John Milton & Seventeenth Century Culture
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A Review of Gordon Campbell and Thomas N. Corn, John Milton: Life, Work and Thought,” Studies in English Literature 52(2011) 日本英文学会発行。
Yuko Kanakubo Noro, “A Review of Gordon Campbell and Thomas N. Corn, John Milton: Life, Work and Thought,” Studies in English Literature 52(2011) 日本英文学会発行。 Gordon Campbell and Thomas N. Corns John Milton: Life, Work and Thought Oxford / New York: Oxford University Press, 2008. xiii+488pp. Reviewed by Yuko Kanakubo Noro, Nihon University In 2008, to commemorate the quartercentenary of John Milton’s birth (December 9, 1608), several influential books of Milton studies were published: Is Milton Better than Shakespeare?, by Nigel Smith; John Milton: Paradise Lost edited by Philip Pullman 1 and A Concise Companion to Milton edited by Angelica Duran. There are three biographies as well: Milton: Poet, Pamphleteer and Patriot by Anna Beer; John Milton: A Biography by Neil Forsyth; and John Milton: Life, Work and Thought by Gordon Campbell and Thomas N. Corns. The three biographies differ from each other in the following ways: Beer’s attitude towards Milton’s life reminds the reader of Wordsworth’s invocation to Milton in his sonnet, which begins with “Milton! thou shouldst be living at this hour: / England hath need of thee:”. In short, by appreciating the great poet’s life and works, the reader is to share Milton’s thought, energy and posture towards the world’s difficulties and problems, and live positively, imitating Milton as an exemplum. The base of Beer’s approach is sympathy. Neil Forsyth’s approach is to some extent similar to Beer’s, but he seems to grasp the figure of Milton more objectively than she does, and he seems to entertain his readers by solving the problem as to, “[W]hy Milton is so loved and admired, and even, sometimes, detested”(p. -
Edward Jones
Edward Jones Events in John Milton’s life Events in Milton’s time JM is born in Bread Street (Dec 9) 1608 Shakespeare’s Pericles debuts to and baptized in the church of All great acclaim. Hallows, London (Dec 20). Champlain founds a colony at Quebec. 1609 Shakespeare’s Cymbeline is performed late in the year or in the first months of 1610, most likely indoors at the Blackfriars Theatre. The British establish a colony in Bermuda. Moriscos (Christianized Muslims) are expelled from Spain. Galileo constructs his first telescope. The Dutch East India Company ships the first tea to Europe. A tax assessment (E179/146/470) 1610 Galileo discovers the four largest confirms the Miltons residing in moons of Jupiter (Jan 7). the parish of All Hallows, London Ellen Jeffrey, JM’s maternal 1611 Shakespeare’s The Winter’s Tale is grandmother, is buried in All performed at the Globe Theatre Hallows, London (Feb 26). (May). The Authorized Version (King James Bible) is published. Shakespeare’s The Tempest is performed at court (Nov 1). The Dutch begin trading with Japan. The First Presbyterian Congregation is established at Jamestown. JM’s sister Sara is baptized (Jul 15) 1612 Henry, Prince of Wales, dies. and buried in All Hallows, London Charles I becomes heir to the (Aug 6). throne. 1613 A fire breaks out during a performance of Shakespeare’s Henry VIII and destroys the Globe Theatre (Jun 29). 218 Select Chronology Events in John Milton’s life Events in Milton’s time JM’s sister Tabitha is baptized in 1614 Shakespeare’s Two Noble Kinsmen All Hallows, London (Jan 30). -
The Provenance of John Milton's Christian Doctrine
