Pocket Guide 2020

POCKET GUIDE Full Product Range 2020 2020, Issue 1

Tascam is a trademark of TEAC Corporation, registered in the U.S. and other countries. Microsoft, Windows and Windows Vista are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Apple, Mac, macOS, iPad, Lightning, App Store and iTunes are trademarks of Apple Inc. IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license. ASIO is a trademark of Steinberg Media Technologies GmbH. All other trademarks are property of their respective owners. 2 CONTENT

DR-44WL ...... 4 DA-6400 ...... 45 DR-22WL ...... 5 DA-3000 ...... 46 DR-40X ...... 6 HS-20 ...... 47 DR-07X ...... 7 RC-HS20PD ...... 48 DR-05X ...... 8 HS-P82 ...... 49 DR-100 mkiii ...... 9 RC-F82 ...... 50 DR-680 mkii ...... 10 SD-20M ...... 51 DR-10X ...... 11 SS-CDR250N, SS-R250N ...... 52 DR-10C ...... 12 DR-10L ...... 13 SS-R100 ...... 53 DR-701D ...... 14 RC-SS150, RC-900 ...... 54 DR-70D ...... 15 RC-3F, RC-20 ...... 55 DR-60D mkii ...... 16 CG-1000, CG-1800, CG-2000 ...... 56 TM-2X ...... 17 CD-6010 ...... 57 RC-10, BP-6AA, AK-DR11G mkii, AK-DR11C ....18 CD-500 / CD-500B ...... 58 DP-006 ...... 19 CD-400U dab ...... 59 DP-008EX ...... 20 CD-200bt, CD-200sb ...... 60 DP-03SD ...... 21 CD-200 ...... 61 DP-24SD ...... 22 202 mkvii ...... 62 DP-32SD ...... 23 CD-A580 ...... 63 Model 12 ...... NEW! 24 CD-RW900 mkii ...... 64 Model 16 ...... 26 Model 24 ...... 27 CD-RW901 mkii ...... 65 AK-DC16, AK-DC24, AK-RM16 ...... 28 BD-MP1 ...... NEW! 66 GB-10 ...... 29 MX-8A ...... 67 TA-1VP ...... 30 RC-W100 ...... 68 iXZ ...... 31 MZ-372 ...... 69 US-1x2 ...... 32 MZ-223 ...... 70 US-2x2 ...... 33 MZ-123BT ...... 71 TRACKPACK 2x2...... 34 LA-40 mkiii, LA-80 mkii, LA-81 mkii ��72 US-4x4 ...... 35 LM-8ST, MH-8 ...... 73 US-16x08 ...... 36 VL-S5 ...... 74 US-20x20 ...... 37 TH-02, TH-06 ...... NEW! 75 SERIES 102i ...... 38 TM-60, TM-80 ...... 76 SERIES 208i ...... 39 SERIES 8p Dyna ...... 40 TM-180, TM-280 ...... 77 VS-R264, VS-R265 ...... 41 TM-DRUMS, TM-95GN ...... 78 MM-2D, MM-4D/IN, ML-4D/OUT, AE-4D .....42 TM-90BM, TM-10L ...... 79 ML-16D, ML-32D ...... 43 TM-AR1, TM-AG1 ...... 80 BO-32DE, BO-16DX/IN, BO-16DX/OUT ...... 44 TM-AM1, TM-AM2 ...... 81 3 DR-44WL 4-TRACK HANDHELD RECORDER WITH WI-FI FUNCTIONALITY •• QUICK menu button shows convenient features for various recording situations •• Dual recording with different level settings or in different formats •• XRI (Extended Recording Information) function for information on recording settings •• Reverb effect •• Four-position low-cut filter (40/80/120/220 Hz) •• Peak-reduction and limiter functions •• Auto-recording, Pre-recording, Self-timer recording functions •• Mark function (manual or automatic by peak or by time) •• Input delay for time compensation •• Variable speed, Variable key •• Divide function (manual/automatic by markers) •• I-O loop playback function •• Recording at up to 96 kHz / 24 bit (WAV/BWF) •• Resume function •• MP3 recording •• Track division function (manual or automatic •• Recording media: SD/SDHC/SDXC cards (4 GB by time or by level) microSDHC card and SD card adapter included) •• Chromatic tuner and metronome for rehearsal •• Two recording modes: •• MS decode function for MS mic configurations − Normal recording mode (up to 4 tracks) for •• Punch in/out function in MTR mode simple recording •• Bounce function in MTR mode − Professional MTR mode for music creation •• Mixdown function for 4-track recording •• Improved internal clock – ideal for filmmaking •• Multi-language menu (English, German, •• Unidirectional condenser microphones in X-Y Spanish, French, Italian, Russian, Japanese) configuration with shock mount system •• Stereo-mini headphones/line output with •• Accepts up to 132 dB SPL 20 mW output power per channel •• XLR/TRS inputs compatible with +4 dBu •• USB 2.0 high-speed file transfer to/from PC •• Improved mic preamps for higher-quality •• Micro-B type USB connector •• Cirrus Logic AD/DA codec with improved audio •• Included accessories: AC adapter, hot-shoe performance and low power consumption adapter, soft case, hand grip, wind screen and •• 24/48V phantom power micro USB cable •• 128x128 graphic LCD with backlight •• Powered by four AA batteries, included AC •• Built-in monaural speaker (300 mW) adapter or USB bus power •• Wi-Fi connection for monitoring, transport •• Tripod screw socket control, level control, file transfer and more •• Free remote app for Android/iOS devices and Windows/Mac computers •• Dimensions (W × H × D, mm): 79 × 162 × 43 •• Improved user interfaces for easy operation •• Weight: 251 g (without batteries)

4 DR-22WL HANDHELD RECORDER WITH WI-FI FUNCTIONALITY •• Four-position low-cut filter (40/80/120/220 Hz) •• Peak-reduction and limiter functions for overload protection •• Auto-recording function to automatically start recording based on input level •• Pre-recording function that can record up to two seconds prior to actual record start •• Self-timer recording function •• Mark function (manual or automatic by peak or by time (with firmware version 1.20)) •• Variable Speed Audition (VSA) is ideal for practice and arrangement (50–200 % change of speed) •• Key changing function with fine-tuning (±6 halftones) •• Divide function (manual/automatic by markers) •• File delete function •• Recording at up to 96 kHz / 24 bit (WAV/BWF) •• I-O loop playback function – ideal for •• MP3 recording rehearsal •• Recording media: microSD/microSDHC/microSDXC •• Resume function retains the last stop position cards (4 GB microSDHC card included) when power is turned back on •• Unidirectional condenser microphones in X-Y •• Audio files created on computer are playable configuration (only in formats compatible with this product) •• Accepts up to 125 dB SPL •• Track division function creates new files during •• Cirrus Logic AD/DA codec with improved audio recording (manual or automatic by time or level) performance and low power consumption •• File name format can be set to use a user- •• 128x128 graphic LCD with backlight defined word or dateMetronome for rehearsal •• Built-in monaural loudspeaker (300 mW) •• Multi-language menu (English, German, •• Wi-Fi connection for monitoring, transport Spanish, French, Italian, Russian, Japanese) control, level control, file transfer and more •• Headphones/line output (20 mW/channel) •• Free remote app for Android/iOS devices and •• USB 2.0 file transfer to/from your computer Windows/Mac computers •• Powered by two AA batteries, AC adapter •• Scene Dial and re-designed user interfaces for (available as option) or USB bus-power easy operation •• Tripod screw socket •• Dual format recording function (WAV and MP3) •• Overdub function •• Dimensions (W × H × D, mm): 52 × 155 × 37 •• XRI (Extended Recording Information) function •• Weight: 123 g (without batteries) for notes on recording settings •• Reverb effect

5 DR-40X 4-TRACK PORTABLE AUDIO RECORDER AND USB INTERFACE •• MS decoder included •• Overwrite function for punch-in recording with one level of Undo •• Switchable low-cut filter (40/80/120/220 Hz) •• Manual or automatic recording level setting •• Three Options of automatic level control: Peak Reduction, Auto Level, Limiter •• Pre-recording buffer (2 seconds) •• Auto recording start and stop by input level •• Self-timer, Auto tone (for syncing) •• Auto file division •• Mark function (up to 99 marks for each file) Playback features •• Automatic level align, Variable speed audition (50–200 %), Repeat/Loop playback •• Playlist feature to play files in a certain order •• Portable, high-quality handheld recording •• Resume function (start playback from the audio •• Compact size and easy operation position where the unit was last stopped) •• Recording media: SD card (up to 128 GB) •• Jump back function (1–10, 20, 30 seconds) •• Supported audio formats: •• Equalizer for tone control during playback − WAV/BWF up to 96 kHz / 24 bit •• Dictation mode designed for human voice − MP3 32–320 kbit/s at 44.1/48 kHz recording and transcription •• Can be used as a USB audio interface with Mac •• Built-in monitor loudspeaker and Windows computers (2 in, 2 out) •• Headphones/Line output Recording features Other features •• Built-in cardioid stereo condenser microphone •• Built-in reverb effect and chromatic tuner − Accepts high sound pressure level •• File divide function − AB and XY configuration supported •• Folder management to organize your files •• Stereo XLR/TRS mic/line input with phantom •• Hold function to avoid inadvertent operation power (48 V, supports +4 dB line level input) •• QUICK menu button for easy access to various •• 4-track recording creates at the same time: functions − 2 stereo recordings from built-in mics and •• Multilingual menu (EN, DE, FR, IT, ES, PT, RU, external mic/line input KO, JP, CN) − 2 stereo recordings with different levels •• Powered by 3 AA batteries, USB bus power or •• Non-destructive overdub: Record a mix of one optional AC adapter (PS-P520E) or two stereo playback files and a stereo input •• Optional footswitch (RC-3F) and wired remote signal to a new stereo file or record only the control (RC-10) input signal while playing back one stereo file •• Dimensions (W × H × D, mm): 70 × 155 × 35 •• Mixdown feature with level, pan and effect •• Weight: 213 g (without batteries) controls for each track (creates a stereo track from a 4-track recording) 6 DR-07X PORTABLE AUDIO RECORDER AND USB INTERFACE •• Self-timer (5 or 10 seconds) •• Auto file division •• Mark function (up to 99 marks for each file) •• Automatic tone generator convenient when editing with video on other equipment •• Stereo mic/line input with plug-in power to connect an external source or microphone •• File name format can be set to use a prede- fined word or the date Playback •• Automatic level align, Variable speed audition (50–200 %), Repeat/loop function •• Playlist feature to play files in a certain order •• Resume function (start playback from the audio position where the unit was last stopped) •• Jump back function (1–10, 20, 30 seconds) •• High-quality handheld stereo recording •• Equalizer for tone control during playback •• Small size and easy operation •• Dictation mode designed for human voice •• Recording media: Micro SD card (up to 128 GB) recording and transcription •• Supported audio formats: •• Built-in loudspeaker − WAV up to 96 kHz / 24 bit •• Headphones/Line output − MP3 32–320 kbit/s at 44.1/48 kHz Other features •• Can be used as a USB audio interface with Mac •• Built-in reverb effect and chromatic tuner and Windows computers (2 in, 2 out) •• File divide function Recording •• Folder management to organize your files •• Built-in cardioid stereo condenser microphone •• Hold function to avoid inadvertent operation − High sound pressure design (up to 125 dB SPL) •• QUICK menu button for easy access to various − Easy setup (AB or XY configuration) functions •• Switchable low-cut filter (40/80/120 Hz) •• Multilingual menu (EN, DE, FR, IT, ES, PT, RU, •• Manual or auto recording level setting KO, JP, CN) (Peak Reduction, Auto Level, Limiter) •• Powered by 2 AA batteries, USB bus power or •• Auto-recording function to automatically start optional AC adapter (Tascam PS-P520E) recording based on input level •• Stand adapter (¼ inch) on bottom side to •• Marks can be added automatically when using attach the unit to a tripod or microphone the automatic recording function stand •• Overwrite function for punch-in recording with •• Dimensions (W × H × D, mm): 68 × 158 × 26 one level of Undo •• Weight: 127 g (without batteries) •• Overdub function for non-destructive overdubbing •• Pre-recording buffer (2 seconds)

7 DR-05X PORTABLE AUDIO RECORDER AND USB INTERFACE •• Overdub function for non-destructive overdubbing •• Pre-recording buffer (2 seconds) •• Self-timer (5 or 10 seconds) •• Auto file division •• Mark function (up to 99 marks for each file) •• Automatic tone generator convenient when editing with video on other equipment •• Stereo mic/line input with plug-in power to connect an external source or microphone •• File name format can be set to use a prede- fined word or the date Playback •• Automatic level align, Variable speed audition (50–200 %), Repeat/loop function •• Playlist feature to play files in a certain order •• High-quality handheld stereo recording •• Resume function (start playback from the audio •• Small size and easy operation position where the unit was last stopped) •• Recording media: Micro SD card (up to 128 GB) •• Jump back function (1–10, 20, 30 seconds) •• Supported audio formats: •• Equalizer for tone control during playback − WAV up to 96 kHz / 24 bit •• Dictation mode designed for human voice − MP3 32–320 kbit/s at 44.1/48 kHz recording and transcription •• Can be used as a USB audio interface with Mac •• Built-in loudspeaker and Windows computers (2 in, 2 out) •• Headphones/Line output Recording Other features •• Omni-directional stereo condenser mic for •• Built-in reverb effect and chromatic tuner lively, high-quality, high-resolution recording •• File divide function − Easy setup •• Folder management to organize your files − High sound pressure design (up to 125 dB SPL) •• Hold function to avoid inadvertent operation − Natural sound independent of the sound •• QUICK menu button for easy access to various source’s position functions •• Switchable low-cut filter (40/80/120 Hz) •• Multilingual menu (EN, DE, FR, IT, ES, PT, RU, •• Manual or auto recording level setting KO, JP, CN) (Peak Reduction, Auto Level, Limiter) •• Powered by 2 AA batteries, USB bus power or •• Auto-recording function to automatically start optional AC adapter (Tascam PS-P520E) recording based on input level •• Stand adapter (¼ inch) on bottom side to •• Marks can be added automatically when using attach the unit to a tripod or microphone the automatic recording function stand •• Overwrite function for punch-in recording with •• Dimensions (W × H × D, mm): 61 × 141 × 26 one level of Undo •• Weight: 116 g (without batteries)

8 DR-100 mkiii PROFESSIONAL PORTABLE STEREO RECORDER •• Additional stereo input with adjustable level (mini jack, mic/line level, plug-in power) •• Rotary control for intuitive control of analogue input signals •• Digital input (to be used with included conversion cable, supports SPDIF and AES/EBU) •• Switchable low-cut filter (40/80/120/220 Hz) •• Mic input level attenuation, Switchable auto gain control, Limiter to prevent clipping •• Built-in monitor speaker •• Headphones output with level control •• Separate stereo line output, adjustable level •• Pre-recording buffer, Delayed recording, Auto-record, Instant recording with a press of a button •• Tone generator for creating slate tones •• Mark function (automatic or manual) •• Handheld digital stereo recorder for profes- •• Create a new audio file during recording sional use (manually or by file size) •• Rugged aluminium chassis •• File divide function (WAV format only) •• Two separate types of batteries used together •• File renaming allows many hours of operation as well as the •• Playback features include: ability to change batteries while recording − In/Out loop •• Recording media: SD/SDHC/SDXC cards (64 MB − Folder or playlist playback – 128 GB) − Switchable VSA function (change playback •• Selectable recording formats: tempo without affecting the key) − Linear PCM (WAV/BWF), 16/24 bit, •• XRI function allows information on recording 192/176.4/96/88.2/48/44.1 kHz settings to be stored with a BWF file − MP3, 128/192/256/320 KBit/s, 44.1/48 kHz •• Multi-language menu (English, German, − Dual recording (level or format) Spanish, French, Italian, Japanese) •• 102 dB S/N ratio, A/D converters switchable to •• Metal mic stand adapter (¼ inch) dual mode for even higher S/N ratio •• USB 2.0 for file transfer with computer •• Four built-in high-quality condenser mics •• Power supply by the built-in lithium-ion − Two uni-directional microphones with rechargeable battery, two AA batteries internal shock mount for stereo recording (Alkaline, NiMH or Lithium), optional AC − Two enhanced omni-directional micro- adapter (PS-P520E) or USB power phones for minutes recording or ambience •• Digital input adapter cable included •• Two lockable XLR/jack combo mic/line inputs •• Dimensions (W × H × D, mm): 80 × 156 × 35 with switchable 48V phantom power •• Weight: 375 g (without batteries) •• High-performance preamps provide a wide range of gain (–58 dBu to +24 dBu)

