DOCSLIB.ORG

Intercom 2017 Hall 4.1, Booth C21 Key-Largo Keyboard Mixer and DAC Musik

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Intercom 2017 Hall 4.1, Booth C21 Key-Largo Keyboard Mixer and DAC Musik musikmesse prolight & sound INTERCOM 2017 Hall 4.1, Booth C21 Key-largo Keyboard Mixer and DAC Musik The Key-Largo™ is a Radial first… it is a combination keyboard mixer, DAC, effects loop and remote control in a super compact pedal format. Think about performance… think about your main keyboards, a controller and your Mainstage sound bank wrapped up in your lap- top. Then think about Radial and our world-famous direct boxes. This is Key-Largo. Learn More pg.4 New! Element EFX Loop Fabric wrapped and paintable panels Read More pg.14 XLR USB ¼” Outputs Presenter Hafler Amplifiers Complete keynote solution New amps for the studio and home The Presenter™ combines a microphone preamp and a USB program input to create the ul- Read More pg.10 timate interface for any presentation, from school lectures to corporate audio. An XLR mic input allows you to connect a podium microphone and provide it with phantom power. The mic signal can then be adjusted using three EQ controls: a high-pass filter rolls off excessive low end, and Low and High knobs allow you to tailor the frequency response. A program input level controls the volume of the USB input or the 3.5mm jack on the front of the unit, so you can connect the outputs of your laptop, smartphone, or MP3 player and blend it with the signal from the microphone. XLR outputsMAIN OUTPUT provideINPUT balanced feeds for a set of powered speakers, providing an all-in-one portableMONO LIFTsolution for any speaking engagement. USB RIGHT LEFT 48V MIC MIC INPUT 48V LEFT LIFT RIGHT MONO USB 5VDC PRESENTER TM MIC IN LOW HIGH PROGRAM HPF POWER USB 3.5mm MIN MAX MIN MAX New Pedals MICROPHONE & LAPTOP PRESENTATION MIXER Classics reborn and some new ‘soon to be’ favorites for your pedal board INPUT R800 8011 00 Read More pg.6 MAP $299.99 USD Shipping May 2017 Backtrack Stereo audio switcher The Backtrack™ is a compact stereo audio switcher, perfect for bands running redundant backing tracks on stage. Connect both source devices to the Backtrack via ¼” or 3.5mm con- nectors, and switch between them or mute them altogether using the front panel controls or a JR-2 remote footswitch. A headphone output with level control allows you to check either input at any time, and ¼” monitor outputs feed powered speakers for playback on stage. Dual XLR outputs feed the PA system, and feature a ground lift switch and transformer isolation to prevent buzz and hum from ground loops. The Backtrack lets you easily connect a laptop computer, MP3 player, or recording interface and ensure that even if your primary backing track source fails, the show still goes on. R800 8102 00 MAP $349.99 USD Shipping April 2017 Mains MAIN OUT RIGHT LIFT LEFT/ MONO 15 VDC (A) RIGHT LEFT MONITOR OUT INPUT B INPUT A TM BACKTRACK STEREO BACKING TRACK SWITCHER (B) HEADPHONES B INPUT SELECT MUTE SELECT PHONES A A B MIN MAX REMOTE IN 3.5mm A B LEVEL INPUT Powered Monitors Studio-Q Compact talk-back solution With more and more recording happening in smaller studios, the need for a simple talk-back system has become evident. Yes, there are other cue systems on the market, but most have too many features, are too costly, or are too large. The Studio-Q presents a desk-top solution that manages to do it all in a super compact design. The Studio-Q™ begins with a simple cue switch that turns on the built-in microphone or the ‘producer’ mic XLR input. Each mic is equipped with an individual trim control along with a master