SEL 34 (1994) ISSN 0039-3657 Forum II: Milton's Christian Doctrine The Provenance ofJohn Milton's Christian Doctrine: A Reply to William B. Hunter MAURICE KELLEY As scholars have determined it during the past century and a half, the provenance of the Christian Doctrine should invite no suspicion of Milton's authorship. Instead it confirms it. The treatise originated in Milton's youthful collection of proof texts and his perusal of certain shorter systems of theology.' By the 1640s, Edward Phillips reports, his uncle was dictating to him and his fellow students portions of a "Tractate which he thought fit to collect from the ablest of Divines, who had written of that subject: Arnesius, Wollebius. &c. viz. A perfect System of Divinity, of which more hereafter."2 Phillips, however, failed to keep his promise of more information about "A perfect System," but the Anonymous Biographer (Cyriack Skinner) reports that about 1655 Milton began "the framing a Body of Divinity out of the Bible . which . hee finished after the Restoration."3 Our manuscript of the Christian Doctrine confirms Cyriack's rough dating, for the primary hand in it is that ofJeremie Picard, who served as witness or scribe in Milton documents dating from January 1658 to May 1660;4 and Cyriack's mention of Milton's heterodoxies5 indicates Maurice Kelley is Emeritus Professor of English, Princeton University. 154 REPLY TO HUNT E R that he is writing of the Christian Doctrine that we have today. Parallels between the treatise and Paradise Lost as well as between it and Milton's Art of Logic, not published until 1672,6 confirm Milton's authorship of the systematic theology. -
The Role of Italy in Milton's Early Poetic Development
Italia Conquistata: The Role of Italy in Milton’s Early Poetic Development Submitted by Paul Slade to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English in December 2017 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. Abstract My thesis explores the way in which the Italian language and literary culture contributed to John Milton’s early development as a poet (over the period up to 1639 and the composition of Epitaphium Damonis). I begin by investigating the nature of the cultural relationship between England and Italy in the late medieval and early modern periods. I then examine how Milton’s own engagement with the Italian language and its literature evolved in the context of his family background, his personal contacts with the London Italian community and modern language teaching in the early seventeenth century as he grew to become a ‘multilingual’ poet. My study then turns to his first published collection of verse, Poems 1645. Here, I reconsider the Italian elements in Milton’s early poetry, beginning with the six poems he wrote in Italian, identifying their place and significance in the overall structure of the volume, and their status and place within the Italian Petrarchan verse tradition. -
Areopagítica / John Milton ; Prefacio Mario Murgia
Areopagítica COLECCIÓN PEQUEÑOS GRANDES ENSAYOS DIRECTOR DE LA COLECCIÓN Álvaro Uribe CONSEJO EDITORIAL DE LA COLECCIÓN Sealtiel Alatriste David Turner Barragán Arturo Camilo Ayala Ochoa Elsa Botello López José Emilio Pacheco Antonio Saborit Ernesto de la Torre Villar Juan Villoro Colin White Muller DIRECTOR FUNDADOR Hernán Lara Zavala Universidad Nacional Autónoma de México Coordinación de Difusión Cultural Dirección General de Publicaciones y Fomento Editorial JOHN MIlton Areopagítica Prefacio y traducción de MARIO MUR G IA UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO 2009 Milton, John, 1608-1674 Areopagítica / John Milton ; prefacio Mario Murgia. – México : UNAM, Dirección General de Publicaciones y Fomento Editorial, 2009. 116 p. ; 15 cm. – (Colección Pequeños Grandes Ensayos) ISBN 978- 1. Libertad de prensa – Obras anteriores a 1800. I. Murgia, Mario. II. Universidad Nacional Autónoma de México. Dirección General de Publicaciones y Fomento Editorial. III. t. IV. Ser. 323.445-scdd20 Biblioteca Nacional de México Título original: Areopagitica: A speech of Mr. John Milton for the liberty of unlicensed printing to the Parlament of England Primera edición en la colección Pequeños Grandes Ensayos: 5 de octubre de 2009 © D.R. UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO Ciudad Universitaria, 04510, México, D.F. DIRECCIÓN GENERAL DE PUBLICACIONES Y FOMENTO EDITORIAL Prohibida su reproducción parcial o total por cualquier medio sin autorización escrita de su legítimo titular de derechos ISBN de la colección: 978-970-32-0479-1 ISBN de la obra: Impreso -
