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État Sommaire Des Fonds D'archives Privées Série AP
AVERTISSEMENT TRÈS IMPORTANT Pour approfondir votre recherche, pour remplir une demande de consultation de documents dont l’accès est soumis à une autorisation ou à une dérogation, la consultation de l’État sommaire n’est pas suffisante. Il est indispensable que vous consultiez aussi au préalable les inventaires et répertoires plus détaillés. Ils sont consultables soit en ligne (voir la rubrique « Inventaires et répertoires en ligne »), soit en salle des inventaires des Archives nationales (site de Paris). Les demandes de consultation rédigées uniquement à partir de l’État sommaire risquent de vous être retournées, afin que vous précisiez votre recherche. ÉTAT SOMMAIRE DES FONDS D’ARCHIVES PRIVÉES SÉRIE AP (1 à 680 AP) État revu et mis à jour à la date du 20 juin 2011 Archives nationales (site de Paris) Section des Archives privées AVERTISSEMENT AU LECTEUR Chaque notice de fonds comprend : – la cote du fonds dans la série AP (archives personnelles et familiales), AB XIX (fonds d’érudits et collections d’autographes) ou Mi (microfilm) ; – l’intitulé du fonds ou de la collection : titre que porte le fonds de toute ancienneté (chartrier de Tournon) ou titre forgé sur le nom de son producteur. On a distingué les fonds organiquement constitués, résultant de l’activité d’une personne physique ou morale dans l’exercice de ses activités, des collections de pièces diverses rassemblées par des érudits ou des amateurs d’autographes (collection de Coppet, par exemple). Dans le cas d’un individu isolé, le fonds a reçu pour appellation le prénom et le nom du producteur (fonds Alexandre Millerand) ; dans le cas d’une famille, seul a été retenu le patronyme. -
Stephen Ongpin Fine Art
STEPHEN ONGPIN FINE ART GIOVANNI BATTISTA CASTELLO, CALLED IL GENOVESE Genoa 1547-1639 Genoa Saint Jerome in Prayer Bodycolour, heightened with gold, on vellum. 149 x 117 mm. (5 7/8 x 4 5/8 in.) Provenance Private collection. Literature Elena de Laurentis, ‘Il pio Genovese: Giovanni Battista Castello’, Alumina, April-June 2012, illustrated p.29. Giovanni Battista Castello apprenticed in the studio of Luca Cambiaso in Genoa, probably in the 1560s, following an initial period of training with his father Antonio, a goldsmith. (His younger brother, the painter Bernardo Castello, also studied with Cambiaso.) Castello began his career as a goldsmith and indeed it was not until 1579, when he was already in his thirties, that he began working primarily as an illuminator and miniature painter. Certainly, his grounding in the goldsmith’s art is evident in the jewel- like qualities of much of his oeuvre. His earliest works are indebted to the example of the miniaturist Giulio Clovio and, through him, Michelangelo. Castello became one of the foremost miniaturists of the day, and his colourful religious scenes, usually on vellum, were widely admired and much praised. Indeed, his fame spread as far as Spain, where around 1583 he was summoned by Philip II to work on the illumination of several choir books for the Royal monastery of El Escorial. Although Castello apparently produced over two hundred choir book illuminations (‘corali miniati’) while at the Escorial, none of these appear to have survived. Castello was back in Genoa by 1586, and for much of the remainder of his long career – he died when he was in his nineties - was at the peak of his artistic activity. -
Exhibition Checklist: a Superb Baroque: Art in Genoa, 1600-1750 Sep 26, 2021–Jan 9, 2022
UPDATED: 8/11/2020 10:45:10 AM Exhibition Checklist: A Superb Baroque: Art in Genoa, 1600-1750 Sep 26, 2021–Jan 9, 2022 The exhibition is curated by Jonathan Bober, Andrew W. Mellon Senior Curator of Prints and Drawings National Gallery of Art; Piero Boccardo, superintendent of collections for the City of Genoa; and Franco Boggero, director of historic and artistic heritage at the Soprintendenza Archeologia, Belle Arti e Paesaggio, Genoa. The exhibition is organized by the National Gallery of Art, Washington, and the Scuderie del Quirinale, Rome, with special cooperation from the City and Museums of Genoa. The exhibition is made possible by the Robert Lehman Foundation. Additional funding is provided by The Exhibition Circle of the