mic volume. These can also be remotely activated using a remote JR1 footswitch. Once depressed, the signal is routed to the studio headphone system while it automatically shunts the program to the desired level. The program signal path is balanced for easy in- tegration with any console with fully variable level control on the front panel. When the band is full-on, a remote output may be used to send a dry contact to a beacon and attract attention. This can also be set with DC power to accommodate the soon to be released LED Beacon™. R800 1435 00 Beacon™ MAP $259.99 USD Shipping April 2017 Beacon Program Talk-back to musician LED notifyer in another room The Beacon™ is a simple LED system to con- Talk-back Mic nect with the Studio-Q to notify the musican when the talk-back is active. R800 1437 00 MAP $99.99 USD Shipping April 2017 ® Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.2 Artist update JDX Direct-Drive Analog amp simulator Carl Miner Flatpicking pro The Direct-Drive™ is a combination amp Taylor Swift, Sam Bush, The emulator and direct box that lets you per- Greencards, Pink Martini form live or record without a guitar am- plifier. It features a Voicing Control with “I’ve tried virtually every DI out there, but three amp simulation EQs starting with a the minute I tried the J48, I knew I was done. There’s a clarity in this box that doesn’t traditional Radial JDX™ 4x12 tone; next - a seem to exist in any others. Thanks, Radial!” beefy sounding Marshall™ Half-Stack for rock and metal; and finally - a clean Fender Twin™ tone for blues and country picking. A Jason Mowery bright switch acts like the presence on your Fiddle & Mandolin Keith Urban, Shania Twain, amp. Connect your guitar to your pedals, Travis Tritt, John Fogerty the pedals to the Direct-Drive and the XLR output to the PA. Easy! You can even send Part# R800 1404 00 “The Radial JDI Duplex™ is built like a tank a signal to your amp and tuner! Finally, a MAP $199.99 USD and sounds absolutely fantastic. I love it.” great sounding stage amp that won’t break Now Shipping your back! Jimmy Mattingly Fiddle, Mandolin, Acoustic Reba McEntire, Dolly Parton, Garth Brooks “The ProRMP™ works great and doesn’t mess with my sound. It actually warmed my tone up. Being an acoustic player, keeping the integrity of the tone is really important. It’s a tone saver - exactly what I need.” Coy Bowles 4-play Multi-Instrument Musician Zac Brown Band Multi-channel DI The 4-Play™ is a multi-channel direct box “Radial gear is tried and true. They build the that has been specifically developed for products like tanks, it all sounds great, and multi-instrumentalists to enable them to it does exactly what it’s supposed to.” quickly change instruments on stage, with- out disrupting the audio engineer or creat- ing a mess of cable spaghetti to contend with. Dan Weller Guitarist/Banjo/Mandolin Florida Georgia Line It works like this: Mute your guitar using the mute footswitch. Then, disconnect your “The PZ-Pre™ has been the foundation of guitar and reconnect your mandolin. Hit the my touring banjo tones. The PZ-Pre is bullet- output selector footswitch to advance the proof, dead quiet, and extremely versatile.” Part# R800 1432 00 output from 1 to 2 and then turn the au- MAP $279.99 USD dio back on by hitting the mute footswitch Now Shipping again. It’s that easy. LED status indicators Stuart McCredie tell you which output is active. Producer/Engineer The Fratellis, Simple Minds, Tuner Echo & The Bunnymen, Kelly Clarkson “The Direct Drive™ blew everyone away. When running the DI out from the Direct Drive, we got 100% repeatability of the sig- nal from the Direct