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Complicated Views: Mainstream Cinema's Representation of Non
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e. -
September 3, 2013 (XXVII:2) Frank Capra, IT HAPPENED ONE NIGHT (1934, 105 Min)
September 3, 2013 (XXVII:2) Frank Capra, IT HAPPENED ONE NIGHT (1934, 105 min) Academy Awards—1935: —Best Actor in a Leading Role (Clark Gable) —Best Actress in a Leading Role (Claudette Colbert) —Best Director (Frank Capra) —Best Picture —Best Writing, Adaptation (Robert Riskin) National Film Registry—1993 Directed by Frank Capra Cinematography by Joseph Walker Clark Gable...Peter Warne Claudette Colbert...Ellie Walter Connolly...Andrews Roscoe Karns...Shapeley Ward Bond...Bus Driver #1 (uncredited) FRANK CAPRA (director) (b. Francesco Rosario Capra, May 18, 1897, Bisacquino, Sicily, Italy—d. September 3, 1991, La Quinta, California) Broadway Bill, 1934 It Happened One Night, 1933 Lady for a Day, 1932 American Madness, 1932 Forbidden, 1931 Platinum Frank Capra is the recipient of three Academy Awards: 1939 Blonde, 1931 Dirigible, 1930 Rain or Shine, 1930 Ladies of Best Director for You Can't Take It with You (1938), 1937 Best Leisure, 1929 The Donovan Affair, 1928 The Power of the Press, Director for Mr. Deeds Goes to Town (1936), and 1935 Best 1928 Submarine, 1928 The Way of the Strong, 1928 The Matinee Director for It Happened One Night (1934). In 1982 he received Idol, 1928 So This Is Love?, 1928 That Certain Thing, 1927 For a Lifetime Achievement Award from the American Film the Love of Mike, 1926 The Strong Man, and 1922 The Ballad of Institute. Fisher's Boarding House. Capra directed 54 films, including 1961 Pocketful of Miracles, Capra also has 44 writing credits, including the screenplay of It’s 1959 A Hole in the Head, 1951 Here Comes the Groom, 1950 a Wonderful Life. -
Marcel Camus Ou O Triste Prévert Dos Trópicos
R V O Tunico Amancio Professor associado do curso de Cinema da Universidade Federal Fluminense. Pesquisador e curta-metragista. Marcel Camus ou o Triste Prévert dos Trópicos Marcel Camus fez três filmes de longa-metragem Marcel Camus made three feature films in no Brasil e com um deles – Orfeu do carnaval – Brazil and one of them – Orfeu do carnaval – ganhou fama internacional imediata. Seus outros made him instantly famous worldwide, while filmes passaram despercebidos do público e his other movies remained unnoticed by both da crítica. Taxados de folclóricos, exóticos, the audience and critics. Labeled as folkloric, ingênuos, românticos e alienados, trouxeram uma exotic, naive, romantic and alienated, they brought imagem do Brasil cheia de afeto e curiosidade, e us an image about Brazil full of affection and valem como testemunho de uma época e de um curiosity, and are a testimonial of an era and a olhar estrangeiro. foreigner’s look. Palavras-chave: olhar estrangeiro; Orfeu do carnaval; Keywords: foreign look; Orfeu do carnaval; Marcel Camus. Marcel Camus. omment être poète si message humaniste, briguant les lauriers on ne l’est pas? Telle est (chacun sa vérité) de Saint-Éxupery, il four- “C la quadrature du cercle nit un cinéma confiné de décors exotiques, qu’impose à cet aventurier appliqué le mais n’y déroule que de monotones péri- goût qu’ont des sambas les spectateurs péties de cartes postales: un triste Prévert européens; partagé entre le feuilleton et le sous les tropiques.”1 Acervo, Rio de Janeiro, v. 23, no 1, p. 133-146, jan/jun 2010 - pág. -
Paulin Vieyra Workshop 16 • Purpose • Speaker Topics • Participant Biographies • Sources
