DOCSLIB.ORG

Download I'm Beside You Album Red Hot Chili Peppers DOWNLOADS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download I'm Beside You Album Red Hot Chili Peppers DOWNLOADS download i'm beside you album red hot chili peppers DOWNLOADS. Click this link for a torrent file containing many out of print, unavailable, or unreleased Red Hot Chili Peppers tracks. Nothing contained in this collection is hosted on this website. Nothing in this collection is currently available for purchase from an authorised retailer. This collection is purely for archival purposes. Included in this download: This collection will be updated in the future. All tracks are tagged and are in FLAC where available. If you have an upgrade, please get in touch. This website is for research and educational purposes only, and is in no way affiliated with the Red Hot Chili Peppers, their management, or their record label. I'm Beside You – Red Hot Chili Peppers. I'm with You Sessions is a group of nine singles by American rock band Red Hot Chili Peppers featuring 17 songs recorded in contention for the band's tenth studio album, I'm with You (2011). Слушать в Spotify. ipatsa : другой контент. I'm Beside You – Red Hot Chili Peppers: слушай прямо сейчас. I'm Beside You – Red Hot Chili Peppers: слушай все треки в приложении Spotify. Слушать в Spotify. Мы знаем, что ты любишь хорошую музыку. Слушай бесплатно на любом устройстве или оформи пробную подписку на Premium. Download i'm beside you album red hot chili peppers. Red Hot Chili Peppers are an American rock band formed in Los Angeles in 1983. The group's musical style primarily consists of rock with an emphasis on funk, as well as elements from other genres such as punk rock and psychedelic rock. When played live, their music incorporates elements of jam band due to the improvised nature of many of their performances. Currently, the band consists of founding members vocalist Anthony Kiedis and bassist Flea, longtime drummer Chad Smith, and former touring guitarist Josh Klinghoffer. Red Hot Chili Peppers are one of the best-selling bands of all time with over 80 million records sold worldwide, have been nominated for sixteen Grammy Awards, of which they have won six, and are the most successful band in alternative rock radio history, currently holding the records for most number-one singles (13), most cumulative weeks at number one (85) and most top-ten songs (25) on the Billboard Alternative Songs chart. In 2012, they were inducted into the Rock and Roll Hall of Fame. The band's original lineup, originally named Tony Flow and the Miraculously Majestic Masters of Mayhem, featured guitarist Hillel Slovak and drummer Jack Irons, alongside Kiedis and Flea. Because of commitments to other bands, Slovak and Irons did not play on the band's self-titled debut album (1984). Slovak performed on the second and third albums, Freaky Styley (1985) and The Uplift Mofo Party Plan (1987), but he died from a heroin overdose in 1988. As a result of his friend's death, Irons chose to leave the group. After short-lived replacements on guitar and drums, John Frusciante and Chad Smith joined in 1988. The lineup of Flea, Kiedis, Frusciante, and Smith was the longest-lasting and recorded five studio albums beginning with Mother's Milk (1989). In 1990, the group signed with Warner Bros. Records and recorded the album Blood Sugar Sex Magik (1991) under producer Rick Rubin. This album became the band's first major commercial success, but Frusciante grew uncomfortable with the band's popularity and left abruptly in 1992 in the middle of the Blood Sugar Sex Magik Tour. After two temporary guitarists, Dave Navarro joined the group in 1993 and played on their subsequent album, One Hot Minute (1995). Although commercially successful, the album failed to match the critical or popular acclaim of Blood Sugar Sex Magik, selling less than half as much as its predecessor. Navarro was fired from the band in 1998. Frusciante, fresh out of drug rehabilitation, rejoined the band that same year at Flea's request. The reunited quartet returned to the studio to record Californication (1999), which became the band's biggest commercial success with 16 million copies sold worldwide. That album was followed three years later by By the Way (2002), and then four years later by the double album Stadium Arcadium (2006), their first number-one album in America. After a world tour, the group went on an extended hiatus. Frusciante announced he was amicably leaving the band in 2009 to focus on his solo career. Klinghoffer, who had worked both as a sideman for the band on their Stadium Arcadium tour and on Frusciante's solo projects, replaced him. The band's tenth studio album, I'm with You, was released in 2011 and topped the charts in 18 different countries. The band released