Drive.” ® Radial Engineering Ltd. © Copyright 2017 all rights reserved Specifications, appearance and price subject to change without notice. pg.3 KeyLargo Check This out Keyboard mixer and DI The design begins with three stereo input channels for your analog synths. Each channel is Shotgun equipped with a level control and an effects send. Then, a 4th input for a USB connection to 4-CH amp driver your laptop to play back audio files and mix them with the live keys. A stereo effects loop lets The Shotgun™ is a compact guitar-level you add a rackmount delay or reverb to your vintage Mini-Moog or share it with the others signal buffer designed to drive up to and remotely activate the effects loop using the left onboard footswitch. Direct outputs let four amplifiers simultaneously and fit you feed your stage monitors while balanced isolated outputs feed the PA system. A momen- nicely on any pedalboard. tary footswitch is assigned for sustain, making it easy to connect to your piano patch. Side access MIDI connectors are available to allow you to use a MIDI controller with your laptop soft-synths. USB + 3 stereo inputs: Control Monitor Out: Stereo ¼” TRS balanced Stereo XLR Outputs: Balanced your mainstage and analog outputs for powered speakers. outputs, transformer isolated. keyboards. R800 7215 00 MAP $169.99 USD Now Shipping Level Control: Adjust input levels of analog Switchbone v2 MIDI: IN and OUT and USB inputs. connections. ABY/ C Amp Select The ultimate ABY/C guitar amp EFX: Send and switcher. The Switchbone V2™ lets receive with indi- Sustain: Built in vidual controls on sustain pedal to use you switch and combine up to three each channel. with your keyboard. guitar amplifiers without introducing distortion. R800 1427 00 MAP $379.99 USD Shipping April 2017 Catapult Cat 5 snake R800 7081 00 MAP $259.99 USD The Radial Catapult™ is a modular snake Now Shipping system that drives four analog or AES audio channels over a single shielded Cat 5 cable.
Load more

Recommended publications
  • NAMM2020 Schedule 1 15 20
    #Avid at #NAMMShow MAIN STAGE EVENTS BOOTH #15502 JAN JAN JAN JAN 10:00am Music Production 10:00am Music Creation 10:00am Music Production 10:00am Music Creation 10:30am Immersive Audio 10:30am Audio Post 10:30am Immersive Audio 10:30am Audio Post Mixing Mixing 11:00am Immersive Audio 11:00am 11:00am Immersive Audio Mixing 11:00am Music Production ANDREW SCHEPS Mixing 11:30am Music Creation 11:30am Audio Post 11:30am Music Creation 11:30am Music Production 12:00pm 12:00pm 12:00pm 12:00pm MATT LANGE JOE TRAPANESE MATT LANGE MASTERING PANEL 12:30pm 12:30pm Music Creation TOWNSEND LABS 1:00pm 1:00pm ANDREW SCHEPS 1:00pm TOWNSEND LABS 1:00-1:45pm MATT LANGE 1:30pm Audio Post QUINCY JONES 1:30pm Audio Post 1:30pm Audio Post 2:30pm 2:00pm Music Production 2:00pm 2:00pm ANDREW SCHEPS SONARWORKS SONARWORKS 2:30pm Immersive Audio 3:00pm Mixing 2:30pm Immersive Audio JETT GALINDO 2:30pm Immersive Audio 3:00pm Mixing Mixing 3:30pm Music Production JETT GALINDO 3:00pm 3:00pm JETT GALINDO 4:00pm 3:30pm TOWNSEND LABS AUDEZE REVEAL ANDREW SCHEPS 4:00pm 4:30pm 3:30pm Music Production ANDREW SCHEPS TOWNSEND LABS 3:30pm 4:30pm AVID ACCESSIBILITY 4:30pm Music Creation 5:00pm DJ SWIVEL AVID ACCESSIBILITY PANEL 5:00pm 5:00pm PANEL AUDEZE REVEAL 4:30pm Music Creation JETT GALINDO 5:30pm 5:30pm Audio Post 5:30pm Audio Post JETT GALINDO *SCHEDULE SUBJECT TO CHANGE #Avid at #NAMMShow MAIN STAGE EVENTS BOOTH #15502 AVID DEMOS Music Creation in Pro Tools – Avid's Audio Evangelist and Electronic Music Producer & DJ Greg “Stryke” Chin breaks down his music creation workflow using the powerful creation features in Pro Tools.
