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Royer Labs Demonstration Cd #1

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ROYER LABS DEMONSTRATION CD #1 This CD was made so that you can hear for yourself, in your own studio, the sound of Royer ribbon microphones on a wide variety of recordings. Don't skip the CD's short introduction - it gives you a few pointers on getting the most out of this CD. Your ears are your best guide, but in case you'd like to know what a few Royer owners think: WARM "I love the way it allows me to put all the low end warmth onto tape." - Eddie Kramer (Jimi Hendrix, Led Zeppelin, Kiss) SWEET "The high frequency response is extremely smooth and sooooo sweet!" - Bruce Swedien (Michael Jackson, Quincy Jones, Duke Ellington) "They worked in virtually every setting we tried them in." - Shawn Murphy (Scoring Engineer; John Williams, James Horner) BIG "Huge low end with no eq." - Jerry Finn (Green Day, Blink-182) "Big, big drums, and great bottom on guitars." - Joe Barresi (Alanis Morrissette, Hole, Weezer) "I have to say these are the clearest, most punchy sounding mic's I've ever used, period." - Gary Tole (David Bowie, Eric Clapton, Melissa Etheridge) DIGITAL FRIENDLY "I use Royer ribbons every day I record. They bring a truly analog vibe to digital recordings." - Steve Kempster (Scoring Engineeer; Trevor Rabin, Mark Mancina) "Royers bring back to digital recording what was lost in the process of going from analog tape to digital formats." - Bryan Carlstrom (Producer/Engineer - The Offspring, Alice In Chains) VERSITILE "God, I love these (*#&%$@#) things!!!" - Ed Cherney (Rolling Stones, Bonnie Raitt, Eric Clapton) "I'm using R-121's all over everything - it's my go-to microphone." - Noel Golden (Engineer w/ Matt Serletic, Matchbox 20, Willy Nelson) "Royer mics are one of the very best things to happen to recording in years." - Tommy Vicari (Quincy Jones, George Duke) "It's definitely the best mic I've ever used for recording electric guitar." - Sean Beavan (Marilyn Manson, Nine Inch Nails) "It is by far my new, most favorite recording tool." - Ross Hogarth (Keb Mo, Black Crowes, REM) "I first used my pair of R-121's on every song on Jewel's 'Joy' album. Basically, I'm using them on everything I can." - Michael O'Reilly Mixer/Engineer (Jewel, Whitney Houston, Smashing Pumpkins) "With Royers I just record flat and get amazing tracks." - Matt Hyde (No Doubt, Mighty Mighty Bosstones, Soul Asylum, Porno For Pyros) 1. Introduction Royer Demonstrations 2. Electric Guitar - Jazz a. Diana Krall - "Popsicle Toes" (© Michael Franks) Recorded and mixed by Al Schmitt (Al won his 8th Engineering Grammy for this record). Producer - Tommy LiPuma. R-121 ON GUITAR. Recorded at Avatar Studios - New York, NY. From the GRP Records Inc. "Verve" release "Diana Krall - When I Look In Your Eyes". b. Diana Krall - "Let's Fall In Love" (© Ted Koehler) R-121 ON GUITAR. See a. for info. 3. Electric Guitar - Pop a. Sixpence None The Richer - "There She Goes" (©1999 L.A. Mavers) Engineer - Russ Long. Producer - Steve Taylor. R-121 ON ALL ELECTRIC GUITARS AND CELLO. Note - the lead vocal was sung on a Coles 4038 ribbon microphone, highly equalized to approximate the performance of a condenser microphone. Ribbons are very EQ friendly - don't be afraid to turn the knobs. This track was recorded while Russ was reviewing the R-121 for Pro Audio Review Magazine. The review was printed in June 1999 and can be read on our website. Recorded at The White House and The Carport - Nashville, TN. From the Squint Entertainment - Elektra/Asylumrelease "There She Goes". b. Jewel - "Winter Wonderland" (©1934 Dick Smith & Felix Bernard) Recorded and mixed by Michael O'Reilly. Producer - Arif Mardin. R-121 ON PEDAL STEEL GUITAR AND ORCHESTRA. Recorded at Right Track Recording - New York, NY. From the Atlantic Recording Corporation release "Jewel - Joy: A Holiday Collection". c. Treble Charger - "Brand New Low" (©2001 Nori Priddle & Hyde) Produced and engineered by Matt Hyde. R-121's on guitars. From the Nettwerk America / BMG Canada release "Wide Awake Bored". 