their eleventh studio album, The Getaway, in 2016. The album was produced by Danger Mouse, marking the first time since Mother's Milk that the Red Hot Chili Peppers had not worked with Rubin, and topped the charts in ten different countries. Anthony Kiedis � lead vocals (1983�present), rhythm guitar (1992�1998) Flea � bass, backing and lead vocals, trumpet, piano (1983�present) Chad Smith � drums, percussion (1988�present) Josh Klinghoffer � lead guitar, backing vocals, rhythm guitar, piano, keyboards, bass (2009�present), rhythm guitar, keyboards (touring 2007-2009) RECORDING INFO: Dates: Between September 13, 2010 - March 18, 2011 (and onward into 2013 for the IBY tracks) Players: Flea, Josh Klinghoffer, Chad Smith, Anthony Kiedis. Additional Performers: Michael Bolger (trumpet), Greg Kurstin (piano), Money Mark (Hammond B3 organ), Mauro Refosco (percussion), Lenny Castro (percussion) Recorded at: East West Studios (formerly Cello), 6000 Sunset Boulevard, Los Angeles, CA and Shangri La Studios, 30065 Morning View Drive, Malibu, CA, additional work done at JHOC, Pasadena, CA Produced by: Rick Rubin Engineered by: Ryan Hewitt, Andrew Scheps, Philip Broussard Jr., Sara Killion, Ken Slutier Mixed by: Andrew Scheps, Greg Fidelman Released on: August 29, 2011 Purchase on Amazon. SONGS RECORDED: Monarchy of Roses. Factory of Faith. Brendan's Death Song. Ethiopia. Annie Wants A Baby. Look Around. The Adventures of Rain Dance Maggie. Did I Let You Know. Goodbye Hooray. Happiness Loves Company. Police Station. Even You Brutus? Meet Me At The Corner. Dance, Dance, Dance released on the album "I'm With You" Strange Man. Long Progression. Magpies on Fire. Victorian Machinery. Never Is A Long Time. Love Of Your Life. Hometown Gypsy. Sunset Sleeps. Pink as Floyd. Your Eyes Girl. In Love, Dying. This is the Kitt. Brave From Afar. Catch My Death. How It Ends. Open/Close. Hanalei released as stand-alone singles and collectively as I'm Beside You - a compilation for Record Store Day. Renaissance Currently unreleased, but alluded to by Josh and teased live. In a video for Inside The Mix , Andrew Scheps states that the band tracked fifty songs during the I’m With You sessions: “Not just basic tracks of fifty songs, actually almost finished recording fifty songs, including final lead vocals.” That means there are over twenty “almost finished” songs yet to be heard. ALTERNATES/ MIX DIFFERENCES: Look Around - Rock Band DLC On the Rock Band DLC, the recording of Look Around contains its original intro - which is also played live by the band (which Josh will sometimes incorporate some interesting teases into). Ethiopia - Unreleased Prior to release, Ethiopia had a saxophone solo performed by Joshua Redman, most likely during the bridge. This was either deleted or the song was edited down. WORKING TITLES: Disco Sabbath = Monarchy of Roses Lagos = Did I Let You Know Magpies = Magpies on Fire See You Around = Goodbye Hooray Stolen Stone = Police Station Take Me Home = Did I Let You Know ( Did I Let You Know also had the suffix "(This I Know)" in some pre-release interviews, but that was seemingly changed) Mormon Lover = Your Eyes Girl. This website is for research and educational purposes only, and is in no way affiliated with the Red Hot Chili Peppers, their management, or their record label. Red Hot Chili Peppers I'm Beside You. I know I'm at risk of sounding completely and totally ignorant with what I'm about to say, especially as my oncoming complaint is about something that happens with nearly every album nowadays, but I really don't get this idea of writing at least 50 songs and hand picking a number of them for an album. I say that, because it seems to be the cause of a lot of today's albums feeling not so much like albums but rather compilations. Ultimately, that was part of why I'm With You failed to be interesting nowadays; because it shows the band going in at least 14 different directions and not many of them being interesting. And so here we are, just over two years after that album's release, Record Store Day 2013, a cavalcade of releases on vinyl for us collectors, and one of them being a collection of tracks that were somehow more boring than I'm With You . That's right, I'm BESIDE You . One reason this release was a bad idea in the first place is because most fans already had these tracks in some form; all the tracks were available on iTunes and in 45 RPM 7's, and free, even. So right there, there's already no reason to have to shell out $45 for this collection of filler tracks. And then there's the real reason this album is mostly pointless- that the majority of these tracks are just plain boring, with little to no entertainment value. There's maybe two tracks on this entire collection that are salvageable- "Pink as Floyd" and "Never is a Long Time".
