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North Shore Houses Project
NORTH SHORE HOUSES, State Library of New South Wales Generously supported by the Upper North Architects Network (SPUN), Australian Institute of Architects. Compiled by John Johnson Arranged alphabetically by architect. Augustus Aley Allen & Jack Architects (Russell Jack) Allen, Jack & Cottier (Russell Jack) Sydney Ancher Adrian Ashton Arthur Baldwinson Arthur Baldwinson (Baldwinson & Booth) John Brogan Hugh Buhrich Neville Gruzman Albert Hanson Edward Jeaffreson Jackson Richard Leplastrier Gerard McDonnell D.T. Morrow and Gordon Glen Murcutt Nixon & Adam (John Shedden Adam) Pettit, Sevitt & Partners Exhibition Houses Ross Brothers (Herbert Ernest Ross and Colin John Ross) Ernest A Scott (Green & Scott) Harry Seidler Harry and Penelope Seidler Douglas Snelling John Sulman War Service Homes Commission Leslie Wilkinson Wilson & Neave (William Hardy Wilson) Architect: Augustus Aley ‘Villa Maria’ (House for Augustus Aley), 1920 8 Yosefa Avenue, Warrawee Architect Augustus Aley (1883-1968) built 4 houses in Yosefa Avenue, Warrawee (Nos. 7, 8, 9, 11) two of which were constructed for himself. He and wife Beatrice (1885?-1978) moved into Villa Maria in 1920 and developed a fine garden. In 1929 they moved to a new house, Santos, at 11 Yosefa Ave. “Mr Aley, the architect, and incidentally the owner, has planned both house and garden with the utmost care, so that each should combine to make a delightful whole. The irregular shape and sloping nature of the ground presented many difficulties, but at the same time abounded with possibilities, of which he has taken full advantage. The most important thing, in a house of this sort, and indeed in any house, is aspect, and here it is just right. -
AN AUSTRALIAN ARCHITECTURAL SAGA This Draft Summary Clarifies A
AN AUSTRALIAN ARCHITECTURAL SAGA This draft summary clarifies a 60 year political saga in Australian architectural politics, beginning with the arrival in Sydney of Harry Seidler in 1948 and continuing via his widow Penelope and her supporters after Seidler’s death in 2006. The angle for this version of the saga focuses on architectural politics around author Davina Jackson’s corruptly failed PhD thesis on Seidler’s main early rival in Sydney, Douglas Snelling. An earlier version of this text has been submitted to the Victorian Ombudsman, the NSW Board of Architects, and other relevant government agencies. It also has been circulated to key leaders of Australia’s architectural culture (including Michael Bryce at the Governor General’s Office) – with no questioning of the facts or interpretations. Three lawyers have seen this text and while one advises ‘this saga is so shocking it can never be officially admitted’, the facts have been so comprehensively recorded, circulated and witnessed, there is no realistic potential for the Seidlers, or other named protagonists, to deny their roles either. ......... In the age of the leak and the blog, of evidence extraction and link discovery, truths will either out or be outed, later if not sooner. This is something I would bring to the attention of every diplomat, politician and corporate leader: The future, eventually, will find you out. The future, wielding unimaginable tools of transparency, will have its way with you. In the end, you will be seen to have done that which you did. —William Gibson. 2003. ‘The Road to Oceania’ in The New York Times, June. -
A Swarm of Fish
A Swarm of Fish information and connections are provided by Gevork Hartoonian, Philip Drew, Philip Goad, Richard Blythe, Hannah Lewi, Stephen Neille, Elizabeth Musgrave, Tom Heneghan, and Peter Wilson, the authors featured in this catalogue. Claudia Perren All inspiration from Europe, America, and Asia acknowledged, Australian archi- tects did, however, develop an independent expression of modernism. Standards Modernism, born in Europe, underwent a long process of maturation before reach- and methods of modernism such as light construction, innovative use of new mate- Glenn Murcutt, Douglas ing Australia, arriving on fertile soil. The climate in