9 DR-680 mkii PORTABLE MULTI-TRACK RECORDER

Recording/Playback •• Dual recording creates a safety track with •• High-quality field recording reduced level •• Compact size and easy operation •• Built-in loudspeaker for monitor purposes •• Up to 8 recording tracks •• Powered by 8 AA-size batteries (alkaline, − 6 tracks + stereo mix track at up to NiMH, lithium) or AC adapter (included) 96 kHz / 24 bit Inputs/Outputs − 6 tracks via the analogue inputs + 2 tracks •• 6 balanced mic/line inputs (4 XLR/TRS combo via the digital input at up to 96 kHz / 24 bit − 2 tracks at 192 kHz / 24 bit connectors, 2 TRS connectors) •• Recording media: SD/SDHC/SDXC cards •• 48 V phantom power •• Recording/playback in uncompressed BWF or •• Selectable input gain on each analogue input WAV format or space-saving MP3 format (hardware-switchable high/low) •• MP3 multi-track recording •• Switchable low-cut filter and limiter on each (2 stereo or 4 mono files) analogue input •• WAV/BWF sampling frequencies: •• 6 unbalanced line outputs (RCA) 44.1/48/96/192 kHz •• Stereo digital input and output (selectable •• MP3 sampling frequencies: 44.1/48 kHz between SPDIF and AES/EBU) •• MP3 bit rates: 96–320 kbit/s •• Headphones output with level control •• 16/24 bit resolution •• USB 2.0 high-speed data transfer to PC •• Improved mic preamps •• Cascade feature to control up to four DR-680 •• Mid-side (MS) microphone decoding •• Optional carrying case CS-DR680 •• Pre-recording buffer (up to 2 seconds) •• Auto recording by input level •• Dimensions (W × H × D, mm): 217 × 56 × 189 •• Locate markers, Repeat playback •• Weight: 1.2 kg (without batteries) •• Option to operate a group of controls as one 10 DR-10X MIC-ATTACHABLE AUDIO RECORDER

•• Compact, lightweight audio recorder that can •• Playback function for checking recordings via be attached directly to a dynamic microphone headphones with XLR connector •• Headphones output •• Mono/poly file recording at 44.1/48 kHz •• Built-in clock for storing time information sample rate and 16/24 bit resolution with recordings •• BWF (WAV) format allows inclusion of time •• Fastening mechanism for a stable joint information within audio files between the recorder and the microphone •• Recording and playback of MP3 format files •• OLED display with great visibility − Sampling rate: 44.1/48 kHz, •• Micro USB-B connector for easy data transfer resolution: 16/24 bit with a computer − Bit rate: 128/192 kbit/s (recording), •• Power supply through one AAA battery/ 32–320 kbit/s (playback) rechargeable or USB connection •• Recording media: microSD/microSDHC cards •• Settings can be created in a text file on a com- (up to 32 GB) puter and transferred to the DR-10X via USB •• Dual recording function allows two files •• Infrared data communication allows setting to be recorded simultaneously at different information to be transferred to other DR-10X levels (level reduction for alternate recording recorders selectable –6/–12 dB) •• Firmware update possible using the microSD •• Recording level can be set to High/Mid/Low card •• AGC function (Auto Gain Control) •• Switchable limiter to prevent clipping •• Dimensions (W × H × D, mm): •• Switchable low-cut filter conveniently reduces 52 × 95 × 28 (without protrusions) low-frequency noise •• Weight: 56 g (without battery) •• Time track increment function

11 DR-10C DIGITAL AUDIO RECORDERS FOR LAVALIER MICROPHONES

•• Micro-sized linear PCM audio recorder for •• Playback function for checking recordings via lavalier microphones headphones •• Can be connected between a lavalier micro- •• Headphones output phone and a wireless transmitter to provide a •• Built-in clock for storing time information backup recording with recordings •• Mono/poly file recording at 44.1/48 kHz •• OLED display with great visibility sample rate and 16/24 bit resolution •• Micro USB-B connector for easy data transfer •• Recording and playback of MP3 format files with a computer − Sampling rate: 44.1/48 kHz, •• Power supply through one AAA battery/ resolution: 16/24 bit rechargeable or USB connection − Bit rate: 128/192 kbit/s (recording), •• More than eight hours recording with a single 32–320 kbit/s (playback) AAA battery •• Recording media: microSD/microSDHC cards •• Settings can be created in a text file on a com- (up to 32GB) puter and transferred to the DR-10C via USB •• Dual recording function allows two files to be •• Infrared data communication allows setting recorded simultaneously at different levels information to be transferred to other DR-10C (reduction for alternate recording selectable recorders –6/–12 dB) •• Firmware update possible using the microSD card •• Hold function prevents accidentally switching •• DR-10CS for Sennheiser mics, option pack off the recorder available for Sony/Ramsa (AK-DR10CR) •• Switchable limiter to prevent clipping •• Switchable low-cut filter, Auto gain control •• Dimensions (W × H × D, mm): •• New tracks can be created after a preset 52 × 56 × 25 (without protrusions) amount of time (switchable on/off) •• Weight: 63 g / 51 g (with/without battery)

12 DR-10L DIGITAL AUDIO RECORDER WITH LAVALIER MICROPHONE

•• Micro-sized audio recorder with lavalier •• Built-in clock function, supports BWF files microphone, microphone clip and windscreen with included time information – convenient included (cable length: 160 cm) for editing and searching tracks •• Linear PCM mono/poly recording at 44.1/48 kHz, •• Time track incrementing function can create 16/24 bit (BWF-compatible WAV format) new files at regular intervals (about every 15 •• Recording and playback of MP3 format files minutes) during recording − Sampling rate: 44.1/48 kHz, •• Playback function allows recorded data to be resolution: 16/24 bit checked immediately − Bit rate: 128/192 kbit/s (recording), •• Headphones output 32–320 kbit/s (playback) •• High-contrast, easy-to-read OLED display •• Recording media: microSD/microSDHC cards •• Micro USB-B connector for easy data transfer (up to 32GB) with a computer •• Switchable limiter to prevent clipping •• Records at least 10 hours on a single AAA •• Switchable low-cut filter to reduce low- battery using alkaline batteries (Evolta) frequency noise •• Settings can be created as a text file on a com- •• Low/Mid/High/High+ recording level settings puter and transferred to the recorder via USB •• Automatic level control available •• Firmware can be updated using a microSD card •• Dual recording function allows two files •• Belt clip and custom case for storing the unit to be recorded simultaneously at different and accessories included levels (level reduction for alternate recording •• Dimensions (W × H × D, mm): selectable –6/–12 dB) 52 × 56 × 25 (without protrusions) •• Sliding record switch and hold function to •• Weight: prevent misoperation during recording 63 g (with battery, without microphone) •• Automatic file closing function to prevent the 51 g (without battery/microphone) loss of already recorded data 13 DR-701D 6-CHANNEL AUDIO RECORDER FOR DSLR CAMERAS

•• Compact, professional-grade audio recorder •• Camera input enables convenient monitoring for use with a DSLR camera (also usable as a of audio from a DSLR camera standalone field recorder) •• Clock and starting/stopping recording can be •• Recording media: SD/SDHC/SDXC cards synchronized with a camera using HDMI •• Recording at 44.1/48/96/192 kHz, 16/24 bit, •• The recorder’s audio signal can be sent to an WAV/BWF format (192 kHz only for two- external recorder using the HDMI output channel recording) •• Timecode input, built-in timecode generator •• Up to six recording channels (4 channels •• Slate tones can be added + stereo mix), recording levels 1–4 can be •• Mark function (up to 99 points) adjusted independently •• Resume function •• Dual recording function •• Cascade function using HDMI connections •• Two built-in omnidirectional microphones •• Tone generator for level adjustments •• Four XLR/TRS combo inputs support +4 dBu •• Headphones jack with 2 × 50 mW output line level and phantom power (24/48 V) •• High-quality audio output through a line •• +24 dBu maximum input level (20 dB headroom) output jack separate from the headphones jack •• 64 dB gain (maximum) •• USB 2.0 port for file transfer •• Stereo mini jack input supports mics that •• Micro-B type USB cable included require plug-in power •• Stand adapter (¼ inch) on bottom side •• Selectable mid-side (MS) decoding, recording •• Removable DSLR bracket, hot shoe mount in Sennheiser Ambisonics A or B format •• Input for optional foot switch or remote control •• Selectable delay to eliminate time lags (±150 ms) •• Operates on four AA batteries or recharge- •• Five-stage switchable low-cut filter, Multiband ables, USB bus power, optional AC adapter or limiter, Built-in mixer, groupable Trim controls optional external battery pack •• Audio mixed by the DR-701D can be output to a DSLR camera 14 DR-70D 4-CHANNEL AUDIO RECORDER FOR DSLR CAMERAS

•• Compact, professional-grade audio recorder •• Selectable mid-side decoding for use with MS •• Records to SD cards (up to 128 GB) microphone setups •• Tascam HDDA microphone preamps •• Slate tone functions (automatic/manual) •• NE5532 operational amplifiers for even higher •• Pre-recording, Auto recording, Self-timer audio performance (also used on DA-3000) •• Selectable delay to eliminate time lags •• Stereo or four-channel recording (four •• QUICK button allows easy access to functions channels can be mixed down to stereo) •• Mark function •• Independent level controls for inputs 1–4 •• Playback equalizers, level alignment function •• Dual recording function allows two files to be •• File name format can be set to use a user- recorded simultaneously at different levels defined word or by date •• Recording at 44.1/48/96 kHz, 16/24 bit, linear •• Resume function to memorize the playback PCM (WAV format), BWF supported as WAV position before the unit is turned off •• Two built-in omnidirectional microphones •• Line output and headphones output with •• Four XLR/TRS combo inputs support +4 dBu individual level controls (3.5-mm jack) line level and phantom power (24/48 V) •• Dedicated remote control jack for use with •• +24 dBu maximum input level RC-10 and RC-3F (sold separately) •• Additional unbalanced input for channels 1 •• Low-noise buttons and 2 (stereo mini jack, plug-in power) •• USB 2.0 port •• Low-cut filter (40 Hz, 80 Hz, 120 Hz) •• Stand adapter (¼ inch) on bottom side •• Limiter to prevent clipping •• DSLR bracket for easy camera attachment and •• High-quality audio can be output to a DSLR removal, hot shoe mount camera for recording •• Operates on four AA batteries, optional AC •• Camera input enables convenient monitoring adapter (PS-P520E) or USB bus power of audio from a DSLR camera

15 DR-60D mkii PORTABLE AUDIO RECORDER FOR DSLR CAMERAS

•• Compact, high-quality audio recorder designed •• Pre-recording and Auto recording functions to be used with a DSLR camera •• New files can be created during recording •• Recording media: SD/SDHC cards (up to 32 GB) (manually or by file size) •• High-quality recording inputs through Tascam •• Self-timer function, Jump-back function original HDDA microphone preamps •• Selectable delay to eliminate time lags •• Stereo or 4-channel recording with mixdown between two input sources •• Dual recording function allows two files to be •• QUICK button for easy access to various functions recorded simultaneously at different levels •• Divide function allows files to be split •• Recording at 44.1/48/96 kHz, 16/24 bit (WAV) •• Mark function for moving to specific locations •• BWF supported as WAV recording format •• Playback equalizer, level alignment function •• New, smooth XLR/TRS combo jacks •• Resume function •• XLR/TRS inputs support phantom power (24/48 V) •• Line output and headphones output with •• TRS mic/line inputs support +24 dBu input individual level controls (3.5-mm jack) •• “HI+PLUS” allows a max. input gain of 64 dB •• USB 2.0 port for file transfer •• Stereo mini jack input supports mics that •• Stand adapter (¼ inch) , DSLR bracket for easy require plug-in power, allowing the input camera attachment and removal with a coin of video mics and other high-output mics •• Remote control jack (for RC-10 or RC-3F) (+10 dBV maximum input level) •• Hold switch to prevent accidental operation •• Low-cut filter conveniently reduces low- •• Operates on four AA batteries, optional AC frequency noise (40 Hz, 80 Hz, 120 Hz) adapter (PS-P520E) or USB bus power •• High-quality audio can be sent to a DSLR •• Power source switches automatically from camera, camera input for monitoring external to internal when necessary (with •• Selectable mid-side decoding pop-up message on display) •• Slate tone functions (automatic/manual) to simplify synchronization with video files 16 TM-2X HIGH-QUALITY MICROPHONE FOR DIGITAL CAMERAS

•• High-grade stereo condenser microphone for •• Operates with plug-in power – no battery high-quality sound recording with DSLR or required mirrorless cameras •• Noise isolation arm included to reduce possible •• Can be mounted directly to the camera noise being recorded from the camera’s lens or accessory shoe and swivelled by 180 degrees stabilizer mechanisms to capture sound sources in front or behind •• Fur windscreen included to reduce noise being the user recorded in outdoor situations •• Tripod attachment screw-hole (1/4-inch) to place the microphone apart from the camera •• Dimensions (W × H × D, mm): 57 × 59 × 69 •• XY orientation for clear stereo definition and •• Weight: 75 g (without arm) minimal phase differences •• Accepts high sound pressure level up to 125 dB SPL •• Switchable input sensitivity for optimum performance with any camera model •• Switchable filter to minimize unwanted low‑frequency noise

17 RC-10, BP-6AA, AK-DR11G mkii, AK-DR11C DR-SERIES ACCESSORIES

RC-10

BP-6AA

RC-10 AK-DR11G MKII •• Wireless/wired remote control for DR series General handheld recording package recorders •• Fur windscreen to reduce wind noise •• 6 buttons for transport control and setting •• Grip for handheld recording marks while recording •• PS-P520E Power adapter •• 4 function buttons to control product-specific •• Soft carrying-case features (see Owner’s manual of the related •• Ideal for use with DR-05X, DR-07X, DR-40X, product) DR-100MKIII, DR-100MKII, DR-22WL, •• 3 m cable included DR-44WL, DR-07MKII, DR-100, DR-40, DR-05 BP-6AA AK-DR11C Filmmaking accessory package •• External battery pack for DR series and other •• Attenuator cable for optimum audio con- products powered by DC 5V or USB nection to camera •• Increases the operation time without the need •• Splitter cable for simultaneous connection of for an AC adapter or computer headphones and camera •• Can be used for any Tascam product powered •• Shoe-mount adapter to attach the recorder to by PS-P515U or PS-P520E AC adapters or any the camera product powered by USB •• Fur windscreen to reduce wind noise •• Takes six AA batteries •• Grip for handheld recording •• Power switch and LED indicators for remaining •• Soft carrying-case battery power •• Ideal for use with DR-05X, DR-07X, DR-40X, DR-100MKIII, DR-100MKII, DR-22WL, DR-44WL, DR-07MKII, DR-100, DR-40, DR-05