Load more

Recommended publications
  • College Voice Vol. 34 No. 17
    Connecticut College Digital Commons @ Connecticut College 2009-2010 Student Newspapers 4-13-2010 College Voice Vol. 34 No. 17 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2009_2010 Recommended Citation Connecticut College, "College Voice Vol. 34 No. 17" (2010). 2009-2010. 4. https://digitalcommons.conncoll.edu/ccnews_2009_2010/4 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2009-2010 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. ......... NEW LONDON, CONNEOICUT TUESDAY,APRIL13, 2010 VOLUME 34· ISSUE17 The Camel and the You're So Hip! band build up excitement as the college reveals the newly redesigned camel athletic logo at Founder's Day. SGA Passes Proposal Haiti Relief Efforts Restructuring Exec Board CLAIRE S_GOULD AcadenticAffairs, Chair of SAC, ' President, Vice Presideut, Parlia- Lack Participation EDITOR-iN-CHIEF Chair of Residential Affairs and mentarian, Presidential Associate Chair of Diversity and Equity - are and Vice President of Public Rela- andjivin' in Cro. The SGA assembly recently TESSA ENGEL required to deal also with the ev- tions would sit on the Operations Unfortunately, few attended. passed a resolution that will affect & JAZMINE HUGHES eryday operations of SGA like ta- Council while the President, Vice After months of planning and the structure of future SGA as- CONTRIBUTOR & bling blood drive siguups, creating President and Chairs would sit on publicity, the white plastic folding semblies.
    [Show full text]
  • It's All Good
    SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes.
    [Show full text]
  • NAMM2020 Schedule 1 15 20
    #Avid at #NAMMShow MAIN STAGE EVENTS BOOTH #15502 JAN JAN JAN JAN 10:00am Music Production 10:00am Music Creation 10:00am Music Production 10:00am Music Creation 10:30am Immersive Audio 10:30am Audio Post 10:30am Immersive Audio 10:30am Audio Post Mixing Mixing 11:00am Immersive Audio 11:00am 11:00am Immersive Audio Mixing 11:00am Music Production ANDREW SCHEPS Mixing 11:30am Music Creation 11:30am Audio Post 11:30am Music Creation 11:30am Music Production 12:00pm 12:00pm 12:00pm 12:00pm MATT LANGE JOE TRAPANESE MATT LANGE MASTERING PANEL 12:30pm 12:30pm Music Creation TOWNSEND LABS 1:00pm 1:00pm ANDREW SCHEPS 1:00pm TOWNSEND LABS 1:00-1:45pm MATT LANGE 1:30pm Audio Post QUINCY JONES 1:30pm Audio Post 1:30pm Audio Post 2:30pm 2:00pm Music Production 2:00pm 2:00pm ANDREW SCHEPS SONARWORKS SONARWORKS 2:30pm Immersive Audio 3:00pm Mixing 2:30pm Immersive Audio JETT GALINDO 2:30pm Immersive Audio 3:00pm Mixing Mixing 3:30pm Music Production JETT GALINDO 3:00pm 3:00pm JETT GALINDO 4:00pm 3:30pm TOWNSEND LABS AUDEZE REVEAL ANDREW SCHEPS 4:00pm 4:30pm 3:30pm Music Production ANDREW SCHEPS TOWNSEND LABS 3:30pm 4:30pm AVID ACCESSIBILITY 4:30pm Music Creation 5:00pm DJ SWIVEL AVID ACCESSIBILITY PANEL 5:00pm 5:00pm PANEL AUDEZE REVEAL 4:30pm Music Creation JETT GALINDO 5:30pm 5:30pm Audio Post 5:30pm Audio Post JETT GALINDO *SCHEDULE SUBJECT TO CHANGE #Avid at #NAMMShow MAIN STAGE EVENTS BOOTH #15502 AVID DEMOS Music Creation in Pro Tools – Avid's Audio Evangelist and Electronic Music Producer & DJ Greg “Stryke” Chin breaks down his music creation workflow using the powerful creation features in Pro Tools.
