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Indian Textile Industry Happy with GST Rates on Cotton Value Chain, but Disappointed at High Rates on Man-Made Fibres and Yarns P26
Apparel Online India 2 2 Apparel Online India | JUNE 16-30, 2017 | www.apparelresources.com www.apparelresources.com | JUNE 16-30, 2017 | Apparel Online India 3 4 Apparel Online India | JUNE 16-30, 2017 | www.apparelresources.com 4 Apparel Online India www.apparelresources.com | JUNE 16-30, 2017 | Apparel Online India 5 Apparel Online India 5 CONTENT Vol. XX ISSUE 6 JUNE 16-30, 2017 World Wrap 38 Fashion Activism: Voice your opinion; designers join the political debate p12 Fashion Business Tied together with a smile: Focus on Fastenings and Closures for Fall/Winter 2017-18 Sustainability H2F KPR Mills: Phenomenal Diversification: educational initiatives make The survival key for many unfulfilled dreams medium-level exporters come true p16 in Delhi-NCR p30 22 Market Update Challenges apart, Japan has huge scope for Indian exporters FFT Trends Key Silhouettes and Details: Fall/Winter 2017-18 p33 Resource Centre Navis Global keeping pace with global demand; Asian markets account for 75% of business p58 Tex-File Indian textile industry happy with GST rates on cotton value chain, but disappointed at high rates on man-made fibres and yarns p26 6 Apparel Online India | JUNE 16-30, 2017 | www.apparelresources.com E-FIT PROVIDING SUPPLY CHAIN SOLUTIONS DURING PRE-PRODUCTION ACTIVITIES Intertek oers state-of-the-art studio endowed with modern automated technology utilizing the 3-dimensional software for the E-FIT check and fabric consumption calculation. E-FIT uses advance technology to moderate the requirements with minimizing operation cost. Contact -
Geographica 16
Geographica 16 Taylor Brydges Made in Canada The strategies, spaces and working lives of independent designers in the Canadian fashion system Dissertation presented at Uppsala University to be publicly examined in University Hall Room IV, Biskopsgatan 3, Uppsala, Friday, 15 September 2017 at 13:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Associate Professor Susanne Reimer (University of Southampton). Abstract Brydges, T. 2017. Made in Canada. The strategies, spaces and working lives of independent designers in the Canadian fashion system. Geographica 16. 88 pp. Uppsala: Department of Social and Economic Geography, Uppsala University. ISBN 978-91-506-2644-5. Drawing on 87 interviews with independent fashion designers and key informants, this thesis is a collection of papers which aim to explore the strategies, spatial dynamics and working lives of independent fashion designers in the Canadian fashion industry. The majority of fashion design firms in Canada are small independent businesses, typically run by an individual or pair of designers, with few employees. Independent fashion designers create unique small businesses, produce high quality garments defined by the label ‘made in Canada,’ strategically mobilize physical and virtual spaces within the national system, and yet, the long-term viability of these businesses is far from certain. The Canadian fashion industry is facing a number of systemic challenges relating to wider institutional and policy weaknesses that make it difficult to grow a long-term domestic or international fashion business. However, the findings also suggest that a key strength of the Canadian fashion system is that it offers a variety of spaces for designers of different sizes, scales, and motivations. -
Architecting Intellectual Property Protection for the Fashion Industry by Ashlee Froese Gilbert’S LLP
Fashioning Protection For Canada’s Most Fabulous: Architecting Intellectual Property Protection for the Fashion Industry By Ashlee Froese Gilbert’s LLP 1. Introduction Fashion matriarch Coco Chanel once famously stated that imitation is the highest form of flattery. I wonder if renowned shoe designer Christian Louboutin, who has been embroiled in trade-mark litigation in America and France for the last few years over his red-bottomed shoes, would agree. In the legal world, counterfeiting has long been acknowledged as a serious and costly piranha to the fashion industry. This is not the only hurdle facing the fashion designer. Less recognized yet arguably just as pervasive, fashion design piracy can be devastating to the livelihood of the fashion designer. This legal doctrine, however, has had slow traction in Canada. This paper examines the concept of fashion design piracy and provides strategies on how fashion designers can best protect their fashion designs within the confines of the Canadian intellectual property framework. 2. Canada’s Fashion Industry Canada’s roots are deeply entrenched in the fashion industry. Canada’s fur trade was the leading resource-based export for Canada during its inception, making it a foundation of the burgeoning economy. The fur trade continues to be a significant contributor to the Canadian economy.1 In fact, the Fur Institute of Canada estimates that the fur industry contributes $800 million to the Canadian 2 economy. 1 No animals were harmed during the writing of this paper. 2 Fur Institute of Canada “Canada’s Fur Trade at a Glance” http://www.fur.ca/files/fur_trade_at_a_glance.pdf 2 Perhaps more palatable to animal lovers, Canada’s fashion industry has become more well-rounded. -
