Final Nomination List : 57Th Grammy Awards
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An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
Cirque Du Soleil Michael Jackson ONE
Cirque du Soleil Michael Jackson ONE Case Study Lightware Visual Engineering 1 Peterdy 15, Budapest H-1071, Hungary +36 1 255 3800 [email protected] www.lightware.com Cirque du Soleil – Michael Jackson ONE Market Country Rental & Staging USA Lightware Equipment Used in Project 1 - Lightware MX-FR65R frame 41 - Lightware fiber receivers 3 - Lightware fiber transmitters “I’m a perfectionist; it’s part of who I am,” Michael Jackson is purported to have said. Given the quality of his work and his reputation for high standards, the expectations for a show revolving around Michael Jackson will always be exceedingly high. Cirque du Soleil’s Michael Jackson ONE, produced in conjunction with Jackson’s estate, aspires to meet the level of perfection the star would demand. The show, which combines Jackson’s music with Cirque’s distinctive acrobatic feats, is at the Mandalay Bay Resort and Casino in Las Vegas in a space that was formerly occupied by a production of The Lion King; it was completely renovated specifically for MJ ONE. CDS anchored a team that included Auerbach Pollock Friedlander, Moser Architecture Studio, and Jaffe Holden Acoustics for the design and specification of the rigging and automation, lighting control, and audio-video systems. The show’s story line was written by choreographer Jamie King, who danced in Michael Jackson’s 1992 Dangerous World Tour. The musical director, Kevin Antunes (New Kids on the Block, Marky Mark and the Funky Bunch, Britney Spears, ‘N Sync, Justin Timberlake), made his selections from “Michael’s entire treasure vault” and remixed it specifically for the show. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 20 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 18, 19 BENNY BENASSI DA 16 THE CLARK SISTERS GS 14 EST GEE HS 4; H100 34; ODS 14; RBH 17; RS H.E.R. B200 166; RBL 23; ARB 12, 14; H100 50; -L- 13; STM 13 HA 23; RBH 22; RBS 6, 18 THE 1975 RO 40 GEORGE BENSON CJ 3, 4 CLEAN BANDIT DES 16 LABRINTH STX 20 FAITH EVANS ARB 28 HIKARU UTADA DLP 17 21 SAVAGE B200 63; RBA 36; H100 86; RBH DIERKS BENTLEY CS 21, 24; H100 -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Raskatov Stravinsky
SEATTLE SYMPHONY LUDOVIC MORLOT LUDOVIC RASKATOV PIANO CONCERTO “NIGHT BUTTERFLIES” TOMOKO MUKAIYAMA, PIANO STRAVINSKY THE RITE OF SPRING SEATTLESYMPHONY.ORG � & © 2014 Seattle Symphony Media. All rights reserved. Unauthorized copying, hiring, lending, public performance and broadcasting of this record prohibited without prior written permission from the Seattle Symphony. Benaroya Hall, 200 University Street, Seattle, WA 98101 Photo: Larey McDaniel Larey Photo: SEATTLE SYMPHONY Founded in 1903, the Seattle Symphony is one of America’s leading symphony orchestras and is internationally acclaimed for its innovative programming and extensive recording history. Under the leadership of Music Director Ludovic Morlot since September 2011, the Symphony is heard live from September through July by more than 300,000 people. It performs in one of the finest modern concert halls in the world — the acoustically superb Benaroya Hall — in downtown Seattle. Its extensive education and community-engagement programs reach over 100,000 children and adults each year. The Seattle Symphony has a deep commitment to new music, commissioning many works by living composers each season, including John Luther Adams’ Become Ocean, which won the 2014 Pulitzer Prize for Music. The orchestra has made more than 140 recordings and has received 12 Grammy nominations, two Emmy Awards and numerous other accolades. In 2014 the Symphony launched its in-house recording label, Seattle Symphony Media. For more information, visit seattlesymphony.org. Photo: Ben VanHouten Ben Photo: LUDOVIC MORLOT, CONDUCTOR As the Seattle Symphony’s Music Director, Ludovic Morlot has been received with extraordinary enthusiasm by musicians and audiences alike, who have praised him for his deeply musical interpretations, his innovative programming and his focus on community collaboration. -