    [Show full text]
  • Blues Symphony in Atlanta Two Years Ago, Wynton Marsalis Embarked on a New Challenge: Fuse Classical Music with Jazz, Ragtime and Gospel
    01_COVER.qxd 12/10/09 11:44 AM Page 1 DOWNBEAT DOWNBEAT BUDDY GUY BUDDY // ERIC BIBB // JOE HENRY JOE HENRY // MYRON WALDEN MYRON WALDEN DownBeat.com $4.99 02 FEBRUARY 2010 FEBRUARY 0 09281 01493 5 FEBRUARY 2010 U.K. £3.50 02-27_FRONT.qxd 12/15/09 1:50 PM Page 2 02-27_FRONT.qxd 12/15/09 1:50 PM Page 3 02-27_FRONT.qxd 12/15/09 1:50 PM Page 4 February 2010 VOLUME 77 – NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Contributing Designer Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
    JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.
    [Show full text]
  • Intercom Booth # 1920
    CEDIA 2017 INTERCOM Booth # 1920 Part# H310 0101 00 Dynaco Is BAck Shipping Fall 2017 ST-70 re-imagined for today’s audiophile The original Dynaco® Stereo 70™ is a true classic. The new ST-70™ Series 3 marks the intro- duction of a third generation of vacuum tube products bearing the Dynaco name. This “new 70” reflects the illustrious history of Dynaco’s involvement with vacuum tube designs along with the latest advances in vacuum tube technology. Throughout it’s long history, the Stereo 70 has proven a robust design of exceptional value. We have sought to preserve the considerable virtues of the original Stereo 70 while making use of more modern parts plus advanced circuit techniques. These improvements include precision metal-film resistors, poly-composition capacitors and high-capacity power supply New! Element capacitors to improve “stiffness” of the power supply making for a tighter bottom end. Fabric wrapped and paintable panels The excellent original output transformers have been updated with the latest knowledge in the art of winding output transformers by a top manufacturer known for making some of the finest transformers for Stereo 70 upgrades for several decades. The ST-70 Series 3 uses four dual triodes for the input gain, phase splitting and to drive the output tubes. This combination was explored by David Hafler for higher end amplifiers and has been well tested in the audiophile community. Hafler Amplifiers New amps for the studio and home Dante DI Boxes See more Dynaco on pg. 4 Worlds first Dante network DI Show off your style Primacoustic Element Absorbers The Primacoustic Elements™ are a range of acoustic absorbers that are designed to give us- ers more aesthetic options in their rooms.
    [Show full text]
  • Coachella 2010 Strike Anywhere
    SPECIAL FIRST ISSUE COACHELLA 2010 RACKET’S PICKS, REUNIONS, & FESTIVAL TIPS EXCLUSIVE INTERVIEW STRIKE ANYWHERE PLUS ADVENTURE TIME SHITTY BEER E-READERS SPRINGRACKET MAGAZINE 20101 2 RACKET MAGAZINE RACKET MAGAZINE 3 LETTER FROM THE CONTENTS THE EMPEROR SPRING 2010 Hello there! FEATURES COACHELLA 07 KIDS CAN EAT A BAG OF DICKS 30 FESTIVAL DO’S AND DONT’S My name’s The Emperor, and I’m supposed to welcome you to Racket but as I’m a terrible host, just RacketJeff discusses A Wilhelm Scream’s return. How to avoid chaffing, sunburns help yourself, look around, poke your nose into our closets and go through our underwear drawers. and blisters Hopefully you’re enticed rather than terrified. 16 BEST OF THE WORST Still here? Good. I wanted to get rid of the prudes, and hopefully they’re gone so now we can cut the The least shitty of shitty beers 33 REUNITED AND IT FEELS shit and get down to business. Racket business. For five years now we have been sucking up valuable SO GOOD space on the Internet to make room for our own brand of irreverent artist interviews and sometimes 20 TOP 10 SOLO ARTISTS Well, well, look who’s back deplorable journalistic integrity. If you’ve ever wanted to hear political punks tell an offensive joke or Notice how none of these a TV personality threaten the writer, you’ve come to the right place. are the bass players? 34 WHO TO WATCH Racket’s writers pick their favs to watch We’re not the next big thing in media, so don’t go getting your hopes up, but we are hear to try to 23 make with the funny.
