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"Red Emma"? Emma Goldman, from Alien Rebel to American Icon Oz
Whatever Happened to "Red Emma"? Emma Goldman, from Alien Rebel to American Icon Oz Frankel The Journal of American History, Vol. 83, No. 3. (Dec., 1996), pp. 903-942. Stable URL: http://links.jstor.org/sici?sici=0021-8723%28199612%2983%3A3%3C903%3AWHT%22EE%3E2.0.CO%3B2-B The Journal of American History is currently published by Organization of American Historians. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/oah.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact [email protected]. -
Hippolyte Havel E Os Artistas Do Revolt Hippolyte Havel and the Artists of Revolt
Hippolyte Havel e os artistas do Revolt Hippolyte Havel and the artists of Revolt Allan Antliff Professor titular de História da Arte na Universidade de Victoria (Canada). RESUMO: Este artigo consiste em um estudo de caso acerca das relações entre o anarquismo e os movimentos artísticos que romperam as convenções e as formas estéticas estabelecidas no início do século XX até a I Guerra Mundial, como o futurismo e o cubismo. Apresenta as atividades de Hippolyte Havel, anarquista tcheco, que morou em Nova Iorque, nesse período, e demonstra também o empenho deste e especialmente de seu círculo de artistas e militantes em divulgar, fortalecer e experimentar tais correntes estéticas e libertárias. Destaca dentre os periódicos que ele fundou: O Almanaque Revolucionário e o jornal A Revolta, assim como as contribuições que estes receberam de diversos artistas envolvidos com a contestação de forças conservadoras e capitalistas. Palavras-chave: anarquismo, futurismo, cubismo, inicio do século XX. ABSTRACT: This article consists of a case study about the relationship between anarchism and artistic movements that broke conventions and established aesthetic forms in the early twentieth century until World War I, as Futurism and Cubism. It presents the activities of Hippolyte Havel, Czech anarchist who lived in New York during this period, and also demonstrates the commitment of him and specially of of artists and activists around him to publicize, strengthen and experience such aesthetic and libertarian currents. It highlighted two periodicals he founded: The Revolutionary Almanac and the jornal Revolt, as well as the contributions they received from various artists involved in contesting the conservative and capitalist forces. -
Recommend Reading List & Online Resources
Recommended Reading and Online Resources Related to American Women's Suffrage Compiled by Michelle Marchetti Coughlin, 2020 Mass Humanities Project Scholar, Discussion Series on Women's Suffrage, Falmouth Museums on the Green, 8/05/2020 Michelle Marchetti Coughlin is a historian of early American women and the author of One Colonial Woman's World: The Life and Writings of Mehetabel Chandler Coit and Penelope Winslow, Plymouth Colony First Lady: Re-Imagining a Life. She is currently at work on a book on the wives of the colonial governors ("The First First Ladies"). She serves on the board of the Abigail Adams Birthplace and as Museum Administrator of Boston's Gibson House Museum, and recently guest-curated Pilgrim Hall Museum's "pathFOUNDERS: Women of Plymouth" exhibit. She maintains a website at www.onecolonialwomansworld.com. READING LIST Most of these titles are available through the Cape Cod library system (CLAMS). Jean H. Baker: Sisters: The Lives of America's Suffragists (2005) Barbara F. Berenson: Massachusetts in the Woman Suffrage Movement: Revolutionary Reformers (2018) Cathleen D. Cahill: Recasting the Vote: How Women of Color Transformed the Suffrage Movement (Nov. 2020) Tina Cassidy: Mr. President, How Long Must We Wait? Alice Paul, Woodrow Wilson, and the Fight for the Right to Vote (2019) Ellen Carol DuBois, ed. The Elizabeth Cady Stanton—Susan B. Anthony Reader: Correspondence, Writings, Speeches (1992) Ellen Carol DuBois: Suffrage: Women's Long Battle for the Vote (2020) Carol Faulkner: Lucretia Mott's Heresy: Abolition and Women's Rights in Nineteenth-Century America (2011) Corinne T. Field: The Struggle for Equal Adulthood: Gender, Race, Age, and the Fight for Citizenship in Antebellum America (2014) Jessica D. -
Unit 3 1920: Redrawing the Boundaries of Citizenship
