Ancient Rome Tossups 1. Most of These Structures Were Actually
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L 'Évolution Politique De Galia Placidia
L ‘évolution politique de Galia Placidia EMILLENNE DEMOUGEOT GalIa Placidia, impératrice d’Occident de 425 á sa mort en 450, eut-elle une politique soumise aux événemcnts ou déterminée par quelque dessein délibéré, pendant ce quart de siécle oú régna son flís Valentinien III? Ses biographes, Vito Antonio Sirago en 1961 et Stewart Irwin Oost en 1968, ainsi que Giuseppe Zecchini qui a récemment étudié la défense de l’Occident au temps d’Aetius1 constatent que la vie personnelle dc GalIa Placidia nous échappe et que seule son activité politique nous permet d’appréhender sa personnalité. Or, á l’époque de Justinien, Cassiodore, Procope et l’historien des Goths Jordanes, suivis par l’historicn ecclésiastique Evagre le Scholasti- que (mort vers 600) et Jean d’Antioche au Vílos., imputent á la politique de GalIa Placidia, plus ou moins explicitement, le rapide déclin de l’Empire d’Occident aussitót aprés la mort de son flís Valentinien III. Cette imputation apparait-elle déjá au V0 siécle? Vers la fin du y0 siécle, elle n’apparatt pas dans l’Histoire Nouvelle de Zosime qui traite du déclin de l’Empire chrétien sous les empereurs du IVos., mais s’arr&te á la veille de la prise de Rome par les Wisigoths en 410. Dc méme, elle n’apparait pas, dans la premiére moitié du y0 siécle, chez les historiens contcmporains de GalIa Placidia, tels Orose, Olympiodore et l’historien ecclésiastique Socr~te, ni chez les chroniqueurs occidentaux comme l’Espagnol Hydace, Prosper d’Aquitai- nc et l’Anonyme d’unc Chronica Gallica allant jusqu’en 452, ni encore, au début du V0 siécle, chez le poéte Claudien. -
Refractions of Rome in the Russian Political Imagination by Olga Greco
From Triumphal Gates to Triumphant Rotting: Refractions of Rome in the Russian Political Imagination by Olga Greco A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Comparative Literature) in the University of Michigan 2015 Doctoral Committee: Professor Valerie A. Kivelson, Chair Assistant Professor Paolo Asso Associate Professor Basil J. Dufallo Assistant Professor Benjamin B. Paloff With much gratitude to Valerie Kivelson, for her unflagging support, to Yana, for her coffee and tangerines, and to the Prawns, for keeping me sane. ii TABLE OF CONTENTS Dedication ............................................................................................................................... ii Introduction ............................................................................................................................. 1 Chapter I. Writing Empire: Lomonosov’s Rivalry with Imperial Rome ................................... 31 II. Qualifying Empire: Morals and Ethics of Derzhavin’s Romans ............................... 76 III. Freedom, Tyrannicide, and Roman Heroes in the Works of Pushkin and Ryleev .. 122 IV. Ivan Goncharov’s Oblomov and the Rejection of the Political [Rome] .................. 175 V. Blok, Catiline, and the Decomposition of Empire .................................................. 222 Conclusion ........................................................................................................................... 271 Bibliography ....................................................................................................................... -
Byzantine Art and Architecture
Byzantine Art and Architecture Thesis The development of early Christian religion had a significant impact on western art after the fall of the Roman Empire in the 4th century (AD). Through examining various works of art and architecture, it becomes evident that the period of Byzantium marked a significant transition in aesthetic conventions which had a previous focus on Roman elements. As this research entails, the period of Byzantium acted as a link between the periods of Antiquity and the Middle Ages and thus provides insight on the impact of Christianity and its prevalence in art and architecture during this vast historical period. Sources/Limitations of Study Primary Sources: Adams, Laurie Schneider. Art Across Time. McGrawHill: New York, 2007. Figures: 8.4 Early Christian sarcophagus, Santa Maria Antiqua, Rome, 4th century. Marble. 