    [Show full text]
  • BAM Announces 2020-21 Artist Residencies
    Brooklyn Academy of Music launches seven residencies in October, supporting a range of artists largely new to BAM Residencies include honorariums toward the development of creative work and use of BAM spaces Participants are Sophia Brous, Timothy DuWhite, Marjani Forté- Saunders & Everett Saunders (7NMS| E + M), Jonathan González, Jerome & James, Annie-B Parson, and Ashley Tata Top (L-R) Sophia Brous, Timothy DuWhite, and Marjani Forté-Saunders & Everett Saunders (7NMS| E + M), Bottom (L-R) Jonathan González, Jerome & James, Annie-B Parson, and Ashley Tata- Download Image and Credits HERE September 22, 2020/Brooklyn, NY—In an effort to lay out a larger welcome mat to artists of many disciplines, BAM is offering residencies to seven artists/artistic teams to support the development of their work at a challenging time. The dynamic, New York-based artists—Sophia Brous, Timothy DuWhite, Marjani Forté-Saunders & Everett Saunders, Jonathan González, Jerome & James, Annie-B Parson, and Ashley Tata—will receive $5,000 honorariums and the use of BAM’s rehearsal rooms and theaters. Artists are not asked to make work for presentation specifically at BAM, though Annie-B Parson/Big Dance Theater does have work slated for BAM in late 2021. The program represents BAM’s broadest artist residency initiative to date and underscores its interest in forging new relationships and supporting the creation of new work and creative exploration. The artists were chosen by a committee of five members of BAM’s programming team, ensuring the casting of a wider net for talent and greater transparency. BAM will continue the residency program beyond its initial cohort.
    [Show full text]
  • The Mixing Engineer's Handbook
    The Mixing Engineer’s Handbook THIRD EDITION Bobby Owsinski Course Technology PTR A part of Cengage Learning Australia • Brazil • Japan • Korea • Mexico • Singapore • Spain • United Kingdom • United States The Mixing Engineer’s Handbook, © 2013 Course Technology, a part of Cengage Learning. Third Edition ALL RIGHTS RESERVED. No part of this work covered by the copyright herein Bobby Owsinski may be reproduced, transmitted, stored, or used in any form or by any means Publisher and General Manager, graphic, electronic, or mechanical, including but not limited to photocopying, Course Technology PTR: Stacy L. Hiquet recording, scanning, digitizing, taping, Web distribution, information networks, or information storage and retrieval systems, except as permitted under Section Associate Director of Marketing: 107 or 108 of the 1976 United States Copyright Act, without the prior written Sarah Panella permission of the publisher. Manager of Editorial Services: Heather Talbot For product information and technology assistance, contact us at Senior Marketing Manager: Cengage Learning Customer & Sales Support, 1-800-354-9706 Mark Hughes For permission to use material from this text or product, submit all requests Acquisitions Editor: Orren Merton online at cengage.com/permissions Further permissions questions can be emailed to Project Editor/Copy Editor: [email protected] Cathleen D. Small Technical Reviewer: Brian Smithers All trademarks are the property of their respective owners. Interior Layout Tech: MPS Limited Cover Designer: Mike Tanamachi All images © Cengage Learning unless otherwise noted. Indexer: Indexer Name Library of Congress Control Number: 2011XXXXXX Proofreader: Sue Boshers ISBN-13: 978-1-285-42087-5 ISBN-10: 1-285-42087-X Course Technology, a part of Cengage Learning 20 Channel Center Street Boston, MA 02210 USA Cengage Learning is a leading provider of customized learning solutions with office locations around the globe, including Singapore, the United Kingdom, Australia, Mexico, Brazil, and Japan.
    [Show full text]
  • Frost School of Music
    University of Miami • Spring 2015 INSIDE: Pitch Perfect Onward and Upward Art of Comprimario scoreFROST SCHOOL OF MUSIC Building Greatness on Frost enters a Help Us Reach the new pace of progress with sound-savvy buildings and skyrocketing Next Crescendo rankings. Message from the Dean What a year it has been! As you will read in this issue, Musical America and The Hollywood Reporter have affirmed the Frost School’s place in the very highest tier among university music schools worldwide. Our long-held goal remains to be the most excellent and relevant music school anywhere, and we are accomplishing that ambition on a daily basis. Here’s how: Our curricula are the most relevant and innovative. It started with the groundbreaking undergraduate Experiential Music Curriculum, which results in broader skills and more ability to compose, arrange, improvise, and hear music. Now we are revising our master’s degrees in performance, with career and skill-focused course options to foster better stage presence and skills in marketing, communication, media and repertoire creation, and pedagogy. Frost Online is growing and extending the excellence and uniqueness of a Frost education to students everywhere. The Henry Mancini Institute continues to provide Frost students with real-world experiences rarely found in academia. These include network television specials, major label recordings, film scores, and concerts and workshops with renowned artists across a spectrum of style and genre. Now we are welcoming James Newton Howard as artistic director of the Henry Mancini Institute, and a new world of opportunity awaits. Frost graduates are working. Many of our programs have virtually 100% employment, including Music Engineering, Music Education, Music Therapy, and the various forms of conducting.