    [Show full text]
  • Intercom Booth # 1920
    CEDIA 2017 INTERCOM Booth # 1920 Part# H310 0101 00 Dynaco Is BAck Shipping Fall 2017 ST-70 re-imagined for today’s audiophile The original Dynaco® Stereo 70™ is a true classic. The new ST-70™ Series 3 marks the intro- duction of a third generation of vacuum tube products bearing the Dynaco name. This “new 70” reflects the illustrious history of Dynaco’s involvement with vacuum tube designs along with the latest advances in vacuum tube technology. Throughout it’s long history, the Stereo 70 has proven a robust design of exceptional value. We have sought to preserve the considerable virtues of the original Stereo 70 while making use of more modern parts plus advanced circuit techniques. These improvements include precision metal-film resistors, poly-composition capacitors and high-capacity power supply New! Element capacitors to improve “stiffness” of the power supply making for a tighter bottom end. Fabric wrapped and paintable panels The excellent original output transformers have been updated with the latest knowledge in the art of winding output transformers by a top manufacturer known for making some of the finest transformers for Stereo 70 upgrades for several decades. The ST-70 Series 3 uses four dual triodes for the input gain, phase splitting and to drive the output tubes. This combination was explored by David Hafler for higher end amplifiers and has been well tested in the audiophile community. Hafler Amplifiers New amps for the studio and home Dante DI Boxes See more Dynaco on pg. 4 Worlds first Dante network DI Show off your style Primacoustic Element Absorbers The Primacoustic Elements™ are a range of acoustic absorbers that are designed to give us- ers more aesthetic options in their rooms.
    [Show full text]
  • The Mixing Engineer's Handbook
    The Mixing Engineer’s Handbook THIRD EDITION Bobby Owsinski Course Technology PTR A part of Cengage Learning Australia • Brazil • Japan • Korea • Mexico • Singapore • Spain • United Kingdom • United States The Mixing Engineer’s Handbook, © 2013 Course Technology, a part of Cengage Learning. Third Edition ALL RIGHTS RESERVED. No part of this work covered by the copyright herein Bobby Owsinski may be reproduced, transmitted, stored, or used in any form or by any means Publisher and General Manager, graphic, electronic, or mechanical, including but not limited to photocopying, Course Technology PTR: Stacy L. Hiquet recording, scanning, digitizing, taping, Web distribution, information networks, or information storage and retrieval systems, except as permitted under Section Associate Director of Marketing: 107 or 108 of the 1976 United States Copyright Act, without the prior written Sarah Panella permission of the publisher. Manager of Editorial Services: Heather Talbot For product information and technology assistance, contact us at Senior Marketing Manager: Cengage Learning Customer & Sales Support, 1-800-354-9706 Mark Hughes For permission to use material from this text or product, submit all requests Acquisitions Editor: Orren Merton online at cengage.com/permissions Further permissions questions can be emailed to Project Editor/Copy Editor: [email protected] Cathleen D. Small Technical Reviewer: Brian Smithers All trademarks are the property of their respective owners. Interior Layout Tech: MPS Limited Cover Designer: Mike Tanamachi All images © Cengage Learning unless otherwise noted. Indexer: Indexer Name Library of Congress Control Number: 2011XXXXXX Proofreader: Sue Boshers ISBN-13: 978-1-285-42087-5 ISBN-10: 1-285-42087-X Course Technology, a part of Cengage Learning 20 Channel Center Street Boston, MA 02210 USA Cengage Learning is a leading provider of customized learning solutions with office locations around the globe, including Singapore, the United Kingdom, Australia, Mexico, Brazil, and Japan.
