Iv. Books, Articles and Essays, Dissertations
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Problems of Dostoevsky's Poetics
Mikhail Bakhtin Problems of Dostoevsky's Poetics Edited and Translated by Caryl Emerson Introduction by Wayne C. Booth Theory and History of Literature, Volume 8 Problems of Dostoevsky's Poetics Theory and History of Literature Edited by Wlad Godzich and Jochen Schulte-Sasse Volume 1. Tzvetan Todorov Introduction to Poetics Volume 2. Hans Robert Jauss Toward an Aesthetic of Reception Volume 3. Hans Robert Jauss Aesthetic Experience and Literary Hermeneutics Volume 4. Peter Burger Theory of the Avant-Garde Volume 5. Vladimir Propp Theory and History of Folklore Volume 6. Edited by Jonathan Arac, Wlad Godzich, and Wallace Martin The Yale Critics: Deconstruction in America Volume 7. Paul de Man Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism 2nd ed., rev. Volume 8. Mikhail Bakhtin Problems of Dostoevsky's Poetics Problems of Dostoevsky's Poetics Mikhail Bakh tin Edited and Translated by Caryl Emerson Introduction by Wayne C. Booth Theory and History of Literature, Volume 8 University of Minnesota Press E Minneapolis ; S: London Publication of this book was assisted by a grant from the publications program of the National Endowment for the Humanities, an independent federal agency. Copyright © 1984 by the University of Minnesota. All rights reserved. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290, Minneapolis, MN 55401-2520 http:/ /www.upress.umn.edu Printed in the United States of America on acid-free paper Eighth Printing 1999 Library of Congress Cataloging in Publication Data Bakhtin, M. M. (Mikhail Mikhailovich), 1895-1975. Problems of Dostoevsky's poetics. (Theory and history of literature; v. -
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Women and Their Relationship with Men in Selected Works of Dostoevsky: A Semiotic and Phonological Approach Thesis submitted in partial fulfillment of the requirements for the degree of “DOCTOR OF PHILOSOPHY” by Inna Smirnov-Oknin Submitted to the Senate of Ben-Gurion University of the Negev March 2011 Beer-Sheva Women and Their Relationship with Men in Selected Works of Dostoevsky: A Semiotic and Phonological Approach Thesis submitted in partial fulfillment of the requirements for the degree of “DOCTOR OF PHILOSOPHY” by Inna Smirnov-Oknin Submitted to the Senate of Ben-Gurion University of the Negev Approved by the advisor______________________________ Approved by the Dean of the Kreitman School of Advanced Graduate Studies ________________ October 2011 Beer-Sheva This work was carried out under the supervision of Professor Yishai Tobin In the Department of Foreign Literature and Linguistics The Faculty of Humanities and Social Sciences Acknowledgements There are many people in my life that I would like to acknowledge and to extend by greatest appreciation for their involvement in the completion of this major achievement and without whom this thesis would not have been possible. First, my gratitude and thanks are given to my scientific advisor, Professor Yishai Tobin, who has been my guiding light throughout my doctoral studies. His wisdom, scholarly critique, words of encouragement, untiring support and sense of humor have been invaluable to me and have made this work possible. I would like to thank Ms Vered Shahar from the Kreitman School of Advanced Studies, who guided me through PhD requirements. I am indebted to my friends and colleges who understand and forgive me for being always busy and neglecting them during the years of my work on this dissertation. -
Fyodor Dostoevsky : Notes from Underground
M.A. (ENGLISH) PART-I COURSE-VII SEMESTER-II NINETEENTH CENTURY FICTION Lesson No. 15 Author : Dr. Sushil Kumar Fyodor Dostoevsky : Notes from Underground Introduction : The historical, cultural and political background of an author plays a significant role in the constitution of his/her fictional discourses. These aspects must be studied in order to comprehend the geo-political, historical, cultural and ideological positions of a literary writer. It is more important in the case of 19th century Russian writer like Dostoevsky who belongs to a complex set of historical, political and cultural circumstances of Russia. Like many of his contemporaries, he responded to the cultural, historical and political climate of the transformation era of Russia in his writings. The examining of the cultural and political background of Dostoevsky shows some sort of similarity in his upbringing and immediate ideological environment. So, his response to the