Unit 3 1920: Redrawing the Boundaries of Citizenship Corinne T. Field Mellon-Schlesinger Fellow, Radcliffe Institute for Advanced Study ’19 Associate Professor of Women’s, Gender, and Sexuality Studies, University of Virginia https://www.radcliffe.harvard.edu/people/corinne-t-field Mary Church Terrell, Harris & Ewing [1920–1940], Prints and Photographs Division, Library of Congress Was 1920 the turning point in American women’s political history, the moment when women won the right to vote? Or was passage of the 19th Amendment one phase in an ongoing struggle that began before 1830 and continues today? How you answer this question depends in large part on where you look and whom you center in your sights. If you focus on women in Pennsylvania, or white women with property in Virginia, then August 18, 1920—when the Tennessee Legislature ratified the 19th Amendment—was the watershed moment that made women voters. If you look further west, however, it was women’s votes in the states and territories that had already permitted them, sometimes for decades, that helped persuade reluctant congressmen to get behind the amendment in the first place. If you shift your gaze south, or to Native territory in the West, you notice the ongoing activism of women barred from the polls not by sex but by barriers tied to race, including literacy tests, poll taxes, racialized violence, and the strictures of federal Indian policy. And finally, if you consider the nation’s external borders, then the years around 1920 appear geared toward exclusion rather than inclusion, with the Immigration Act of 1918 enabling the deportation of radical women born outside the United States and the Immigration Act of 1924 barring all immigrant women from Asia and sharply limiting those from southern Europe and Africa. -
Anarchy! an Anthology of Emma Goldman's Mother Earth
U.S. $22.95 Political Science anarchy ! Anarchy! An Anthology of Emma Goldman’s MOTHER EARTH (1906–1918) is the first An A n t hol o g y collection of work drawn from the pages of the foremost anarchist journal published in America—provocative writings by Goldman, Margaret Sanger, Peter Kropotkin, Alexander Berkman, and dozens of other radical thinkers of the early twentieth cen- tury. For this expanded edition, editor Peter Glassgold contributes a new preface that offers historical grounding to many of today’s political movements, from liber- tarianism on the right to Occupy! actions on the left, as well as adding a substantial section, “The Trial and Conviction of Emma Goldman and Alexander Berkman,” which includes a transcription of their eloquent and moving self-defense prior to their imprisonment and deportation on trumped-up charges of wartime espionage. of E m m A g ol dm A n’s Mot h er ea rt h “An indispensable book . a judicious, lively, and enlightening work.” —Paul Avrich, author of Anarchist Voices “Peter Glassgold has done a great service to the activist spirit by returning to print Mother Earth’s often stirring, always illuminating essays.” —Alix Kates Shulman, author of Memoirs of an Ex-Prom Queen “It is wonderful to have this collection of pieces from the days when anarchism was an ism— and so heady a brew that the government had to resort to illegal repression to squelch it. What’s more, it is still a heady brew.” —Kirkpatrick Sale, author of The Dwellers in the Land “Glassgold opens with an excellent brief history of the publication. -
Tate Papers - the 'Comic Sublime': Eileen Agar at Ploumanac'h
Tate Papers - The 'Comic Sublime': Eileen Agar at Ploumanac'h http://www.tate.org.uk/research/tateresearch/tatepapers/05autumn/walke... ISSN 1753-9854 TATE’S ONLINE RESEARCH JOURNAL The 'Comic Sublime': Eileen Agar at Ploumanac'h Ian Walker Fig.1 Eileen Agar 'Rockface', Ploumanach 1936 Black and white photograph reproduced from original negative Tate Archive Photographic Collection 5.4.3 © Tate Archive 2005 On Saturday 4 July 1936, the International Surrealist Exhibition in London came to an end. In that same month, the Architectural Review magazine announced a competition. In April, they had published Paul Nash's article 'Swanage or Seaside Surrealism'.1 Now, in July, the magazine offered a prize for readers who sent in their own surrealist holiday photographs – 'spontaneous examples of surrealism discerned in English holiday resorts'. The judges would be Nash and Roland Penrose .2 At face value, this could be taken as a demonstration of the irredeemable frivolity of surrealism in England (it is difficult to imagine a surrealist snapshot competition in Paris judged by André Breton and Max Ernst ). But in a more