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Each Wild Idea: Writing, Photography, History
e “Unruly, energetic, unmastered. Also erudite, engaged and rigorous. Batchen’s essays have arrived at exactly the e a c h w i l d i d e a right moment, when we need their skepticism and imagination to clarify the blurry visual thinking of our con- a writing photography history temporary cultures.” geoffrey batchen c —Ross Gibson, Creative Director, Australian Centre for the Moving Image h In Each Wild Idea, Geoffrey Batchen explores widely ranging “In this remarkable book, Geoffrey Batchen picks up some of the threads of modernity entangled and ruptured aspects of photography, from the timing of photography’s by the impact of digitization and weaves a compelling new tapestry. Blending conceptual originality, critical invention to the various implications of cyberculture. Along w insight and historical rigor, these essays demand the attention of all those concerned with photography in par- the way, he reflects on contemporary art photography, the role ticular and visual culture in general.” i of the vernacular in photography’s history, and the —Nicholas Mirzoeff, Art History and Comparative Studies, SUNY Stony Brook l Australianness of Australian photography. “Geoffrey Batchen is one of the few photography critics equally adept at historical investigation and philosophi- d The essays all focus on a consideration of specific pho- cal analysis. His wide-ranging essays are always insightful and rewarding.” tographs—from a humble combination of baby photos and —Mary Warner Marien, Department of Fine Arts, Syracuse University i bronzed booties to a masterwork by Alfred Stieglitz. Although d Batchen views each photograph within the context of broader “This book includes the most important essays by Geoffrey Batchen and therefore is a must-have for every schol- social and political forces, he also engages its own distinctive ar in the fields of photographic history and theory. -
BE Prizes 2009.Xlsx
UNSW Built Environment Prizes 2009 The UNSW Built Environment is grateful for the generous support of the members of our diverse community who share their passion for both the design professions and education by creating prizes which acknowledge the outstanding work of our students each year. The recipients will be presented with their prize and certificate, by representatives of the donors of the prize, at an event to be held later in 2010. UNSW Built Environment Prize Name Winner 2009 Amount Reason for Prize Prize Description The Dean’s List was established to celebrate the academic achievements of our high performing undergraduate For the highest weighted students. Every semester, undergraduate students who Matthew Ritson average mark amongst all have achieved a Weighted Average Mark of 80 over in The Dean's Award $250 Shawna NG undergraduate programs in that semester (and undertaken at least 18 Units of Credit) each semester ‐ one and two are placed on the Dean’s List. Additionally, the student with the highest WAM for each semester is awarded the Dean’s Award. Architecture Prize Name Winner 2009 Amount Reason for Prize Prize Description Morton Herman (1907‐1983) architect, architectural historian and architectural conservationist lectured primarily in architectural history from 1945 until the late For the best performance in 1960s. He received the award of Member of the Order of The Morton Herman Memorial Alexander Redzic Studies of Historic Structures $500 Australia in 1979 being referred to as the 'father of Prize Isaac Williams in the Bachelor of architectural history and conservation in this country'. Architectural Studies Program This prize was established by Philip Cox AO who made a significant contribution to Herman's welfare towards the end of his life. -
Australian and International Photography
