British Fascism and the Mainstream Press 1925-39
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Shirt Movements in Interwar Europe: a Totalitarian Fashion
Ler História | 72 | 2018 | pp. 151-173 SHIRT MOVEMENTS IN INTERWAR EUROPE: A TOTALITARIAN FASHION Juan Francisco Fuentes 151 Universidad Complutense de Madrid, Spain [email protected] The article deals with a typical phenomenon of the interwar period: the proliferation of socio-political movements expressing their “mood” and identity via a paramilitary uniform mainly composed of a coloured shirt. The analysis of 34 European shirt movements reveals some common features in terms of colour, ideology and chronology. Most of them were consistent with the logic and imagery of interwar totalitarianisms, which emerged as an alleged alternative to the decaying bourgeois society and its main political creation: the Parliamentary system. Unlike liBeral pluralism and its institutional expression, shirt move- ments embody the idea of a homogeneous community, based on a racial, social or cultural identity, and defend the streets, not the Ballot Boxes, as a new source of legitimacy. They perfectly mirror the overwhelming presence of the “brutalization of politics” (Mosse) and “senso-propaganda” (Chakhotin) in interwar Europe. Keywords: fascism, Nazism, totalitarianism, shirt movements, interwar period. Resumo (PT) no final do artigo. Résumé (FR) en fin d’article. “Of all items of clothing, shirts are the most important from a politi- cal point of view”, Eugenio Xammar, Berlin correspondent of the Spanish newspaper Ahora, wrote in 1932 (2005b, 74). The ability of the body and clothing to sublimate, to conceal or to express the intentions of a political actor was by no means a discovery of interwar totalitarianisms. Antoine de Baecque studied the political dimension of the body as metaphor in eighteenth-century France, paying special attention to the three specific func- tions that it played in the transition from the Ancien Régime to revolutionary France: embodying the state, narrating history and peopling ceremonies. -
Spectre of Hate An Explanatory Guide to the Far Right in the UK
SPECTRE OF HATE An Explanatory Guide to the Far Right in the UK Part of the Cordoba Manuals Series March 2015. ISSN 2048-7711 The Cordoba Foundation is an independent strategic think tank aimed at promoting intercultural dialogue and positive coexistence, through a range of activities including research and publications, training and capacity building, policy briefings and dialogues. The Foundation takes its name from the city of Cordoba. The European metropolis was once a symbol of human excellence and intellectual ingenuity, where cultures, civilisations and ideas thrived. Embodying this spirit, TCF today facilitates the meeting of minds, to advance understanding and respect for one another. Our activities include: Structured consultation and advisory services. Face-to-face interaction with decision-makers and figures of authority. In-house research. Workshops, seminars and debates on pertinent issues. Training and capacity-building. Periodicals and journals. Resourceful website. www.thecordobafoundation.com [email protected] The Cordoba Foundation @CordobaFoundati ISSN 2048-7711 © The Cordoba Foundation 2015 All rights reserved. No part of this publication may be reproduced or transmitted in any way or by any means, without the express permission of The Cordoba Foundation. Date of publication: March 2015. Printed in England. Disclaimer Views and opinions expressed in this publication are those of the respective authors/ contributors and do not necessarily represent a corporate view of the publishers. Acknowledgements Special thanks to everyone who contributed material or agreed to be interviewed in this guide. Photo credits William Barylo, Salman Farsi, Rehan Jamil and F. Amin. Cover image: The mural on Cable Street, East End of London depicts the memorable events of 4 October 1936, when a march by Oswald Mosley’s British Union of Fascists was stopped by thousands of local people. -
50 Douglas Liberal Predicament