    [Show full text]
  • Frost School of Music
    University of Miami • Spring 2015 INSIDE: Pitch Perfect Onward and Upward Art of Comprimario scoreFROST SCHOOL OF MUSIC Building Greatness on Frost enters a Help Us Reach the new pace of progress with sound-savvy buildings and skyrocketing Next Crescendo rankings. Message from the Dean What a year it has been! As you will read in this issue, Musical America and The Hollywood Reporter have affirmed the Frost School’s place in the very highest tier among university music schools worldwide. Our long-held goal remains to be the most excellent and relevant music school anywhere, and we are accomplishing that ambition on a daily basis. Here’s how: Our curricula are the most relevant and innovative. It started with the groundbreaking undergraduate Experiential Music Curriculum, which results in broader skills and more ability to compose, arrange, improvise, and hear music. Now we are revising our master’s degrees in performance, with career and skill-focused course options to foster better stage presence and skills in marketing, communication, media and repertoire creation, and pedagogy. Frost Online is growing and extending the excellence and uniqueness of a Frost education to students everywhere. The Henry Mancini Institute continues to provide Frost students with real-world experiences rarely found in academia. These include network television specials, major label recordings, film scores, and concerts and workshops with renowned artists across a spectrum of style and genre. Now we are welcoming James Newton Howard as artistic director of the Henry Mancini Institute, and a new world of opportunity awaits. Frost graduates are working. Many of our programs have virtually 100% employment, including Music Engineering, Music Education, Music Therapy, and the various forms of conducting.
    [Show full text]
  • Waves Modeling Sets the Bar for Digital Audio
    PRESS RELEASE Contact: Clyne Media, Inc. Tel: (615) 662-1616 Fax: (615) 662-1636 FOR IMMEDIATE RELEASE WAVES MODELING SETS THE BAR FOR DIGITAL AUDIO ―Waves’ SSL 4000 Collection, V-Series, and API Collection are remarkable modeled processors that capture every nuance of the original analog gear ― 123 rd AES CONVENTION, NEW YORK, NY, October 5, 2007 — Over the past year and a half, Waves, the world’s leading developer of professional audio signal processing technologies, has revolutionized the digital audio world with their three groundbreaking collections of modeled vintage hardware: the SSL 4000 Collection, the V- Series, and the API Collection. Each is a precision-engineered set of plug-ins that perfectly emulates the sonic architecture of the original equipment, capturing every nuance and behavior of the original analog gear. Waves acquires the very best hardware reference units available, in most cases, supplied by the original manufacturers. Then the Waves engineering team analyzes every attribute and behavior of the hardware with meticulous attention to detail. Since audio hardware is not just the sum of its components and circuit schematics, Waves’ extensive testing explores every last nuance and response of the hardware behavior. It is this meticulous attention to detail that has always set Waves apart, and always will. Developed in association with Solid State Logic, the SSL 4000 Collection, precisely recreates the sonics of the legendary Solid State Logic® 4000 series recording console. Waves called upon the talents of GRAMMY® Award-winning mixer Chris Lord-Alge to create a series of •1• exclusive presets, the same as those he uses to create multi-platinum hits for artists including Green Day, Sheryl Crow, Hoobastank, Tim McGraw, Audioslave, Brian Setzer, Eric Clapton, and dozens of others.
    [Show full text]
  • Download I'm Beside You Album Red Hot Chili Peppers DOWNLOADS
    download i'm beside you album red hot chili peppers DOWNLOADS. Click this link for a torrent file containing many out of print, unavailable, or unreleased Red Hot Chili Peppers tracks. Nothing contained in this collection is hosted on this website. Nothing in this collection is currently available for purchase from an authorised retailer. This collection is purely for archival purposes. Included in this download: This collection will be updated in the future. All tracks are tagged and are in FLAC where available. If you have an upgrade, please get in touch. This website is for research and educational purposes only, and is in no way affiliated with the Red Hot Chili Peppers, their management, or their record label. I'm Beside You – Red Hot Chili Peppers. I'm with You Sessions is a group of nine singles by American rock band Red Hot Chili Peppers featuring 17 songs recorded in contention for the band's tenth studio album, I'm with You (2011). Слушать в Spotify. ipatsa : другой контент. I'm Beside You – Red Hot Chili Peppers: слушай прямо сейчас. I'm Beside You – Red Hot Chili Peppers: слушай все треки в приложении Spotify. Слушать в Spotify. Мы знаем, что ты любишь хорошую музыку. Слушай бесплатно на любом устройстве или оформи пробную подписку на Premium. Download i'm beside you album red hot chili peppers. Red Hot Chili Peppers are an American rock band formed in Los Angeles in 1983. The group's musical style primarily consists of rock with an emphasis on funk, as well as elements from other genres such as punk rock and psychedelic rock.