GREEN AMERICAN GREENAMERICA.ORG the High Cost of Clothes
WINTER 2019 ISSUE 116 LIVE BETTER. SAVE MORE. INVEST WISELY. MAKE A DIFFERENCE. GREEN GREENAMERICA.ORG AMERICAN Unraveling the Fashion Industry It’s easy to ignore the huge influence garments have on workers and the planet. Luckily, activists and businesses are working to make the fashion industry better. If you wear clothes, you can too. ARE THESE TRENDS WORKER- FROM FAST WHAT HAPPENS GREEN OR APPROVED SOCIAL TO FAIR TO UNWANTED GREENWASHED? p. 10 RESPONSIBILITY p. 20 FASHION p. 24 CLOTHES? p. 27 VisionCapital ColorLogo Ad 3/29/06 9:29 PM Page 1 FREE IS YOUR YOUR MONEY VALUES BIG GAP IN BETWEEN? GOOD YOU CAN BRIDGE THE GAP with ▲▲▲▲▲▲ Individualized Portfolios Customized Social Criteria High Positive Social Impact Competitive Financial Returns Personalized Service Fossil Free Portfolios. Low Fixed Fees David Kim, President, a founder of Learn more at socialk.com Working Assets, in SRI since 1983. 1.800.366.8700 www.visioncapitalinvestment.com VISION CAPITAL INVESTMENT MANAGEMENT Socially Responsible Investing Were you born in 1949 or earlier? If you answered yes to that question, and you have a traditional IRA, then there’s a smarter way to give to Green America! You can make a contribution, also known as a Qualified Charitable Distribution (QCD), from your IRA that is 100% tax free, whether or not you itemize deductions on your tax return. Learn more about QCD donations and make a gift that will grow the green economy for the people and the planet. Visit FreeWill.com/qcd/ GreenAmerica to get started. FreeWill is not a law firm and its services are not a substitute for an attorney’s advice. -
What Not to Wear: Policing the Body Through Fashion Criticism
What Not to Wear 1 What Not to Wear: Policing the Body through Fashion Criticism By Kate Rothschild A Major Research Project The Ryerson School of Fashion Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts Supervisor: Dr. Lu Ann Lafrenz Second Reader: Dr. Irene Gammel Ryerson University Toronto, Ontario, Canada April 2018 © Kate Rothschild, 2018 What Not to Wear 2 AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A MRP I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. What Not to Wear 3 Acknowledgements The completion of this Major Research Project would not have been possible without the guidance, encouragement, and patience I received from my advisor, Dr. Lu Ann Lafrenz, and my second reader Dr. Irene Gammel, who both went out of their way to help me shape and edit this essay, for which I am most grateful. I also thank the other professors I worked with at Ryerson, notably Jill Andrew whose course on diversity in fashion opened my mind and changed my outlook on clothing and clothing wearers forever. -
AN EXAMINATION of VANCOUVER FASHION WEEK by Vana Babic
AN EXAMINATION OF VANCOUVER FASHION WEEK by Vana Babic Bachelor of Arts in Political Science, European Studies, University of British Columbia, 2005 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION In the Faculty of Business Administration © Vana Babic 2009 SIMON FRASER UNIVERSITY Summer 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Vana Babic Degree: Master of Business Administration Title of Project: An Examination of Vancouver Fashion Week Supervisory Committee: ________________________________________ Dr. Michael Parent Senior Supervisor Associate Professor Faculty of Business Administration ________________________________________ Dr. Neil Abramson Second Reader Associate Professor of International Strategy Faculty of Business Administration Date Approved: ________________________________________ ii Abstract This study proposes a close examination of Vancouver Fashion Week, a biannual event held in Vancouver, showcasing local and international talent. It is one of the many Fashion Weeks held globally. Vancouver Fashion Week can be classified in the tertiary market in terms of coverage and designers showcased. The goal of these fashion shows is to connect buyers, including but not limited to boutiques, department stores and retail shops, with designers. Another goal is to bring media awareness to future trends in fashion. The paper will begin with an introduction to Fashion Weeks around the world and will be followed by an industry analysis. -
Machine Learning (Ml) for Tracking the Geo-Temporality of a Trend: Documenting the Frequency of the Baseball-Trucker Hat on Social Media and the Runway