4. Electric Guitar - Blues a. Robert Cray - "Baby's Arms" (© 2001 Robert Cray) Recorded and mixed by Don Smith. Producer - Steve Jordan. R-121 on guitar. Recorded at Woodland Studios - Nashville, TN. From the Rycodisc, Inc. release "Shoulda Been Home". b. The Carl Verheyen Band - "Lay Your Hammer Down" (© 2001 Carl Verheyen) Recorded by Shawn Sullivan. R-121 and SM57 on guitarS - blended (60% R-121 - 40% SM57), with an SF-12 further back in the room for ambience. SF-12 also on drum overheads. This is a rough mix of the first session, with a guide vocal track. Recorded at World Class Audio - Anaheim, CA. 5. Electric Guitar - Heavy Rock a. Chlorine - "Disappear" (©1999 Mark Fain) Produced and engineered by Matt Hyde. R-121 ON GUITARS. Recorded at Sound City Studios - Van Nuys, CA. / Grand Master Records - Hollywood, CA. From the Time Bomb Recordings release "Primer" b. Chlorine - "Way Out" (©1999 Mark Fain) R-121 ON GUITARS. See a. for info. c. Marvelous 3 - "Beautiful" (©2000 Butch Walker ) Producer - Jerry Finn. Engineered by Jerry Finn, Butch Walker and Joe McGrath R-121 on guitars. From the Elektra Entertainment release "ReadySexGo". d. Marvelous 3 - "I Could Change" (©2000 Butch Walker) R-121 ON GUITARS. See c. for info. e. Loudmouth - "Rats In The Maze" (©1999 John Sullivan) Produced by Joe Barresi and John Sullivan. Engineered by Joe Barresi, Allen Sides and Johnny K. R-121's ON GUITARS AND AS DRUM ROOM MICS. Recorded at Ocean Way Recording - Hollywood, CA / Bay 7 - Valley Village, CA / Groovemaster Studios - Chicago, IL. From the Hollywood Records release "Loudmouth". f. Loudmouth - "Maybe" (©1999 Tony McQuaid) R-121's ON GUITARS AND AS DRUM ROOM MICS. See e. for info. 6. Electric Guitar - Isolated a. Andy Georges. Recorded by Dusty Wakeman R-121 SIX INCHES FROM CABINET. Strat with single-coil pickups (you hear some single-coil hum), through a Matchless amplifier paired with a Marshall cabinet. At this distance, you hear little or no room ambience. Recorded directly to 20-bit ADAT at Mad Dog Studios - Burbank, CA. b. Andy Georges. Recorded by Dusty Wakeman Same Strat-Matchless combination as a. R-121 THREE FEET FROM CABINET, three feet high and pointed directly at the cabinet. At this distance, the cabinet tone becomes more apparent and room ambience plays a more important role in the overall sound. Recorded directly to 20-bit ADAT at Mad Dog Studios - Burbank, CA. c. Recorded by Ross Hogarth Stereo rhythm distortion guitar bed. R-121's ON TWO MARSHALL CABINETS. Recorded in Pro Tools at Rumbo Recorders - Canoga Park, CA. d. Recorded by Sean Beavan and Critter Sean Beavan's unique guitar sounds. R-121 on a Marshall cabinet Recorded and edited in Pro Tools. e. Slash. Recorded by Jim Mitchell R-121 AND SM57 Combined ON A MARSHALL CABINET - no EQ, effects, or compression. Recorded at Snakepit studios. f. John March. Recorded by John March Strat through a Line-6 amplifier in a hallway (you hear some natural single-coil hum). R-121 18" FROM AMPLIFIER, DEAD CENTER OFF THE LEFT SPEAKER, 10 DEGREES OFF AXIS. Recorded in Pro Tools at John's home studio. 