    [Show full text]
  • University of Huddersfield Repository
    University of Huddersfield Repository Moore, Austin An Investigation into Non-Linear Sonic Signatures with a Focus on Dynamic Range Compression and the 1176 Fet Compressor Original Citation Moore, Austin (2017) An Investigation into Non-Linear Sonic Signatures with a Focus on Dynamic Range Compression and the 1176 Fet Compressor. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34118/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ AN INVESTIGATION INTO NON-LINEAR SONIC SIGNATURES WITH A FOCUS ON DYNAMIC RANGE COMPRESSION AND THE 1176 FET COMPRESSOR AUSTIN MOORE A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Huddersfield October 2017 ! Copyright statement 1.! The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and s/he has given The University of Huddersfield the right to use such copyright for any administrative, promotional, educational and/or teaching purposes.
    [Show full text]
  • Mixing, Recording, and Producing Techniques of the Pros, Second Edition
    Mixing, Recording, and Producing Techniques of the Pros, Second Edition Rick Clark Course Technology PTR A part of Cengage Learning Australia, Brazil, Japan, Korea, Mexico, Singapore, Spain, United Kingdom, United States Mixing, Recording, and Producing © 2011 Course Technology, a part of Cengage Learning. Techniques of the Pros, Second Edition Rick Clark ALL RIGHTS RESERVED. No part of this work covered by the copyright herein may be reproduced, transmitted, stored, or used in Publisher and General Manager, any form or by any means graphic, electronic, or mechanical, includ- Course Technology PTR: ing but not limited to photocopying, recording, scanning, Stacy L. Hiquet digitizing, taping, Web distribution, information networks, or information storage and retrieval systems, except as permitted under Associate Director of Marketing: Section 107 or 108 of the 1976 United States Copyright Act, without Sarah Panella the prior written permission of the publisher. Manager of Editorial Services: For product information and technology assistance, contact us at Heather Talbot Cengage Learning Customer & Sales Support, 1-800-354-9706 For permission to use material from this text or product, Marketing Manager: submit all requests online at cengage.com/permissions. Mark Hughes Further permissions questions can be emailed to [email protected] Executive Editor: Mark Garvey All trademarks are the property of their respective owners. Project Editor/Copy Editor: All images © Cengage Learning unless otherwise noted. Cathleen D. Small Library of Congress Control Number: 2008932486 Interior Layout: Jill Flores ISBN-13: 978-1-59863-840-0 Cover Designer: ISBN-10: 1-59863-840-8 Luke Fletcher eISBN-10: 1-59863-915-3 Indexer: Course Technology, a part of Cengage Learning Broccoli Information Management 20 Channel Center Street Boston, MA 02210 Proofreader: USA Heather Urschel Cengage Learning is a leading provider of customized learning solutions with office locations around the globe, including Singapore, the United Kingdom, Australia, Mexico, Brazil, and Japan.
