 1. Discuss key themes and structure of Exodus. 2. Articulate insights from the global church on the book of Exodus. 3. Creatively express the relevance of the book of Exodus for Christians today. 4. Interpret a chosen passage of Exodus with reference to its historical, literary, and theological dimensions (2 cr students). COURSE OUTLINE Day 1 July 26 Delivering the Deliverer Day 2 July 27 Signs and Wonders Day 3 July 28 Wilderness Journey Day 4 July 29 Law and Covenant Day 5 July 30 Tabernacle Presence REQUIRED TEXTS Note: all of these are scanned and available on our course page. No purchase necessary. Barton, Ruth Haley. Strengthening the Soul of Your Leadership: Seeking God in the Crucible of Ministry. Downers Grove, IL: IVP, 2008. [pp 101-37] Block, Daniel I. For the Glory of God: Recovering a Biblical Theology of Worship. Grand Rapids: Baker Academic, 2014. [pp 297-332] Block, Daniel I. -
Prehistoric Art in Europe
Prehistoric Art in Europe Emmanuel Anati The World Archives of Rock Art (WARA) is undertaking a global analysis of the motivations for art and of the conceptual background of the artistic creativity of 50,000 years of art in five continents. This survey, which concerns rock art in 160 countries around the world, reveals the role of prehistoric visual art as a paramount source for the historic reconstruction of the human past. It also illustrates the elementary aesthetic and conceptual values of humankind; Europe’s prehistoric art is looked at in its world context. My presentation is a general overview which intends to fit European prehistoric art into a world frame. It does not enter into the most challenging and fascinating aspect of the research, which is the decoding or the reading of messages that prehistoric man intended to convey. That is an aspect to be faced in another venue. Professor Emmanuel Anati is President of CISPE (International Centre for Prehistoric and Ethnologic Studies) and Chairman of UISPP-CISENP (Union International des Sciences Prehistoriques et Protohistoriques—Commission Internationale Scientifique) ‘Les expressions intellectuelles et spirituelles des peoples sans ecriture’. He is the founder and Director of Centro Camuno di Studi Preistorici in Capo di Ponte, Italy. Professor Anati has been Professor of Prehistory at Tel-Aviv University, Israel and Professor Ordinarius of Palaeoethnology at the University of Lecce, Italy. He has taught in other universities and research institutes in Italy, France, the United Kingdom, Israel, the United States and Canada. His main scientific interests are the art and religion of prehistoric and tribal cultures. -
Ancient Israel in Sinai: the Evidence for the Authenticity of the Wilderness Tradition
Ancient Israel in Sinai: The Evidence for the Authenticity of the Wilderness Tradition JAMES K. HOFFMEIER OXFORD UNIVERSITY PRESS Ancient Israel in Sinai This page intentionally left blank Ancient Israel in Sinai The Evidence for the Authenticity of the Wilderness Tradition james k. hoffmeier 1 2005 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright # 2005 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Hoffmeier, James Karl, 1951– Ancient Israel in Sinai : the evidence for the authenticity of the wilderness tradition / James K. Hoffmeier. p. cm. Includes bibliographical references and index. ISBN-13 978-0-19-515546-4 ISBN 0-19-515546-7 1. Bible. O.T. Exodus XVI–Numbers XX—Criticism, interpretation, etc. 2. Bible. O.T. Exodus XVI–Numbers XX—Evidences, authority, etc. 3. Bible. O.T. Exodus XVI–Numbers XX—History of biblical events.