socialist discursive ideas is predominantly unique and his fiction becomes an attempt to critique that heritage by revisiting, appropriating and articulating afresh the rich historical, political and cultural heritage of Russian Society. Fyodor Mikhailovich Dostoevsky: Life and Works Fyodor Mikhailovich Dostoevsky is a versatile genius and prolific writer. He is a novelist, short story writer, essayist, journalist and a philosopher. He was born in 1821, in Moscow, Russia. His parents Maria Fyodorovna Dostoevskaya and Mikhail Andreevich Dostoyevsky belonged to a mixed ethnic and multi-denominational noble family from the Pinsk region. He was the second among seven siblings. Dostoevsky’s father was supposed to work as a priest like his ancestors but he ran away from home and broke his relations with the family. -
I the Brothers Karamazov
First Words On Dostoevsky’s Introductions The Unknown Nineteenth Century Series Editor Joe Peschio (University of Wisconsin, Milwaukee) Editorial Board Angela Brintlinger (Ohio State University, Columbus) Alyssa Gillespie (University of Notre Dame, South Bend, Indiana) David Powelstock (Brandeis University, Waltham, Massachusetts) Ilya Vinitsky (University of Pennsylvania, Philadelphia) First Words On Dostoevsky’s Introductions LEWIS BAGBY Boston 2016 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2016 Academic Studies Press All rights reserved ISBN 978-1-61811-482-2 (hardback) ISBN 978-1-61811-483-9 (electronic) Cover design by Ivan Grave Published by Academic Studies Press in 2016 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com This study is dedicated to Donna Peters Bagby In Memory of Grover C. -
Rhetoric and Performativity in Fyodor Dostoevsky's the Brothers Karamazov
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 Word as Bond: Rhetoric and Performativity in Fyodor Dostoevsky's The Brothers Karamazov Stephen Appel Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Comparative Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Appel, Stephen, "Word as Bond: Rhetoric and Performativity in Fyodor Dostoevsky's The Brothers Karamazov" (2018). Senior Projects Spring 2018. 145. https://digitalcommons.bard.edu/senproj_s2018/145 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Word as Bond: Rhetoric and Performativity in Fyodor Dostoevsky’s The Brothers Karamazov Senior Project Submitted to The Division of Languages and Literature of Bard College by Stephen Appel Annandale-on-Hudson, New York May 2018 Acknowledgements Firstly, I would like to thank Marina Kostalevsky for the invaluable support and guidance she has given to me throughout this whole thing. Her faith in me and her willingness to let me willfully dive off various philosophical cliffs here and there has meant the world to me. -
DOSTOEVSKY BEYOND DOSTOEVSKY SCIENCE, RELIGION, PHILOSOPHY Ars Rossica
DOSTOEVSKY BEYOND DOSTOEVSKY SCIENCE, RELIGION, PHILOSOPHY Ars Rossica Series Editor – David Bethea (University of Wisconsin–Madison) DOSTOEVSKY BEYOND DOSTOEVSKY SCIENCE, RELIGION, PHILOSOPHY Edited by SVETLANA EVDOKIMOVA VLADIMIR GOLSTEIN BOSTON 2016 Effective January 10th, 2019, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Library of Congress Cataloging-in-Publication Data: A catalog record for this book is available from the Library of Congress. © 2016 Academic Studies Press All rights reserved ISBN 978-1-61811-526-3 (hardback) ISBN 978-1-61811-527-0 (electronic) Cover design by Ivan Grave Book design by Kryon Publishing www.kryonpublishing.com Published by Academic Studies Press in 2016 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www. academicstudiespress.com Table of Contents Acknowledgments ................................................................... viii Introduction: Fiction beyond Fiction: Dostoevsky’s Quest for Realism Svetlana Evdokimova and Vladimir Golstein ................................................1 Part 1 Encounters with Science I. Darwin, Dostoevsky, and Russia’s Radical Youth David Bethea and Victoria Thorstensson.......................................................35 II. Darwin’s Plots, Malthus’s Mighty Feast, Lamennais’s Motherless Fledglings, and Dostoevsky’s Lost Sheep Liza Knapp ............................................................................................................63 III. “Viper will eat viper”: Dostoevsky, Darwin, and the Possibility of Brotherhood Anna A. -
Close Encounters