MACHINE LEARNING (ML) FOR TRACKING THE GEO-TEMPORALITY OF A TREND: DOCUMENTING THE FREQUENCY OF THE BASEBALL-TRUCKER HAT ON SOCIAL MEDIA AND THE RUNWAY A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Rachel Rose Getman May 2019 © 2019 Rachel Rose Getman ABSTRACT This study applied fine-grained Machine Learning (ML) to document the frequency of baseball-trucker hats on social media with images populated from the Matzen et al. (2017) StreetStyle-27k Instagram dataset (2013-2016) and as produced in runway shows for the luxury market with images populated from the Vogue Runway database (2000-2018). The results show a low frequency of baseball-trucker hats on social media from 2013-2016 with little annual fluctuation. The Vogue Runway plots showed that baseball-hats appeared on the runway before 2008 with a slow but steady annual increase from 2008 through 2018 with a spike in 2016 to 2017. The trend is discussed within the context of social, cultural, and economic factors. Although ML requires refinement, its use as a tool to document and analyze increasingly complex trends is promising for scholars. The study shows one implementation of high-level concept recognition to map the geo-temporality of a fashion trend. BIOGRAPHICAL SKETCH Rachel R. Getman holds a bachelor’s degree in Anthropology from the University of California at Los Angeles (UCLA). Her interests lie in the intersection of arts and sciences through interdisciplinary collaboration. The diversification of her professional experience from the service industry, education, wardrobe styling, apparel production, commercial vocals, and organic agriculture influence her advocacy for holistic thinking and non-linear problem solving. -
IMPORTING the FLAWLESS GIRL Kit Johnson*
IMPORTING THE FLAWLESS GIRL Kit Johnson* ABSTRACT ......................................................... 831 I. THE NEED FOR FOREIGN MODELS ............................ 832 II. HOW THE MODELING INDUSTRY WORKS ...................... 835 A. The Place of Fashion Models within Modeling ........... 835 B. How Fashion Models are Booked and Paid .............. 836 C. How Foreign Models Differ from U.S. Models ............ 839 III. FASHION MODEL VISAS TODAY .............................. 840 A. H1B History ........................................... 841 B. When Models Re-Joined the Picture ..................... 843 C. Distinguished Merit and Ability.......................... 845 1. The Models ........................................ 845 2. The Work .......................................... 846 3. The Agencies ....................................... 847 4. Duration ........................................... 848 IV. BEAUTY AND THE GEEK ..................................... 848 V. THE UGLY AMERICAN BILL .................................. 850 A. A New Classification for Models......................... 851 B. The High Heeled and the Well Heeled ................... 854 1. Value .............................................. 854 2. Interchangeability .................................. 856 VI. CHANGING THE FACE OF THE FLAWLESS GIRL ................. 857 A. The P(x) Visa for Models of the Moment ................. 858 B. An H1(x) Visa for Artisan Models ....................... 858 1. Size ............................................... 859 2. Age............................................... -
From #Boycottfashion to #Lovedclotheslast
From #BoycottFashion To #LovedClothesLast Understanding the Impact of the Sustainable Activist Consumer and How Activist Movements are Shaping a Circular Fashion Industry Hilary Jade Ip Final Fashion Management Project sustainable noun able to be maintained at a certain rate or level activist noun a person who campaigns to bring about political or social change consumer noun a person who purchases goods and services for personal use. FINAL FASHION MANAGEMENT PROJECT WORD COUNT: 7050 STUDENT ID: 29483816 This report has been printed on 100% recycled paper CONTENTS 7 EXECUTIVE SUMMARY 8 INTRODUCTION 10 METHODOLOGY 12 CHAPTER 1: FASHION ACTIVISM 25 CHAPTER 2: THE ACTIVIST CONSUMER 32 CHAPTER 3: THE CURRENT INDUSTRY RESPONSE 44 CHAPTER 4: THE CIRCULAR ECONOMY 50 CHAPTER 5: RECOMMENDATION 58 CHAPTER 6: POST COVID-19 64 CONCLUSION 67 APPENDIX 76 BIBLIOGRAPHY 5 EXECUTIVE SUMMARY This report provides an investigative analysis of the ‘sustainable’ activist consumer and how activist movements have pushed the fashion industry towards a more circular future. Chapter 1 of the report analyses the fashion activism and its current forms in the digital age. It examines the impact of activist movements focusing on disrupting fashion consumption. Chapter 2 of the report dissects the Generation Z (Gen Z) activist consumer. Gen Z stands to become one of the most influential consumer “The Fashion Industry is groups and is leading the current industry shift. Chapter 3 of the report explores the response of fashion industry, examining notable examples from across the fashion hierarchy and the Broken” potential issues with their strategies. - Chapter 4 of the report introduces the Circular Economy model, a radical Clare Farrell, change option for brands to improve their Corporate Social Responsibility that is not the Triple Bottom Line. -
The Commodification of Ethical Clothing