National Gallery of Art. The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Press Release: https://www.nga.gov/press/exh/5051.html Order Press Images: https://www.nga.gov/press/exh/5051/images.html Press Contact: Laurie Tylec, (202) 842-6355 or [email protected] Object ID: 5051-345 Valerio Castello David Offering the Head of Goliath to King Saul, 1640/1645 red chalk on laid paper overall: 28.6 x 25.8 cm (11 1/4 x 10 3/16 in.) National Gallery of Art, Washington, Rosenwald Collection Object ID: 5051-315 Giovanni Benedetto Castiglione The Genius of Castiglione, before 1648 etching plate: 37 x 24.6 cm (14 9/16 x 9 11/16 in.) sheet: 37.3 x 25 cm (14 11/16 x 9 13/16 in.) National Gallery of Art, Washington, Gift of Ruth B. -
Our Lady of Mercy
doors Our Lady with the Child ceramic bas-relief of Saint Jesus (in the centre) and musi- Maria Giuseppa Rossello 3 , cal angels. foundress of the Daughters of Our Lady of Mercy. The third chapel e Shrine hosts a masterpiece by Built in the same year as the Domenichino (Domenico Apparition (1536) following a Zampieri; 1581 - 1641), the design by the architect Antonio Presentation of Mary in the Sormano Pace, the works lasted Temple 4 , a classical work until 1540. The interior of the of the Bolognese school. building with three naves, a On the left wall is a bust crypt and a very raised pres- of Saint Giuseppe Marello bytery is in Lombard medieval 3 canonized in 2005. style, perhaps as a sign of ven- The fourth chapel con- eration for the old cathedral of school. Behind the altar is tains a Crucifi xion 5 by G.B. Savona, which in those years was a magnifi cent wooden choir Paggi (1554 - 1627) from destined to be demolished by 1 with two orders of stalls the Genoese school. the Genoese Republic. In fact to carved by P. Grassi in the year The first chapel on a large extent the Shrine mirrors 2 1644 (his are also the cup- 5 the left as you enter the 7 the shape, size and elevation of boards in the sacristy which Shrine is dedicated to the this Cathedral. Apparition of 18th March 1536. date to 1643) and inlaid in The apse above the organ has Annunciation 6 . The can- artist from Genoa, and it is The crypt is reached through a This is where Pope Pius VII, the nineteenth century by the frescoes of musical angels by Eso vas is attributed to Andrea the oldest work present in the beautiful marble porch sculpted at the end of his imprisonment Savona family of Garassino. -
Il Patrimonio Artistico Del Quirinale. Vol.I: Pittura Antica
Review Reviewed Work(s): Il patrimonio artistico del Quirinale. Vol.I: Pittura antica. La quadreria. Vol.II: Pittura antica. La decorazione murale by Giuliano Briganti, Laura Laureati and Ludovica Trezzani Review by: Silvia Ginzburg Source: The Burlington Magazine, Vol. 140, No. 1138 (Jan., 1998), pp. 46-47 Published by: Burlington Magazine Publications Ltd. Stable URL: http://www.jstor.org/stable/887749 Accessed: 21-07-2017 12:55 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Burlington Magazine Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Burlington Magazine This content downloaded from 159.149.175.7 on Fri, 21 Jul 2017 12:55:03 UTC All use subject to http://about.jstor.org/terms BOOK REVIEWS whelmingwhelming success success and wereand followedwere followedabout by thehalf- artistic by situation half- in and around portraits) after thethe buildingbuilding becamebecame thethe lengthlength philosophers philosophers and beggars. and beggars. Brescia.Bellotti Since Bellotti 1976 he has been publishing official residence ofof thethe ItalianItalian monarchy.monarchy. seemsseems to to have have made made a finished a finished drawing almost drawing ofyearly a his punctiliousof a researches onThe individual entriesentries areare strongstrong onon prove-prove- headhead (?and (?and of ofhands) hands) from fromlife, and thatlife, to subject, have and and to this have book will be a stand-by nance and give up-to-dateup-to-date bibliographiesbibliographies usedused it it for for numberless numberless versions versions of for varying art-historical of varying reference. -
Mapmaking in England, Ca. 1470–1650