18 DP-006 6-TRACK DIGITAL POCKETSTUDIO

•• Portable, ultra-compact and easy-to-use •• Chromatic Tuner/Metronome multitrack recorder •• USB 2.0 port for file transfer to/from computer •• Simple, intuitive user interface •• Export your mix recording or individual tracks •• High-quality recording (44.1 kHz / 16 bit) (WAV files) or back up your song to a computer •• Recording media: SD/SDHC cards (2 GB SD card •• Import individual tracks (WAV files) or restore included) backed-up songs from a computer •• 6 recording tracks (2 mono tracks, 2 stereo •• Stand adapter (¼ inch) on bottom side to tracks,can also be used as mono tracks) mount your Pocketstudio on a tripod or mic •• Record a stereo source or two independent stand to ease instrumental or environmental mono sources at once recordings •• Simultaneous playback of all 6 tracks •• Power supply by AA batteries or optional AC •• Built-in stereo condenser microphone adapter (PS-P520E) •• Two Mic/Line inputs •• Dimensions (W × H × D, mm): 155 × 42 × 107 •• Dedicated Level and Pan controls •• Weight: 360 g •• Bounce feature (up to 6 tracks plus two input channels can be bounced to a new mono or stereo track) •• Dedicated stereo master track •• Locate features •• Repeat playback •• Editing functions: duplicate or erase tracks, cut parts, insert silence •• Undo/Redo feature (up to 500 steps, depending on memory capacity)

19 DP-008EX 8-TRACK DIGITAL POCKETSTUDIO

•• Portable, ultra-compact and easy-to-use •• Auto punch in/out multitrack recorder •• Footswitch connector to allow hands-free •• Simple, intuitive user interface punch-in/out (footswitch available as an •• Use real knobs and buttons for frequently-used option) functions or easily navigate through the menu •• Track bounce feature •• High-quality recording (44.1 kHz / 16 bit) •• Up to 8 tracks plus two input channels can be •• Recording media: SD/SDHC cards (2 GB SD card bounced to a new mono or stereo track included) •• Dedicated stereo master track •• 8 recording tracks •• Auto and manual mastering tools •• Record a stereo source or two independent •• Single- or multi-band mastering compressor mono sources at once and a normalizer to master your mixes manually •• Simultaneous playback of all 8 tracks •• Locate features •• Built-in stereo condenser microphone •• Repeat playback •• Two Mic/Line inputs (XLR/TS combo con- •• Editing functions: duplicate or erase tracks, nectors) copy, move or cut parts, insert silence •• Switchable phantom power for condenser •• Undo/Redo feature (up to 500 steps) microphones •• Chromatic Tuner/Metronome •• Dedicated Level and Pan controls •• USB 2.0 port for file transfer to/from computer •• Three-band parametric EQ per track, two-band •• Power supply by four AA batteries or optional parametric EQ on both inputs AC adapter (PS-P520E) •• Dynamic effects on both inputs (compressor, •• Optional footswitch RC-1F available exciter and de-esser) •• On-board Reverb processor with dedicated •• Dimensions (W × H × D, mm): 221 × 44 × 127 send knobs on each channel •• Weight: 610 g

20 DP-03SD 8-TRACK DIGITAL PORTASTUDIO™

•• Recording/playback at 44.1 kHz / 16 bit using •• On-board mastering effects (2-band EQ, SD/SDHC memory card single/multi-band compression, normalizer to •• Simultaneous recording of two tracks improve the sound density •• Simultaneous playback of eight tracks (use •• Auto punch in/out (Record a marked section dedicated controls on each channel for while playing or singing without pressing any volume, pan and effect to create a mix) button) •• Dedicated stereo mixdown track (mix your •• Track bounce feature (use more than eight song to a stereo file you can transfer to a tracks by creating a mixdown of several tracks computer for MP3 encoding) to another track) •• Built-in stereo condenser microphone (create •• Workstation-style editing with copy, move, a two-track recording instantly and without open, cut etc. (edit your tracks like a pro) cabling) •• Multi-level undo/redo history (undo/redo mul- •• Two XLR mic inputs with phantom power tiple steps in case you have made a mistake (plug in your favourite studio condenser •• Location marks (set marks to easily locate the microphones) start of verses, soli, vocals etc.) •• Two TRS line inputs, one switchable to guitar •• Built-in tuner and metronome (connect an electrical guitar or bass as well as •• USB 2.0 port synths, drum machines etc. directly) •• Backup/restore projects or import/export wave •• RCA line output (connect your monitor files from/to a computer amplifier/speakers here) •• Foot switch with three switches and assignable •• Headphones output with level control functions available as an option (RC-3F) •• Two-band shelving EQ per track and on both inputs •• Dimensions (W × H × D, mm): 290 × 54 × 207 •• On-board Reverb processor to polish your mixes •• Weight: 1.4 kg

21 DP-24SD 24-TRACK DIGITAL PORTASTUDIO

•• 12 mono tracks + 6 stereo tracks, 19 faders •• Undo and Redo function with undo history •• Simultaneous playback of 24 tracks •• Dynamics effects for input (Limiter, •• Simultaneous recording of 8 tracks Compressor, Noise Suppressor, Exciter) •• 44.1/48 kHz, 16/24 bit resolution •• Guitar multi-effects (Noise Suppression, Amp •• 8 XLR/TRS combo connectors for inputs Simulation, Compression, Chorus, Flanger, •• Phantom power supplied on all inputs Phaser, Tremolo, Auto Wah, Delay) (switchable A–D, E–H) •• Mix-down effects (Reverb, Delay, Stereo •• Instrument-level input for guitar or bass Chorus) •• 3-band EQ on inputs A–H and each track •• Mastering tools (Equalizer, Multi-band •• Colour LC display and 12-encoder channel strip Compressor, Normalizer) •• Dedicated controls for EQ, pan and effect sends •• Chromatic tuner •• Peak-hold function for level meters on display •• Metronome •• Stereo RCA output •• File transfer via USB 2.0 •• 2 effect send outputs (6.3-mm TS jack) •• Dedicated AC adapter included (GPE248- •• Headphones output with 70 mW per channel 120200-Z) •• Connector for optional RC-3F footswitch •• Solid-state recording to SD cards for better •• Automatic punch in/out shock resistance than hard drive recording •• Track bounce function •• SD card included •• 8 virtual tracks per track for alternative takes •• Up to 99 locate marks per song •• Dimensions (W × H × D, mm): 514 × 101 × 337 •• Various edit functions (copy insert, copy paste, •• Weight: 6.2 kg move insert, move paste, open, cut, silence, clone track, clean out) •• Editing on sub-frame level

22 DP-32SD 32-TRACK DIGITAL PORTASTUDIO

•• 32-track digital Portastudio •• Selectable instrument level input for guitars − 8 mono tracks, 12 stereo tracks (can also be or basses used as mono tracks) •• Unbalanced stereo output (RCA jacks) − Record up to 8 tracks at once with •• Balanced stereo monitor output 44.1/48 kHz and 16/24 bit audio resolution (6.3-mm TRS jacks) − Simultaneous playback of all 32 tracks •• Two unbalanced effect sends (6.3-mm TS jacks) − Virtual tracks for alternate takes and undo •• Stereo headphones output (6.3-mm TRS jack) − Dedicated stereo master track •• Footswitch input (2.5-mm mini jack) for •• Colour LC display and 12-encoder channel strip Tascam RC-3F (optional accessory) for simple operation •• Dynamics effects for input (Limiter, •• Built-in 40-channel mixer Compressor, Noise suppressor, Exciter) − Mix down your 32 playback tracks with •• Guitar effects (Amp simulator, Reverb, eight input signals to the dedicated stereo Compressor, Chorus, Flanger, Phase shifter) master track − Use the Bounce function to set tracks free •• Mixdown effects (Reverb, Delay, Stereo chorus) by mixing multiple tracks to a single mono •• Mastering effect (Single/Multi-band stereo or stereo track compressor, EQ, Noise shaping) •• Dedicated controls for EQ, pan and effect sends •• Mark function (up to 99 location marks) •• Solid-state recording to SD Card media for •• Built-in chromatic tuner and metronome better shock resistance and reliability com- •• USB 2.0 port for data backup/restore and file pared to hard drive recording transfer with a computer •• 8 balanced microphone inputs on balanced combo XLR/jack connectors •• Dimensions (W × H × D, mm): 514 × 101 × 337 •• Switchable phantom power for 4 channels •• Weight: 6.2 kg each

23 MODEL 12 MIXER / INTERFACE / RECORDER / CONTROLLER NEW!

The New Integrated Production Suite

24 Mixer features Recorder features •• 10 analogue inputs on 6 mono and 2 stereo •• Tascam multi-track recording engine, uses SD channels cards as storage media (up to 128 GB) − 8 mono mic inputs on XLR connectors with •• Up to 12 tracks (10 input channels + stereo switchable phantom power (48 V) mix) can be recorded − Ultra-HDDA mic preamps on inputs 1–6 •• Recording/playback format: Linear PCM − 8 channels can be used with high-impedance (WAV format, 44.1/48 kHz, 16/24 Bit) instruments like electric guitars/basses •• Overdubbing, punch in/out recording − 10 balanced line inputs (6 mono, 2 stereo) •• Multi-track playback for advanced live − Inserts on input channels 1 and 2 performance − Multi-purpose stereo channel for input from mobile devices via Bluetooth or stereo TRRS Audio interface features smartphone connector (CH 9/10) •• USB audio interface for use with Windows − Mix-minus function on smartphone input to (ASIO) and Mac (Core Audio) computers avoid feedback •• Transfer to computer: 12 channels (all 10 •• 2 Aux busses (monitor, effects), Aux 1 can be inputs + stereo mix) used pre or post fader (selectable in the menu) •• Transfer from computer: 10 channels, •• Monitoring can be selected between PFL assignable to each channel input (pre-fader), AFL (after-fader) and SIP (solo- •• Audio resolution 44.1/48 kHz, 16/24 bit in-place) •• USB MIDI interface function •• Single-knob compressor for all input channels Controller features •• Three-band equalizer with sweepable mids for •• Control your DAW with Model 12’s knobs and all input channels faders: simple DAW control support via HUI/ •• Switchable low-cut filter on each channel MCU protocol emulation •• Semi-parametric EQ with sweepable mid band for aux or main outputs Other features •• On-board effects processor with 16 preset •• MIDI input and output effects types (switchable by optional footswitch), •• MIDI timecode (MTC) and MIDI clock output can be used on all input channels, aux busses, with song position pointer (SPP) support sub and main stereo bus •• Simple menu operation with multi-jog dial •• Compact 60-mm faders •• Robust, symmetrical USB Type C connector •• Main and Sub stereo busses have independent •• Power supply: Dedicated Tascam AC adapter master faders with screw-lockable DC power connector •• XLR balanced outputs for the main stereo bus •• Dimensions (W × D × H, mm): 343 × 360 × 99 •• TRS balanced outputs for sub and aux busses •• Weight: 4.3 kg •• Two headphones outputs with individual source selection and output levels •• Dedicated click output with tap tempo feature •• 12-segment LED output level meters

25 MODEL 16 14-CHANNEL ANALOGUE MIXER WITH 16-TRACK DIGITAL RECORDER / USB INTERFACE

Mixer features •• XLR balanced outputs for main stereo bus •• 14 analogue inputs •• TRS balanced outputs for sub, control room, − 10 Tascam Ultra-HDDA microphone preamps monitor 1 /2 and effects send with switchable phantom power (48 V) on 8 •• Headphones output with level control mono and 2 stereo channels Recorder features − Two high-impedance instrument inputs − 12 balanced line inputs (8 mono, 2 stereo) •• Tascam multi-track recording engine − One multi-purpose stereo channel for input •• Uses SD cards as recording media (up to 128 GB) from Bluetooth, RCA connectors or stereo •• Up to 16 tracks (14 input channels + stereo mini-jack connector mix) can be recorded − Inserts on input channels 1 and 2 •• Recording/playback format: Linear PCM (WAV •• 3 Aux outputs (monitor 1/2, effects) and format, 44.1/48 kHz, 16/24 Bit) 3 stereo outputs with independent master •• Overdubbing, punch in/out recording (eight faders (Main, Sub, Control Room) channels maximum) •• 1-knob compressor for channels 1–8 •• Multi-track playback for advanced live •• 3-band equalizer with sweepable mids for 8 performance mono channels, fixed mids on stereo channels Audio interface features •• Switchable low-cut filter •• USB 2.0 audio interface for use with Windows •• Semi-parametric EQ with two sweepable mid (ASIO) and Mac (Core Audio) computers bands for stereo and sub outputs •• Transfer to computer: 16 channels (all 14 •• Built-in Bluetooth receiver for wireless playback inputs + stereo mix) •• On-board effects processor with 16 preset •• Transfer from computer: 14 channels, effects types (switchable by optional foot assignable to each channel input switch Tascam RC-1F) •• Audio resolution 44.1/48 kHz, 16/24 bit •• Compact 60-mm faders 26 MODEL 24 22-CHANNEL ANALOGUE MIXER WITH 24-TRACK DIGITAL RECORDER / USB INTERFACE

Mixer features •• Large 100-mm faders •• 22 analogue inputs •• XLR balanced outputs for main stereo bus − 16 Tascam Ultra-HDDA microphone preamps •• TRS balanced outputs for sub, control room, with switchable phantom power (48 V) on monitor 1 /2 and effects send 12 mono and 4 stereo channels •• Headphones output with level control − Two high-impedance instrument inputs − 20 balanced line inputs (12 mono, 4 stereo) Recorder features − One multi-purpose stereo channel for input •• Tascam multi-track recording engine from Bluetooth, RCA connectors or stereo •• Uses SD cards as recording media (up to 128 GB) mini-jack connector •• Up to 24 tracks (22 input channels + stereo − Inserts on input channels 1 and 2 mix) can be recorded •• Main stereo bus, sub stereo bus, two aux/ •• Recording/playback format: Linear PCM (WAV monitor buses, effects bus format, 44.1/48 kHz, 16/24 Bit) •• 1-knob compressor for channels 1–12 •• Overdubbing, punch in/out recording (eight •• 3-band equalizer with sweepable mids for channels maximum) 12 mono channels, fixed mids on 4 stereo •• Multi-track playback for advanced live channels performance •• Switchable low-cut filter Audio interface features •• 7-band graphic stereo equalizer – can be used •• USB 2.0 audio interface for use with Windows for main stereo bus or aux/monitor bus (ASIO) and Mac (Core Audio) computers •• Built-in Bluetooth receiver for wireless •• Transfer to computer: 24 channels (all 22 playback inputs + stereo mix) •• On-board effects processor with 16 preset •• Transfer from computer: 22 channels, effects types (switchable by optional foot assignable to each channel input switch Tascam RC-1F) •• Audio resolution 44.1/48 kHz, 16/24 bit 27 AK-DC16, AK-DC24, AK-RM16 MODEL SERIES ACCESSORIES