8.5 Plan of Old Saint Peter’s basilica, Rome, 333390. 8.6 Reconstruction diagram of the nave of Old Saint Peter’s Basilica. 8.12 Exterior of the mausoleum of Galla Placidia, Ravenna, c. 425426. 8.13 Interior of the mausoleum of Galla Placidia showing niche with two apostles (above) and the Saint Lawrence mosaic (below), Ravenna, c. 425426. 8.14 Christ as the Good Shepherd, the mausoleum of Galla Placidia, Ravenna, c. 425 426. Mosaic. 8.28 Hagia Sophia, Constantinople (now Instanbul), illuminated at night, completed 537. 8.29 Plan, section, and axonometric projection of Hagia Sophia. 8.30 View of the interior of Hagia Sophia after its conversion to a mosque. Colour lithograph by Louis Haghe, from an original drawing by Chevalier Caspar Fussati. -
Notes on the Decorations of Central Vault Mosaic of Galla Placidia Chapel in Ravenna, Italy Prof
مجلة العمارة والفنون والعلوم اﻻنسانية المجلد الخامس - العدد الثاني والعشرون Notes on the decorations of central vault mosaic of Galla Placidia chapel in Ravenna, Italy Prof. Khaled Gharib Ali Ahmed Shaheen Professor and Head of Greco-Roman Archaeology Department - faculty of Archaeology, Cairo University. Assist. Prof. Dr. Mona Gabr Abd El-Naby Hussein Assistant Professor of art history - Greco-Roman Archaeology Department - faculty of Archaeology, Cairo University. Lect. Asmaa Mamdouh Abdel-Sattar Hanafi Mohammed El-Nadi Demonstrator– Greco-Roman department– faculty of Archaeology, Cairo University. [email protected] Abstract: The Galla Placidia Chapel in Ravenna, or globally known as the "Mausoleum" of Galla Placidia, has been renowned for its exceptional mosaic decorations covering the surfaces of its interior walls. The entrance of the chapel represents a dramatic transition from the humble exterior to the grandeur and majesty of the interior; the chapel has retained its entire interior decoration program, which is uncommon for buildings from that late antiquity. This cross- planned chapel still raises many issues and questions that are difficult to answer decisively, as a result of the lack of any contemporary documentation, so it remains purely hypothetical. The interpretation of central vault mosaics of the chapel is one of the most important issues that have occupied the scholars for a long time over the years, due to the ambiguity and distinctiveness of its elements with regard to the iconographic traditions of the time, as it is the predecessor of a decorative subject that will continue over time in the early Christian structures. The central vault mosaic consists of 567 golden stars arranged in concentric circles against a dark blue background, all orbiting a Latin gold cross represented at the vault apex, while floating, over the heap of the clouds, in the pendentives area, winged bust-figures represent the four living creatures around the celestial throne. -
The Cambridge Companion to Age of Constantine.Pdf
The Cambridge Companion to THE AGE OF CONSTANTINE S The Cambridge Companion to the Age of Constantine offers students a com- prehensive one-volume introduction to this pivotal emperor and his times. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a freshness of interpretation that will be welcomed by the experts. The volume is divided into five sections that examine political history, reli- gion, social and economic history, art, and foreign relations during the reign of Constantine, a ruler who gains in importance because he steered the Roman Empire on a course parallel with his own personal develop- ment. Each chapter examines the intimate interplay between emperor and empire and between a powerful personality and his world. Collec- tively, the chapters show how both were mutually affected in ways that shaped the world of late antiquity and even affect our own world today. Noel Lenski is Associate Professor of Classics at the University