positive light, it exemplifies rather well the interest that the English had in popular culture and in pleasure. Holidays were very important in English surrealism and some of its most interesting work was made during them. This essay will examine closely one particular set of photographs made by Eileen Agar in that month of July 1936 which illustrate this relationship between surrealism in England and pleasure. Eileen Agar had been one of the English stars of the surrealism exhibition, even though she had apparently not thought of herself as a 'surrealist' until the organizers of the show – Roland Penrose and Herbert Read – came to her studio and declared her to be one. -
The Life and Times of Emma Goldman: a Curriculum for Middle and High School Students
DOCUMENT RESUME ED 356 998 SO 023 057 AUTHOR Falk, Candace; And Others TITLE The Life and Times of Emma Goldman: A Curriculum for Middle and High School Students. Primary Historical Documents on: Immigration, Freedom of Expression, Women's Rights, Anti-Militarism, Art and Literature of Social Change. INSTITUTION California Univ., Berkeley. Emma Goldman Papers Project.; Los Angeles Educational Partnership, CA.; New Directions Curriculum Developers, Berkeley, CA. REPORT NO ISBN-0-9635443-0-6 PUB DATE 92 NOTE 139p.; Materials reproduced from other sources will not reproduce well. AVAILABLE FROMEmma Goldman Papers Project, University of California, 2372 Ellsworth Street, Berkeley, CA 94720 ($13, plus $3 shipping). PCB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS *Females; Feminism; Freedom of Speech; Higher Education; High Schools; Hig ,School Students; *Humanities Instruction; Intermediate Grades; Junior High Schools; Labor; Middle Schools; Primary Sources; *Social Studies; *United States History; Units of Study IDENTIFIERS *Goldman (Emma); Middle School Students ABSTRACT The documents in this curriculum unit are drawn from the massive archive collected by the Emma Goldman Papers Project at the University of California (Berkeley). They are linked to the standard social studies and humanities curriculum themes of art and literature, First Amendment rights, labor, progressive politics, and Red Scare, the rise of industrialization, immigration, women's rights, World War I, and -
Address by Alexander Berkman
Published Essays and Pamphlets Trial and Speeches of Alexander Berkman and Emma Goldman Address by Alexander Berkman GENTLEMEN OF THE JURY: It is for the first time that I rise to address a jury. * It was a new experience for Miss Goldman and myself to examine the talesmen, and it is a new experience to conduct a trial without the presence of counsel. It is more than probable and quite natural that we did not follow the usual procedure. It is also very likely that we have neglected many points and circumstances which a trained lawyer would have used in behalf of the defense. But, as indicated in our introductory statement, it is a matter of principle on our part to dispense with counsel and to address the jury face to face, thus to enable the jury to judge for themselves as to the quality and the character and motives of the defendants. No doubt we could have had the services of brilliant lawyers, and I am sure that even the best legal talent of the country could have been at our disposal. We believe that the fact that we have dispensed with lawyers is to a considerable extent to our detriment. But for the sake of the opportunity to speak to you, as I have indicated, face to face, we are willing to take that disadvantage, because after all, to stand up for our principles in the expression of our ideas for ourselves is more important, more vital to us than the mere question of liberty or even of life. -
Quiet Rumours: an Anarcha-Feminist Reader Ebook, Epub
QUIET RUMOURS: AN ANARCHA-FEMINIST READER PDF, EPUB, EBOOK Emma Goldman,Voltairine De Cleyre,Roxanne Dunbar-Ortiz,Jo Freeman | 136 pages | 11 Dec 2012 | AK Press | 9781849351034 | English | Edinburgh, United Kingdom Quiet Rumours: An Anarcha-Feminist Reader PDF Book Refresh and try again. Emma Goldman's "A Woman Without a Country," though a great text, mentioned nothing of feminism, let alone anarchist feminism. View all 9 comments. Quiet Rumors provides anarcha-feminists and other readers with a solid archive of political inquiry stretching across two centuries and engaging the debates, disappointments, and dreams expressed within critical moments in multiple liberation movements. Nor