Australian and International Photography Josef Lebovic Gallery 34 Paddington Street (PO Box 453) Paddington (Sydney) NSW 2021 Australia Ph: (02) 9332 1840 Fax: (02) 9331 7431 Email: [email protected] www.joseflebovicgallery.com JOSEF LEBOVIC GALLERY 34 Paddington Street (PO Box 453), Paddington, Sydney, NSW 2021, Australia • Established 1977 Tel: (02) 9332 1840 • Fax: (02) 9331 7431 • Intl: (+61-2) Email: [email protected] • Web: joseflebovicgallery.com Open Tues to Fri by appointment, Sat 11-5pm • ABN 15 800 737 094 Member of • Association of International Photography Art Dealers Inc. International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. 2. Anon. [George Finey], c1950s. Vintage COLLECTORS’ LIST No. 144, 2010 silver gelatin photograph, 30.7 x 38.2cm. Slight crinkles, minor chips to edges of image. $990 Shows Australian cartoonist George Finey with his self portrait composed of old boots. Australian & International Photography 1. Ansel Adams (American, 1902- 1984). Moon And Half Dome, Yosemite Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky, Alex Montagnese National Park, California, 1960/later On exhibition from Saturday, 24 July to Saturday, 28 August and on our printing. Silver gelatin photograph, Yosemite National Park authentication website from 30 July. stamp and initialled in ink by printer All items have been illustrated in this catalogue. Prices are in Alan Ross verso, 24.1 x 18cm. Laid Australian dollars and include GST. Exch. rates as at time of printing: down on slightly foxed original present AUD $1.00 = USD $0.87¢; UK £0.57p ation backing. $3,800 © Licence by VISCOPY AUSTRALIA 2010 LRN 5523 Stamp includes “Special edition photographs of Yosemite by Ansel Adams. -
Harry Seidler: Modernist Press Kit Page 1
Harry Seidler: Modernist Press Kit Page 1 press kit Original Title: HARRY SEIDLER MODERNIST Year of Production: 2016 Director: DARYL DELLORA Producers: CHARLOTTE SEYMOUR & SUE MASLIN Writers: DARYL DELLORA with IAN WANSBROUGH Narrator: MARTA DUSSELDORP Duration: 58 MINS Genre: DOCUMENTARY Original Language: ENGLISH Country of Origin: AUSTRALIA Screening Format: HD PRO RES & BLU-RAY Original Format: HD Picture: COLOUR & B&W Production Company: FILM ART DOCO World Sales: FILM ART MEDIA Principal Investors: ABC TV, SCREEN AUSTRALIA, FILM VICTORIA, SCREEN NSW & FILM ART MEDIA Harry Seidler: Modernist Press Kit Page 2 SYNOPSES One line synopsis An insightful retrospective of Harry Seidler’s architectural vision One paragraph synopsis Harry Seidler: Modernist is a retrospective celebration of the life and work of Australia's most controversial architect. Sixty years of work is showcased through sumptuous photography and interviews with leading architects from around the world. Long synopsis At the time of his death in 2006, Harry Seidler was Australia's best-known architect. The Sydney Morning Herald carried a banner headline "HOW HE DEFINED SYDNEY" and there were obituaries in the London and the New York Times. Lord Richard Rogers, of Paris Pompidou Center fame, describes him as one of the world's great mainstream modernists. This film charts the life and career of Harry Seidler through the eyes of those that knew him best; his wife of almost fifty years Penelope Seidler; his co-workers including Colin Griffiths and Peter Hirst who were by his side over four decades; and several well-placed architectural commentators and experts including three laureates of the highest honour the world architectural community bestows, the Pritzker Prize: Lord Norman Foster, Lord Richard Rogers and our own Glenn Murcutt. -
North Shore Houses Project
NORTH SHORE HOUSES, State Library of New South Wales Generously supported by the Upper North Architects Network (SPUN), Australian Institute of Architects. Compiled by John Johnson Arranged alphabetically by architect. Augustus Aley Allen & Jack Architects (Russell Jack) Allen, Jack & Cottier (Russell Jack) Sydney Ancher Adrian Ashton Arthur Baldwinson Arthur Baldwinson (Baldwinson & Booth) John Brogan Hugh Buhrich Neville Gruzman Albert Hanson Edward Jeaffreson Jackson Richard Leplastrier Gerard McDonnell D.T. Morrow and Gordon Glen Murcutt Nixon & Adam (John Shedden Adam) Pettit, Sevitt & Partners Exhibition Houses Ross Brothers (Herbert Ernest Ross and Colin John Ross) Ernest A Scott (Green & Scott) Harry Seidler Harry and Penelope Seidler Douglas Snelling John Sulman War Service Homes Commission Leslie Wilkinson Wilson & Neave (William Hardy Wilson) Architect: Augustus Aley ‘Villa Maria’ (House for Augustus Aley), 1920 8 Yosefa Avenue, Warrawee Architect Augustus Aley (1883-1968) built 4 houses in Yosefa Avenue, Warrawee (Nos. 7, 8, 9, 11) two of which were constructed for himself. He and wife Beatrice (1885?-1978) moved into Villa Maria in 1920 and developed a fine garden. In 1929 they moved to a new house, Santos, at 11 Yosefa Ave. “Mr Aley, the architect, and incidentally the owner, has planned both house and garden with the utmost care, so that each should combine to make a delightful whole. The irregular shape and sloping nature of the ground presented many difficulties, but at the same time abounded with possibilities, of which he has taken full advantage. The most important thing, in a house of this sort, and indeed in any house, is aspect, and here it is just right. -