of Colorado, Boulder. A specialist in the history of late antiquity, he is the author of numerous articles on military, political, cultural, and social history and the monograph Failure of Empire: Valens and the Roman State in the Fourth Century ad. Cambridge Collections Online © Cambridge University Press, 2007 Cambridge Collections Online © Cambridge University Press, 2007 The Cambridge Companion to THE AGE OF CONSTANTINE S Edited by Noel Lenski University of Colorado Cambridge Collections Online © Cambridge University Press, 2007 cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press 40 West 20th Street, New York, ny 10011-4211, usa www.cambridge.org Information on this title: www.cambridge.org/9780521818384 c Cambridge University Press 2006 This publication is in copyright. -
Pu1cheria's Crusade A.D. 421-22 and the Ideology of Imperial Victory Kenneth G
Pulcheria's Crusade A.D. 421-22 and the Ideology of Imperial Victory Holum, Kenneth G Greek, Roman and Byzantine Studies; Summer 1977; 18, 2; Periodicals Archive Online pg. 153 Pu1cheria's Crusade A.D. 421-22 and the Ideology of Imperial Victory Kenneth G. Holum .. 'EST qu'en effet l'empereur byzantin, comme son ancetre Cl'imperator des derniers siecles de Rome, est essentiellement, aux yeux de son peuple, un maitre victorieux." This pointed definition (from the pen of Jean Gagel) underscores a theme of imperial ideology which receives such insistent emphasis in the offi cial art, ceremonial and panegyric of late antiquity that it must correspond to a chilling reality. The defeat of an emperor threatened not only the integrity of the frontiers but internal stability as well and the ascendancy of the emperor and his friends. Conversely, if a weak emperor could claim a dramatic victory, he might establish a more effective hold on the imperial power. In A.D. 420-22 this inner logic of Roman absolutism led to innovations in imperial ideology and to a crusade against Persia, with implications which have escaped the attention of scholars. The unwarlike Theodosius II made war not to defend the Empire but to become "master of victory," and, as will be seen, to strengthen the dynastic pretensions of his sister Pulcheria Augusta. I The numismatic evidence is crucial. Between 420 and early 422 the mint of Constantinople initiated a strikingly new victory type, the much-discussed 'Long-Cross Solidi' (PLATE 2):2 Obverse AELPVLCH-ERIAAVG Bust right, diademed, crowned by a hand Reverse VOTXX MVLTXXX~ Victory standing left, holding a long jeweled cross, CONOB in the exergue 1 "l:Taupoc VLK01TOLbC: la victoire imperiale dans l'empire chretien," Revue d'histoire et de philosophie religieuses 13 (1933) 372. -
The Suevic Kingdom Why Gallaecia?
chapter 4 The Suevic Kingdom Why Gallaecia? Fernando López Sánchez The Sueves…(came to) hold the supremacy which the Vandals abandoned.1 Introduction: Towards a Re-evaluation of the Suevic Kingdom of Hispania During the reign of Rechiar (448–456) in the middle of the fifth century, the Sueves’ hegemony in Hispania seemed unassailable. Rechiar had inherited from his father, Rechila (438–448), a Suevic kingdom strong in Gallaecia and assertive across the Iberian Peninsula.2 By marrying a daughter of Theoderic I in 449, the new Suevic king won the support of the Visigothic rulers in Toulouse.3 As a Catholic, Rechiar managed to draw closer to the population of Hispania and also to Valentinian III, making himself, in a sense, a ‘modern’ monarch.4 In 453, he secured imperial backing through a pact with the imperial house of Ravenna.5 Confident in his power and prospects, Rechiar plundered Carthaginiensis and, finally, Tarraconensis, the last Spanish province under imperial control, following the deaths of Aëtius (454) and Valentinian III (455).6 1 Ubric (2004), 64. 2 For an analysis of Rechila’s ambitions and achievements: Pampliega (1998), 303–312. 3 Hyd. 132, pp. 98–99; Valverde (1999), 304. 4 Rechiar’s father, Rechila, died a pagan (gentilis), but Hydatius 129, pp. 98–99, describes Rechiar as catholicus at the time of his succession; see also Isidore of Seville, Historia Sueuorum 86–87, p. 301. Presumably, Rechila, his predecessor, Hermeric, and most of the Suevic aristocracy fol- lowed traditional German religious practices: Schäferdiek (1967), 108; García Moreno (1997), 200–201. -