September 5-6 IndiAnA University Wells LibrAry PIONEER OF AFRICAN CINEMAS | FILMMAKER | PRODUCER | HISTORIAN WORKSHOP Program Thursday, September 5th 11:30-1:30 PM Ousmane Sembène Archives Pop-Up Exhibit Lilly Library Welcome Erika Dowell, Associate Director, Lilly Library Terri Francis, Director, Black Film Center/Archive 2-2:45 PM Introductions Wells Library 044B – Phyllis Klotman Room Participants briefy introduce themselves Keynote Vincent Bouchard (Moderator, Indiana University) Stéphane Vieyra, Presentation of Paulin S. Vieyra’s Archives 3-4:30 PM Vieyra, Filmmaker Wells Library 044B – Phyllis Klotman Room Akin Adesokan (Moderator, Indiana University) Rachel Gabara (University of Georgia) Samba Gadjigo (Mount Holyoke College) Sada Niang (University of Victoria) 5-7 PM Screenings Wells Library 048 • Afrique sur Seine (J.M. Kane, M. Sarr, Vieyra, 1955, 21min) • Une nation est née [A Nation is Born] (Vieyra, 1961, 25min) • Lamb (Vieyra, 1963, 18min) • Môl (Vieyra, 1966, 27min) • L’envers Du Décor [Behind the Scenes] (Vieyra, 1981, 16min) 26 Friday, September 6th 8:30 A M Coffee and snacks Black Film Center/Archive 9-10:30 AM Vieyra, Post-Colonial Intellectual Wells Library 044B – Phyllis Klotman Room Michael Martin (Moderator, Indiana University) Maguèye Kasse (Université Cheikh Anta Diop) Amadou Ouédraogo (University of Louisiana at Lafayette) Catherine Ruelle (Independent scholar) 11-1 PM Screening Wells Library 048 • En résidence surveillée [Under House Arrest] (Vieyra, 1981, 102min) 2:15-4 PM Vieyra, Historian and Producer Wells Library 044B – Phyllis Klotman Room Marissa Moorman (Moderator, Indiana University) Vincent Bouchard (Indiana University) Rachel Gabara (University of Georgia) Elena Razlogova (Concordia University) 4:30-7 PM Screening Wells Library 048 • L'envers du décor [Behind the Scenes] (P.S. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
Film and Architecture: Discovering the Self-Reflection of Frank Capra And
UNLV Retrospective Theses & Dissertations 1-1-2000 Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis Marie Lynore Kohler University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Kohler, Marie Lynore, "Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis" (2000). UNLV Retrospective Theses & Dissertations. 1120. http://dx.doi.org/10.25669/c7iq-fh8b This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiaice, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor qualify illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. -
Marcel Camus: ORFEU NEGRO/BLACK ORPHEUS
Virtual Sept. 29, 2020 (41:5) Marcel Camus: ORFEU NEGRO/BLACK ORPHEUS (1959, 100m) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries Bruce Jackson & Diane Christian video introduction to this week’s film Zoom link for all Fall 2020 BFS Tuesday 7:00 PM post- screening discussions: https://buffalo.zoom.us/j/92994947964?pwd=dDBWcDYvSlhP bkd4TkswcUhiQWkydz09 Meeting ID: 929 9494 7964 Passcode: 703450 Directed by Marcel Camus Written by Marcel Camus and Jacques Viot, based on the play Orfeu du Carnaval by Vinicius de Moraes . Produced by Sacha Gordine Original Music by Luiz Bonfá and Antonio Carlos Jobim Cinematography by Jean Bourgoin Film Editing by Andrée Feix spent the rest of his career directing TV episodes and mini- Production Design by Pierre Guffroy series. Breno Mello...Orfeo BRENO MELLO (September 7, 1931, Porto Alegre, Rio Grande Marpessa Dawn...Eurydice do Sul, Brazil – July 14, 2008, Porto Alegre, Rio Grande do Marcel Camus...Ernesto Sul, Brazil) appeared in only five other films: 1988 Prisoner of Fausto Guerzoni...Fausto Rio, 1973 O Negrinho do Pastoreio, 1964 O Santo Módico, Lourdes de Oliveira...Mira 1963 Os Vencidos, and 1963 Rata de Puerto. Léa Garcia...Serafina Ademar Da Silva...Death MARPESSA DAWN (January 3, 1934, Pittsburgh, Pennsylvania Alexandro Constantino...Hermes – August 25, 2008, Paris, France) appeared in 17 other films, Waldemar De Souza...Chico among them 1995 Sept en attente, 1979 Private Collections, Jorge Dos Santos...Benedito 1973 Lovely Swine, 1958 The Woman Eater and 1957 Native Aurino Cassiano...Zeca Girl. -
LONDON / CANNES MARKET REPORT 2008 Prepared by Ross Matthews (Senior Investment Manager), Scott Meek and Tait Brady (Evaluation Managers)