is a fringe mention of intersectionality enough to make our feminism intersectional. Why were they picked for this anthology? Most these essays didn't have any context introducing them: what year were they written? Aug 04, Ariel rated it really liked it Recommended to Ariel by: Lambert. Known as a rebel, a labor agitator, an ardent proponent of birth control and free speech, a feminist, a lecturer and a writer, Goldman is the author of countless essays, as well as several collections of writings published posthumously, and her 2-volume autobiography, Living My Life. Some of the classical stuff was kinda boring. The articles from the s, which ought to be the most interesting since they are from new left feminists dis This is mainly of historical interest, and in the meantime probably all of the documents collected here are freely available online. Technopranks: Carving out a message in electronic space. A: Its policy, it aims, its principles. -
Herald of the Future? Emma Goldman, Friedrich Nietzsche and the Anarchist As Superman
The University of Manchester Research Herald of the future? Emma Goldman, Friedrich Nietzsche and the anarchist as superman Document Version Accepted author manuscript Link to publication record in Manchester Research Explorer Citation for published version (APA): Morgan, K. (2009). Herald of the future? Emma Goldman, Friedrich Nietzsche and the anarchist as superman. Anarchist Studies, 17(2), 55-80. Published in: Anarchist Studies Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:04. Oct. 2021 Herald of the future? Emma Goldman, Friedrich Nietzsche and the anarchist as superman Kevin Morgan In its heyday around the turn of the twentieth century, Emma Goldman more than anybody personified anarchism for the American public. Journalists described her as anarchy’s ‘red queen’ or ‘high priestess’. At least one anarchist critic was heard to mutter of a ‘cult of personality’.1 Twice, in 1892 and 1901, Goldman was linked in the public mind with the attentats or attempted assassinations that were the movement’s greatest advertisement. -
Anarchist Modernism and Yiddish Literature
i “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres A dissertation submitted in partial satisfaction of the requirements for the degree of Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Chana Kronfeld, Chair Professor Naomi Seidman Professor Nathaniel Deutsch Professor Juana María Rodríguez Summer 2016 ii “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature Copyright © 2016 by Anna Elena Torres 1 Abstract “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality University of California, Berkeley Professor Chana Kronfeld, Chair “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature examines the intertwined worlds of Yiddish modernist writing and anarchist politics and culture. Bringing together original historical research on the radical press and close readings of Yiddish avant-garde poetry by Moyshe-Leyb Halpern, Peretz Markish, Yankev Glatshteyn, and others, I show that the development of anarchist modernism was both a transnational literary trend and a complex worldview. My research draws from hitherto unread material in international archives to document the world of the Yiddish anarchist press and assess the scope of its literary influence. The dissertation’s theoretical framework is informed by diaspora studies, gender studies, and translation theory, to which I introduce anarchist diasporism as a new term. -
Herbert Read's Review of Joyce in "Art and Letters" 1 (1917)
This is a repository copy of "A Portrait of the Artist" as Artist: Herbert Read's review of Joyce in "Art and Letters" 1 (1917). White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/145155/ Version: Other Article: Brown, R (2018) "A Portrait of the Artist" as Artist: Herbert Read's review of Joyce in "Art and Letters" 1 (1917). James Joyce Broadsheet (111). p. 1. ISSN 0143-6333 This article is protected by copyright, all rights reserved. James Joyce Broadsheet UK. Editors: Pieter Bekker, Richard Brown and Alistair Stead. Editorial Assistant (New Media): Georgina Binnie. Correspondence should be sent to: The Editors, James Joyce Broadsheet, The School of English, University of Leeds, Leeds, LS2 9JT,United Kingdom Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 9503 Joyce_No108:Joyce_Nov06_No75 28/11/17 10:24 Page 1 NumberNumber 111108 October 20172018 JAMES JOYCE BROADSHEET taste.