Australia seems to demand an rials, pilotis, prefabricated elements simplifying production and assembly,the open Murcutt House, Belrose, architecture which, according to the principles of modernism, is based on light, air, plan, and the Frankfurt kitchen have been adopted by them, adapting these to the New South Wales, 1972 and sun. But not exclusively. The exhibition Living the Modern–Australian Australian lifestyle—be it single-family residences or in residential skyscrapers Architecture presents the development of modern architecture in Australia, specific (Aaron Bolot, Pottspoint, 1951; Frederick Romberg, Stanhill Flats, Melbourne, 1950; in terms of culture, location, and climate, by displaying its residential architecture. Douglas Forsyth Adams, The Chilterns, Rose Bay, 1954; Harry Seidler, Horizon The spotlight is set upon twenty-five architects who have adopted, utilized, trans- Apartments, Darlinghurst, 1999). Modernism in Australia is a widely strewn phe- formed, interpreted, and altered aspects of modernism in the last fifteen years. nomenon, not a peculiarity limited to social housing or to interested designers and Thus, for the first time, this exhibition provides a portrait of the significantly inter- architects. -
Awards Booklet V2.Indd
2010 Built Environment Awards Ceremony Never Stand Still Faculty of Built Environment Friday 3rd June 2011 6.00pm - 8.00pm Ceremony: Law Theatre Reception: Red Centre Gallery Contents 1 Built Environment Prizes 6 2010 Built Environment Scholarships & Awards 8 2010 University of NSW Built Environment Medallists 9 2010 Built Environment Higher Degree Research Graduates 10 2010 External & Industry Awards 14 2010 Dean’s List 17 2010 Undergraduate Scholars List 18 Built Environment Prizes Benefactors 1 2010 Built Environment Prizes Architecture & Design Discipline The Morton Herman Memorial Prize MATTHEW O’BRIEN The Frank W Peplow Prize LIONEL TEH The Frank Fox Memorial Prize DAVID LINDAYA The Belinda Brito Prize for Creativity and Passion in Design MATTHEW O’BRIEN The Eric Daniels Prize in Residential Design YUN FU The Castle Mountain Prize in the Bachelor of Architectural Studies CHRIS TRAN The Castle Mountain Prize in the Master of Architectural Studies GRANT SANDLER The J M Freeland Prize TALIA KEYES LAURA ANSELL 2 The Margot and Neville Gruzman Award for Urban Design in Architecture Year 1 of the Master of Architecture Program RUOCHEN CHENG YOKE NG LAURA ABBEY The Margot and Neville Gruzman Award for Urban Design in Architecture Year 2 of the Master of Architecture Program ANNA FIELD The L Peter Kollar Memorial Prize DANIELLE BENNETT The Lisa Ettridge Memorial Prize MOHAMMED QAHTINE MURINE LAI PETTER VOGT The Eckersleys Art & Craft Prize in Architectural Communication MATTHEW O’BRIEN The Woodhead Prize in Architectural Communications -
Downloaded by [Central Uni Library Bucharest] at 03:22 26 September 2013 Concrete Slab
Encyclopedia of 20th-century architecture 428 Hopkins’s Patera system, is also exoskeletal but, in contrast with the central spine, is more restrained. Anthony Hunt Associates designed the steel structure, and the lightweight structures unit of Ove Arup and Partners designed the fabric roof. A zoned servicing strategy supports the contrasting spatial and structural characters of the central spine and flanking wings. The winter garden and test station, although weather tight, are conceived as quasi-external spaces; the labs are sealed spaces in which tightly controlled environmental conditions for research can be maintained; and the offices have opening windows and sunshading that can be adjusted by the occupants. The building works as an icon in the heroic modernist tradition and, by addressing human needs, significantly advances the idea of the workplace. Transparency—with fully glazed walls between winter garden, test station, and labs and a glazed external envelope—creates a high degree of visual interaction both within the building and between the building and the outside world. An egalitarian workplace laced together by open meeting spaces and the generosity of the winter garden integrates disparate