54 • Mapmaking in England, ca. 1470 –1650 Peter Barber The English Heritage to vey, eds., Local Maps and Plans from Medieval England (Oxford: 1525 Clarendon Press, 1986); Mapmaker’s Art for Edward Lyman, The Map- world maps maker’s Art: Essays on the History of Maps (London: Batchworth Press, 1953); Monarchs, Ministers, and Maps for David Buisseret, ed., Mon- archs, Ministers, and Maps: The Emergence of Cartography as a Tool There is little evidence of a significant cartographic pres- of Government in Early Modern Europe (Chicago: University of Chi- ence in late fifteenth-century England in terms of most cago Press, 1992); Rural Images for David Buisseret, ed., Rural Images: modern indices, such as an extensive familiarity with and Estate Maps in the Old and New Worlds (Chicago: University of Chi- use of maps on the part of its citizenry, a widespread use cago Press, 1996); Tales from the Map Room for Peter Barber and of maps for administration and in the transaction of busi- Christopher Board, eds., Tales from the Map Room: Fact and Fiction about Maps and Their Makers (London: BBC Books, 1993); and TNA ness, the domestic production of printed maps, and an ac- for The National Archives of the UK, Kew (formerly the Public Record 1 tive market in them. Although the first map to be printed Office). in England, a T-O map illustrating William Caxton’s 1. This notion is challenged in Catherine Delano-Smith and R. J. P. Myrrour of the Worlde of 1481, appeared at a relatively Kain, English Maps: A History (London: British Library, 1999), 28–29, early date, no further map, other than one illustrating a who state that “certainly by the late fourteenth century, or at the latest by the early fifteenth century, the practical use of maps was diffusing 1489 reprint of Caxton’s text, was to be printed for sev- into society at large,” but the scarcity of surviving maps of any descrip- 2 eral decades. -
Fortress Study Group Library Catalogue
FSG LIBRARY CATALOGUE OCTOBER 2015 TITLE AUTHOR SOURCE PUBLISHER DATE PAGE COUNTRY CLASSIFICATION LENGTH "Gibraltar of the West Indies": Brimstone Hill, St Kitts Smith, VTC Fortress, no 6, 24-36 1990 West Indies J/UK/FORTRESS "Ludendorff" fortified group of the Oder-Warthe-Bogen front Kedryna, A & Jurga, R Fortress, no 17, 46-58 1993 Germany J/UK/FORTRESS "Other" coast artillery posts of southern California: Camp Haan, Berhow, MA CDSG News Volume 4, 1990 2 USA J/USA/CDSG 1 Camp Callan and Camp McQuaide Number 1, February 1990 100 Jahre Gotthard-Festung, 1885-1985 : Geschichte und Ziegler P GBC, Basel 1986 Switzerland B Bedeutung unserer Alpenfestung [100 years of the Gotthard Fortress, 1885-1985 : history and importance of our Alpine Fortress] 100 Jahre Gotthard-Festung, 1885-1985 : Geschichte und Ziegler P 1995 Switzerland B Bedeutung unserer Alpenfestung [100 years of the Gotthard Fortress, 1885-1985 : history and importance of our Alpine Fortress] 10thC castle on the Danube Popa, R Fortress, no 16, 16-24 1993 Bulgaria J/UK/FORTRESS 12-Inch Breech Loading Mortars Smith, BW CDSG Journal Volume 7, 1993 2 USA J/USA/CDSG 1 Issue 3, November 1993 13th Coast Artillery (Harbor Defense) Regiment Gaines, W CDSG Journal Volume 7, 1993 10 USA J/USA/CDSG 1 Issue 2, May 1993 14th Coast Artillery (Harbor Defense) Regiment, An Organizational Gaines, WC CDSG Journal Volume 9, 1995 17 USA J/USA/CDSG 2 History, The Issue 3, August 1995 16-Inch Batteries at San Francisco and The Evolution of The Smith B Coast Defense Journal 2001 68 USA J/USA/CDSG 2 Casemated 16-Inch Battery, The Volume 15, Issue 1, February 2001 180 Mm Coast Artillery Batteries Guarding Vladivostok,1932-1945 Kalinin, VI et al Coast Defense Journal 2002 25 Russia J/USA/CDSG 2 Part 2: Turret Batteries Volume 16, Issue 1, February 2002 180mm Coast Artillery Batteries Guarding Vladivostok, Russia, Kalinin, VI et al Coast Defense Journal 2001 53 Russia J/USA/CDSG 2 1932-1945: Part 1. -
Richelieu's Army: War, Government and Society in France, 1624–1642