    [Show full text]
  • AES CONVENTION Javits Convention Center New York, USA October 18–21, 2017
    CONVENTION REPORT RD 143 AES CONVENTION Javits Convention Center New York, USA October 18–21, 2017 CONVENTION REPORT eclared a rousing success by attendees, tations, discussion panels, and three-day gear Dexhibitors, presenters and sponsors alike, exhibition. the AES New York 2017 “Maximum Audio” Co-location at the Javits Center with the NAB New Convention once again hosted the year’s largest York show created an additional edge, bringing in annual gathering of pro audio professionals, an even more diverse attendee base to the premier students, and enthusiasts at the Jacob Javits professional audio education and networking event Center, from October 18th to 21st. Convention of the year. A steady stream of new products, events, co-chairs Agnieszka Roginska and Paul Gallo, and announcements from the convention is still along with numerous convention organizers resounding through the industry as convention and volunteers, provided the programming and exhibitors and sponsors report another highly events spanning the four days of audio presen- successful AES convention experience. Geoff Emerick greets Stevie Wonder at the opening of the convention. 1034 J. Audio Eng. Soc., Vol. 65, No. 12, 2017 December CONVENTION REPORT Convention chairs Agnieszka Roginska and Paul Gallo J.J. AudioAudio Eng.Eng. Soc.,Soc., Vol.Vol. 65,65, No.No. 12,12, 20172017 DecemberDecember 10351035 CONVENTION REPORT OPENING CEREMONY AND AWARDS Opening the 143rd Convention, executive director Bob Moses spoke RD of how excited he was about the show because of the co-loca- AES AWARDS AT THE 143 tion with NAB, which was exhibiting next GOLD MEDAL door. There were synergies between the two MALCOLM OMAR HAWKSFORD in recognition of many dec- organizations, he said, with twice as many ades of consistent and influential contributions to the audio industry people at the two shows overall.
    [Show full text]
  • Keys 04 2014 Leseprobe
    TAKE AWAY: 50 V LLVER I D 5,90 € A 6,70 € CH 11,90 SFR I 7,70 € Be/Ni/Lux 7,00 € SR 7,70 € B 10227 E PERSONAL SAMPLES Waldorf Microwave FREE SAMPLES von Producer Loops BILDVERTONUNG Hands-on: Dialog-Recording AUDIOBEISPIELE zu Testberichten & Workshop-Zones INTERVIEW Mixing-Engineer ANDREW SCHEPS über sein Studio 44C''' *44174*.1111 und die Arbeit mit Rick Rubin 416 411..** 310 Infotainment Datenträger * MEHR PRAXIS 0 TESTKOMPETENZ H enthält nur Lehr- oder Infoprogramme Computer Zone: PC-Tuning Apple Mac Pro vs. Xi Machines • Producer School: Stereoeffekte • Steinberg UR44 • Novation • Studiowissen: Sampler im Launch-Serie • Universal Audio Studio Teil 3 • u.v.m. Apollo Twin • Boss RC-505 4 11j1Iplot ictIfI Editorial Service NEU! Finanzierung! bei 12 - 72 jetzt nur noch 5,9% Monaten Laufzeit • KORG PA 900 ENTERTAINER KEYBOARD • 61 halbgewichtete Tasten, anschlagdynamisch + Aftertouch • 7" TFT TouchView-Farbdisplay, 800x480 Bildpunkte • 128-stimmig polyphon • Über 1100 Sounds (inkl. neuem Stereo Piano und optimierten GM/GS Sounds) • Über 70 Drum Kits Inklusive Zubehör: Notenständer, Zubehör-DVD, Netzkabel KEY0003784-000 Kindliche Vorfreude Deirrilr Art 111111111111111111111UM\ Liebe Leser, WERSI PEGASUS WING V2 die Musikmesse steht vor der Tür. Ich weiß ja nicht, wie es Ihnen geht, aber bei mir löst PROFESSIONAL KEYBOARD dieser Termin auch nach all den Jahren immer noch beinahe kindliche Vorfreude aus! Exklusiv im Music Store. Wo sonst erhält man als Besucher die Möglichkeit, so gut wie alle bedeutenden Her- Das größte Touchdisplay, die besten Orgelsounds, original Zugriegel, steller soft- und hardwarebasierter Musikproduktionslösungen an einem Ort versam- brilliante Orchester- Sounds und perfekte, nicht überladene Begleit..