LONDON / CANNES MARKET REPORT 2008 Prepared by Ross Matthews (Senior Investment Manager), Scott Meek and Tait Brady (Evaluation Managers) En route to Cannes, Brian Rosen and Ross Matthews met in London for two days of meetings before heading south to Cannes. These were three primary goals: • Seek out possible sources of Offset cashflow loans, given that the UK industry had settled the early nerves associated with a new initiative, very similar to our own. • Have face-to-face meetings with UK providers of equity and gap already attached to several of our recently approved projects. • Take a reading on the general state of the UK industry, particularly as it has, as we have done, recently shifted from an industry driven by tax incentives to one supported by direct subsidy via a tax offset. Since the demise of Sale and Leaseback, Section 48 and the GAAP schemes replaced by the introduction of a 20% tax offset for British film, the UK industry seems now to have stalled. Production levels are down and by all accounts the industry is hurting. Many UK films now pass the cultural test that determines the offset but shoot off shore in Continental Europe rather than in the UK, as its become cheaper to do so. Although there are a small number of tax effective schemes still in play in the UK, there is a generally held view that the Chancellor’s axe will inevitably fall. The tax driven funding mechanisms still in play are: EIS schemes : this scheme allows investors to write off expenditure which supports start up companies. -
A Sony Pictures Classics Release
MOON A Sony Pictures Classics Release Directed By Duncan Jones Produced by Stuart Fenegan, Trudie Styler Written By Nathan Parker Starring Sam Rockwell Also Featuring Kevin Spacey as the voice of “Gerty” East Coast Publicity West Coast Publicity Distributor Donna Daniels PR. Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 20 West 22nd St., #1410 Judy Chang Leila Guenancia New York, NY 10010 110 S. Fairfax Ave, #310 550 Madison Ave 347-254-7054, ext 101 Los Angeles, CA 90036 New York, NY 10022 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax DIRECTOR’S STATEMENT I have always been a fan of science fiction films. In my mind, the golden age of SF cinema was the ‘70s, early ‘80s, when films like Silent Running, Alien, Blade Runner and Outland told human stories in future environments. I’ve always wanted to make a film that felt like it could fit into that canon. There are unquestionably less of those kind of sci-fi films these days. I don’t know why. I have a theory though: I think over the last couple of decades filmmakers have allowed themselves to become a bit embarrassed by SF’s philosophical side. It’s OK to “geek out” at the cool effects and “oooh” and “ahh” at amazing vistas, but we’re never supposed to take it too seriously. We’ve allowed ourselves to be convinced that SF should be frivolous, for teenage boys. We’re told that the old films, the Outlands and Silent Runnings, were too plaintive, too whiney. -
CSIF/Calgary Public Library 16Mm and Super 8 Film Collection
CSIF Film Library CSIF/Calgary Public Library 16mm and Super 8 Film Collection Film Running Time Number Title Producer Date Description (min) A long, hard look at marriage and motherhood as expressed in the views of a group of young girls and married women. Their opinions cover a wide range. At regular intervals glossy advertisements extolling romance, weddings, babies, flash across the screen, in strong contrast to the words that are being spoken. The film ends on a sobering thought: the solution to dashed expectations could be as simple as growing up before marriage. Made as part of the Challenge for Change 1 ... And They Lived Happily Ever After Len Chatwin, Kathleen Shannon 1975 program. 13 min Presents an excerpt from the original 1934 motion picture. A story of bedroom confusions and misunderstandings that result when an American dancer begins pursuing and English woman who, in turn, is trying to invent the technical grounds of 2 Gay Divorcee, The (excerpt) Films Incorporated 1974 divorce 14 A hilarious parody of "Star Wars". Uses a combination of Ernie Fosselius and Michael Wiese special effects and everyday household appliances to simulate 4 Hardware Wars (Pyramid Films) 1978 sophisticated space hardware. 10 Laurel and Hardy prepare for a Sunday outing with their wives 5 Perfect Day, A Hal Roach Studios (Blackhawk Films) 1929 and Uncle Edgar Kennedy, who has a gouty foot. 21 Witty, sad, and often bizarre anecdotes of Chuck Clayton, the 73-year-old former manager of the largest cemetery east of 6 Boo Hoo National Film Board of Canada 1975 Montreal, told as he wanders nostalgically through its grounds. -