Richelieu's Army: War, Government and Society in France, 1624–1642 DAVID PARROTT CAMBRIDGE UNIVERSITY PRESS Richelieu's Army War, Government and Society in France, 1624±1642 The conduct of European war on an unprecedented scale is central to an understanding of the ministry of Richelieu (1624±42), and there has been no previous study of the French army during this period. This book provides a detailed account of the organization of the army, and examines the challenges posed by war to government and society in a period associated with the creation of the `absolutist state'. By making extensive use of archival material, the study cuts through myths concerning military and administrative evolution, and confronts typical assumptions about progressive centralization and more effective control of the war-effort by the crown and its agents. Although the European war imposed huge burdens upon the French people, Richelieu's ministry struggled to control the army through traditional administrative and ®nancial mechanisms. Far from strengthening the absolutist authority of government, the waging of war eroded the ministry's control over army of®cers and troops and incited tensions between soldiers and civilians across French society which in turn contributed to the undermining of existing structures of authority and control. The book also makes an original and sceptical contribution to the debate about a `military revolution' in early modern Europe by examining the conduct of war in early seventeenth- century France. In addition, it seeks to contextualize the inadequacy of the war-effort during Richelieu's ministry by providing a view of the military context of French foreign policy after 1625 which challenges many of the orthodoxies about Richelieu's aims and objectives in involving France in the Thirty Years War. -
Registres Des Ordonnances : Lettres Patentes, Édits Et Déclarations Du Roi Enregistrés Au Parlement De Paris Sous Le Règne De Louis XIII (1610-1643)
Registres des ordonnances : lettres patentes, édits et déclarations du roi enregistrés au Parlement de Paris sous le règne de Louis XIII (1610-1643) Inventaire analytique des articles X/1a/8646 (derniers feuillets)-X/1a/8654 Département du Moyen Age et de l'Ancien Régime. Notices rédigées par Gérard Jubert et Bernard Giraudeau, revues et indexées par Michel Ollion. 1re édition électronique Archives nationales (France) Pierrefitte-sur-Seine 2018 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_053944 Cet instrument de recherche a été rédigé dans le système d'information archivistique des Archives nationales. Ce document est écrit en français. Conforme à la norme ISAD(G) et aux règles d'application de la DTD EAD (version 2002) aux Archives nationales. 2 Archives nationales (France) INTRODUCTION Référence X/1a/8646-X/1a/8654 Niveau de description groupe de documents Intitulé Registres des ordonnances : lettres patentes, édits, déclarations et autres actes royaux enregistrés au Parlement de Paris sous le règne de Louis XIII. Date(s) extrême(s) 14 mai 1610-14 mai 1643 Importance matérielle et support 9 registres Localisation physique Paris Conditions d'accès Communicable sous forme de microfilms. Conditions d'utilisation Réutilisation autorisée, soumise au respect des droits moraux des Archives nationales. DESCRIPTION Présentation du contenu Limites chronologiques Sont ici décrits 2818 actes (actes royaux et annexes regroupés en 2333 notices) enregistrés sous le règne de Louis XIII, c’est-à-dire à l’intérieur de la période chronologique qui va du 14 mai 1610 au 14 mai 1643. Les neuf registres qui les contiennent font partie de la série dite « Registres des ordonnances », produite depuis le XIVe siècle par le processus de publication et d’enregistrement des actes royaux. -
Palermo Arabo Normanna.Pdf
Una cosa bella è una gioia per sempre, la sua grazia aumenta, non finirà mai nel nulla. John Keats REPUBBLICA ITALIANA Regione Siciliana Assessorato dei Beni Culturali e dell’Identità siciliana Aurelio Angelini PALERMO ARABO-NORMANNA E LE CATTEDRALI DI CEFALÙ E MONREALE PIANO DI GESTIONE per l’iscrizione nella World Heritage List 4 PIANO DI GESTIONE UNESCO PER L’ISCRIZIONE NELLA WORLD HERITAGE LIST DELL’ITINERARIO Il piano di gestione per l’iscrizione nella World Heritage List dell’itinerario PALERMO ARABO-NORMANNA E LE CATTEDRALI DI CEFALÙ E MONREALE è stato presentato all’UNESCO dalla Regione Siciliana, Assessorato dei Beni Culturali e dell’Identità Siciliana e dalla Fondazione Patrimonio UNESCO Sicilia Il Piano di Gestione è stato condiviso con Comune di Palermo Comune di Cefalù Comune di Monreale Provincia Regionale di Palermo Fondazione Sicilia Il Piano di Gestione è stato redatto da Aurelio Angelini con la consulenza di Maria Andaloro (Storia dell’arte) Ignazio Buttitta (Cultura immateriale) Maurizio Carta (Urbanistica e Territorio) Giovanni Ruggieri (Sviluppo locale e turismo) Lidia Scimemi (Comunicazione e Marketing) Hanno collaborato al Piano di Gestione Barbara Lino (Urbanistica e territorio); Ruggero Longo (Storia dell’arte); Valentina Marchese (Schede dei beni); Daniele Ronsivalle (Urbanistica e territorio). © 2012 Qanat Editoria e Arti Visive Editor, progetto grafico e impaginazione Toni Saetta Fotografie Ruggero Longo Manuela Greco Angelo Trapani Toni Saetta Regione Siciliana - Servizio Centro regionale per l'Inventario, la Catalogazione e la Documentazione grafica, Fotografica, Aerofotografica, Audiovisiva di Palermo e Filmoteca regionale siciliana (CRICD) - UO. VIII - Fototeca Fondo Kronos e Campagne fotografiche Regione Siciliana - CRICD – Museo storico della Fotografia UO. -
La Poste D'autrefoi S
LA POSTE 1 - CHARTE DE 1442. DE MERELLESSART (Guillaume), seigneur de la Souleresse et Catherine GOURRANDE, D’AUTREFOI sa femme reconnaissant avoir vendu à Pierre Briant une mine de froment annuelle. 30 Janvier 1442. Acte passée S devant l’Official de POITIERS et en la Cour de MIREBEAU (86) ; signé Bouteau. (C. Cabinet d’Hozier) – 250/ 300 € LA POSTE 2 – CHARTE DU 18 Octobre 1447 – Pièce adressée à Pierre YSABEAU, Prêtre par Philibert de Marcassin D’AUTREFOI Prieur du Monastère de Notre-Dame de LA CHARITÉ SUR LOIRE, de l’Ordre de Cluny. Texte en latin - Cabinet S d’Hozier. 200/ 250 € Photo 15 LA POSTE 3 – (SEL & GABELLE – 1542) - Arrêt de la Chambres des Comptes de PARIS, contre Joseph DORET, avocat à D’AUTREFOI CHÂTEAUDUN (28), au profit de François ALAMANT Seigneur du CHASTELLET, contrôleur général des S Greniers à Sel du royaume, au sujet d’amendes et de restitutions de Gabelles, 16 septembre 1542 – « Extrait des registres des Commissaires commis par le Roi sur la Réformation et fait des Greniers à Sel. » - Parchemin (54 x 51) – 200/ 250 € LA POSTE 4 – Henri 1er, Seigneur de DAMVILLE, puis Duc de MONTMORENCY, Maréchal de France en 1566 D’AUTREFOI (Chantilly/ Oise 1534 – Agde 1614) – S Lettre signée « Henry Duc de MONTMORENCY » à LYON le 18 août 1600 – adressé à M. de la Mure Notre Bailli à Roze en Reynie – Il parle de son nepveu (neveu) et de Mr de VENTADOUR et d’une somme à donner - 1p in-4° - 300/ 400 € LA POSTE 5 – FAUCONNERIE. 1567 - Quittance de Nicolas VONC dit Andrenelle Gentilhomme de la Fauconnerie, pour D’AUTREFOI ses appointements de son état de Gentilhomme de Fauconnerie pour les quartiers de janvier février et mars - S Fait et passé en 1567 - Parchemin (19 x 14) – 150/ 200 € LA POSTE 6 - (SEINE-MARITIME). -
Au-Delà De Toute Diplomatie : La Constitution De Réseaux Parallèles Protestants Et Érudits Entre France Et Empire Au Début Du Xviie Siècle
Au-delà de toute diplomatie : la constitution de réseaux parallèles protestants et érudits entre France et Empire au début du xviie siècle Camille Desenclos Université de Haute-Alsace À l’image de l’ensemble de la diplomatie française dans le Saint-Empire, les résidents français auprès des princes protestants au début du xviie siècle souffrent d’un réel désintérêt historiographique de ce côté du Rhin. Le plus connu d’entre eux, Jacques Bongars, résident entre 1589 et 1611, doit sa renommée, non à son action diplomatique, pourtant remarquable, mais à son intense activité épistolaire1 et littéraire au sein de la nouvelle République des lettres de l’humanisme tardif. Un constat similaire peut être dressé pour Jean Hotman, résident à Düsseldorf entre 1609 et 1614, dont la production littéraire vient de faire l’objet d’une monographie outre-Rhin2, mais dont l’activité diplomatique et plus largement la biographie demeurent méconnues en France3. Depuis les articles de Fernand Schickler4, rédigés à l’occasion de l’entrée des manuscrits Hotman à la bibliothèque de la Société de l’histoire du protestantisme français en 18685, Hotman n’a plus fait l’objet d’une étude 1. La correspondance de Bongars se compte encore par milliers de lettres. Pour une liste complète de ses correspondances, voir Ruth Kohlndorfer-Fries, Diplomatie und Gelehrtenrepublik : die Kontakte des französischen Gesandten Jacques Bongars (1554-1612), Tübingen : Max Niemeyer, 2009, p. 8-12. 2. Mona Garloff, Irenik, Gelehrsamkeit und Politik : Jean Hotman und der europäische Religions-