AK-DC16

AK-RM16

AK-DC24

AK-DC16 AK-RM16 •• Dust cover for Model 16 •• Rack mount kit for Model 16 •• Protects the mixer while not in use •• Allows the mixer to be mounted in a •• Sturdy, sewn design with soft inner side 19-inch rack •• Cable flap with velcro-type fastening •• Attachment and rack screw sets included •• Dimensions (W × H × D, mm): 450 × 480 × 95 •• Dimensions (L × W × H, mm): 462 × 45 × 34 •• Weight: 390 g •• Weight: 0.9 kg AK-DC24 •• Dust cover for Model 24 •• Protects the mixer while not in use •• Sturdy, sewn design with soft inner side •• Cable flap with velcro-type fastening •• Dimensions (W × H × D, mm): 600 × 548 × 110 •• Weight: 480 g

28 GB-10 TRAINER/RECORDER FOR GUITAR/BASS

•• Compact and light-weight all-in-one trainer/ •• Auto recording feature (start/stop recording recorder for jamming/training with your depending on the input level) favorite songs •• File divide function to clean a song start or − Simply plug in your guitar/bass ending from unwanted noise or to split large − Play along with existing songs files into smaller pieces − Record over existing songs (overdub) •• Uses an SD/SDHC memory card as recording/ − Capture musical ideas playback medium (a 2-GB card is included) •• Amp simulation, compressor and multi-effects •• Foot switch available as an option (Tascam included RC-3F) for hands-free operation (several •• Tempo control: 50 % to 150 % in 10-% steps operation modes can be selected) •• Key control: ±6 semi-tones with ±50 cents •• USB 2.0 port for file transfer (cable included) fine tune •• Three options of power supply: •• Tempo and key control can be used at the − 2 AA batteries (Alkaline or NiMH) same time − USB bus power •• In-Out loop playback (up to five loops can be − Optional PS-P520 AC adapter set for each file in a playlist) •• Dimensions (W × H × D, mm): 158 × 30 × 70 •• Flashback function (jump back by 1–10 •• Weight: 160 g seconds during playback) •• Built-in tuner and metronome •• MP3/WAV file playback and WAV file recording •• Pre-recording buffer (up to 2 seconds)

29 TA-1VP VOCAL PROCESSOR

•• Auto-tune real-time pitch correction − Controls available: Threshold, ratio, attack, − EVO voice processing technology for enhanced decay, variable-frequency highpass tracking and correction capabilities •• Flexible parametric 2-band EQ − Correct the pitch of vocals (or solo instru- − Fine-tune your vocal sound with two ments) in real time and without distortion or independent bands of equalization artifacts while preserving all of the expressive − 6 dB or 12 dB high or low cut, high or low nuances of the original performance shelving with variable slope, bandpass, •• Microphone modelling notch and fully parametric peaking − Give your vocal tracks the characteristics of •• Automatic mono or stereo double tracking a variety of high-end studio mics − Automatically mix a doubled track into the − Adjust the proximity effect associated with units main output or route it to a separate mic distance output for post-processing and mixing •• Analogue tube modelling •• Programmable settings − Give your vocals the warmth of a classic − Every parameter can be saved as a preset tube preamp •• Presets for a wide variety of vocal styles •• Variable knee compressor − An extensive collection of factory presets − Manipulate the dynamics with a state-of- for many vocal styles included as standard the-art dynamics processor •• MIDI control in realtime − Threshold, ratio, attack and decay controls − MIDI controllers for realtime automation − Continuously variable knee characteristic •• Really easy to use (virtually every major •• Downward expanding gate function is only a single button press away) − Gate with threshold and ratio controls to •• Optional footswitch RC-1F available eliminate noise and breath sounds − Works independently of the compressor •• Dimensions (W × H × D, mm): 483 × 45 × 155 •• Variable-frequency de-esser •• Weight: 2 kg − Tame the sibilance of vocals 30 iXZ MIC/GUITAR INTERFACE FOR iOS AND ANDROID DEVICES

•• High-quality mic/instrument preamp for Apple •• No battery required when used as instrument iPhone, iPad and iPod or Android* devices preamp •• Use your smartphone or tablet computer for •• Two AA batteries required for mic preamp and serious recording, guitar/bass/vocal training phantom power or karaoke •• Balanced/unbalanced combo input connector •• Dimensions (W × H × D, mm): 106 × 40 × 45 (XLR/TS) •• Weight: 93 g (without batteries) •• Switchable phantom power for condenser microphones *The iXZ has a CTIA-standard plug. When used with an •• Level control on mic input Android device, an OMTP adapter is required. •• Headphone output •• Connection with other device via 4-pin mini plug (analogue)

31 US-1x2 USB AUDIO/MIDI INTERFACE (2 IN / 2 OUT)

•• One high-quality Ultra-HDDA (High Definition •• Input can be muted on the software Discrete Architecture) microphone pre-amp settings panel with ultra-low noise (EIN: –127 dBu) •• USB bus-powered for mobile recording •• Recording at up to 96 kHz / 24 bit •• USB Audio Compliance 2.0 for iOS connection •• Support for Windows, Mac and iOS operating •• Standalone operation for practice sessions systems (requires an external power source) •• DAW compatibility (Sonar, ProTools, Cubase, •• Notification function keeps you updated with Live) the latest information for your product •• 2-in/2-out audio streaming from a PC •• Automatic update notification helps you to connected via USB 2.0 keep your software and firmware up to date •• One XLR microphone input with 48 V phantom (you can install new updates with the press power supply of a button) •• Wide input gain range of 57 dB for dynamic •• Bundled with Cubase LE including Cubasis LE microphones •• Rugged aluminum body •• One 6.3-mm TRS analogue input selectable •• Angled industrial design for ease-of-use on between line and instrument level a desktop •• Two RCA analogue inputs and outputs •• Zero-latency monitoring (direct monitoring) •• Dimensions (W × H × D, mm): 146 × 55 × 120 •• Headphones output delivering 18 mW per •• Weight: 623 g channel •• Independent level controls for line and phones outputs •• Input signals can be monitored in stereo or mono

32 US-2x2 USB AUDIO/MIDI INTERFACE (2 IN / 2 OUT)

•• High-quality Ultra-HDDA (High Definition •• Source of audio output can be selected on Discrete Architecture) microphone pre-amps settings panel with ultra-low noise (EIN: –125 dBu) •• Selectable input monitor mode (stereo/mono) •• NE5532 operational amplifier for audio input •• Input mute switch on control panel and output circuits •• USB bus-powered for mobile recording •• Recording at up to 96 kHz / 24 bit •• USB Audio Compliance 2.0 for iOS connection •• Support for Mac and Windows operating •• Standalone operation for practice sessions systems •• Notification function keeps you updated with •• 2-in/2-out audio streaming from a PC the latest information for your product connected via USB 2.0 •• Automatic update notification helps you to •• Two XLR/TRS (mic/line) analogue inputs with keep your software and firmware up to date phantom power supply (you can install new updates with the press •• Inputs selectable between line and instrument of a button) level •• Bundled with Cubase LE •• Wide input gain range of 57 dB for dynamic •• DAW compatibility microphones (Sonar, ProTools, Cubase, Live) •• Zero-latency monitoring (direct monitoring) •• Rugged aluminum body •• Two TRS (balanced) analogue outputs •• Angled industrial design for ease-of-use on •• Headphones output delivering 18 mW per a desktop channel •• Independent level controls for line and phones •• Dimensions (W × H × D, mm): 186 × 65 × 160 outputs •• Weight: 1.1 kg •• MIDI input/output

33 TRACKPACK 2x2

•• Complete bundle for the recording novice, consists of − One US-2x2 USB audio/MIDI interface including DAW software for Mac and Windows (Cubase LE) − One TM-80 condenser microphone with shock mount, mini desk stand and XLR cable − One set of TH-02 stereo monitor headphones (3 m extendable cable)

34 US-4x4 USB AUDIO/MIDI INTERFACE (4 IN / 4 OUT)

•• High-quality Ultra-HDDA (High Definition •• Source of audio output can be selected on Discrete Architecture) microphone pre-amps settings panel with ultra-low noise (EIN: –125 dBu) •• Selectable input monitor mode (stereo/mono) •• NE5532 operational amplifier for audio input •• AC adapter included and output circuits •• USB Audio Compliance 2.0 for iOS connection •• Recording at up to 96 kHz / 24 bit •• Standalone operation for practice sessions •• Support for Mac and Windows operating •• Notification function keeps you updated with systems the latest information for your product •• 4-in/4-out audio streaming from a PC •• Automatic update notification helps you to connected via USB 2.0 keep your software and firmware up to date •• Four XLR/TRS (mic/line) analogue inputs with (you can install new updates with the press phantom power of a button) •• Input 1/2 selectable between line and •• Bundled with Cubase LE instrument level •• DAW compatibility •• Wide input gain range of 57 dB for dynamic (Sonar, ProTools, Cubase, Live) microphones •• Rugged aluminum body •• Zero-latency monitoring (direct monitoring) •• Angled industrial design for ease-of-use on •• Four TRS analogue outputs a desktop •• Two headphones outputs delivering 45 mW per channel •• Dimensions (W × H × D, mm): 296 × 65 × 160 •• Independent level controls for line and phones •• Weight: 1.6 kg output •• MIDI input/output

35 US-16x08 USB AUDIO/MIDI INTERFACE (16 IN / 8 OUT)

•• High-quality Ultra-HDDA (High Definition •• MIDI input/output Discrete Architecture) microphone pre-amps •• USB Audio Compliance 2.0 for iOS connection with ultra-low noise (EIN: –125 dBu) •• Notification function keeps you updated with •• Recording at up to 96 kHz / 24 bit the latest information for your product •• Support for Mac and Windows operating •• Automatic update notification helps you to systems keep your software and firmware up to date •• 16-in/8-out audio streaming from a PC (you can install new updates with the press connected via USB 2.0 of a button) •• Selectable operation mode between audio •• DAW compatibility interface and standalone mic preamp (Sonar, ProTools, Cubase, Live) •• On-board DSP mixer for monitoring •• Rack-mount adapter included •• Low-latency monitoring via the DSP Mixer •• Dedicated AC adapter included •• Compressor and 4-band EQ for each input •• Angled industrial design for desktop ease- channel on the DSP mixer of-use •• Eight XLR inputs with phantom power •• Two TRS (balanced) inputs selectable between •• Dimensions (W × H × D, mm): 445 × 59 × 219 line and instrument level •• Weight: 2.8 kg •• Six TRS (balanced) inputs on rear panel •• Eight TRS (balanced) analogue outputs •• Standard headphones output

36 US-20x20 USB AUDIO INTERFACE / DIGITAL MIXER

192 kHz

•• High-quality Ultra-HDDA (High Definition Inputs and outputs Discrete Architecture) microphone pre-amps •• Eight XLR/TRS combo jack analogue inputs with ultra-low noise (EIN: –125 dBu) with switchable phantom power (48 V) •• Recording at up to 192 kHz / 24 bit •• Inputs 1 and 2 for direct guitar input •• Support for Windows and Mac operating •• Two TRS (balanced) inputs on rear panel systems •• Input level range of 56 dB •• USB 3.0 or USB 2.0 computer connection for •• Ten TRS (balanced) analogue outputs 40 channels at 44.1/48 kHz or 24 channels at •• TOS LINK optical multi-channel I/O 176.4/192 kHz •• S/PDIF coaxial digital input and output − 20 in/20 out at 44.1/48 kHz/24 bit •• BNC word clock input and output − 16 in/16 out at 88.2/96 kHz/24 bit •• Two TRS headphones outputs with 2 × 70 mW − 12 in/12 out at 176.4/192 kHz/24 bit •• Separate controls for line and headphones out •• Three selectable operation modes: audio •• MIDI input/output interface, standalone micpreamp, digital mixer Other features •• DSP mixer with 4-band EQ and compression on •• DAW compatibility (Sonar, ProTools, Cubase, each input channel (can be used in Interface/ Live, Studio One, Garage Band) Mixer mode) •• Rack-mount adapter included •• Patch bay allows outputs to be assigned freely •• Dedicated AC adapter included (can be used in Interface/Mixer mode) •• Angled industrial design provides excellent •• DSP mixer settings can be stored (up to 10) usability on a desktop •• USB Audio Compliance 2.0 for iPads and other iOS devices •• Dimensions (W × H × D, mm): 445 × 59 × 222 •• Reverb effect for the monitored audio •• Weight: 2.7 kg •• Low-latency monitoring via the DSP mixer

37 SERIES 102i USB AUDIO/MIDI INTERFACE WITH DSP MIXER (10 IN, 4 OUT)

192 kHz

•• Provides up to ten audio inputs and two audio •• Rugged all-metal chassis outputs to a Windows or Mac computer or Software features iOS device •• In-house developed driver for Windows devices •• Audio resolution up to 192 kHz / 24 bit ensures stable operation with low latency •• USB Audio Compliance 2.0 for iOS connection •• Built-in DSP with mixer, routing and effects Hardware features accessible through dedicated settings panel •• Two analogue mic/line inputs (XLR/TRS) − Compressor and 4-band EQ with Low-cut •• Ultra-HDDA mic pre-amps (EIN: –127 dBu) filter, Phase invert, Bypass, Solo, channel •• Individually switchable 48-Volt phantom Link and Mute buttons on each input power on XLR inputs − Four Aux sends, switchable pre/post •• Each TRS input can be switched to instrument- − Reverb effect with five presets and level for direct recording of guitar or bass adjustable pre delay, reverb time, diffusion •• Gain controls, signal and peak indicators on and return level (up to 96 kHz only) − Master section with Stereo fader, Aux each analogue input Master controls and Mute button •• Optical audio input supporting S/MUX for high − Comfortable routing of output channels sampling rates (8 ch. at 44.1/48 kHz, 4 ch. at •• Bundled with Cubase LE 9.5 (64-bit Windows 88.2/96 kHz, 2 ch. at 176.4/192 kHz) application), compatible with Cubasis LE2 •• Two monitor/line outputs with level control •• iZotope Neutron 3 Elements included •• Low-latency direct monitoring •• AmpliTube and T-Racks plug-ins included •• Two 6.3-mm standard headphones outputs •• Compatible with major DAW software with level control (18 mW per channel) •• MIDI input, MIDI output •• Dimensions (W × H × D, mm): 186 × 65 × 160 •• Power supply by dedicated PS-P1220E AC •• Weight:1.1 kg adapter (included)

38 SERIES 208i USB AUDIO/MIDI INTERFACE WITH DSP MIXER (20 IN, 8 OUT)

192 kHz

•• Provides up to 20 audio inputs and eight audio •• Power supply by dedicated PS-P1220E AC outputs to a Windows or Mac computer or adapter (included) iOS device •• Rugged all-metal chassis •• Audio resolution up to 192 kHz / 24 bit Software features •• USB Audio Compliance 2.0 for iOS connection •• In-house developed driver for Windows devices Hardware features ensures stable operation with low latency •• Four analogue mic/line inputs (XLR/TRS) •• Built-in DSP with mixer, routing and effects •• Ultra-HDDA mic pre-amps (EIN: –127 dBu) accessible through dedicated settings panel •• Individually switchable 48-Volt phantom − Compressor and 4-band EQ with Low-cut power on XLR inputs filter, Phase invert, Bypass, Solo, channel •• Each TRS input can be switched to instrument- Link and Mute buttons on each input level for direct recording of guitar or bass − Four Aux sends, switchable pre/post •• Gain controls, signal and peak indicators on − Reverb effect with five presets and each analogue input adjustable pre delay, reverb time, diffusion •• Two optical audio inputs supporting S/MUX and return level (up to 96 kHz only) − Master section with Stereo fader, Aux for high sampling rates (16 ch. at 44.1/48 kHz, Master controls and Mute button 8 ch. at 88.2/96 kHz, 4 ch. at 176.4/192 kHz) − Comfortable routing of output channels •• Eight line outputs, 1–2 can be used as monitor •• Bundled with Cubase LE 9.5 (64-bit Windows output with level control application), compatible with Cubasis LE2 •• Low-latency direct monitoring •• iZotope Neutron 3 Elements included •• Two 6.3-mm standard headphones outputs •• AmpliTube and T-Racks plug-ins included with level control (45 mW per channel) •• Compatible with major DAW software •• Wordclock input and output •• Dimensions (W × H × D, mm): 296 × 65 × 160 •• MIDI input, MIDI output •• Weight: 1.6 kg 39 SERIES 8p Dyna 8-CHANNEL MIC PREAMP WITH ANALOGUE COMPRESSOR