Bob Stuart Awarded Prince Philip Medal by Royal Academy of Engineering Prestigious Award Presented to Founder of MQA for Career of Innovations
Bob Stuart awarded Prince Philip Medal by Royal Academy of Engineering Prestigious award presented to Founder of MQA for Career of Innovations News by Hi-Fi+ Staff Sep 16, 2020 Categories: Audio From the press release London, 14 September 2020 – Bob Stuart, creator of MQA and co-founder of Meridian Audio, is awarded the Royal Academy of Engineering Prince Philip Medal for ‘his exceptional contribution to audio engineering which has changed the way we listen to music and experience films’. Stuart is the first audio engineer to receive the award in its 20-year history. Previous recipients of the Prince Philip Medal include inventor of the turbojet engine, Air Commodore Sir Frank Whittle OM KBE CB FREng FRS; geothermal power innovator, Lucien Bronicki; and the electrical engineer who revolutionised fibre optics, Dr Charles Kao CBE FRS FREng. Commissioned by HRH Prince Philip, The Duke of Edinburgh KG KT, Senior Fellow of the Royal Academy of Engineering, the Prince Philip Medal is awarded periodically to an engineer of any nationality who has made exceptional contributions to engineering through practice, management or education. In accepting this award, Bob Stuart reflects: “Audio engineering sits at an intersection between analogue and digital engineering, music and the human listener. My passion to enable great sound recording and playback has required a multi-disciplinary approach, but that quest to preserve and share music performances is very satisfying and important. I am honoured and humbled to receive this award from the Royal Academy of Engineering.” Legendary, multi-Grammy Award winning Mastering Engineer, Bob Ludwig[1], shared his thoughts: “Bob Stuart is a connoisseur of both engineering and music and that is what sets him apart. -
Cassidy BARS Full Album Zip
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Olivia Rodrigo's 'Sour' Returns to No. 1 on Billboard 200 Albums Chart
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 28, 2021 Page 1 of 24 INSIDE Olivia Rodrigo’s ‘Sour’ Returns to • BTS’ ‘Butter’ Leads Hot 100 for Fifth No. 1 on Billboard 200 Albums Chart Week, Dua Lipa’s ‘Levitating’ Becomes BY KEITH CAULFIELD Most-Heard Radio Hit livia Rodrigo’s Sour returns to No. 1 on five frames (charts dated Jan. 23 – Feb. 20). (It’s worth • Executive of the the Billboard 200 chart for a second total noting that Dangerous had 30 tracks aiding its SEA Week: Motown Records Chairman/ week, as the album steps 3-1 in its fifth and TEA units, while Sour only has 11.) CEO Ethiopia week on the list. It earned 105,000 equiva- Polo G’s Hall of Fame falls 1-2 in its second week Habtemariam Olent album units in the U.S. in the week ending June on the Billboard 200 with 65,000 equivalent album 24 (down 14%), according to MRC Data. The album units (down 54%). Lil Baby and Lil Durk’s former • Will Avatars Kill The Radio Stars? debuted at No. 1 on the chart dated June 5. leader The Voice of the Heroes former rises 4-3 with Inside Today’s Virtual The Billboard 200 chart ranks the most popular 57,000 (down 21%). Migos’ Culture III dips 2-4 with Artist Record Labels albums of the week in the U.S. based on multi-metric 54,000 units (down 58%). Wallen’s Dangerous: The consumption as measured in equivalent album units. Double Album is a non-mover at No. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