functions—clean and dirty, quiet and noisy, front and back of house. This social and programmatic integration is reiterated in the marriage of orthogonal and curvilinear geometries, of compressive and tensile structures, and of rational Miesian discipline with more exuberant expressionism. This building for Schlumberger was Michael Hopkins’s first use of a tensile fabric structure and the first large-scale architectural use of Teflon-coated fabric in the United Kingdom. Hopkins would further explore fabric structures in subsequent projects including the Mound Stand at Lord’s Cricket Ground (1987), the amenity building and ventilation towers at Inland Revenue (1995), and the Younger Universe Pavilion in Edinburgh (1998). -
Glenn Murcutt 2002 Laureate Acceptance Speech
Glenn Murcutt 2002 Laureate Acceptance Speech Mayor Veltroni, distinguished guests, friends, fellow architects, ladies and gentlemen. To Mrs. Pritzker, the Pritzker family, and members of the Hyatt Foundation, you have honored me with the 2002 Pritzker Architecture Prize, and I cannot tell you just how happy I am to be receiving it. Thank you. On entering private practice in late 1969, my father said, “son, remember, you must start off the way you would like to finish.” And he added, “for every compromise you knowingly make, the resultant work will represent your next client.” Tough yet good advice. Although I have worked as a sole practitioner without staff now for nearly 32 years, I am supported by many others who have contributed to my love of architecture. To fail to recognize those people would be unjust. Mies van der Rohe said, and I quote, that “with every good building, there was a very good client.” I have had so many wonderful clients throughout my career. There are others today that have to wait for more than three years for me to start work on their projects. I have worked with two engineers, a father and his son, and how could our thinking be realized without fine builders. There are writers, photographers and academics, fellow architects, architecture schools in Argentina, Chile, Denmark, Finland, the United States of America, and Australia, collaborators including my wife and family. Each has been wonderfully supportive and many are here this afternoon to celebrate with me this incredible event. Thank you, all of you. And what more wonderful a space and place could there be to celebrate this event than the Campidoglio in Rome? Just how fortunate can one be? The jury each year considers hundreds of architects for the Pritzker Prize, many of whom are worthy of receiving it. -
2018-08-27 Ordinary Council Meeting Agenda
1759 – Willoughby City Council Heritage Study Review August 2018 © Architectural Projects Pty Limited: 1759.07.03.03_Heritage Study Review_20180814.docx 4 1759 – WILLOUGHBY CITY COUNCIL – HERITAGE STUDY REVIEW Document Control Version Date Status Author Verification 01 10.04.2018 Draft Elizabeth Gibson Jennifer Hill Associate, Senior Consultant Director, Registered Architect 4811 02 14.08.2018 Final Elizabeth Gibson Jennifer Hill Associate, Senior Consultant Director, Registered Architect 4811 ©COPYRIGHT This report is copyright of Architectural Projects Pty Ltd and was prepared specifically for Willoughby City Council. It shall not be used for any other purpose and shall not be transmitted in any form without the written permission of the authors. © Architectural Projects Pty Limited: 1759.07.03.03_Heritage Study Review_20180814.docx 5 1759 | WILLOUGHBY CITY COUNCIL – HERITAGE STUDY REVIEW CONTENTS 1. INTRODUCTION ....................................................................................................................... 1 1.1. BACKGROUND ....................................................................................................................... 1 1.2. DEFINITION OF THE STUDY SCOPE .......................................................................................... 1 1.3. METHODOLOGY ..................................................................................................................... 2 1.4. LIMITATIONS ......................................................................................................................... -