Tournées Film Festival
TOURNÉES FILM FESTIVAL FRENCH FILMS ON CAMPUS 2020/2021 TOURNÉES FILM FESTIVAL FILM FESTIVAL TOURNÉES face-foundation.org/tournees-film-festival by: is made possible Film Festival Tournées Embassy of the French Services with the Cultural in collaboration Foundation of FACE is a program Film Festival Tournées TABLE OF CONTENTS Presentation Eligibility and Guidelines Featured Film Selection CASSANDRO, THE EXOTICO! / CASSANDRO, THE EXOTICO! / 6 CHAMBRE 212 / ON A MAGICAL NIGHT / 7 DILILI À PARIS / DILILI IN PARIS / 8 L’EXTRAORDINAIRE VOYAGE DE MARONA / MARONA’S FANTASTIC TALE / 9 FUNAN / FUNAN / 10 GRÂCE À DIEU / BY THE GRACE OF GOD / 11 JEANNE / JOAN OF ARC / 12 NE CROYEZ SURTOUT PAS QUE JE HURLE / JUST DON’T THINK I’ILL SCREAM / 13 O QUE ARDE / FIRE WILL COME / 14 PORTRAIT DE LA JEUNE FILLE EN FEU / PORTRAIT OF A LADY ON FIRE / 15 PREMIÈRE ANNÉE / THE FRESHMEN / 16 LE PROCÈS DE MANDELA ET LES AUTRES / THE STATE AGAINST MANDELA AND THE OTHERS / 17 SIBYL / SIBYL / 18 SYNONYMS / SYNONYMS / 19 TOUT EST PARDONNÉ / ALL IS FORGIVEN / 20 UN FILM DRAMATIQUE / A DRAMATIC FILM / 21 VARDA PAR AGNÈS / VARDA BY AGNES / 22 LA VÉRITÉ / THE TRUTH / 23 Alternative Film Selection Classic Film Selection L’AMI DE MON AMIE / BOYFRIENDS & GIRLFRIENDS / 25 AFRIQUE SUR SEINE / AFRICA ON THE SEINE, LAMB / LAMB, UNE NATION EST NÉE / A NATION WAS BORN, L’ENVERS DU DÉCOR / L’ENVERS DU DÉCOR / 26 LA FEMME DE L’AVIATEUR / THE AVIATOR’S WIFE / 27 HYÈNES / HYENAS / 28 MR. KLEIN / MR. KLEIN / 29 LE MYSTÈRE PICASSO / THE MYSTERY OF PICASSO / 30 SOLEIL Ô / SOLEIL Ô / 31 Distributors Campus France USA Franco-American Cultural Fund CREDITS Cover image from Portrait of a Lady on Fire, courtesy of NEON. -
JULES Filmography 2020
JULES O’LOUGHLIN ACS ASC Director of Photography REEL – www.julesoloughlin.com FEATURES/TV 2020 THE OLD MAN – US TV Series (Arri LF) Directors Greg Yaitanes, Jet Wilkinson Executive Producers Jon Steinberg, Dan Shotz, Warren Littlefield. Disney. 2020 SHARK BEACH – Feature Documentary Director Sally Aitken Executive Producers Mark Hedgecoe, Arif Nurmohamed, Chris Hemsworth, National Geographic. 2019 JOLT – US Feature. (Arri Alexa) Director Tanya Wexler. Producers Robert Van Norden, David Bernardi, Les Weldon, Millennium Films. 2019 SEE – US TV Series. Eps 6 & 8. 60mins. (Arri 65) Directors Stephen Surjik, Salli Richardson-Whitfield. Apple TV+. 2018 COME AWAY – US Feature (Arri Alexa) Director Brenda Chapman. Producers Leesa Kahn, James Spring, Steve Richards and David Oyelowo. 2018 ANGEL HAS FALLEN – US Feature (Arri Alexa) Director Ric Roman Waugh. Producers Matt O’Toole, Les Welden, Lionsgate. 2017 THE PACIFIC: In The Wake of Captain Cook with Sam Neill. 6 part TV Doco. (Sony F5, FS7) Directors Sally Aitkin & Kriv Stenders. Essential Media. 2016 THE HITMAN’S BODYGUARD – US Feature (Arri Alexa) Director Patrick Hughes. Producers Matt O’Toole, Les Welden, Millennium Films, Lionsgate. 2015 KRAMPUS – US Feature (Arri Alexa) Director Michael Dougherty. Producers Alex Garcia, Jon Jashni, Legendary Pictures. Silver ACS Award 2014 THE DUEL – US Feature (Arri Alexa). Director Kieran Darcy-Smith. Producers David Hoberman. Todd Lieberman, Mandeville Films. Bronze ACS Award 2014 THE WHOLE TRUTH – US Feature (Arri Alexa). Director Courtney Hunt. Producers Anthony Bregman, Likely Story. Kevin Scott Frakes, PalmStar Entertainment. 2014 BLACK SAILS 2 – US TV Series (Arri Alexa). 5 x 60 min Eps Directors Clark Johnson, Michael Nankin, Steve Boyum.