THE LIBERAL PREDICAMENT, 1945 – 64 For most of the twenty years from 1945 to 1964, it looked as if the Liberals were finished. They were reduced to a handful of MPs, most of whom held their seats precariously,. They were desperately short of money and organisation, and were confronted by two great parties, both seeking to look as ‘liberal’ as possible. For the ambitious would- be Liberal politician, there was practically no prospect of a seat in Parliament, or even on the local council. Roy Douglas examines why, despite the desperate state of their party, many Liberals kept the faith going, and not only carried on campaigning, but also laid the foundations for long-term revival. Liberal election poster, 196 1 Journal of Liberal History 50 Spring 2006 THE LIBERAL PREDICAMENT, 1945 – 64 he great Liberal vic- It wasn’t at all like 1874, when a failed. At the general election of tory of 1906 had been Liberal government had more or that year, the Liberal Party won won, more than any- less worked itself out of a job, or a little under 5.3 million votes, thing else, by the party’s 1886, when a Liberal government against well over 8 million each devotion to free trade was divided on a major issue of for the other two parties; but Tand its resistance both to the policy, or 1895, when a Liberal they only obtained fifty-nine protectionist campaign of ren- government collapsed in chaos. MPs, one of whom promptly egade Joseph Chamberlain and Wisely or (to the author’s mind) defected to Labour. -
The Juggler of Notre Dame and the Medievalizing of Modernity VOLUME 6: WAR and PEACE, SEX and VIOLENCE
The Juggler of Notre Dame and the Medievalizing of Modernity VOLUME 6: WAR AND PEACE, SEX AND VIOLENCE JAN M. ZIOLKOWSKI To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/822 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. THE JUGGLER OF NOTRE DAME VOLUME 6 The Juggler of Notre Dame and the Medievalizing of Modernity Vol. 6: War and Peace, Sex and Violence Jan M. Ziolkowski https://www.openbookpublishers.com © 2018 Jan M. Ziolkowski This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Jan M. Ziolkowski, The Juggler of Notre Dame and the Medievalizing of Modernity. Vol. 6: War and Peace, Sex and Violence. Cambridge, UK: Open Book Publishers, 2018, https://doi.org/10.11647/OBP.0149 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Utopian Aspirations in Fascist Ideology: English and French Literary Perspectives 1914-1945
Utopian Aspirations in Fascist Ideology: English and French Literary Perspectives 1914-1945 Ashley James Thomas Discipline of History School of History & Politics University of Adelaide Thesis presented as the requirement for the degree of Doctor of Philosophy in the Faculty of Humanities and Social Sciences University of Adelaide March 2010 CONTENTS Abstract iii Declaration iv Acknowledgments v Chapter One: Introduction 1 Chapter Two: Interpreting Fascism: An Evolving 26 Historiography Chapter Three: The Fascist Critique of the Modern 86 World Chapter Four: Race, Reds and Revolution: Specific 156 Issues in the Fascist Utopia Chapter Five: Conclusion 202 Bibliography 207 ABSTRACT This thesis argues that utopian aspirations are a fruitful way to understand fascism and examines the utopian ideals held by a number of fascist writers. The intention of this thesis is not to define fascism. Rather, it is to suggest that looking at fascism’s goals and aspirations might reveal under-examined elements of fascism. This thesis shows that a useful way to analyse the ideology of fascism is through an examination of its ideals and goals, and by considering the nature of a hypothetical fascist utopia. The most common ways of examining fascism and attempting to isolate its core ideological features have been by considering it culturally, looking at the metaphysical and philosophical claims fascists made about themselves, or by studying fascist regimes, looking at the external features of fascist movements, parties and governments. In existing studies there is an unspoken middle ground, where fascism could be examined by considering practical issues in the abstract and by postulating what a fascist utopia would be like. -
Shaping the Inheritance of the Spanish Civil War on the British Left, 1939-1945 a Thesis Submitted to the University of Manches
Shaping the Inheritance of the Spanish Civil War on the British Left, 1939-1945 A thesis submitted to the University of Manchester for the degree of Master of Philosophy in the Faculty of Humanities 2017 David W. Mottram School of Arts, Languages and Cultures Table of contents Abstract p.4 Declaration p.5 Copyright statement p.5 Acknowledgements p.6 Introduction p.7 Terminology, sources and methods p.10 Structure of the thesis p.14 Chapter One The Lost War p.16 1.1 The place of ‘Spain’ in British politics p.17 1.2 Viewing ‘Spain’ through external perspectives p.21 1.3 The dispersal, 1939 p.26 Conclusion p.31 Chapter Two Adjustments to the Lost War p.33 2.1 The Communist Party and the International Brigaders: debt of honour p.34 2.2 Labour’s response: ‘The Spanish agitation had become history’ p.43 2.3 Decline in public and political discourse p.48 2.4 The political parties: three Spanish threads p.53 2.5 The personal price of the lost war p.59 Conclusion p.67 2 Chapter Three