    [Show full text]
  • Waves Modeling Sets the Bar for Digital Audio
    PRESS RELEASE Contact: Clyne Media, Inc. Tel: (615) 662-1616 Fax: (615) 662-1636 FOR IMMEDIATE RELEASE WAVES MODELING SETS THE BAR FOR DIGITAL AUDIO ―Waves’ SSL 4000 Collection, V-Series, and API Collection are remarkable modeled processors that capture every nuance of the original analog gear ― 123 rd AES CONVENTION, NEW YORK, NY, October 5, 2007 — Over the past year and a half, Waves, the world’s leading developer of professional audio signal processing technologies, has revolutionized the digital audio world with their three groundbreaking collections of modeled vintage hardware: the SSL 4000 Collection, the V- Series, and the API Collection. Each is a precision-engineered set of plug-ins that perfectly emulates the sonic architecture of the original equipment, capturing every nuance and behavior of the original analog gear. Waves acquires the very best hardware reference units available, in most cases, supplied by the original manufacturers. Then the Waves engineering team analyzes every attribute and behavior of the hardware with meticulous attention to detail. Since audio hardware is not just the sum of its components and circuit schematics, Waves’ extensive testing explores every last nuance and response of the hardware behavior. It is this meticulous attention to detail that has always set Waves apart, and always will. Developed in association with Solid State Logic, the SSL 4000 Collection, precisely recreates the sonics of the legendary Solid State Logic® 4000 series recording console. Waves called upon the talents of GRAMMY® Award-winning mixer Chris Lord-Alge to create a series of •1• exclusive presets, the same as those he uses to create multi-platinum hits for artists including Green Day, Sheryl Crow, Hoobastank, Tim McGraw, Audioslave, Brian Setzer, Eric Clapton, and dozens of others.
    [Show full text]
  • Pressetext PDF (0.1
    ULTRAÍSTA Liest man das Line-Up des 2011 in London gegründeten multimedialen Trios, ist man bereits beeindruckt, bevor man auch nur einen Ton gehört hat. Denn obwohl wir es hier mit einem Debutalbum zu tun haben, („Ultraísta“ erscheint am 23.11.2012), sind die Protagonisten alles andere als Newcomer. Sängerin Laura Bettinson stehen niemand geringeres als Multiinstrumentalist und Produzent Nigel Godrich (auch bekannt als „sechstes Mitglied“ von Radiohead und Produzent vieler großartiger Alben von Radiohead, Paul McCartney, R.E.M. oder The Divine Comedy) und Drummer Joey Waronker (Schlagzeuger für R.E.M., Elliott Smith und diverser anderer Bands, Bandmitglied bei Atoms For Peace zusammen mit Thom Yorke, Nigel Godrich, Fela und Mauro Refosco) zur Seite. Über die gemeinsame Liebe zu Afrobeat, Electronica, Dance-Music, visueller Kunst und, äh, Tequila, haben Ultraísta zehn exquisit ausformulierte Elektro-Kraut-Pop Tracks für ihr phänomenales erstes Album geschaffen. Ultraísta ziehen mantra-artige Schleifen, Soundloops und Wiederholungen traditionellen Refrains vor und reduzieren ihre Kompositionen auf ihre absolute Essenz. Bei aller Reduktion besitzt die Band dabei stets eine derart meisterhafte Kontrolle über die reine Anatomie eines Pop-Songs, die nur haben kann, wer eine Schlüsselrolle in der Neudefinition dieser Kunst-Form für das 21. Jahrhundert gespielt hat und spielt. Als erste Beweise all der oben genannten Superlative sind mit „Smalltalk“ und „Static Light“ bereits zwei Songs durchgesickert – die neben den von der Band kreierten dazugehörigen Videos online zu finden sind. www.ultraista.co.uk www.facebook.com/ultraista www.soundcloud.com/ultra1sta ********* Ticketservice: 040 413 22 60 // 01805 62 62 80 (€ 0,14/Min. aus dt.
    [Show full text]