1 “The Childhood Shews the Man” 1608–1625
1 “The Childhood Shews the Man” 1608–1625 Milton’s childhood and schooldays turned out to be a fortunate seedplot for a budding poet. Though his father expected him to take orders in the church, he encouraged and nurtured his poetic talents, his sheer delight in learning, and his wide-ranging scholarship. His schoolmasters taught him languages, literature, and verse writing (in Latin and Greek), and two of them became his friends. He also began a friendship with a schoolmate that was to be the most intense emotional attachment of his youth. He was reared in a bourgeois Puritan milieu that fostered in him qualities of self-discipline, diligent preparation for one’s intended vocation, and responsibility before God for the development and use of one’s talents, as well as a commitment to reformist, militant Protestantism. He grew up amid the sights and sounds and stimuli a great city like London can provide, and was conscious from early childhood of growing religious and political conflict in English society. These factors interacted with the gifts of nature: poetic genius, a prodigious intel- ligence, a serious and introspective temperament, a slender body, delicate features, and weak eyes. In early youth Milton developed character traits and attitudes that lasted a life- time: lofty aspirations and a driving compulsion to emulate and surpass the best and noblest; very exacting standards of personal morality and accomplishment; high expectations for human institutions (schools, marriage, government, the church); a disposition to challenge and resist institutional authorities who fell short of such standards; and a strong need for and high idealism about friendship and love. -
Schreyer Honors College Department of English John
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ENGLISH JOHN MILTON’S DIVORCE TRACTS AND GENDER EQUALITY IN FAMILY LAW MADISON V. SOPIC Spring 2013 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in English with honors in English Reviewed and approved* by the following: Marcy North Associate Professor of English Thesis Supervisor Lisa Sternlieb English Honors Advisor Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT In recent years, John Milton’s divorce tracts have been deemed predictive of modern divorce laws. Moreover, with a new wave of feminist criticism appearing in the 1970s, such critics as Catherine Gimelli Martin, Gina Hausknecht, Maria Magro, and Harvey Couch have asserted that Milton’s divorce tracts are not only predictive, but that they promote the rights of women in divorce law in a way that has made Milton nearly prophetic. However, this thesis disputes the idea that Milton is supportive of modern gender equality within his divorce tracts, and asks such questions as: Does Milton attempt to gain an equal opportunity to divorce for both genders in his work? Does he desire divorce for the betterment of both spouses? And, finally, does Milton offer women any protection following a divorce? These questions are answered by means of closely examining Milton’s primary text, as well as multiple historical variables, such as religion, language, societal norms, and common outcomes of divorce for women. Through an examination of these factors, it is ultimately deciphered that Milton is not supportive of gender equality in divorce law, and thus, his divorce tracts are not predictive of modern divorce legislation. -
Stephen Ongpin Fine Art