•• Eight-channel microphone preamp with eight •• Each input channel has its own single-knob analogue outputs and multi-channel optical analogue compressor with true bypass outputs •• 25-pin D-sub and eight separate TRS analogue •• Can be used as a standalone analogue mic balanced outputs support a variety of connec- preamp to expand any mixer or recording tions with other analogue equipment device − By connecting a Tascam ML-16D/ML-32D •• Ideal to add studio-ready audio inputs to a Dante Converter to the 25-pin output the Tascam SERIES 102i/208i or US-20x20 via a unit can act as an analogue mic preamp for single cable a Dante audio system •• Two S/MUX optical ports can output all eight •• Indicators for analogue overload, compressor channels up to a sampling rate of 96 kHz and digital signals as well as level meters on − 8 outputs at 44.1/48 kHz/88.2/96 kHz the front panel − 4 outputs at 176.4/192 kHz •• Wordclock input and output (with THRU •• Tascam HDIA mic preamps use instrumentation switch) for flexible audio clock synchronisation amplifiers and have outstanding specifica- with other equipment tions, enabling them to provide clear, natural •• AC adapter included (Tascam PS-P1230, with sound with super-low noise four exchangeable plug inserts) •• Eight balanced XLR/TRS combo input jacks •• Channels 1–2 on the front can be used for •• Dimensions (W × H × D, mm): 483 × 45 × 229 guitars, basses and other instruments with •• Weight: 2.6 kg high-impedance output •• 48V phantom power can be provided to each input channel independently

40 VS-R264, VS-R265 VIDEO STREAMERS/RECORDERS

•• Encode, decode, record and stream in multiple audio output level and selectable audio formats – all simultaneously reference level •• Two product variants: •• Unbalanced audio input and output for con- − VS-R264 streams Full HD (1920 × 1080p) sumer equipment (3.5-mm stereo mini jacks) video signals encoded to H.264 with bit •• Recorder function: rates up to 30 megabits − Records video data directly to SD cards − VS-R265 streams 4K/UHD (3840 × 2160p) − External video storage on USB 3.0 devices video signals encoded to H.265 which •• Ability to upload files from SD cards or delivers the same video quality as H.264 at external storage devices to FTP servers half the bit rate •• Clear web interface allows to configure unit •• Decodes streaming video signals to 4K/UHD settings over the network (VS-R265) or Full HD (VS-R264) •• RESTful API for integration into control •• HDMI input for cameras and other sources, systems in commercial AV installations HDMI output for display devices •• Supports Gigabit Ethernet •• Multiple streaming protocols for major online •• Flexible power supply options: video platforms (RTMP, RTSP, HLS), plus 2 × − over the Ethernet connection (PoE+) unicast and multicast in parallel − by an optional AC adapter •• Professional audio quality with embedding/ (Tascam PS-P1220E, sold separately) de-embedding, balanced I/O, configurable •• Compact half-rack size (1U) output level and selectable reference level •• Included surface mount bracket allows the •• Audio from analogue sources can be embedded unit to be easily installed, for example, into the stream or separated from a stream to directly under a desk drive sound reinforcement systems •• Balanced analogue input and output •• Dimensions (W × H × D, mm): 214 × 45 × 136 (Euroblock connectors) with configurable •• Weight: 0.85 kg

41 MM-2D, MM-4D/IN, ML-4D/OUT, AE-4D DANTE AUDIO CONVERTERS

TASCAM DCP CONNECT (tablet not included)

MM-2D Rear Panel

MM-2D All models •• Two balanced mic/line inputs with 48 V •• Controllable via freely available iOS/Android phantom power, two balanced line outputs app and computer software (TASCAM DCP •• Powerful DSP matrix mixer with EQ, dynamics, CONNECT, TASCAM EZ CONNECT) ducking, delay, auto level control and more •• 50 scene presets can be saved (except AE-4D) MM-4D/IN •• Up to 96 kHz / 24 bit audio resolution •• Four balanced mic/line inputs with 48 V •• XLR balanced inputs and/or outputs (also phantom power available with Euroblock connectors) •• Powerful DSP matrix mixer with EQ, dynamics, •• Five reference levels available (except AE-4D) ducking, delay, polarity, mute, auto level •• Two LAN connectors for Dante daisy-chaining control and more •• Flexible routing with ”Dante Controller” •• AES67 support to allow connection with other ML-4D/OUT compatible audio network technologies •• Four balanced line outputs •• Power supply by PoE (Power over Ethernet) or •• Powerful DSP mixer with 10-band EQ, ducking, optional PS-P1220E AC adapter delay, polarity, mute, ambient noise compen- •• 9.5-inch rack-mountable size (1U) sator and more •• Attachment bracket included for mounting the AE-4D unit under a table top, for example •• Two AES/EBU balanced inputs with sampling •• Optional accessory: AK-RS1 rackmount shelf rate converter, two AES/EBU balanced outputs for two units to be mounted side by side •• Four audio channels at 44.1/48 kHz, 16/24 bit •• Two audio channels at 88.2/96 kHz, 16/24 bit •• Dimensions (W × H × D, mm): 214 × 45 × 136 •• Fader and mute settings for each input and •• Weight: ~900 g output channel

42 ML-16D, ML-32D 16/32-CHANNEL ANALOGUE/DANTE CONVERTER

•• Analogue-Dante-Analogue converter for 16 •• Five different reference levels available to (ML-16D) or 32 (ML-32D) line-level audio adapt to virtually any application in consumer, channels professional or broadcast environments •• Dante interface allows up to 16/32 audio (selectable via rear-side switches) channels to be transferred over an Ethernet •• 25-pin D-sub connectors for balanced line network inputs/outputs (AES59-2012:TASCAM pin •• Two LAN connectors for primary and secondary assignment) networks provide redundancy •• Euro Block breakout box can be used for fixed •• Flexible routing with ”Dante Controller” installation (BO-32DE) software •• XLR breakout boxes can be used for live music •• AES67 is supported to allow connection with or studio applications (BO-16DX/IN, BO-16DX/ Ravenna and other compatible audio network OUT) technologies •• 19-inch rack-mountable size (1U) •• Up to 96 kHz sampling rate and 24 bit resolution •• Dimensions (W × H × D, mm): 483 × 45 × 304 •• Indicators for operation status and current •• Weight: 3.5 kg (ML-32D), 3.2 kg (ML-16D) sample rate •• Overload indicators for analogue input signals •• Signal indicators for analogue input and output signals

43 BO-32DE, BO-16DX/IN, BO-16DX/OUT BREAKOUT BOXES

BO-32DE BO-16DX/OUT •• 32-channel balanced breakout box for ML-16D/ •• 16-channel balanced audio output breakout ML-32D or other products with compatible box for ML-16D/ML-32D or other products with D-Sub (DB25) connectors compatible D-Sub (DB25) connectors •• 16 balanced Euroblock connectors (two audio •• 16 male XLR connectors on front panel for channels each) on the front panel balanced audio outputs •• 32 Euroblock plugs with strain relief tail and •• Two 25-pin D-Sub connectors (8 audio wire bands included channels each) on rear panel with standard •• Four 25-pin D-Sub connectors (8 audio Tascam pin assignment (AES59-2012) channels each) on rear panel with standard All models Tascam pin assignment (AES59-2012) •• Rugged metal chassis •• Each group of eight channels can be used as •• 19-inch rack-mountable size (1U) balanced audio inputs or outputs •• Removable rackmount ears can be attached to BO-16DX/IN either front or rear •• 16-channel balanced audio input breakout box •• Cables not included for ML-16D/ML-32D or other products with •• Dimensions (W × H × D, mm): compatible D-Sub (DB25) connectors − BO-32DE: 483 × 44 × 51 •• 16 XLR female connectors on front panel for − BO-16DX/IN: 483 × 44 × 55 balanced audio inputs − BO-16DX/OUT: 483 × 44 × 52 •• Two 25-pin D-Sub connectors (8 audio •• Weight: channels each) on rear panel with standard − BO-32DE: 900 g Tascam pin assignment (AES59-2012) − BO-16DX/IN: 900 g − BO-16DX/OUT: 900 g

44 DA-6400 PROFESSIONAL 64-TRACK AUDIO RECORDER

*iPad not included

•• Supports recording/playback in PCM format of •• Gigabit LAN (1000Base-T Ethernet) for file 64 channels at 48 kHz / 24bit or 32 channels at transfer, remote control and monitoring over 96 kHz / 24 bit a network •• Theater Play function to play selected ranges •• SNTP server functions supported for auto- of multiple takes in order, Playlist function matic adjustment of the internal clock over •• Cascade function allows two units to be a network operated in parallel •• Video reference (NTSC/PAL blackburst signals •• 2.5-inch Tascam SSD used as recording media and HDTV Tri-level signals) and word clock •• BWF support for storing time information input and output/thru with files •• iPad/computer applications for remote control •• Two I/O slots for optional audio interface cards •• Colour LCD with high legibility (320×120) − 64-channel redundant (in/out/thru) MADI •• AC power redundancy built in (DA-6400dp only) optical/coaxial interface card (IF-MA64/EX) •• 19-inch rack-mountable size (1U) − 64-channel MADI coaxial interface card •• Tascam 240 GB SSD (TSSD-240A), removable (IF-MA64/BN) SSD storage case (AK-CC25) included − 64-channel Dante interface card (IF-DA64), Tascam SSD compatible with AES67 •• 2.5-inch serial ATA SSD − 16-channel AES/EBU interface card (IF-AE16) − 16-channel analogue outputs card •• Specific control IC used for stable, reliable (IF-AN16/OUT) operation •• SMPTE LTC timecode input and output for •• Total recording time: 7h12m at 48 kHz / 24 bit, location synchronization 64 channels with a 240 GB SSD •• Parallel remote control I/O •• Additional options: 240 GB SSD (TSSD-240A), •• RS-422 serial remote control (9-pin serial 480 GB SSD (TSSD-480A), removable SSD protocol compliant) storage case (AK-CC25) 45 DA-3000 HIGH-DEFINITION AUDIO RECORDER / AD/DA CONVERTER

XLR RCA SPDIF AES/EBU WORD

•• Sophisticated two-track audio recorder for •• Up to four units can be cascaded for 8-track highest demands synchronized recording and playback •• Latest circuit design with Burr-Brown •• Easy-to-read LED level meters (24 dots) converters and selected components for •• OLED display (128 × 64 dots) provides wide outstanding sound quality viewing angle and high visibility •• Dual monaural D/A converters for reduced •• 19-inch rack-mountable size (1U) interference between channels •• Sampling rate up to PCM 192 kHz, DSD 5.6 MHz •• Dimensions (W × H × D, mm): 483 × 45 × 305 •• High-precision clock synchronization with •• Weight: 4.2 kg sample-accuracy at both recording and playback •• Recording to SD/SDHC/SDXC or CompactFlash media •• Playback from SD/SDHC/SDXC, CompactFlash or USB flash drive media •• DD mode divides audio material into tracks automatically by detecting DAT IDs •• XLR analogue balanced I/O •• RCA analogue unbalanced I/O •• Coaxial digital I/O (SPDIF) •• XLR digital I/O (AES/EBU / SPDIF) •• BNC digital I/O (SDIF-3 / DSD-raw) •• Wordclock I/O (output switchable to Thru)

46 HS-20 STEREO AUDIO RECORDER

XLR RCA SPDIF AES/EBU RS-232C PARALLEL LAN WORD

•• High-quality stereo audio recorder for profes- Inputs and Outputs sional broadcast and recording applications •• Balanced analogue inputs and outputs (XLR) •• Ideal replacement for current DAT, MD, MO or •• AES/EBU input and output other recorders •• Parallel control port •• Easy to read and operate through TFT colour •• RS-232C serial control port touch screen interface •• RS-422 serial control port (with optional SY-2 •• Two memory card slots (CF/SD) with UDMA sync extension) support •• SMPTE Timecode input/output (with optional •• Mirroring between two cards SY-2 sync extension) •• Uses broadcast wave format (BWF) with •• Word/video sync input (BNC) industry-standard iXML metadata •• Word/video sync through / Word sync output •• Sample rates: 192/176.4/96/88.2/48/44.1 kHz (BNC) at 16/24 bit resolution •• 1000BASE-T Ethernet connection for data •• Pre-recording up to 5 seconds transfer or remote control •• Flash start with optional flash start controller •• Remote connector for optional flash start RC-HS20PD or RC-SS20 controller •• Locate marker function (auto/manual) •• USB connector for data exchange with external •• Editing fuctions (divide, combine, erase) storage devices •• Auto Cue, Auto Ready, Incremental Play and •• Computer keyboard can be connected (PS/2, Repeat, Jog/Shuttle function USB) for easy naming of files and folders •• Playlist function •• 19-inch rack-mountable size (2U) •• Dimensions (W × H × D, mm): 483 × 94 × 317 •• Weight: 4.9 kg

47 RC-HS20PD FLASH START REMOTE CONTROLLER FOR HS SERIES RECORDERS

•• Colour TFT touch screen interface •• 20 illuminated flash start keys •• Up to 100 tracks available for flash start through touch screen •• Transport and Online buttons recessed to prevent accidental operation •• 100-mm fader with fader start capability and 0-dB lock •• Monitor speaker and headphones output for monitoring •• CAT6 connection to HS series recorders

•• Dimensions (W × H × D, mm): 216 × 75 × 200 •• Weight: 1.4 kg

48 HS-P82 PROFESSIONAL MULTI-TRACK FIELD RECORDER

Recording •• Auto or manual cue points •• Dual CompactFlash recording media supports •• Alert signal to headphone output backup and mirroring •• Retake function •• Long battery life through low power usage •• Panel lockout function to prevent accidental •• Easy to read and operate using pivoting TFT transport switching colour touch panel interface Inputs/Outputs •• All-aluminum chassis is rugged yet lightweight •• 8 high-quality microphone preamps and A/D •• 8 -track recording plus stereo mix for a total of converters with independent 48V phantom 10-track recording power for each (standard XLR connectors) •• 8-track recording at up to 96 kHz / 24 bit •• 8 AES/EBU inputs and outputs (DB-25) •• 4-track recording at 192 kHz / 24 bit •• Sample rate converter on each AES/EBU input •• Mirror recording over two CF cards •• 2 balanced analogue outputs (XLR connectors) (44.1 kHz/48 kHz only) •• Stereo digital output (BNC connector) •• Broadcast WAV (BWF) support •• SMPTE Timecode input and output •• Support for mid-side (MS) encoding/decoding •• Video/Word Clock/Cascade input/output •• Various power options: •• Headphones output (6.3-mm stereo jack) − NP type batteries •• PS/2 keyboard input for track naming − AC adapter (included) •• USB 2.0 high-speed data transfer to PC − External DC input •• Optional Fader Unit (RC-F82, see next page) − Optional V-mount adaptor for Endura batteries − AA batteries (x10) •• Dimensions (W × H × D, mm): 270 × 100 × 260 •• Pre-record buffer (up to 5 seconds) •• Weight: 3.65 kg (without batteries) •• Internal microphone for slate recording •• Limiter and low-cut filter per track 49 RC-F82 FADER UNIT FOR HS-P82