Proceedings of the Society of Architectural Historians Australia and New Zealand Vol
PROCEEDINGS OF THE SOCIETY OF ARCHITECTURAL HISTORIANS AUSTRALIA AND NEW ZEALAND VOL. 33 Edited by AnnMarie Brennan and Philip Goad Published in Melbourne, Australia, by SAHANZ, 2016 ISBN: 978-0-7340-5265-0 The bibliographic citation for this paper is: Paola Favaro “White Gold: The European’s Dream of Thredbo.” In Proceedings of the Society of Architectural Historians, Australia and New Zealand: 33, Gold, edited by AnnMarie Brennan and Philip Goad, 178-189. Melbourne: SAHANZ, 2016. All efforts have been undertaken to ensure that authors have secured appropriate permissions to reproduce the images illustrating individual contributions. Interested parties may contact the editors. Paola Favaro UNSW WHITE GOLD: THE EUROPEAN’S DREAM OF THREDBO Once a magnet for snow dreamers, Thredbo, a village in the Snowy Mountains in the state of New South Wales is now facing a decline in its infrastructure, with poorly maintained ski terminals, downgraded chairs lifts, rundown snow facilities and the loss of clientele who prefer to ski overseas. Can anything be done to change this trend, to revive the European dream for the “white gold” in Australia? What can Thredbo Village learn from its own history? In 1962, Dutch engineer Gerardus J. (Dick) Düsseldorp employed the Sydney architect Harry Seidler to design the Lend Lease Company Lodge at Thredbo. This event marked Dusseldorp’s full commitment to the development of the Crackenback Valley as the first Australian, year-round Alpine resort. One year earlier, as the prime financier of Lend Lease, Düsseldorp signed a long-term lease with the Australian government, to develop the village of Thredbo. -
Macmahon, East Australia, E
Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 Bill MacMahon (ed.) The Architecture of East Australia With photographs by Max Dupain and Associates. 256 pp. with 455 ill., 161,5 x 222 mm, soft-cover, English ISBN 978-3-930698-90-5 Euro 36.00, sfr 64.00, £ 24.00, US $ 42.00, $A 69.95 In 1840 Sir Thomas Mitchell, Surveyor General of the British Crown, chose a rocky promontory on Sydney harbour for his home. He built a cottage in the style of Gothic Revival, popularized in England by Augustus Welby Northmore Pugin and documented in popular copy books shipped with his baggage from his home country. The house perfectly expresses the imaginative dislocation of European culture into the romantic wilderness. Whether they came out of duty, like Mitchell, or in the hope of opportunity, the European im- migrants viewed Australia as a »terra nullius«, as an empty land, a vacant space waiting to receive a model of Christian civilization. It took a century to realize that the dream did not comfortably fit the continent. The story of Australian architecture might be said to parallel the endeavours of Australians to adapt and reconcile them- Distributors selves with their home and neighbours. It is the story of 200 years of coming to terms with the land: of adaptation, insight and mak- Brockhaus Commission ing do. Early settlers were poorly provisioned, profoundly ignorant Kreidlerstraße 9 of the land and richly prejudiced towards its peoples. They pursued D-70806 Kornwestheim many paths over many terrains. -
179 CHAPTER 7 HIGH RISE and ITS OPPONENTS High Rise
179 CHAPTER 7 HIGH RISE AND ITS OPPONENTS High rise blocks of flats built in the sixties and early seventies dominate many streetscapes, harbour foreshores and major arterial roads in Sydney. Their physical prominence and concentration in a small number of municipalities makes them a highly visible feature of the Sydney skyline and lends credence to the widespread notion that Sydney is overrun with high rise flats. This is far from the truth. Not until 1970 were more flats than houses were built in Sydney and only a very small proportion of them were high rise. At the 1981 census only 4.3 per cent (45 389) of occupied private dwellings in the Sydney Statistical Division were in blocks of flats over three