Avid Congratulates Its Many Customers Nominated for the 57Th Annual GRAMMY(R) Awards
December 10, 2014 Avid Congratulates Its Many Customers Nominated for the 57th Annual GRAMMY(R) Awards Award Nominees Created With the Company's Industry-Leading Music Solutions Include Beyonce's Beyonce, Ed Sheeran's X, and Pharrell Williams' Girl BURLINGTON, Mass., Dec. 10, 2014 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulated its many customers recognized as award nominees for the 57th Annual GRAMMY® Awards for their outstanding achievements in the recording arts. The world's most prestigious ceremony for music excellence will honor numerous artists, producers and engineers who have embraced Avid EverywhereTM, using the Avid MediaCentral Platform and Avid Artist Suite creative tools for music production. The ceremony will take place on February 8, 2015 at the Staples Center in Los Angeles, California. Avid audio professionals created Record of the Year and Song of the Year nominees Stay With Me (Darkchild Version) by Sam Smith, Shake It Off by Taylor Swift, and All About That Bass by Meghan Trainor; and Album of the Year nominees Morning Phase by Beck, Beyoncé by Beyoncé, X by Ed Sheeran, In The Lonely Hour by Sam Smith, and Girl by Pharrell Williams. Producer Noah "40" Shebib scored three nominations: Album of the Year and Best Urban Contemporary Album for Beyoncé by Beyoncé, and Best Rap Song for 0 To 100 / The Catch Up by Drake. "This is my first nod for Album Of The Year, and I'm really proud to be among such elite company," he said. "I collaborated with Beyoncé at Jungle City Studios where we created her track Mine using their S5 Fusion. -
Sports Eye Protection for Men, Women & Youth
2017 ® Our vision is protecting yours. Sports Eye Protection for Men, Women & Youth ® BANGERZ® SPORTZ, A DIVISION OF HALO Sports®, IS A RECOGNIZED LEADER IN THE natIONAL MOVEMENT to EDUCate AND PROMOTE THE AWARENESS OF EYE SAFETY FOR SCHOLASTIC, RECreatIONAL, AND EXTREME sports. BANGERZ® SPORTZ ENGINEERS PRODUCTS to HELP PROTECT THE EYE FROM THE IMpaCT OF A BALL OR OTHER sport GEAR, AS WELL AS AN OPPONENT’S HANDS OR ELBOWS that POSE A threat to AN athLETE’S VISUAL SAFETY. WE OFFER A COMPLETE SELECTION OF sport SPECIFIC EYEGUARDS AND HIGH IMpaCT EYEWEAR WITH shatter RESIstant NON-PRESCRIPTION LENSES FOR ACTIVE PEOPLE OF ALL AGES. FOR OVER 30 YEARS HALO Sports® HAS EARNED ITS LEGENDARY REPUtatION FOR CRAFTING CertIFIED PROTECTIVE EYEWEAR. OUR RECS SPECS® BRAND IS THE NUMBER ONE SELLING COLLECTION OF ASTM APPROVED PRESCRIP- TION sport GOGGLES IN THE WORLD BANGERZ® SPORTZ... OUR VISION IS PROTECTING YOURS WHY WEAR BANGERZ SPORTZ EYE PROTECTION? HERE ARE THE FACTS • AN ESTIMateD 2.4 MILLION EYE INJURIES OCCUR IN THE US EACH YEAR • MORE THAN 600,000 ARE DOCUMENTED EYE INJURIES RELateD to sports AND RECreatION • 42,000 OF THESE INJURIES ARE OF A SEVERITY that REQUIRES EMERGENCY ROOM attentION • IT IS ESTIMATED that EACH YEAR 13,500 LEGALLY BLINDING sports EYE INJURIES OCCUR • NEARLY 1 MILLION AMERICANS HAVE LOST SOME DEGREE OF SIGHT DUE to EYE INJURY • EYE INJURY IS THE LEADING CAUSE OF MONOCULAR BLINDNESS • Sports PartICIpants USING EYEWEAR OR SUNWEAR that DOES NOT CONFORM to ASTM PROTECTION stanDARDS ARE at A FAR MORE SEVERE RISK OF EYE INJURY THAN partICIpants USING NO EYE PROTECTION at ALL.