The lessons of ‘Spain’: Tom Wintringham, guerrilla fighting, and the British war effort p.69 3.1 Wintringham’s opportunity, 1937-1940 p.71 3.2 ‘The British Left’s best-known military expert’ p.75 3.3 Platform for influence p.79 3.4 Defending Britain, 1940-41 p.82 3.5 India, 1942 p.94 3.6 European liberation, 1941-1944 p.98 Conclusion p.104 Chapter Four The political and humanitarian response of Clement Attlee p.105 4.1 Attlee and policy on Spain p.107 4.2 Attlee and the Spanish Republican diaspora p.113 4.3 The signal was Greece p.119 Conclusion p.125 Conclusion p.127 Bibliography p.133 49,910 words 3 Abstract Complexities and divisions over British left-wing responses to the Spanish Civil War between 1936 and 1939 have been well-documented and much studied. -
14 European Far-Right Music and Its Enemies Anton Shekhovtsov
14 European Far-Right Music and Its Enemies Anton Shekhovtsov I’m patriotic, I’m racialistic, My views are clear and so simplistic (English Rose, 2007b) In a self-conducted interview that appeared in his manifesto, Norwegian would-be right-wing terrorist and killer Anders Behring Breivik, under the pen name Andrew Berwick, argued that specifi c music helps sustain ‘high morale and motivation’ of ‘self-fi nanced and self-indoctrinated single in- dividual attack cells’ (2011, p. 856). He went on to list several ‘motiva- tional music tracks’ he particularly liked. Breivik described one of these tracks, ‘Lux Æterna’, by Clint Mansell, which was featured in the trailer for Peter Jackson’s The Lord of the Rings : The Two Towers , as ‘very inspir- ing’ and as invoking ‘a type of passionate rage within you’ (2011, p. 858). On 22 July 2011, ‘Lux Æterna’ supposedly played in his iPod while he was killing members of the Workers’ Youth League of the Norwegian Labour Party on the island of Utøya (Gysin, Sears and Greenhill, 2011). Another artist favoured by Breivik in his manifesto is Saga, ‘a courageous, Swedish, female nationalist-oriented musician who creates pop-music with patriotic texts’ (2011, p. 856). Saga soared to the heights of right-wing fame in 2000, when she released three volumes of My Tribute to Skrewdriver on the Swedish right-wing label Midgård Records (2000a). Her three-volume album featured cover versions of Skrewdriver, a model White Power band, whose late leader, Ian Stuart Donaldson, founded the Blood & Honour (B&H) music promotion network in 1987. -
The Articulation of a Pro-Rural and Anti-Urban Ideology in the Youth
“Pavements grey of the imprisoning city”: the articulation of a pro-rural and anti-urban ideology in the Youth Hostels Association (YHA) in the 1930s1 Michael Cunningham University of Wolverhampton, UK Abstract The YHA was a self-professed non-political organisation that promoted the provision of cheap accommodation for walkers and cyclists. Despite this non-political stance, the literature of the YHA in the 1930s reveals a consistent pro-rural and anti-urban ideology. This article examines the articulation of this ideology and locates it both within a longer tradition of such sentiments in England and also within the social and cultural concerns of the decade. Keywords Youth hostels, ideology, walking, rambling, ruralism, urbanism Introduction Since at least the Romantic period of the late eighteenth century, there has been a strong ideological strand in England of pro-ruralism and anti-urbanism, the cultural and literary manifestation of which has been detailed in Raymond Williams’ The Country and the City.2 This ideology involves a somewhat diffuse and amorphous set of ideas and sentiments linked by the belief that the countryside or rural life is in some way ‘better’ than the city: the former Corresponding Author: Michael Cunningham, Faculty of Social Sciences, Millennium Building, City Campus South, University of Wolverhampton, Wolverhampton, WV1 1LY Email: m.cunningham @wlv.ac.uk embodies or represents the ‘true’ or ‘real’ England while the latter is artificial; the rural embodies spiritual qualities while the city represents materialism or degeneracy; the countryside has an aesthetic superiority. Obviously, these are generalisations and the specific content of the ideology varies over time and with the groups or individuals articulating it. -
Progressive Politics
the Language of Progressive Politics in Modern Britain Emily Robinson The Language of Progressive Politics in Modern Britain Emily Robinson The Language of Progressive Politics in Modern Britain Emily Robinson Department of Politics University of Sussex Brighton, United Kingdom ISBN 978-1-137-50661-0 ISBN 978-1-137-50664-1 (eBook) DOI 10.1057/978-1-137-50664-1 Library of Congress Control Number: 2016963256 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the pub- lisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Britain's Green Fascists: Understanding the Relationship Between Fascism, Farming, and Ecological Concerns in Britain, 1919-1951 Alec J