STEPHEN ONGPIN FINE ART GIOVANNI BATTISTA CASTELLO, CALLED IL GENOVESE Genoa 1547-1639 Genoa Saint Jerome in Prayer Bodycolour, heightened with gold, on vellum. 149 x 117 mm. (5 7/8 x 4 5/8 in.) Provenance Private collection. Literature Elena de Laurentis, ‘Il pio Genovese: Giovanni Battista Castello’, Alumina, April-June 2012, illustrated p.29. Giovanni Battista Castello apprenticed in the studio of Luca Cambiaso in Genoa, probably in the 1560s, following an initial period of training with his father Antonio, a goldsmith. (His younger brother, the painter Bernardo Castello, also studied with Cambiaso.) Castello began his career as a goldsmith and indeed it was not until 1579, when he was already in his thirties, that he began working primarily as an illuminator and miniature painter. Certainly, his grounding in the goldsmith’s art is evident in the jewel- like qualities of much of his oeuvre. His earliest works are indebted to the example of the miniaturist Giulio Clovio and, through him, Michelangelo. Castello became one of the foremost miniaturists of the day, and his colourful religious scenes, usually on vellum, were widely admired and much praised. Indeed, his fame spread as far as Spain, where around 1583 he was summoned by Philip II to work on the illumination of several choir books for the Royal monastery of El Escorial. Although Castello apparently produced over two hundred choir book illuminations (‘corali miniati’) while at the Escorial, none of these appear to have survived. Castello was back in Genoa by 1586, and for much of the remainder of his long career – he died when he was in his nineties - was at the peak of his artistic activity. -
Exhibition Checklist: a Superb Baroque: Art in Genoa, 1600-1750 Sep 26, 2021–Jan 9, 2022
UPDATED: 8/11/2020 10:45:10 AM Exhibition Checklist: A Superb Baroque: Art in Genoa, 1600-1750 Sep 26, 2021–Jan 9, 2022 The exhibition is curated by Jonathan Bober, Andrew W. Mellon Senior Curator of Prints and Drawings National Gallery of Art; Piero Boccardo, superintendent of collections for the City of Genoa; and Franco Boggero, director of historic and artistic heritage at the Soprintendenza Archeologia, Belle Arti e Paesaggio, Genoa. The exhibition is organized by the National Gallery of Art, Washington, and the Scuderie del Quirinale, Rome, with special cooperation from the City and Museums of Genoa. The exhibition is made possible by the Robert Lehman Foundation. Additional funding is provided by The Exhibition Circle of the National Gallery of Art. The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Press Release: https://www.nga.gov/press/exh/5051.html Order Press Images: https://www.nga.gov/press/exh/5051/images.html Press Contact: Laurie Tylec, (202) 842-6355 or [email protected] Object ID: 5051-345 Valerio Castello David Offering the Head of Goliath to King Saul, 1640/1645 red chalk on laid paper overall: 28.6 x 25.8 cm (11 1/4 x 10 3/16 in.) National Gallery of Art, Washington, Rosenwald Collection Object ID: 5051-315 Giovanni Benedetto Castiglione The Genius of Castiglione, before 1648 etching plate: 37 x 24.6 cm (14 9/16 x 9 11/16 in.) sheet: 37.3 x 25 cm (14 11/16 x 9 13/16 in.) National Gallery of Art, Washington, Gift of Ruth B. -
Our Lady of Mercy
doors Our Lady with the Child ceramic bas-relief of Saint Jesus (in the centre) and musi- Maria Giuseppa Rossello 3 , cal angels. foundress of the Daughters of Our Lady of Mercy. The third chapel e Shrine hosts a masterpiece by Built in the same year as the Domenichino (Domenico Apparition (1536) following a Zampieri; 1581 - 1641), the design by the architect Antonio Presentation of Mary in the Sormano Pace, the works lasted Temple 4 , a classical work until 1540. The interior of the of the Bolognese school. building with three naves, a On the left wall is a bust crypt and a very raised pres- of Saint Giuseppe Marello bytery is in Lombard medieval 3 canonized in 2005. style, perhaps as a sign of ven- The fourth chapel con- eration for the old cathedral of school. Behind the altar is tains a Crucifi xion 5 by G.B. Savona, which in those years was a magnifi cent wooden choir Paggi (1554 - 1627) from destined to be demolished by 1 with two orders of stalls the Genoese school. the Genoese Republic. In fact to carved by P. Grassi in the year The first chapel on a large extent the Shrine mirrors 2 1644 (his are also the cup- 5 the left as you enter the 7 the shape, size and elevation of boards in the sacristy which Shrine is dedicated to the this Cathedral. Apparition of 18th March 1536. date to 1643) and inlaid in The apse above the organ has Annunciation 6 . The can- artist from Genoa, and it is The crypt is reached through a This is where Pope Pius VII, the nineteenth century by the frescoes of musical angels by Eso vas is attributed to Andrea the oldest work present in the beautiful marble porch sculpted at the end of his imprisonment Savona family of Garassino. -