Australian & International Photography
Australian & International Photography Collectors’ List No. 185, 2016 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW phone: (02) 9663 4848 email: [email protected] web: joseflebovicgallery.com JOSEF LEBOVIC GALLERY 19th Century Established 1977 1.| Robert Macpherson (Brit., 1811-1872).| Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) Arch Of Constantine, Rome, Italy, |c1850s.| Albumen paper photograph, numbered “2” in Address: 103a Anzac Parade, Kensington (Sydney), NSW pencil in “R. Macpherson, Rome” blind stamp Postal: PO Box 93, Kensington NSW 2033, Australia on backing below image, 31.3 x 40cm. Slight developing flaws and scuffing to image lower Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 centre and right, repaired minor tears to upper Email: [email protected] • Website: joseflebovicgallery.com edge, minor foxing or soiling, laid down on Open: Monday to Saturday from 1 to 6pm by chance or by appointment original backing.| $2,200| COLLECTORS’ LIST No. 185, 2016 Held in Canadian Centre for Architecture. 2.| Robert Macpherson (Brit., 1811-1872).| Australian & International The Castle And Bridge Of Saint Angelo, With The Vatican In The Distance, Vatican City,| Photography c1850s.| Albumen paper photograph, num- On exhibition from Sat., 3 December to Sat., 11 February. bered “34” in pencil in “R. Macpherson, Rome” blind stamp on backing below image, 24.4 x All items will be illustrated on our website from 17 December. 37.4cm. Slight fading and foxing to image, laid Prices are in Australian dollars, including GST. Exch. rates at down on original backing.| the time of printing: AUD $1.00 = USD $0.76¢; UK£0.60p $1,650| Held in Canadian Centre for Architecture. -
DALKIN, ROBERT NIXON (BOB) (1914–1991), Air Force Officer
D DALKIN, ROBERT NIXON (BOB) (1960–61), staff officer operations, Home (1914–1991), air force officer and territory Command (1957–59), and officer commanding administrator, was born on 21 February 1914 the RAAF Base, Williamtown, New South at Whitley Bay, Northumberland, England, Wales (1963). He had graduated from the RAF younger son of English-born parents George Staff College (1950) and the Imperial Defence Nixon Dalkin, rent collector, and his wife College (1962). Simultaneously, he maintained Jennie, née Porter. The family migrated operational proficiency, flying Canberra to Australia in 1929. During the 1930s bombers and Sabre fighters. Robert served in the Militia, was briefly At his own request Dalkin retired with a member of the right-wing New Guard, the rank of honorary air commodore from the and became business manager (1936–40) for RAAF on 4 July 1968 to become administrator W. R. Carpenter [q.v.7] & Co. (Aviation), (1968–72) of Norfolk Island. His tenure New Guinea, where he gained a commercial coincided with a number of important issues, pilot’s licence. Described as ‘tall, lean, dark including changes in taxation, the expansion and impressive [with a] well-developed of tourism, and an examination of the special sense of humour, and a natural, easy charm’ position held by islanders. (NAA A12372), Dalkin enlisted in the Royal Dalkin overcame a modest school Australian Air Force (RAAF) on 8 January education to study at The Australian National 1940 and was commissioned on 4 May. After University (BA, 1965; MA, 1978). Following a period instructing he was posted to No. 2 retirement, he wrote Colonial Era Cemetery of Squadron, Laverton, Victoria, where he Norfolk Island (1974) and his (unpublished) captained Lockheed Hudson light bombers on memoirs. -
AN AUSTRALIAN ARCHITECTURAL SAGA This Draft Summary Clarifies A