    [Show full text]
  • National Academy of Recording Arts & Sciences
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC.® FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 54th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2010 through September 30, 2011 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to the Artist(s) and to the Album Producer(s), Recording and/or Mixer(s), if other than the artist. Engineer(s) and/or Mixer(s) & Mastering Engineer(s), if other than the 1. ROLLING IN THE DEEP artist. Adele 1. 21 Paul Epworth, producer; Tom Elmhirst & Mark Rankin, Adele engineers/mixers Jim Abbiss, Adele, Paul Epworth, Rick Rubin, Fraser T. Smith, Track from: 21 Ryan Tedder & Dan Wilson, producers; Jim Abbiss, Philip Allen, [XL Recordings/Columbia Records] Beatriz Artola, Ian Dowling, Tom Elmhirst, Greg Fidelman, Dan 2. HOLOCENE Parry, Steve Price, Mark Rankin, Andrew Scheps, Fraser T. Smith Bon Iver & Ryan Tedder, engineers/mixers; Tom Coyne, mastering Justin Vernon, producer; Brian Joseph & Justin Vernon, engineer engineers/mixers [XL Recordings/Columbia Records] Track from: Bon Iver 2. WASTING LIGHT [Jagjaguwar] Foo Fighters 3. GRENADE Butch Vig, producer; James Brown & Alan Moulder, Bruno Mars engineers/mixers; Joe LaPorta & Emily Lazar, mastering The Smeezingtons, producers; Ari Levine & Manny Marroquin, engineers engineers/mixers [RCA Records/
    [Show full text]
  • Monday 3Rd September 2018
    Monday 3rd September 2018 OA502 10:00 Opening & Keynote Franco Fabbri: Plagiarism: Musicology’s Proof of the Pudding? Session 1 OA502 11:00 Jennifer Skellington Panel-Spot the Difference: replication, rights and the musical work 11:30 Jan Butler Panel-Spot the Difference: replication, rights and the musical work 12:00 Dai Griffiths Panel-Spot the Difference: replication, rights and the musical work OA401 11:00 Eliot Bates Critical Approaches to Production Panel: 1. Theorizing the Domain of Production 11:30 Tom Western Critical Approaches to Production Panel: 2. Fixing and Unfixing National Musics: Field Recordings, Sound and Citizenship in Europe 12:00 Samantha Bennett Critical Approaches to Production Panel: 3. Intermixtuality: Case Studies in Online Music [Re]Production OA511 11:00 Mark Slater & Adam Martin An Aesthetic of Restriction for the Poetics of Contemporary Electronic Music Production 11:30 Jon Aareskjold, B. Sandvig & EDM Producers’ Reflections on Groove R. Bovig-Hanssen 12:00 Robert Michler Bound to the Grid: Accurate Groove in Popular Music since the Invention of Drum Machines and Quantisation OA607 11:00 Graham Roberts Thanks for the Memory: celebrating ‘punk’ through interactive documentary practice 11:30 Stephen Hay & Tom Pollard Thanks for the Memory: celebrating ‘punk’ through interactive documentary practice 12:00 Matt Grimes “The Cord is Cut”: Exit Narratives of British anarcho-punks 1978-1986 OA610 11:00 Sam Cleeve This must be the place: Virtual reality, musical performance, and U2’s ‘Song for Someone’ 11:30 Claudia Azevedo The Construction of a Retro Flying Saucer Take Off 12:00 Keir Keightley Why do we call it pop? OA727 11:00 Nick Braae Stylistic Pastiche in Popular Musical Theatre: From Analysis to Practice 11:30 Klesley Bueno Brandao Extra musical content at the service of style in idiomatic improvisation: approximations with Bakhtin's enunciative theory 12:00 Magdalena Fuernkranz Performing Diversity: The Performing Subject and Popular Music OA729 11:00 Daniel Lee Material Histories of Popular Music as History: Practice and Identity.
    [Show full text]