UNF Digital Commons UNF Graduate Theses and Dissertations Student Scholarship 2017 Britain's Green Fascists: Understanding the Relationship between Fascism, Farming, and Ecological Concerns in Britain, 1919-1951 Alec J. Warren University of North Florida Suggested Citation Warren, Alec J., "Britain's Green Fascists: Understanding the Relationship between Fascism, Farming, and Ecological Concerns in Britain, 1919-1951" (2017). UNF Graduate Theses and Dissertations. 755. https://digitalcommons.unf.edu/etd/755 This Master's Thesis is brought to you for free and open access by the Student Scholarship at UNF Digital Commons. It has been accepted for inclusion in UNF Graduate Theses and Dissertations by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 2017 All Rights Reserved BRITAIN’S GREEN FASCISTS: Understanding the Relationship between Fascism, Farming, and Ecological Concerns in Britain, 1919-1951 by Alec Jarrell Warren A Thesis submitted to the Department of History in partial fulfillment of the requirements for the degree in Master of Arts in History UNIVERSITY OF NORTH FLORIDA COLLEGE OF ARTS AND SCIENCES August, 2017 Unpublished work © Alec Jarrell Warren This Thesis of Alec Jarrell Warren is approved: Dr. Charles Closmann Dr. Chau Kelly Dr. Yanek Mieczkowski Accepted for the Department of History: Dr. Charles Closmann Chair Accepted for the College of Arts and Sciences: Dr. George Rainbolt Dean Accepted for the University: Dr. John Kantner Dean of the Graduate School ii DEDICATION This work is dedicated to my family, who have always loved and supported me through all the highs and lows of my journey. Without them, this work would have been impossible. -
The Last Throes of the British Pro-Nazi Right, 1940-45 Richard Griffiths Abingdon: Routledge, 2017, £21.99, P/B
What Did You Do During the War? The Last Throes of the British Pro-Nazi Right, 1940-45 Richard Griffiths Abingdon: Routledge, 2017, £21.99, p/b David Sivier Richard Griffiths is an Emeritus Professor of King’s College, London and the author of two previous books on the British pro-Nazi Right: Fellow Travellers of the Right: British Enthusiasts for Nazi Germany 1933-39 and Patriotism Perverted: Captain Ramsay, the Right Club and British Anti-Semitism 1939-1940. This third volume is part of a series, Routledge Studies in Fascism and the Far Right.1 It’s an in-depth study of a period that is excluded from some histories of British Fascism, such as Martin Pugh’s Hurrah for the Blackshirts! British Fascism Between the Wars, 1919-1939, or else included as part of a general history of Fascism up to the present day, such as Richard Thurlow’s Fascism in Britain: A History, 1918-1985. It is meticulously footnoted and, in addition to the general bibliography at the back of the book, each chapter also has its own bibliography, including documentary sources. Many of the quotations cited in the text also come from official documents, such as MI5 reports and political correspondence between MPs. There is also a ‘rogue’s gallery’ of potted biographies of some of the Fascists and Nazis who are mentioned in the text. The book begins by attacking two myths. The first is another piece of self- serving deception by Oswald Mosley, who claimed that he had definitely not instructed his storm troopers to obstruct the British war effort. -
Copyright Statement This Copy of the Thesis Has Been Supplied On
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2014 Blackshirts and White Wigs: Reflections on Public Order Law and the Political Activism of the British Union of Fascists Channing, Iain Christopher Edward http://hdl.handle.net/10026.1/2897 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Copyright Statement This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. 1 2 Blackshirts and White Wigs: Reflections on Public Order Law and the Political Activism of the British Union of Fascists by Iain Christopher Edward Channing A thesis submitted to Plymouth University in Partial fulfilment for the degree of Doctor of Philosophy Plymouth Law School March 2013 3 4 Abstract While domestic fascism within the United Kingdom has never critically challenged Parliamentary sovereignty, it has decisively disrupted public order since its roots were established in the inter-war political scene. The violence provoked by Sir Oswald Mosley’s British Union of Fascists (BUF) was one of the stimulating factors behind the enactment of the Public Order Act 1936.