AN AUSTRALIAN ARCHITECTURAL SAGA This draft summary clarifies a 60 year political saga in Australian architectural politics, beginning with the arrival in Sydney of Harry Seidler in 1948 and continuing via his widow Penelope and her supporters after Seidler’s death in 2006. The angle for this version of the saga focuses on architectural politics around author Davina Jackson’s corruptly failed PhD thesis on Seidler’s main early rival in Sydney, Douglas Snelling. An earlier version of this text has been submitted to the Victorian Ombudsman, the NSW Board of Architects, and other relevant government agencies. It also has been circulated to key leaders of Australia’s architectural culture (including Michael Bryce at the Governor General’s Office) – with no questioning of the facts or interpretations. Three lawyers have seen this text and while one advises ‘this saga is so shocking it can never be officially admitted’, the facts have been so comprehensively recorded, circulated and witnessed, there is no realistic potential for the Seidlers, or other named protagonists, to deny their roles either. ......... In the age of the leak and the blog, of evidence extraction and link discovery, truths will either out or be outed, later if not sooner. This is something I would bring to the attention of every diplomat, politician and corporate leader: The future, eventually, will find you out. The future, wielding unimaginable tools of transparency, will have its way with you. In the end, you will be seen to have done that which you did. —William Gibson. 2003. ‘The Road to Oceania’ in The New York Times, June. -
A Swarm of Fish
A Swarm of Fish information and connections are provided by Gevork Hartoonian, Philip Drew, Philip Goad, Richard Blythe, Hannah Lewi, Stephen Neille, Elizabeth Musgrave, Tom Heneghan, and Peter Wilson, the authors featured in this catalogue. Claudia Perren All inspiration from Europe, America, and Asia acknowledged, Australian archi- tects did, however, develop an independent expression of modernism. Standards Modernism, born in Europe, underwent a long process of maturation before reach- and methods of modernism such as light construction, innovative use of new mate- Glenn Murcutt, Douglas ing Australia, arriving on fertile soil. The climate in Australia seems to demand an rials, pilotis, prefabricated elements simplifying production and assembly,the open Murcutt House, Belrose, architecture which, according to the principles of modernism, is based on light, air, plan, and the Frankfurt kitchen have been adopted by them, adapting these to the New South Wales, 1972 and sun. But not exclusively. The exhibition Living the Modern–Australian Australian lifestyle—be it single-family residences or in residential skyscrapers Architecture presents the development of modern architecture in Australia, specific (Aaron Bolot, Pottspoint, 1951; Frederick Romberg, Stanhill Flats, Melbourne, 1950; in terms of culture, location, and climate, by displaying its residential architecture. Douglas Forsyth Adams, The Chilterns, Rose Bay, 1954; Harry Seidler, Horizon The spotlight is set upon twenty-five architects who have adopted, utilized, trans- Apartments, Darlinghurst, 1999). Modernism in Australia is a widely strewn phe- formed, interpreted, and altered aspects of modernism in the last fifteen years. nomenon, not a peculiarity limited to social housing or to interested designers and Thus, for the first time, this exhibition provides a portrait of the significantly inter- architects. -
Awards Booklet V2.Indd
2010 Built Environment Awards Ceremony Never Stand Still Faculty of Built Environment Friday 3rd June 2011 6.00pm - 8.00pm Ceremony: Law Theatre Reception: Red Centre Gallery Contents 1 Built Environment Prizes 6 2010 Built Environment Scholarships & Awards 8 2010 University of NSW Built Environment Medallists 9 2010 Built Environment Higher Degree Research Graduates 10 2010 External & Industry Awards 14 2010 Dean’s List 17 2010 Undergraduate Scholars List 18 Built Environment Prizes Benefactors 1 2010 Built Environment Prizes Architecture & Design Discipline The Morton Herman Memorial Prize MATTHEW O’BRIEN The Frank W Peplow Prize LIONEL TEH The Frank Fox Memorial Prize DAVID LINDAYA The