Close Encounters Essays on Russian Literature ars Rossica series Editor: David BETHEa (University of Wisconsin — Madison) Close Encounters Essays on Russian Literature Robert Louis JaCkson BOSTON /2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-936235-56-8 On the cover: “Come, let us build ourselves a city,” by Leslie Jackson. Cover design by Ivan Grave Published by Academic Studies Press in 2013 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com To Leslie Painter and Poet Companion of My Life Table of Contents Introduction Introductory Note By Horst-Jürgen Gerigk .............................................. -
Iv. Books, Articles and Essays, Dissertations
IV. BOOKS, ARTICLES AND ESSAYS, DISSERTATIONS Cadot, Michel: L'angoisse surmontée par la parole et l'écriture dans "Nietochka Niezvanova" de Dostoïevski. La Revue russe 7 (1994): 17-28. Cadot, Michel: Le discours sur le futur dans Le Journal d'un Ecrivain (1881. Remarques sur le prophetisme de Dostoievski.) Dostoevsky Studies 7 (1986): 19-33. [Includes J. Frank's Dostoevsky: The Stir of Liberation.] Cadot, Michel: Dostoïevski d’un siècle à l’autre, ou, la Russie entre Orient et Occident. Paris: Maisonneuve et Larose, 2001. 350p. Cadot, Michel: Le double de Dostoïevski et ses modèles hoffmanniens. In: L'Homme et l"Autre: De Suso à Peter Handke. Actes du colloque organisé par le Centre de recherches germaniques et scandinaves de l'Université de Nancy II. Études réunies par J.-M. Paul. Nancy: Presses universitaires de Nancy, 1990: 225-34. Cadot, Michel: Einige Bemerkungen zu Hermann Hesses Deutung der "Brüder Karamasow". In: "Die Brüder Karamasow": Dostojewskijs letzter Roman in heutiger Sicht. Dresden: Dresden University Press, 1997: 105-20. Cadot, Michel: "Finks Krieg" von Martin Walser: eine Metamorphose des "Doppelgängers" von Dostojevskij. In: Literarische Avantgarde: Festschrift für Rudolf Neuhäuser. Herausgegeben von Horst-Jürgen Gerigk. Heidelberg: Mattes Verlag, 2001: 29-37. Cadot, Michel: Les lectures stratifiées de Dostoïevski par André Gide. In: Dostoevsky in the Twentieth Century: The Ljubljana Papers. Edited by Malcolm V. Jones. Nottingham: Astra Press, 1993: 197-208. Cadot, Michel: Peinture et fiction chez Dostoievski. In: Les fins de la peinture: actes du colloque. Textes réunis par René Démoris. Paris: Editions Desjonquères, 1990: 271-80. Cadot, Michel: Quelques caracteristiques de la conscience de soi dans le roman dostoievskien. -
Carnivalization of Gender Hierarchies and the Body in Virginia Woolf's Fiction a Thesis Submitted to the Graduate School of S
CARNIVALIZATION OF GENDER HIERARCHIES AND THE BODY IN VIRGINIA WOOLF’S FICTION A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY VICTORIA BİLGE YILMAZ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF ENGLISH LITERATURE MARCH 2016 Approval of the Graduate School of Social Sciences __________________ Prof. Dr. Meliha Altunışık Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. __________________ Assoc. Prof. Dr. Nurten Birlik Head of Department This is to certify that I have read this thesis and that in my opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. __________________ Assist. Prof. Dr. Elif Öztabak Avcı Supervisor Examining Committee Members Prof. Dr. Ayten Coşkunoğlu Bear (METU, FLE) __________________ Assist. Prof. Dr. Elif Öztabak Avcı (METU, FLE) __________________ Assist. Prof. Dr. Mustafa Kırca (Çankaya Uni., TIS) __________________ Assist. Prof. Dr. Nil Korkut Naykı (METU, FLE) __________________ Assist. Prof. Dr. Selen Aktari Sevgi (Başkent Uni., ACL) __________________ ii I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Signature : iii ABSTRACT CARNIVALIZATION OF GENDER HIERARCHIES AND THE BODY IN VIRGINIA WOOLF’S FICTION Yılmaz, Victoria Bilge Ph.D., Department of English Literature Supervisor: Assist. -
Read Ebook {PDF EPUB} Jucatorul by Fyodor Dostoyevsky
Read Ebook {PDF EPUB} Jucătorul by Fyodor Dostoyevsky Colectia F.M. Dostoievski. Colecţia dedicată marelui scriitor rus cuprinde 12 titluri în 12 volume şi include romane celebre precum Amintiri din Casa Morţilor (cutremurătoare reconstituire a experienţei concentraţionare a autorului, care prefigurează ororile ulterioare ale Gulagului), Idiotul (traseul christic al prinţului Mîşkin), Crimă şi pedeapsă (transpunere a teoriei nietzscheene a Supraomului, dar şi o critică a acesteia, de pe poziţii creştine), Adolescentul , Demonii (genială prefigurare a bolşevismului şi a totalitarismului secolului XX, prin portretizarea anarhiştilor ruşi ai vremii). Nu lipsesc din serie nici romanele „mici“ ale scriitorului: Jucătorul , Eternul soţ , Însemnări din subterană etc., practic putând vorbi de o colecţie completă a romanelui marelui scriitor. Traducerea este inedită şi aparţine reputatei