•• Fader and transport remote controller for •• Convenient talkback function with built-in Tascam HS-P82 microphone (signal can be output from a pair •• Eight 100 mm faders (with dust protection) for of line output connectors) controlling the mix or input trim level of each •• Balanced XLR RETURN IN connectors for channel on the HS-P82 talkback (includes level adjustment and solo •• Eight rotary knobs for controlling the input control) trim level, mixer pan or mixer level of each •• RETURN signal can be monitored using channel on the HS-P82 headphones •• Two rotary knobs for the stereo mix (for •• Headphones connector with level control for master and solo levels) monitoring •• Eight dedicated keys for enabling/disabling •• Headphones monitoring can be set to STEREO, SOLO and recording MUTE functions MONO, L MONO or R MONO •• Eight dedicated keys for calling up channel •• Designed to be placed on top of an HS-P82 setup screens and enabling/disabling unit (same footprint) recording •• Connects with an HS-P82 unit by PS/2 (and is •• A dedicated key for calling up the L/R SETUP also powered by this connection) screen for the stereo mix and for enabling/ •• PS/2 external keyboard can be connected disabling recording •• Four direct access (shortcut) buttons to open •• Dimensions (W × H × D, mm): 270 × 63 × 260 the MIXER SETUP and REMOTE SETUP screens •• Weight: 2.5 kg •• Dedicated keys for transport control •• Balanced XLR LINE IN connectors (STEREO) •• Balanced XLR LINE OUT connectors (two stereo pairs)

50 SD-20M 4-TRACK AUDIO RECORDER FOR INSTALLATIONS

AA battery backup

•• Four-track solid-state recorder •• Variable speed playback changes speed •• Stereo or four-track recording without changing the pitch (0.5 times to 1.5 (two mic/line inputs + two line inputs) times in 0.1 increments) •• Two XLR/TRS combo jack microphone inputs •• Auto-recording function to automatically start on front panel, compatible with +4 dBu line recording based on input level level, switchable phantom power (48 V) •• RCA stereo line outputs •• Two RCA line inputs on rear side for tracks 3-4 •• Standard stereo headphones output (compatible with –10 dBV line level) •• Remote jack for wired or footswitch control •• Two recording formats supported: •• AA battery backup – keeps recording even − WAV/BWF: 44.1–96 kHz, 16/24 bit after power loss (batteries not included) − MP3: 32–320 Kbit/s •• SDXC media slot supports cards up to 128 GB •• Simple user interface •• 19-inch rack-mountable size (1U) •• Low-cut filter with three levels (40/80/120 Hz) •• File divide feature •• Dimensions (W × H × D, mm): 483 × 45 × 300 •• Dual recording function records a copy of your •• Weight: 2.7 kg (without batteries) audio at a lower level for a distortion-proof safety track

51 SS-CDR250N, SS-R250N NETWORKABLE SOLID-STATE/CD RECORDERS

Dante network card available

SS250 Control Remote control app

XLR RCA SPDIF AES/EBU RS-232C PARALLEL LAN

General features •• Direct recording enables a recording to start •• Records to and plays from USB flash memory (up without switching to record ready first to 64 GB), SD/SDHC/SDXC cards (up to 128 GB), •• XLR analogue inputs with phantom power CD-R/CD-RW (SS-CDR250N only) •• RCA analogue inputs •• Supports recording and playback of high- •• Digital inputs: AES/EBU (XLR), SPDIF (RCA) resolution files up to 96 kHz / 24 bit Playback functions Network/control capabilities •• Ducking, Call, Incremental play, Auto Cue, Auto •• FTP client function, Event lists for recording, Ready, Pitch and key control playback, download and other functions •• Program, Random, Single playback •• Time synchronisation via SNTP client •• Repeat function (all tracks, A–B section) •• iOS/Android control app for remote control •• Monaural mix playback function •• Optional Dante interface card (2-channel I/O) •• Marks can be set at any position •• Serial and parallel ports •• EOM (End of message) notification •• RC-SS150 flash start controller with colour LCD Other features screen available as an option •• Sampling rate converter for inputs and outputs •• Tascam RC-3F footswitch or RC-20 remote •• Link playback (two units in parallel) control can be connected •• Automatic file closing to avoid data loss Recording capabilities •• User presets: Up to three sets of settings can •• Dual SD memory card slot permits mirror and be stored to quickly switch input and output, relay recording sampling rate and other functions •• Auto marks (on errors and overloads) •• 19-inch rack-mountable size (1U) •• Pre-recording, Auto track functions •• Dimensions (W × H × D, mm): 483 × 44 × 301 •• Compressor and limiter, Auto level control •• Weight: •• Power-on recording function) 2.9 kg (SS-R250N), 3.2 kg (SS-CDR250N) 52 SS-R100 SOLID STATE AUDIO RECORDER

RCA SPDIF PS/2

•• Solid state stereo audio recorder •• RCA unbalanced analogue I/O − Uses SD/SDHC, CF or USB memory as •• Coaxial SPDIF digital I/O with sampling rate recording media converter − No moving mechanism for high reliability •• Mono mix playback − Supports WAV and MP3 file recording/ •• Computer keyboard (PS/2, USB) input for playback folder/file name editing and remote control •• Remarkable space-saving 1U rackmount size •• Wired remote control included (5 m) •• 44.1/48 kHz sample rate, 16 bit resolution •• Optional footswitch for controlling transport •• 24 bit WAV file playback and pitch (RC-3F) •• Ideal for replacement of current cassette deck, CD or MD recorder •• Dimensions (W × H × D, mm): 483 × 44 × 301 •• Long time recording for meeting minute •• Weight: 3.4 kg recording •• Long time playback and various playback modes for sound installations (all, folder, play list (up to 3), single, random, repeat) •• Edit functions for WAV files on memory card (divide, combine, delete, rename) •• Pitch control, key control, call, auto cue, auto ready, incremental play, power-on play •• Sync recording •• Auto or manual track increment •• Flash start feature

53 RC-SS150 REMOTE FOR SS-CDR250N/SS-R250N RC-900 REMOTE CONTROL UNIT

•• Clear 3.5 inch TFT colour display •• Universal remote control unit for Tascam •• 12 flash start buttons arranged around the Recorders and CD Players display •• Compact and easy to use with the fol- •• Access to playlists with up to 96 tracks lowing products: HS-4000, HS-2000, HS-2, (8 × 12) HS-20, CD-9010/9010CF, CD-6010, SS-R200/ •• On-screen display of operation status, SS-CDR200, SS-R250N/SS-CDR250N playback mode, elapsed/remaining time, file •• Aluminum jog wheel for precise cueing name and playback level •• Highly durable keys for professional use: •• Access to playback area and playback mode •• Standard transport keys with LED indicators settings •• 10-key pad for flash start and/or cueing •• Repeat, Auto Cue, Auto Ready and Incremental •• 5 function keys for frequently-used operations playback can be switched on/off (status (functions are fixed and vary according to the display on screen) controlled model) •• Adjustable display brightness •• 16-digit LC display •• Low-noise, long-life buttons •• Tascam RS-232C serial protocol •• Connection via included RS-232C cable (5 m) •• AC adapter included (PS-P520E) •• Solid body can endure long-term use •• Power consumption: 1 W •• Power supply via SS-CDR250N/SS-R250N •• Dimensions (W × H × D, mm): 176 × 59 × 215 •• Dimensions (W × H × D, mm): 176 × 59 × 215 •• Weight: 1.4 kg •• Weight: 1.1 kg

54 RC-900 REMOTE CONTROL UNIT RC-3F, RC-20 REMOTE CONTROLS

RC-3F RC-20 •• Three-pedals footswitch (left, center, right) •• Direct play remote control for CD-6010, for hands-free operation of CD-6010, CD-500/ CD-500/CD-500B, SS-R100, SS-R200, CD-500B, SS-R100, SS-R200, SS-CDR200, SS-CDR200, SS-R250N, SS-CDR250N and other SS-R250N, SS-CDR250N, SD-20M, DR-40, supported Tascam devices DR-100MKII, DP-03, DP-24 and other sup- •• 20 large buttons to start playback of tracks, ported Tascam devices program steps or playlist entries on the con- •• Perfect to control transport and trainer func- nected device tions of GB-10 and LR-10 trainers •• STOP/LOAD button to stop playback and to •• Function can be set by the controlled unit flash load tracks if the connected device is in a •• Battery charge indicator on bottom side play mode that allows flash loading •• 2.5-mm TRS plug with 3.9 m cable •• CONNECTED indicator (lights when the plug is •• Output format: UART signal (9600 bps baud connected to a compatible device and power is rate, even parity) supplied by that device) •• Power supply by two AA batteries (manganese, •• Space for labelling strips above buttons alkaline or NiMH rechargeables) •• 3.9-m connection cable with 2.5-mm TRS plug •• Power consumption: 3 mW •• Power consumption: 4.1 mW

•• Dimension (W × H × D, mm): 190 × 32 × 122 •• Dimension (W × H × D, mm): 210 × 20 × 94 •• Weight: 550 g (without batteries) •• Weight: 380 g

55 CG-1000, CG-1800, CG-2000 MASTER CLOCK GENERATORS

A series of highly reliable, highly stable and •• Output levels of the wordclock connectors can highly accurate master clock generators be adjusted •• CG-1000 for recording studios, sound engi- •• Analyzer feature to measure input frequencies neers and professional musicians not requiring •• Logging function for troubleshooting (check video sync on the display or in a CSV file via USB stick •• CG-1800 for small to large postproduction studios •• Up to 4 system settings can be saved for •• CG-2000 – the ultimate solution for broadcast recall and saved settings can be imported and and postproduction studios exported via USB CG Series features •• Panel-lock to prevent misoperation •• High-quality OCXO (Oven Controlled Crystal •• Organic EL display with a wide viewing angle Oscillator) rubidium oscillator for highly •• Firmware updates possible using the USB port accurate clock signal generation not influ- CG-1800 additional features enced by the temperature of the environment •• 4 video sync outputs •• Frequency accuracy: ±0.01 ppm, frequency •• Support for 0.1%, 4 % pull-up/pull-down stability: ±0.05 ppm/day •• Analyzer feature allows to measure input •• Jitter management circuit and glitch-less frequencies, input levels and the termination relock management of output devices •• Clock input supports clock rates up to 10 MHz CG-2000 additional features •• 12 wordclock outputs, 2 AES3/AES11 outputs, •• Highest reliability through redundant power 2 SPDIF outputs supply and redundant video sync and word- •• 2 wordclock outputs support Fs/4, Fs/2, 2 Fs, clock inputs 4 Fs and 256 Fs to be used with DAW software •• GPO signaling outputs for monitoring the •• Self-calibration function allows maintenance error status by operator for optimum accuracy at any time

56 CD-6010 PROFESSIONAL CD PLAYER

•• Highly reliable tray CD player for broadcast, •• Fader start / event start installation or touring applications •• Lock function to avoid accidental operation •• Audio CD-R/RW, MP3 and WAV playback •• Anti-shock memory •• Flash start capability for up to 20 tracks •• XLR balanced analogue output (output level •• Numeric keys for track selection and flash start may be customized by technical support) •• Frame accurate search •• RCA unbalanced analogue output •• Memory for up to 20 cue points •• Coaxial digital output (SPDIF) •• Skip back function •• AES/EBU digital output (XLR) •• Auto cue, auto ready, incremental playback, •• Mono output intro check and resume functions •• Serial control (RS-232C, D-sub 9-pin) •• Index search for audio CDs, directory search •• Parallel control port (D-sub 15-pin) for MP3 CDs •• Headphones output with volume control •• Playback modes include Single, All and •• Switchable monitor loudspeaker Program (up to 99 tracks) •• Last mode memory (Playback mode / Program •• Memory for playback programs of up to 100 CDs / Repeat mode / Time display) •• Repeat modes include Single, All and A–B •• End Of Message notification •• Selectable interval time between tracks •• Backlit LC display •• ±16% pitch control •• 19-inch rack-mountable size (2U) •• Key original function (change speed only) •• Wireless remote control included •• Fade in/out (up to 10 seconds) •• Available as options: •• Time display (track elapsed / track remain / − Footswitch for several functions (RC-3F) total remain) − Direct play remote control (RC-20, RC-SS20) •• Power-on play (timer function) − Flash start remote control for instant access •• Relay play with multiple units to 20 tracks, announcements or effects (RC-SS20) 57 CD-500 / CD-500B ULTRA-COMPACT CD PLAYERS

•• Ultra-compact rack-mountable CD player (1U) •• Lock function to avoid accidental operation •• Highly reliable brushless motor •• Anti-shock memory •• Slot-in CD drive mechanism •• RCA unbalanced analogue output •• Audio CD-R/RW, MP3 and WAV playback •• Optical digital output (SPDIF) •• Flash start capability for up to 20 tracks •• Coaxial digital output (SPDIF) •• Numeric keys for track selection and flash start •• Mono output •• Frame accurate search •• Serial control (RS-232C, D-sub 9-pin) •• Call and skip back functions •• Headphones output with level control •• Auto cue, auto ready, intro check functions •• Footswitch control of several functions via •• Resume function three pedals (with optional Tascam RC-3F) •• Index search for audio CDs •• Last mode memory (Playback mode / Program •• Directory search for MP3 CDs / Repeat mode / Time display) •• Playback modes include Single, All and •• End Of Message notification Program (up to 99 tracks) •• Backlit LC display •• Memory for playback programs of up to 100 CDs •• Wireless remote control included (receiver can •• Repeat modes include Single, All and A–B be disbaled if required) •• Selectable interval time between tracks •• Removable power cable •• ±16% pitch control with dedicated control •• Dimensions (W × H × D, mm): 483 × 45 × 301 •• Key original function (change speed only) •• Weight: 3.5 kg / 3.7 kg (CD-500 / CD-500B) •• Fade in/out (up to 10 seconds) Additional features on CD-500B •• Time display (elapsed, remain, total remain) •• XLR balanced analogue output •• Power-on play (timer function) •• XLR AES/EBU digital output •• Relay play with multiple units •• D-sub 15-pin parallel control port •• Fader start / event start

58 CD-400U dab MEDIA PLAYER WITH TUNER AND BLUETOOTH RECEIVER

IF-E100 Ethernet card for external control (optional) Includes DAB+ and FM tuner

•• Ultra-compact, rack-mountable media player •• Dubbing from CD or tuner to SD or USB with DAB+/FM tuner and Bluetooth receiver memory (MP3 format) •• Various playback options: •• Time display (track elapsed / track remain / − Audio CD playback total elapsed / total remain) − MP3 and WMA file playback from CD •• Power-on play (timer function) − Audio file playback from SD and USB •• Lock function to avoid accidental operation memory (MP3, AAC, WAV, WMA) •• Anti-shock memory − FM/DAB+ radio playback (can be output •• XLR balanced analogue output (main) from the main or separate output con- •• RCA unbalanced analogue output (main) nectors) •• RCA unbalanced analogue output (tuner) − Playback via Bluetooth connection with a •• Remote control via RS-232C serial connector smartphone or computer (D-sub 9-pin) − Playback via AUX IN connector •• Optional Ethernet interface card (IF-E100) •• CD standards supported: CD-DA, CD-ROM, available for external control over a network CD-R, CD-RW (CD-DA format only) (Telnet protocol) •• Slot-loading CD drive mechanism •• Headphones output with volume control •• Numeric keys for direct track selection •• Backlit LC display •• Playback modes: Continuous, Single, Random •• Wireless remote control included •• Repeat playback (All, Single, A–B) •• Included accessory: Removable mains power •• Incremental play (skip to each next track by cable, RC-CD400 wireless remote control, pressing the PLAY button; available for CD, rack-mounting screw kit, FM antenna, owner’s USB, SD) manual with warranty •• Resume function (start playback from the •• Dimensions (W × H × D, mm): 483 × 45 × 301 track where the unit was last stopped) •• Weight: 3.4 kg •• Folder playback with SD and USB memory 59 CD-200bt, CD-200sb CD PLAYER WITH BLUETOOTH RECEIVER / SOLID-STATE/CD PLAYER