Belinda Brito Prize for Creativity and Passion in Design MATTHEW O’BRIEN The Eric Daniels Prize in Residential Design YUN FU The Castle Mountain Prize in the Bachelor of Architectural Studies CHRIS TRAN The Castle Mountain Prize in the Master of Architectural Studies GRANT SANDLER The J M Freeland Prize TALIA KEYES LAURA ANSELL 2 The Margot and Neville Gruzman Award for Urban Design in Architecture Year 1 of the Master of Architecture Program RUOCHEN CHENG YOKE NG LAURA ABBEY The Margot and Neville Gruzman Award for Urban Design in Architecture Year 2 of the Master of Architecture Program ANNA FIELD The L Peter Kollar Memorial Prize DANIELLE BENNETT The Lisa Ettridge Memorial Prize MOHAMMED QAHTINE MURINE LAI PETTER VOGT The Eckersleys Art & Craft Prize in Architectural Communication MATTHEW O’BRIEN The Woodhead Prize in Architectural Communications -
Annual Report 2016–17
Annual Report 2016–17 Annual Report 2016–17 © National Gallery of Australia 2017 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. National Gallery of Australia Parkes Place, Canberra ACT 2600 GPO Box 1150, Canberra ACT 2601 Edited by Eric Meredith Designed by Carla Da Silva Pastrello Index by Sherrey Quinn Printed by New Millennium Print ISSN 1323 5192 ISSN 1833 9859 (Online) nga.gov.au/aboutus/reports Cover: Madarrpa and Galpu artist Nonggirrnga Marawili’s work in Defying Empire: 3rd National Indigenous Art Triennial at the NGA, 25 May 2017. The acquisition (2017–18 year) of the two barks on the right-hand side of the back cover was supported by Wesfarmers Arts in recognition of the 50th Anniversary of the 1967 Referendum. 2 CONTENTS Letter of transmittal 5 About the NGA 7 Strategic direction 8 Organisational structure 9 Executive summary 11 Chair’s report 12 Director’s report 14 Snapshot 24 Performance statements 31 Performance summary 32 Develop and maintain an outstanding national collection 34 Educate and inspire audiences through exceptional experiences 46 Provide sound corporate and strategic support 58 Management and accountability 63 Governance 64 Corporate services 72 Statutory compliance 75 Appendices 77 Appendix A: Exhibitions 78 Appendix B: Publishing and papers 80 Appendix C: Acquisitions 87 Appendix D: Inward -
Downloaded by [Central Uni Library Bucharest] at 03:22 26 September 2013 Concrete Slab
Encyclopedia of 20th-century architecture 428 Hopkins’s Patera system, is also exoskeletal but, in contrast with the central spine, is more restrained. Anthony Hunt Associates designed the steel structure, and the lightweight structures unit of Ove Arup and Partners designed the fabric roof. A zoned servicing strategy supports the contrasting spatial and structural characters of the central spine and flanking wings. The winter garden and test station, although weather tight, are conceived as quasi-external spaces; the labs are sealed spaces in which tightly controlled environmental conditions for research can be maintained; and the offices have opening windows and sunshading that can be adjusted by the occupants. The building works as an icon in the heroic modernist tradition and, by addressing human needs, significantly advances the idea of the workplace. Transparency—with fully glazed walls between winter garden, test station, and labs and a glazed external envelope—creates a high degree of visual interaction both within the building and between the building and the outside world. An egalitarian workplace laced together by open meeting spaces and the generosity of the winter garden integrates disparate functions—clean and dirty, quiet and noisy, front and back of house. This social and programmatic integration is reiterated in the marriage of orthogonal and curvilinear geometries, of compressive and tensile structures, and of rational Miesian discipline with more exuberant expressionism. This building for Schlumberger was Michael Hopkins’s first use of a tensile fabric structure and the first large-scale architectural use of Teflon-coated fabric in the United Kingdom. Hopkins would further explore fabric structures in subsequent projects including the Mound Stand at Lord’s Cricket Ground (1987), the amenity building and ventilation towers at Inland Revenue (1995), and the Younger Universe Pavilion in Edinburgh (1998).