Joyce E. Salisbury, Rome's Christian Empress: Galla Placidia Rules At
Joyce E. Salisbury, Rome’s Christian Empress: Galla Placidia Rules at the Twilight of the Empire. Baltimore: Johns Hopkins University Press, 2015. Pp. ix, 236. 12 illustrations, 7 maps. ISBN 9781421417004. $34.95. Writing the biography of any late antique individual is a challenging task given the either fragmentary, normative or highly rhetoricised nature of an overwhelming number of late antique sources. Writing the biography of a late antique woman – not frequently the object of late antique texts – may seem like an unsurmountable task. Galla Placidia, sister of Honorius, wife of Constantius III and mother of Valentinian III, is often considered an exception: her life is reasonably well documented in narrative sources of the fifth and sixth centuries, there are extant churches and church decorations that bear her name as a patron, and – remarkably – we possess documents she ostensibly wrote herself. As a result, there are already a number of biographies of Galla Placidia, from Stewart Oost’s masterly Galla Placidia Augusta: A Biographical Essay (1968) to Hagith Sivan’s Galla Placidia: The Last Roman Empress (2011), making the opening claim of Salisbury’s book that Galla Placidia is a ‘forgotten empress’ at least questionable (p. 1). Yet, while Galla Placidia may not be forgotten by academic scholarship, there is a good chance that she is less well known to general readers who will certainly enjoy Salisbury’s account of her life. After an introduction, in which Salisbury highlights her debt to Oost, but also her objective of portraying Galla Placidia as a ‘powerful empress in her own right’, and not just a ‘worthy child’ of Theodosius I, as Oost did, Salisbury (p. -
Front Matter
Cambridge University Press 978-0-521-83672-2 - Ravenna in Late Antiquity Deborah Mauskopf Deliyannis Frontmatter More information Ravenna in Late Antiquity Ravenna was one of the most important cities of late antique Europe. Between AD 400 and 751, it was the residence of western Roman emperors, Ostrogothic kings, and Byzantine governors of Italy, while its bishops and archbishops ranked second only to the popes. During this 350-year period, the city was progressively enlarged and enriched by remarkable works of art and architecture, many of which still survive today. Thus, Ravenna and its monuments are of critical importance to historians and art historians of the late ancient world. This book provides a com- prehensive survey of Ravenna’s history and monuments in late antiquity, including discussions of scholarly controversies, archaeological discoveries, and new interpre- tations of art works. As a synthesis of the voluminous literature on this topic, this volume provides an English-language entry point for the study of this fascinating city. Deborah Mauskopf Deliyannis is assistant professor of history at Indiana Uni- versity. She is the editor and translator of Agnellus of Ravenna’s Liber pontificalis ecclesiae Ravennatis, and she is the executive editor of The Medieval Review. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-83672-2 - Ravenna in Late Antiquity Deborah Mauskopf Deliyannis Frontmatter More information Ravenna in Late Antiquity Deborah Mauskopf Deliyannis Indiana -
Constantius Iii, Galla Placidia, and Libanius the Magician