•• Easy-to-use, affordable CD player with •• Anti-shock memory Bluetooth receiver •• Headphones output with level control •• Various playback options: •• Analogue output (RCA) − Audio CD playback •• SPDIF digital outputs (coaxial and optical) − MP3 and WAV file playback from CD •• Wireless remote control included − Internet radio or network file playback via •• 19-inch rack-mountable size (2U) a Bluetooth connection with a smartphone or computer − Playback from other audio sources via AUX IN connector •• Bluetooth apt-X codec provides high quality CD-200SB differences audio transmission with low latency (AAC and •• WAV, MP3, MP2, WMA, AAC file playback from SBS are also supported) SD/SDHC cards or USB memory •• Up to 8 Bluetooth devices memorized •• Direct access to 10 user-defined folders •• High-quality TEAC audio CD drive •• Dubbing from CD to solid-state media (WAV or •• Folder selection for MP3 and WAV CDs MP3 format) •• Continuous, Random and Program playback •• Ideal replacement for a disc changer modes •• ±14 % pitch control with CDs •• Repeat playback (Single, All, Folder) •• Balanced analogue output (XLR) •• Intro Check feature •• No Bluetooth functions •• CD text and ID3 tag support to display artist and track information if available •• Dimensions (W × H × D, mm): 481 × 95 × 298 •• Time display (CD-DA: Elapsed, Remain, Total •• Weight: 4.5 kg (CD-200BT) Remain; MP3: Elapsed) 4.7 kg (CD-200SB) •• ±12.5 % pitch control 60 CD-200 AFFORDABLE CD PLAYER

•• Easy-to-use, affordable CD player •• Anti-shock memory (10 seconds) •• High-quality TEAC drive •• Headphones output with level control (supports CD-R and CD-RW) •• Analogue output (RCA) •• Audio CD playback •• SPDIF digital outputs (coaxial and optical) •• MP3 and WAV file playback from CD •• Wireless remote control included •• Folder selection for MP3 and WAV CDs •• 19-inch rack-mountable size (2U) •• Continuous, Random and Program playback modes •• Dimensions (W × H × D, mm): 481 × 95 × 298 •• Repeat playback (Single, All, Folder) •• Weight: 4.2 kg •• Intro Check feature •• CD text and ID3 tag support to display artist and track information if available •• Time display (CD-DA: Elapsed, Remain, Total Remain; MP3: Elapsed) •• ±12.5 % pitch control

61 202 mkvii DUAL CASSETTE DECK

CASSETTE CASSETTE

•• Two cassette decks in one unit •• Digital USB output for backups and archiving •• Both decks can record and play back on a computer (audio recording software •• Parallel recording on both decks is required in order to record sound on a •• One-way IC logic transport control with computer) excellent stability and durability •• Power-on playback/recording (Timer function, •• Supports Normal, Chrome and Metal tapes requires an external timer switch) (Type I, Type II, Type IV) •• Headphones output with level control •• Normal-speed dubbing capability •• Dedicated wireless remote control included •• Noise reduction function (playback only) •• 19-inch rack-mountable size (3U) •• Pitch control (±12 %, Deck 1 only) •• RTZ function (Return To Zero) •• Dimensions (W × H × D, mm): 482 × 139 × 286 •• Repeat playback (A–B section, stops after •• Weight: 5.4 kg 20 repetitions) •• Microphone input with seperate level control for Karaoke and announcements •• Mix recordings can be created with a microphone and a line-level source or cassette playback •• Unbalanced RCA analogue audio inputs and outputs

62 CD-A580 CD PLAYER / CASSETTE DECK / USB RECORDER

CASSETTE

Cassette deck USB memory recorder/player •• Cassette mechanism with IC logic transport •• Recording to MP3 files from CD, cassette or control line input •• Dubbing function allows to record from CD •• MP3 playback (supports folders) •• ±10% pitch control •• Shuffle playback, Program playback •• Plays C-10 to C-90 cassettes •• Folder repeat playback •• Playback: Type I (normal), Type II (high •• Manual file division when recording from position), Type IV (metal) tapes or line input •• Recording: Type I (normal), Type II (high •• Automatic file division when recording from CD position) •• Power-on playback function (external timer •• Power-on recording/playback function required) (external timer required) General CD player •• RCA unbalanced analogue inputs and outputs •• Plays CD-R and CD-RW in CD-DA and data •• Headphones output with level control formats (MP3) •• LC display with level meters •• Shuffle playback, Program playback •• Wireless remote control included •• Various repeat modes (Single/All/Program) •• 19-inch rack-mountable size (3U) •• Playback modes when dubbing: Program/ Shuffle/Repeat •• Dimensions (W × H × D, mm): 483 × 139 × 290 •• Anti-shock memory (2 seconds) •• Weight: 6 kg •• Power-on playback function (external timer required)

63 CD-RW900 mkii PROFESSIONAL AUDIO CD RECORDER

•• Highly reliable tray-loading optical drive •• All, single, or A-B repeat play •• Records to pro CD-R, CD-RW and consumer •• Auto Cue function CD-R and CD-RW media (Ultra-Speed CD-RW •• Skip by track or in 1-minute steps media are not supported) •• Auto Ready function •• Selectable read speed to increase playability •• Plays MP3 files on CDs and inside directories of low-grade or damaged media •• Shows MP3 tags on Display (ID3) •• 24 bit A/D and D/A converters •• Pitch control (±16% in 0.1 to 1.0% steps) •• Input sample rate converter (32–48 kHz) •• Key control (±6 semi-tones) •• Independant L/R analogue input level controls •• Key original function (change tempo without •• Digital volume changing key) •• Sync recording function •• Coaxial and optical digital I/O •• Auto or manual track division •• RCA unbalanced analogue I/O •• Digital fade in/out from 1 to 30 seconds •• Wireless remote control included •• Rec mute function to record silence •• Infrared remote receiver can be deactivated •• Erase/un-finalize CD-RWs •• 19-inch rack-mountable size (2U) •• Supports CD-Text •• Computer keyboard can be used for CD-Text •• Dimensions (W × H × D, mm): 483 × 94 × 309 input and as a remote control •• Weight: 4.3 kg •• Timer function (play when power comes on) •• Continuous, single, random, or program (up to 99 songs) playback

64 CD-RW901 mkii PROFESSIONAL AUDIO CD RECORDER

•• Highly reliable tray-loading optical drive •• Auto Cue, Auto Ready, Call functions •• Records to pro CD-R, CD-RW and consumer •• Incremental Play function CD-R and CD-RW media (Ultra-Speed CD-RW •• Plays MP3 files on CDs and inside directories media are not supported) •• Shows MP3 tags on display (ID3) •• Selectable read speed to increase playability •• Pitch control (±16% in 0.1 to 1.0% steps) of low-grade or damaged media •• Key control (±6 semi-tones) •• 24 bit A/D and D/A converters •• Key original function (change tempo without •• XLR balanced and RCA unbalanced analogue I/O changing key) •• Coaxial and optical digital I/O (SPDIF) •• Selectable copy ID •• AES/EBU digital I/O •• Erase/un-finalize CD-RWs •• Input sample rate converter (32–48 kHz) •• Supports CD-Text •• Independant L/R analogue input level controls •• Computer keyboard can be used for CD-Text •• Digital volume input and as a remote control •• Sync recording function •• RS-232C serial control (9-pin D-sub) •• Auto track division by level with trim •• Parallel control (15-pin D-sub) •• Time track division: Adds a CD track ID every •• Power-on play: Starts CD playback 1 to 10 minutes when power is applied •• Set index marks •• Continuous recording with two CD-RW901MKII •• Skip by track, by index, or in 1-minute steps units •• Digital fade in/out from 1 to 30 seconds •• Wired remote control included •• Rec mute function to record silence •• 19-inch rack-mountable size (2U) •• Continuous, single, random, or program (up to 99 songs) playback •• Dimensions (W × H × D, mm): 483 × 94 × 309 •• All, single, or A-B repeat play •• Weight: 4.5 kg

65 BD-MP1 BLU-RAY PLAYER FOR TOURING AND INSTALLATION NEW!

•• Single-rackspace Blu-ray, DVD and CD player •• Power-on play (start playback when power •• Controllable via Ethernet network (Telnet), comes up) RS-232C or wireless remote control •• Resume (continue after power cycle) •• Plays video and audio material stored on •• Repeat (chapter, title, A–B) following media: •• Instant replay (10 seconds) •• BD25, BD50, BD-ROM, BD-R, BD-RE •• Lock function (panel, tray, or IR remote) •• DVD, DVD+R, DVD-R, DVD+RW, DVD-RW •• On-screen information switchable on or off •• CD, CD-R, CD-RW •• Dimmable front-panel display •• SD/SDHC cards (up to 32 GB) •• Firmware update via disc or USB memory •• USB flash media •• Infrared remote control included as standard •• Support for a wide range of file formats •• NTSC/PAL conversion •• Dimensions (W × H × D, mm): 483 × 44 × 281 •• BD-Live function •• Weight: 3 kg •• HDMI high-definition audio/video out, supports HDMI CEC which allows the connected display to be switched on/off in correct order •• Separate 7.1 surround sound outputs •• XLR balanced and RCA unbalanced stereo outputs •• Up to 40 dB attenuation for analogue and digital stereo outputs •• Coaxial digital audio output (SPDIF, Dolby, DTS)

66 MX-8A EIGHT-CHANNEL MATRIX MIXER WITH DSP PROCESSOR

Tascam MX Connect

MX-8A Rear Panel

Hardware features Software features •• Eight balanced mic/line inputs and eight bal- •• Five different reference levels available anced line outputs •• Powerful DSP mixer •• Euroblock connectors – ideal for permanent − Input features: phantom power on/off, installation phase, sensitivity, trim, automatic level •• Controllable via control, 4-band equalizer, mute, fader − an Ethernet network (using the Tascam MX − Mixer features: Matrix mixer, ducking, Connect computer application or the Tascam ambient noise compensator (ANC), routing Mixer Protocol) − Outputs features: 10-band equalizer, − RS-485 (using a dedicated remote con- limiter, delay, mute, fader, phase troller, planned) •• Up to 50 scene presets can be saved − RS-232C •• Free control software (available for Windows, •• USB audio interface mode allows to record Mac, iOS, Android): audio or play background music with a − Tascam MX Connect for system integrators computer − Tascam EZ Connect for end-users •• Status indicator on front panel USB audio interface features •• USB connector on front panel for easy con- •• Two audio inputs/outputs nection of a computer, tablet or smartphone •• Allows audio to be recorded/played back (also used for firmware updates) via Windows Media Player, iTunes or DAW •• High-quality internal power supply (no AC applications adapter) •• 19 inch rackmount size (1U) •• Dimensions (W × H × D, mm): 483 × 45 × 304 •• Weight: 3 kg

67 RC-W100 WALL-MOUNTED PROGRAMMABLE CONTROLLER

•• Wall-mounted programmable controller for •• Power can be supplied to the unit from the MX-8A and other compatible Tascam products mixer via the RS-485 connection, reducing •• Encoder (with push switch) and four switches power construction and installation costs for adjusting volume, muting and switching •• Compatible with switch boxes commonly used audio sources in Europe •• Functions can be assigned to the encoder and •• Connectors: Two RJ-45 (RS-485) connectors the switches using Tascam MX Connect •• Power consumption: 0.24 W •• Prevents end-users from making mistakes •• Dimensions (W × H × D, mm): 87 × 87 × 54 by assigning only necessary functions to the •• Weight: 140 g controller •• Permissible operating temperature range: •• Two source switching modes available: 0–40 °C − 1: Sources can be selected directly by pushing switches (up to four sources can be assigned) − 2: Sources can be selected from a screen (up to eight sources can be assigned) •• Easy-to-read display − Name of the selected source and current volume can be checked − Backlight turns off automatically •• Daisy chaining of up to eight units is possible using Cat 5e cables (or better, maximum length 200 m)

68 MZ-372 INSTALLATION MIXER

•• Rackmount mixer with seven input channels •• Headphones output with level control can and two pairs of main outputs be used for pre-fader monitoring of selected •• Six mic/line input channels are equipped with input channels and the main output gain controls, LED level meters, three-band •• 19-inch rackmount size (3U) equalizers and faders •• Each channel can be set to use one of two RCA unbalanced input pairs or an XLR balanced input •• XLR inputs are switchable between mic and line level •• Three channels can be switched to phono for •• Dimensions (W × H × D, mm): 483 × 132 × 93 record players •• Weight: 3.2 kg •• Independent front mic input with level control and two-band equalizer •• Talkover function automatically lowers background music volume according to mic volume •• Two main outputs with level control and stereo LED level meters •• Sub output with level control and mono/stereo selection

69 MZ-223 3-ZONE INSTALLATION ZONE MIXER

3 independent output zones

•• Rackmount mixer that enables routing input •• Headphones output with level control can channels to multiple outputs as desired be used for pre-fader monitoring of selected •• Five stereo input channels for line signals (two input channels and the main output switchable to phono) with gain controls, peak •• 19-inch rackmount size (2U) LEDs, and faders •• Two additional mic input channels with level controls, LED level meters and 3-band equalizers •• Dimensions (W × H × D, mm): 483 × 88 × 93 •• Mic and line inputs can be mixed for output •• Weight: 2.5 kg •• Talkover function automatically lowers background music volume according to mic volume •• Three zone main outputs with level controls, LED level meters and 3-band equalizers •• Monitoring output, independent from main outputs

70 MZ-123BT COMPACT MULTI-ZONE AUDIO MIXER WITH BLUETOOTH

•• Slim rackmount mixer that can flexibly assign − PAD, high-pass filter and 48-volt phantom background music and mic announcements to power on each mic input (switchable on/off three different output zones on the rear panel) •• Built-in Bluetooth receiver for wireless audio − Rear-panel controls for gain and three- playback from smartphones or tablets band EQ •• Bluetooth antenna installed on the front panel •• Level controls and zone selection buttons on ensures a stable wireless connection within each mic and stereo line input the specified range •• Signal and peak indicators on each mic and •• Three stereo line inputs stereo line input − Two RCA unbalanced line inputs on rear •• Three zone outputs with level controls, signal panel and peak indicators and monitor selection − Bluetooth/Aux input on front panel buttons − Gain controls on rear panel •• Headphones output with level control for •• Two mic inputs for announcements or monitoring the zone outputs moderation •• Compact 1U rackmount size − Connection via Euroblock connectors on the rear panel − Mic 1 can also be connected via the front- •• Dimensions (W × H × D, mm): 483 × 47 × 275 panel XLR/TRS combo connector (input level •• Weight: 3.0 kg switchable HIGH/LOW) − Talkover function automatically lowers background music volume according to mic volume (with rear-panel controls for threshold, time and on/off)