Il Patrimonio Artistico Del Quirinale. Vol.I: Pittura Antica
Review Reviewed Work(s): Il patrimonio artistico del Quirinale. Vol.I: Pittura antica. La quadreria. Vol.II: Pittura antica. La decorazione murale by Giuliano Briganti, Laura Laureati and Ludovica Trezzani Review by: Silvia Ginzburg Source: The Burlington Magazine, Vol. 140, No. 1138 (Jan., 1998), pp. 46-47 Published by: Burlington Magazine Publications Ltd. Stable URL: http://www.jstor.org/stable/887749 Accessed: 21-07-2017 12:55 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Burlington Magazine Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Burlington Magazine This content downloaded from 159.149.175.7 on Fri, 21 Jul 2017 12:55:03 UTC All use subject to http://about.jstor.org/terms BOOK REVIEWS whelmingwhelming success success and wereand followedwere followedabout by thehalf- artistic by situation half- in and around portraits) after thethe buildingbuilding becamebecame thethe lengthlength philosophers philosophers and beggars. and beggars. Brescia.Bellotti Since Bellotti 1976 he has been publishing official residence ofof thethe ItalianItalian monarchy.monarchy. seemsseems to to have have made made a finished a finished drawing almost drawing ofyearly a his punctiliousof a researches onThe individual entriesentries areare strongstrong onon prove-prove- headhead (?and (?and of ofhands) hands) from fromlife, and thatlife, to subject, have and and to this have book will be a stand-by nance and give up-to-dateup-to-date bibliographiesbibliographies usedused it it for for numberless numberless versions versions of for varying art-historical of varying reference. -
Download M51 Redux.Pdf
I MILTON (ANDREW FLETCHER, Lord). See FLiT'CHER (ANDREW) Lord Milton. MILTON (CHARLES WILLIAM Wi TWOR'TH FITZWILLIAM, Viscount). See FITZWILLIAM (CHARLES WILLIAM WENTWORTH FITZWILLIAM, 5th Earl). MILTON (GEORGE FORT). - -- Abraham Lincoln and the Fifth Column. [Collier Bks. AS 204.1 New York, 1962. .9(73785-86) Lin. Mil. - -- The eve of conflict; Stephen A. Douglas and the needless war. Boston, 1934 .9(736) Dou. Mil. - -- The use of presidential power, 1789 -1943. Repr. Boston, 1945 .35303 Mil. MILTON (HENRY). - -- Letters on the fine arts, written from Paris, in ... 1815. Lond., 1816. Bound in V.17.42. Al)l)17'lUNS MILTON (CATHERINE HIGGS). - -- joint- author. Police use of deadly force. See POLICE USE OF DEADLY FORCE. - -- joint- author. Women in policing; a manual. See WOMEN IN POLICING; ... -- See SHERMAN (LAWRENCE W.), M. (C.H.) and KELLY (THOMAS V.). MILTON (DEREK). --- The rainfall from tropical cyclones in Western Australia. See GEOWEST. No. 13. MILTON (J.R.L.). --- Statutory offences ... See SOUTH AFRICAN CRIMINAL LAW AND PROCEDURE. Vol. 3. MILTON (JOHN). ARRANGEMENT Collections 1. General 2. Poetry 3. Prose Correspondence Accidence L'allegro and Il penseroso Animadversions upon the remonstrant's defence Arcades Areopagitica Artis logicae plenior institutio Brief history of Moscovia Brief notes on a late sermon titl'd The fear of God and the King Commonplace book Cornus De doctrina Christiana Doctrine and discipline of divorce Eikonoklastes Epitaph on Shakespeare. See On Shakespeare Epitaphium Damons History of Britain Lycidas Of education Of reformation touching church discipline On Shakespeare [Continued overleaf.] MILTON (JOHN) [continued]. ARRANGEMENT [continued] Paradise lost Paradise regained Il penseroso.