7. Acoustic Guitar (with front side/back side R-121 discussion) a. John Jennings - "Give Me A Reason" (©2000 John Jennings) Recorded by Jeff Gross. Forward R-121 ON TAYLOR 512, 12TH FRET. Recorded in Cubase at 144 - Tarzana, CA. b. John Jennings - "Give Me A Reason" Backward R-121 ON TAYLOR 512, 12TH FRET. See a. for info. c. John March - "Maya's Other Dance" (©2000 John March) Recorded by John March. Backward R-121 on acoustic guitar. Martin D-35 with an R-121 placed approximately 2 feet from the sound hole, slightly closer to the neck, 20 degrees off-axis. Recorded in Pro Tools at John's home studio. d. Recorded by Shawn Sullivan BACKWARD R-121 ON ACOUSTIC GUITAR. Recorded in Pro Tools at World Class Audio - Anaheim, CA e. Andy Georges - "Sleep Easy Hutch R" (©2000 Alex Wurman) Recorded and mixed by Alex Wurman. BACKWARD R-121 ON ACOUSTIC GUITAR, FORWARD R-121 ON ELECTRIC GUITAR. f. Canaan - "Again" (©2000 Dan Sistos & Jevon McGlory) Engineer - Kyle Homme. Producer - Shawn Sullivan. BACKWARD R-121 ON STEEL AND NYLON STRING GUITARS. SF-12 on drum overheads. Recorded in Pro Tools at World Class Audio - Anaheim, CA. g. Rick Trevino - "Vanidad" (©) Producer - Steve Berlin. Engineer - Dave McNair. SF-12 ON CLASSICAL GUITAR IN A LARGE ROOM. Recorded at Sonora Studios - Glendale, CA. h. Andy Georges - "Follow Me Home" (©2000 Andy Georges) Recorded by Andy Georges. BACKWARD R-121 ON detuned acoustic guitar ELECTRIC Slide guitar (through a tiny Dan Electro amplifier with 8" speaker), and Vocals. Andy works at Royer Labs - if you own an R-121, chances are Andy put the ribbon in it! Recorded on 16-bit ADAT at Andy's home studio. i. John Thomas (©2000 John Thomas) Recorded by Dusty Wakeman. R-121 AND SF-12 ON ACOUSTIC GUITAR. John is playing a Taylor 512 cutaway. First rhythm track cut on an SF-12 stereo ribbon mic (in mixing, one side was centered and the other was panned to left). Harmony/solo track was recorded on a backward R-121, panned towards right. No EQ, compression or effects. Recorded on 20-bit ADAT at Mad Dog Studios - Burbank, CA. j. Teddy Andreas and Bruce Watson Recorded by Neil Citron. BACKWARD R-121 ON GUITAR AND ACCORDION. k. Fiach and Tradalsa - "Hornpipe" Recorded by Christy. R-121 ON ACOUSTIC BAND. Guitar, accordion and electric bass recorded live in studio with two R-121's placed 5 feet apart.
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    Desk SSL 4000G+E 40Ch. Total Recall Converters Apollo 16 (2x) Apollo Twin Mk2 Solo RME ADI-2 Pro FS (connected to apollo via AES/EBU) DAW & Plugins Protools 2018 Ableton Live 10 Logic pro X UAD all Plugins bundle Fabfilter bundle Waves Gold bundle Soundtoys Bundle Monitoring Custom (Flush-Mounted) Dynaudio M4 PMC TwoTwo6 Dynaudio Air15 Avantone active mixcube Cue Mix Behringer P16 Monitoringsystem Yamaha HS80 (SLS) Sennheiser G4 wireless system Pre-Amps API 512c (x3) Avalon U5 Neve 1073 + EQ (x2) Blue Robbie Tube pre Great River MP-500NV (x3) Universal Audio LA610 MKII Universal Audio 4-710D SSL 4000 Desk pre-amps (x40) Dizengoff D4 Dynamics Dbx 160XT Empirical Labs Distressor EL8X (2x) UREI 1178 SSL Desk Compressors (x40) SSL Masterbus Compressor Warm Audio WA-2A (x2) Tubetech CL1B Warm Audio WA-76 Rupert Neve Portico II MBP Equalizer/Filters Manley Massive Passive Neve 1073 EQ (x2) Sherman Filterbank SSL 242 Desk EQ (Black knob) (x32) SSL 232 Desk EQ (Orange knob) (x8) Warm Audio EQP-WA (x2) Little Labs VOG FX Lexicon 480L TC Electronic M3000 Vermona VSR3.2 Spring reverb Microphones Neumann U67 Neumann U47Fet Neumann U87 Neumann KM84 (2x) Flea 47 Tube Peluso P12 Tube AKG C414 XLS (x4) AKG C414 XL II (x2) AKG C451 B (x2) Coles 4038 (x2) Beyerdynamic M160 Telefunken M80 Octava MK012 (x2) Sennheiser MD421 (x5) Shure SM58 (x3) Shure SM57 (x3) Shure SM7B (x4) Shure Beta 52A Electrovoice RE20 Mothsound Mothmic Placidaudio Copperphone Headphones Presonus HP60 Headphone amp Beyerdynamic DT-770 Pro (x4) 250 Ω Beyerdynamic DT-770 Pro (x2) 32 Ω KRK KNS-8400 (4x) Controllers Ableton Push 2 Drum Computers Novation Drum Station Synthesizers Korg SV1 Korg MicroKorg XL Korg MS20 mini Korg Volca Sample, Bass, Keys Korg King Korg Korg Minilogue Roland TR-09 Roland Bassline Roland Vocoder VP-03 Roland Juno-60 Roland Jupiter-6 Roland TB-3 touch bassline Oberheim Expander D.I.