storeys. Most of Sydney's flats (207 000) were still to be found in much smaller, though not necessarily unobtrusive, walk-up blocks (Census). High rise advocates included architects and planners who saw such blocks as a means of containing urban sprawl; the NSW Housing Commisison who built tower blocks to replace inner city 'slums' and private developers trying to maximise profits on spectacular sites, usually with the acquiescence of local councils. High rise flats began to appear in harbour and oceanside suburbs already made popular by flat development in the inter-war years, North Sydney, Woollahra, Waverley and Manly as well as The City of Sydney. Two thirds of all strata plans registered for high rise blocks were concentrated in these five LGAs, as shown in Table 7.1. 180 Table 7.1 Strata plans registered for blocks of flats in -
Max Dupain, 1978 Max Dupain — Modernist Is a Free Exhibition from 9 June to 23 September 2007
I stress two things, simplicity and directness. This means reduction of the subject to elementary or even symbolic terms, by devious selection of viewpoint, by lighting, by after treatment. I do not always print the total negative … I work mostly in black and white. It suits my will to interpret and to dramatise. I have more control with black and white without which the very personal element is lost forever … Max Dupain, 1978 Max Dupain — Modernist is a free exhibition from 9 June to 23 September 2007 Exhibition opening hours: 9 am to 5 pm weekdays 11 am to 5 pm weekends State Library of New South Wales Macquarie Street Sydney NSW 2000 Telephone (02) 9273 1414 Facsimile (02) 9273 1255 TTY (02) 9273 1541 Email [email protected] www.sl.nsw.gov.au Curator: Avryl Whitnall Exhibition Designer: Elin Thomas Project Manager: Phil Verner Editor: Cathy Perkins Graphic Designer: Dominic Hon Digital retouching & exhibition prints: Cameron Neville, storm imaging Scanning & digital retouching: Vanessa Kyle, storm imaging Collection Preservation project leader: Lang Ngo Printer: Pettaras Press Paper: Maxi Silk 350 gsm (cover), Maxi Silk 150 gsm (text) Print run: 10 000 P&D-2351-06/2007 ISBN 0 7313 7176 3 © State Library of New South Wales, June 2007 Photographs and prints from this exhibition can be ordered from the Library Shop, telephone 9273 1611 or email <[email protected]>. Cover images (clockwise from top): 48 House (Dupain), Castlecrag, 1954 122 National Library of Australia, 1968 48 122 160 UTS Ku-ring-gai, 1978 Max Dupain, photographed by Jill White, c. -
Australian Institute of Architects Register of Significant Buildings in Nsw
AUSTRALIAN INSTITUTE OF ARCHITECTS REGISTER OF SIGNIFICANT BUILDINGS IN NSW MASTER O A & K HENDERSON / LOUIS HENDERSON A & K HENDERSON OF MELBOURNE, rear by circa 1935 1940 1991, 1993, 1994, T&G Building 555 Dean Street Albury Albury City 4703473 Card LOUIS HARRISON 2006, 2008 H [architect not identified] [architect not identified] 1912 Wilton House 105-109 Katoomba Street Katoomba Blue Mountains 4700146 Card S [architect not identified] [architect not identified] undated Korvette Store Katoomba Street Katoomba Blue Mountains 4700147 Card S [architect not identified] [architect not identified] 1909 1940 (1925 Interior of The Paragon Cafe 63-69 Katoomba Street Katoomba Blue Mountains 4700148 Card Nos 65-67 H&E Sidegreaves) C [architect not identified] [architect not identified] 1905 Kanowna Hostel 26 Wascoe Street Leura Blue Mountains 4700152 Card MM [architect not identified] [architect not identified] 1938 Kingsford Smith Memorial Park Gates Katoomba Blue Mountains 4700153 Card S [architect not identified] [architect not identified] undated Shop Buildings 33-44 Katoomba Street Katoomba Blue Mountains 4700154 Card B [architect not identified] [architect not identified] undated Commonwealth Bank 68-72 Katoomba Street Katoomba Blue Mountains 4700155 Card S [architect not identified] [architect not identified] undated Shop Building 98 Katoomba Street Katoomba Blue Mountains 4700156 Card S [architect not identified] [architect not identified] 1921 Soper Chambers 118-120 Katoomba Street Katoomba Blue Mountains 4700157 Card S [architect not