E-ISSN: 1754-517X; Journal DOI: https://doi.org/10.18573/issn.1754-517X Journal website: https://jlarc.cardiffuniversitypress.org Volume 14, 2020, 50-64; Volume DOI: https://doi.org/10.18573/jlarc.v14 CONSTANTIUS III, GALLA PLACIDIA, AND LIBANIUS THE MAGICIAN OLYMPIODORUS OF THEBES AND THE RECONSTRUCTION OF IMPERIAL POLITICS IN RAVENNA IN 421 Geoffrey D. Dunn Article DOI : https://doi.org/10.18573/jlarc.113 Date Accepted: 1 February 2020 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International License (CC-BY-NC-ND). https://creativecommons.org/licenses/by-nc- nd/4.0/ © Geoffrey D. Dunn 50 GEOFFREY D. DUNN CONSTANTIUS III, GALLA PLACIDIA, AND LIBANIUS THE MAGICIAN OLYMPIODORUS OF THEBES AND THE RECONSTRUCTION OF IMPERIAL POLITICS IN RAVENNA IN 421 Geoffrey D. Dunn, University of Pretoria / John Paul II Catholic University, Lublin Abstract In Fragmentum 36, the ninth-century Photius, patriarch of Constantinople, summarises Olympiodorus of Thebes teratological story about Libanius the magician and the contradictory responses to his presence in Ravenna by Constantius III and his wife, Galla Placidia. The story of the dispute between the couple and of Galla Placidia’s success in having Libanius put to death is to be believed, in the light of what else we can reconstruct about how this married couple operated in other situations. Although R.C. Blockley assessed this story in terms of Olympiodorus’ interest in paganism and magic, it will be argued here that it is best seen in terms of the poet-historian’s hostility to Constantius— something Blockley noted but did not explain. -
An Examination of the Samnitic Influences Upon the Roman State
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OPUS: Open Uleth Scholarship - University of Lethbridge Research Repository University of Lethbridge Research Repository OPUS http://opus.uleth.ca Theses Arts and Science, Faculty of 2014 The Samnite legacy : an examination of the Samnitic influences upon the Roman state Doberstein, William Lethbridge, Alta. : University of Lethbridge, Dept. of History http://hdl.handle.net/10133/3499 Downloaded from University of Lethbridge Research Repository, OPUS THE SAMNITE LEGACY: AN EXAMINATION OF THE SAMNITIC INFLUENCES UPON THE ROMAN STATE WILLIAM DOBERSTEIN Bachelor of Arts, University of Lethbridge, 2014 A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS History Department University of Lethbridge Lethbridge, Canada © William Doberstein, 2014 THE SAMNITE LEGACY: AN EXAMINATION OF SAMNITE SOCIETY AND ITS LASTING INFLUENCES UPON THE ROMAN STATE WILLIAM DOBERSTEIN Date of Examination: Dr. Christopher Epplett Associate Professor Ph.D Supervisor Dr. Kevin McGeough Associate Professor Ph.D Thesis Examination Committee Member Dr. David Hay Associate Professor Ph.D Thesis Examination Committee Member Dr. Heather Ladd Assistant Professor Ph.D Chair. Thesis Examination Committee Abstract The objective of this thesis is to fully deconstruct and isolate the considerable Samnite contributions to the Roman state during the period of the Samnite Wars. Although the literary sources have espoused a Samnitic origin for many Roman institutions, very little academic focus has been directed towards these claims. Scholars have generally tended to focus on one or two of these claims only as part of a larger argument. -
Honorius, Galla Placidia, and the Struggles for Control of the Western Roman Empire, 405-425 C.E
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2013 Crisis of Legitimacy: Honorius, Galla Placidia, and the Struggles for Control of the Western Roman Empire, 405-425 C.E. Thomas Christopher Lawrence [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the European History Commons Recommended Citation Lawrence, Thomas Christopher, "Crisis of Legitimacy: Honorius, Galla Placidia, and the Struggles for Control of the Western Roman Empire, 405-425 C.E.. " PhD diss., University of Tennessee, 2013. https://trace.tennessee.edu/utk_graddiss/1751 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Thomas Christopher Lawrence entitled "Crisis of Legitimacy: Honorius, Galla Placidia, and the Struggles for Control of the Western Roman Empire, 405-425 C.E.." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in History. Michael E. Kulikowski, Major Professor We have read this dissertation and recommend its acceptance: Christine Shepardson, Maura Lafferty, Thomas Burman Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Crisis of Legitimacy: Honorius, Galla Placidia, and the Struggles for Control of the Western Roman Empire, 405-425 C.E.