71 LA-40 mkiii LINE CONVERTER (BALANCED/UNBALANCED, BI-DIRECTIONAL)

•• 4 channels with unbalanced RCA inputs and •• Ground lift switches for each channel and balanced XLR outputs master switch •• 4 channels with balanced XLR inputs and •• Distribution amplifier functionality: One mono unbalanced RCA outputs input signal can be routed to all four output •• XLR nominal level selectable between +4 dBu channels, or one stereo input signal can be and –20 dBu routed to two channels each (RCA to XLR and •• Trim pots for each channel on front panel XLR to RCA) (±12 dB) •• Internal power supply, no AC adapter needed •• Signal LED for each channel •• Rack-mountable size (1U), Weight: 3 kg

LA-80 mkii, LA-81 mkii LINE CONVERTERS (BALANCED/UNBALANCED)

•• LA-80: 8 channels with unbalanced RCA inputs •• Signal LED for each channel and balanced XLR outputs •• Ground lift switches for each channel and •• LA-81: 8 channels with balanced XLR inputs master switch and unbalanced RCA outputs •• Both units can act as distribution amplifiers •• XLR nominal level selectable between +4 dBu •• Internal power supply, no adapter needed and –20 dBu •• Rack-mountable size (1U), Weight: 3 kg •• Trim pots (±12 dB) for each channel on front panel

72 LM-8ST LINE MIXER

•• Line mixer with flexible signal routing − AUX: Signal behind the ST1 level control •• Ideal solution for installations in boardrooms, (post fader) is sent to ST2/AUX output conference rooms, health/fitness clubs, − Switches for ST2/AUX selection per channel restaurants, houses of worship, as a keyboard •• Input level selectable between +4 dBu and or stage sub mixer and more –10 dBV per channel (on rear panel) •• 8 stereo input channels for line sources (TRS) •• Signal presence and overload LEDs on each ch. •• Additional mic/line input with level control for •• 4-dot LED stereo level meters on each output channel 1 on front panel (balanced XLR) •• Each stereo output switchable to mono •• 2 stereo outputs (balanced / unbalanced) •• High-power headphones output with level •• Each stereo input can be mixed to each stereo control and selectable source (ST1, ST2/AUX) output independently: •• Balanced master bus output and input (input − ST1: Input signal is sent to ST1 output selectable between ST1, ST2/AUX and Mix) for − ST2: Signal before the ST1 level control (pre cascading of multiple units fader) is sent to ST2/AUX output •• Ground terminal and ground lift switch •• Rack-mountable size (1U), Weight: 3.8 kg

MH-8 EIGHT-OUTPUT HEADPHONES AMPLIFIER

•• High-power headphones amplifier with •• High output power (250 mW + 250 mW each) flexible signal routing •• Level control, signal presence and overload •• 8 channels for one pair of stereo headphones LEDs on each headphone channel each •• Each channel switchable to mono •• 2 stereo inputs assignable to each channel •• Foldback outputs allow stereo input signals 1 •• Input level control, signal presence and and 2 to be looped through to other units overload LEDs on both stereo inputs •• Ground terminal and ground lift switch •• Additional switchable direct stereo input (bal- •• Easy replaceable fuse anced TRS) on each headphone channel (left •• 19-inch rack-mountable size (1U) input can be used for mono signals) •• Weight: 3.8 kg 73 VL-S5 POWERED STUDIO MONITOR

•• Compact powered two-way monitor speaker •• Frequency response: 60 Hz – 22 kHz •• Ideal to monitor sounds from your computer, •• Crossover frequency: 3.2 kHz multi-track recorder or portable music player •• XLR/TRS combo input (balanced/unbalanced) •• Powerful bi-amp design (HF: 30 W, LF: 40W) •• Input level control •• Direct radiating 5¼-inch woofer •• Power LED •• Bass reflex design for rich low-frequency •• Removable mains power cable reproduction •• External mains fuse •• 1-inch dome tweeter •• Magnetic shielding for use near CRT computer •• Dimensions (W × H × D, mm): 176 × 255 × 200 monitors •• Weight: 5.4 kg •• Protection against excessive output current, over-temperature, turn-on/off transients, subsonic

74 TH-02 STEREO HEADPHONES TH-06 BASS XL MONITORING HEADPHONES NEW!

•• Foldable design for easy compact transport •• Ultra-wide dynamic range with enhanced Bass •• Tightly-stitched, padded headband and ear XL response pads for stylish comfort •• Smooth natural bass for DJs, producers, •• Closed-back dynamic design with clean sound, remixers, or anyone wanting expanded low rich bass response and crisp highs end •• Snap-on adapter 3.5-mm to 6.3-mm •• 45-mm NdFeB neodymium magnet driver •• Driver diameter: 50 mm •• Special lightweight manganese headband •• Impedance: 32 Ω which provides strength and flexibility with •• Sensitivity: 98 dB ± 3 dB maximum comfort •• Frequency response: 18 Hz – 22 kHz •• Leather ear cups with special pliable material •• Max input power: 600 mW for long-wear and no ear fatigue •• Cable length: 3 m (when fully extended) •• Dynamic transducer •• Frequency response: 10 Hz – 26 kHz •• Max. input power: 1850 mW •• Rated power: 320 mW •• Impedance: 45 Ω •• Sensitivity: 94 dB ± 3 dB •• Screw-on 3.5-mm to 6.3-mm adapter •• Cable length: 3 m (when fully extended)

75 TM-60 CONDENSER MICROPHONE TM-80 CONDENSER MICROPHONE

•• Small-diaphragm-type condenser mic for •• Condenser microphone designed and priced for vocals or instruments acoustic guitar, wind home recording instruments etc. •• 18-mm, pure aluminum diaphragm •• Unidirectional (cardioid) polar pattern •• Cardioid polar pattern •• Runs on battery power only •• Frequency response: 20 Hz to 20 kHz •• On/Off switch •• Sensitivity: –38 dB ±2 dB •• Frequency response: 50 Hz – 18 kHz •• Phantom power required: DC 9–48 V •• Output impedance: 200 Ω •• Output impedance: 200 Ω ±30 % (at 1 kHz) •• Load impedance: <1 kΩ •• Load impedance: >1 kΩ •• Sensitivity: –45 dB, ±3 dB •• Maximum SPL: 136 dB (at 1 kHz, 1 % THD) •• Maximum sound pressure level: 126 dB •• S/N ratio: 77 dB •• Signal-to-noise ratio: 70 dB •• Housing: Die-cast zinc •• Connector: 3-pin XLR, male •• Dimensions (Ø × L, mm): 48 × 165 •• Phantom power: DC 1.5 V (1 × AA battery) •• Weight: 300 g (mic body only) •• Dimensions (Ø × L, mm): 28 × 190 •• Includes: elastic shockmount, mini desk stand, •• Weight: 225 g (mic body without battery) cable (1.8 m XLRM–XLRF) •• Includes: wind screen, desktop mic stand, mic clip, 5/8-inch to 3/8-inch screw adapter, XLR cable, soft case

76 TM-180 LARGE-DIAPHRAGM MIC TM-280 LARGE-DIAPHRAGM MIC

•• Condenser microphone for capturing precise, •• Condenser microphone for capturing precise, high-definition sound at home or in the studio high-definition sound at home or in the studio •• Large gold-plated 34-mm diaphragm •• Large gold-plated 34-mm diaphragm •• High SPL capability and smooth sound curve •• Low noise level, ideal in combination with ideal to emphasize lead vocals or lead instru- Tascam HDDA preamps ments like sax or other brass instruments •• Very high SPL (sound pressure level) capability •• Unidirectional (cardioid) pattern is ideal to and smooth sound curve with a decent peak capture single sound sources around 9 kHz •• Switchable low-cut filter •• Unidirectional (cardioid) pattern is ideal to •• Switchable level attenuation (–10 dB) reject off-axis sounds •• Frequency response: 20 Hz – 20 kHz •• Switchable low-cut filter and level attenuation •• Output impedance: 200 Ω •• Perfect for use with high-end Tascam recorders •• Load impedance: <1 kΩ or interfaces that supply phantom power •• Sensitivity: –35 dB, ±2 dB •• Frequency response: 20 Hz – 20 kHz •• Maximum sound pressure level: 130 dB •• Output impedance: 50 Ω, ±30 % •• Signal-to-noise ratio: 79 dB •• Load impedance: <1 kΩ •• Connector: 3-pin XLR, male •• Sensitivity: –36 dB, ±2 dB •• Phantom power required: DC 48 V •• Maximum sound pressure level: 135 dB •• Dimensions (Ø × L, mm): 50 × 190 •• Signal-to-noise ratio: 80 dB •• Weight: 420 g (mic body only) •• Phantom power required: DC 48 V •• Includes: suspension shockmount, soft case, •• Dimensions (Ø × L, mm): 51 × 188 hard case, 5/8-inch to 3/8-inch screw adapter •• Weight: 417 g (mic body only) •• Includes: suspension shockmount, pop filter, flight case, 5/8-inch to 3/8-inch screw adapter

77 TM-DRUMS DRUM MIC SET TM-95GN GOOSENECK MIC

•• Set of four cardioid-pattern microphones tai- •• Ideal for miking your broadcast programme lored for getting a good drum sound with ease or a speaker •• One dynamic mic for bass drum (TM-50DB) •• Uni-directional polar pattern − Frequency response: 50 Hz – 15 kHz •• Flexible gooseneck for individual adjustment − Sensitivity: –55 dB, ±3 dB •• Includes a stable stand with integrated on/ − Dimensions (H × W × D, mm): off switch 118 × 59 × 115 •• Requires phantom power (DC 48 V) − Weight: 460 g (mic body only) •• Windscreen included to suppress pop noise •• One dynamic mic for snare drum (TM-50DS) •• Element: Back-electret condenser − Frequency response: 50 Hz – 14 kHz •• Frequency response: 50 Hz – 16 kHz − Sensitivity: –56 dB, ±3 dB •• Sensitivity: –39 dB, ±3 dB − Dimensions (H × W × D, mm): •• Output impedance: 250 Ω ±30 % 105 × 43 × 98 •• Output connector: 3-pin XLR, male (using the − Weight: 330 g (mic body only) included cable) •• Two condenser mics for toms, overhead and/or •• Dimensions (W × H × D, mm): cymbals (TM-50C) − Frequency response: 30 Hz – 18 kHz 133 × 458 × 140 (excluding protrusions) − Sensitivity: –38 dB, ±3 dB •• Weight: 970 g − Dimensions (Ø × L, mm): 21 × 117 •• Includes: table mic stand, windscreen, − Weight: 85 g (mic body only) XLR cable (2.4 m) •• Includes: two mic holders and two wind- screens for TM-50C, four 5/8- to 3/8-inch screw adapters

78 TM-90BM BOUNDARY MIC TM-10L LAVALIER MIC WITH SCREW-LOCK

•• Boundary microphone ideal for personal •• Lavalier microphone for use with wireless broadcasting with two or more persons transmitters or mini recorders •• Half super-cardioid polar pattern •• Ideal to capture clear voice in applications •• Unobtrusive design and colour, only 24 mm such as theatre, television, lectures, public high, perfect for video podcasts speaking and other situations •• Frequency response optimised for speech •• Included clip allows attachment to collars, ties •• High sound pressure resistance or other clothing •• Switchable low-frequency filter on bottom •• Screw-lockable 3.5-mm mini-jack allows side (CUT/FLAT/BOOST) firm and secure connection (can also be used •• Requires phantom power (DC 9–52 V) without screw-lock) •• Dedicated connection cable and hard case •• Small, unobtrusive body included •• Can withstand up to 115 dB SPL •• Element: Back-electret condenser •• Element: Back-electret condenser •• Polar pattern: Half-supercardioid •• Polar pattern: Omnidirectional •• Frequency response: 50 Hz – 18 kHz •• Power supply: Plug-in power (1,5–10 V) •• Sensitivity: –35 dB, ±3 dB •• Frequency response: 50 Hz – 18 kHz •• Output impedance: 150 Ω •• Sensitivity: –42 dB (0 dB = 1 V/Pa at 1 kHz) •• Output connector: 3-pin XLR, male (using the •• Cable length: 160 cm included cable) •• Dimensions (Ø × L, mm): 6.5 × 22 •• S/N ratio: 68 dB •• Weight: 24 g •• Maximum permissible SPL: 140 dB •• Windscreen and soft case included •• Dimensions (W × H × D, mm): •• Tested Tascam hardware: DR-10L, DR-10CS, 170 × 24 × 82 (excluding protrusions) DR-05, DR-07MKII, DR-100MKIII, DR-60D, •• Weight: 260 g (without cable) DR-70D, DR-701D, DR-05X, DR-07X

79 TM-AR1 ACOUSTIC CONTROL FILTER TM-AG1 MICROPHONE POP FILTER

•• Acoustic control filter that helps to obtain a •• Acoustic control filter that helps to obtain a dryer sound for recording dryer sound for recording •• Prevents acoustic reflections by sound •• Prevents acoustic reflections by sound absorbing material absorbing material •• Foldable design saves space and allow adjust- •• Foldable design saves space and allow adjustments according to your environment ments according to your environment •• Can be mounted to a stand in two ways •• Can be mounted to a stand in two ways •• Two support bars with different lengths •• Two support bars with different lengths •• Adjustable mic position •• Adjustable mic position •• Mounting screw thread diameter: 5/8-inch •• Mounting screw thread diameter: 5/8-inch •• 5/8-inch to 3/8-inch screw adapter included •• 5/8-inch to 3/8-inch screw adapter included •• Dimensions (W × H × D, mm): •• Dimensions (W × L × D, mm): 400 × 320 × 260 152 × 514 × 177 •• Weight: 3 kg •• Weight: 270 g

80 TM-AM1, TM-AM2 MICROPHONE STANDS

TM-AM1 TM-AM2 •• Boom microphone stand with counterweight •• Scissor arm microphone stand/holder •• Counterweight to provide high stability with •• Ideal for desktop mounting in a personal heavier microphones broadcasting or internet karaoke environment •• Telescopic boom provides wide adjustment •• Can hold microphones with a weight of up range, ideal for small rooms or vocal booths to 1.4 kg •• 3/8" – 5/8" adapter screw included •• Attachment clamp with wide opening (up to •• Foldable design 55 mm) •• Height (without boom): 900–1420 mm •• 3/8" – 5/8" adapter screw included •• Total boom length: 580–900 mm •• Foldable design •• Weight: 3.6 kg •• Boom length: 520 mm (×2) •• Weight: 1.1 kg

81 NOTES

82 NOTES POCKET GUIDE Full Product Range 2020

TEAC CORPORATION 1-47 Ochiai, Tama-shi, Tokyo 206-8530, Japan https://tascam.jp/jp Tel: +81-42-356-9143

TEAC AMERICA, INC. 10410 Pioneer Blvd., Unit #1, Santa Fe Springs, CA 90670, USA https://tascam.com Tel: +1-323-726-0303

TEAC UK LIMITED Meridien House, 69–71 Clarendon Road, Watford, Herts, WD17 1DS, UK https://tascam.eu Tel: +44-1923-797205

TEAC EUROPE GmbH Bahnstraße 12, 65205 Wiesbaden, Deutschland https://tascam.de Tel: +49 611 71580

TEAC SALES & TRADING Room 817, Block A, Hailrun Complex, (ShenZen) CO., LTD. 6021 Shennan Blvd., Futian District, ShenZen, China https://tascam.cn Tel: +86-755-8831-1561

Find your local Tascam distributor at www.tascam-europe.com