specialiste Antoaneta Olteanu. Fyodor Dostoevsky Biography. The Russian novelist Fyodor Dostoevsky was well known in his country during his life and has since been praised around the world as a writer. He is best known for writing novels that had a great understanding of psychology (the study of how the human mind works), especially the psychology of people who, losing their reason, would become insane or commit murder. The young man. Fyodor Dostoevsky was born in Moscow, Russia, on November 11, 1821, the son of a doctor. His family was very religious, and Dostoevsky was deeply religious all his life. He began reading widely when he was a youth. He was first educated by his mother, father, and tutors, but at thirteen years old he was sent to a private school. Two years later his mother died. His father, a cruel man, was murdered in 1839, when Dostoevsky was eighteen and attending school in St. -
Resonances of Greek-Latin Classics in the Works of Fyodor Dostoevsky: a Critical Analysis
Acta Scientiarum http://periodicos.uem.br/ojs ISSN on-line: 1983-4683 Doi: 10.4025/actascilangcult.v43i1.55354 LITERATURE / LITERATURA Resonances of greek-latin classics in the works of Fyodor Dostoevsky: a critical analysis Ghulam Yasin1*, Shaukat Ali2 and Asma Kashif Shahzad3 1Department of English, Govt. Alamdar Hussain Islamia College, Agahi Road, Multan, Punjab, Pakistan. 2Govt. College Vehari, Pakistan. 3COMSATS University Vehari Campus, Pakistan. *Author for correspondence. E-mail: [email protected] ABSTRACT. This research aims to probe the classical elements in the works of Fyodor Dostoevsky and to show the author’s bent towards the classical authors and traditions. Dostoevsky is the giant literary figure of 19th-century Russian literature and he belongs not only to a particular time but to all times like many other great classic writers. The research is significant for exposing the author’s affiliation towards the epic poetry of Homer and Hesiod and the dramas of the preeminent Athenian tragedians, Aeschylus, Sophocles, and Euripides. Dostoevsky also becomes classic based on his dealings with the themes dealt by the classics like love, fight for honour, real-life presentation, the conflict between vice and virtue and the struggle of his tragic heroes to reach their goal. The research proves that Dostoevsky is a classic among the classics because of having close resonance with the classics in the art of characterization, the portrayal of tragic heroes, theme building and by including some elements of tragedy. The qualitative research is designed on the descriptive-analytic method by using the approach of Classicism presented by Mark Twain. Keywords: classicism; tragic heroes; tragedy; resonance; characterization; classical traditions. -
Some Narrative Techniques of Dostoevsky's Works: Unity Through Fragmentariness
Key Words Dostoevsky, Narrative Techniques, Unity Some Narrative Techniques of Dostoevsky's Works: Unity through Fragmentariness Kim, Jung-Ah* In the autumn of 1917 a team of Russian literary critics, working on Dostoevsky's manuscripts at the Moscow Museum of History, were for tunate to come across a notebook in which A. G. Dostoevskaya, the writer's second wife, had listed all the books her husband possessed after they returned from Europe and settled in Russia again. As a result of this find a catalog)) was compiled of Dostoevsky's library in the last period of his life: the time when most of his major novels were created. This enabled biographers and critics to research thoroughly a whole series of literary and philosophical influences on him, which till then were difficult to prove or were only suspected. Significant light was thrown on the rather dark area of the writer's creative process, on his narrative methods and artistic devices. This, among other things, proved his impressive erudition in European and Russian literature, philosophy, history, social and political thought. Doubtless was the fact that he enriched both the European and Russian literary traditions with innovations, transforming existing narrative modes, forms and devices into something genuinely his: a special kind of, what he calls, "realism in the highest sense of the word"2) : a realism 1) The catalog was first published in FThe Library of Dostoevsky.J) , Odessa, 1919, pp. 125-67. 2 similar to, yet different from, the realism of the literature of both Russia and Europe at the time. As Renato Poggioli points out in his wThe Phoenix and the Spider~, Dos toevsky shares a lot in common with the artistic conceptions of realism of both Goncharov and Saltykov-Shchedrin.