Columbia College Chicago Digital Commons @ Columbia College Chicago Cultural Studies Capstone Papers Thesis & Capstone Collection 4-29-2019 Unraveling Ethos: the Commodification of Ethical Clothing Oliva Hanson Follow this and additional works at: https://digitalcommons.colum.edu/cultural_studies Part of the American Material Culture Commons, American Popular Culture Commons, Cultural History Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Languages, Societies, and Cultures Commons, Race, Ethnicity and Post-Colonial Studies Commons, Television Commons, and the Women's Studies Commons This work is licensed under a Creative Commons Attribution-No Derivative Works 4.0 License. Unraveling Ethos: the Commodification of Ethical Clothing by Olivia Hanson Jaafar Aksikas 21 April 2019 Abstract: In the last decade there has been a noticeable attempt to subvert traditional modes of clothing production. The recent emergence of “ethical consumption” in the fashion industry is a case in point. This project argues that these new formations and practices around ethical consumption are mere appropriations of anti-corporate politics and sentiments for consumers in the West. Signification of ethical consumption through language and cultural capital give more value to individual articles of clothing and branded entities. This reformation of the clothing industry towards an ethical attitude is a rebranding tactic that avoids the source-issue altogether. Through advertising and normalization of globalized labor, it is not the part of the consumer to take responsibility for the harms the fashion industry perpetuates. It is the system itself by which clothing is produced that need to be changed, not brands added. The fashion industry needs less and better, not more. -
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THE CANADIAN ARTS & fashion AWARDS 2020 MAY 29, 2020 | THE FAIRMONT ROYAL YORK HOTEL | TORONTO CAFA was created to celebrate and support the Canadian Fashion Industry. Through the recognition and promotion of outstanding achievement and emerging talent in Canadian fashion, CAFA is dedicated to generating a stronger appreciation and market for our artists both in Canada and abroad and to the economic development of the Canadian fashion industry. CAFA is committed to further developing and cultivating our home grown talent by creating educational programs, mentorship and financial opportunities and establishing collaborative relationships that strive to unite the fashion community and the various existing, national fashion initiatives. A stylish and sophisticated evening, the CAFA Gala unites artists and influencers from across the country to celebrate the diversity and creativity inherent in Canadian fashion as we recognize Canada’s most promising designers, stylists, image makers, models and business leaders. On stage with winners and presenters from left to right: Hung Vanngo with presenter Sarah Gadon, Sid Neigum with presenter and sponsor, Suzanne Rogers, Max Abadian and host Jessi Cruickshank. CAFA was represented in a combination of THE OPPORTUNITY broadcast and strong print and digital coverage from both fashion and traditional media outlets Be a part of the premiere fashion with an advertising value equivalent of over industry event in Canada. $15,787,000. CAFA presents an excellent opportunity for In addition to the Awards event, CAFA is organizations to create a highly visible alignment committed to creating and delivering focused with Canadian culture, creativity and innovation. and engaging programming throughout the year Partnering with CAFA provides access to a in support of the Canadian fashion industry. -
FINAL MRP DENIZ ARABI April 21St
THE IMPACT OF SOCIAL MEDIA: HOW INSTAGRAM & SNAPCHAT ARE REVOLUTIONIZING THE FASHION INDUSTRY by Deniz Arabi Bachelor of Communication Studies, Wilfrid Laurier University, 2015 A Major Research Paper presented to Ryerson University in partial fulfilment of the requirements for the degree of Master of Arts in Fashion Toronto, Ontario, Canada, 2017 ©(Deniz Arabi) 2017 Page 1! of !96 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A THESIS I hereby declare that I am the sole author of this Major Research Paper (MRP). This is a true copy of the MRP, including any required final revisions, as accepted by my examiners. I au- thorize Ryerson University to publish this document on the Ryerson university website or Ryer- son library database for the purpose of scholarly research. I understand that my MRP may be made electronically available to Ryerson University students. Page 2! of !96 Abstract of the Major Research Paper submitted to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in Fashion HOW INSTAGRAM & SNAPCHAT ARE REVOLUTIONIZING THE FASHION INDUSTRY by Deniz Arabi May 2017 Supervised by Osmud Rahman Social media has been revolutionizing our ways of learning, engaging, and sharing in- formation on the latest trends within the fashion industry. This research project focusses on two social media platforms that are highly relevant and influential in the fashion industry. Instagram, a social media application that was originally created to share photos between intimate social networks, has now become a powerful marketing platform. Now, one can carefully curate one’s profile and sell an aesthetically pleasing image of oneself/item, all through strategic techniques such as framing, editing, or simply using the filters provided by both Instagram (e.g.