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News from the Library of Congress: MOUG/MLA 2007
NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2007 Special Materials Cataloging Division Music Division Cataloging Policy and Support Office American Folklife Center General Library News Copyright Office Office of Strategic Initiatives Compiled by Joe Bartl, MSR1, SMCD Feb. 26, 2007 SPECIAL MATERIALS CATALOGING DIVISION (SMCD) Top of the Document (Joe Bartl. MSR1, SMCD) CATALOGING ACCOMPLISHMENTS Bibliographic Production Arrearage Accomplishments Bibliographic Maintenance WORKFLOW SIMPLIFICATION Introduction CD Brief Workflow Leased Metadata (AMG) CD Sorter & CD Add OTHER INITIATIVES New Sound Recording Formats Guidelines Series and collected works (new treatment) CD Multivolume Project Choral Music Octavos Elimination of Book Backlog Card Catalogs Inventory Project Music Division Special Collections records added to Voyager OvOp Sound Recordings Popular Sheet Music Project NEW PROJECTS Ethnic Sound Recordings M1508 Sheet Music Secure Storage Facilities Telework ONGOING PROJECTS All Media Guide (AMG) Workflow Nijinska Collection SR Foreign Language Project COOPERATION/OUTREACH Advisory Groups International Groups LC Divisions LC Junior Fellows Music Division Reference Services Music Division Strategic Planning NACO/SACO Network Development and MARC Standards Office CATALOGING ACCOMPLISHMENTS Bibliographic production: New bibliographic records added to the database consisted of 3,517 scores, 16,561 sound recordings, and 2,730 books/ERs/Microforms. This totals 22,847 new bibliographic records added to the database. Arrearage accomplishments: A total of 35,395 items were removed from the arrearage as follows: CDs (33,984); LPs (348); 78s (38); 45s (125); 10” reels (224); and cassettes (676). Bibliographic maintenance and auxiliary statistics: 9,078 bibliographic records were modified. 7,577 authority records were added to the database and 3,607 authority records were modified. -
Feminist Scholarship Review: Women in Theater and Dance
Trinity College Trinity College Digital Repository Feminist Scholarship Review Women and Gender Resource Action Center Spring 1998 Feminist Scholarship Review: Women in Theater and Dance Katharine Power Trinity College Joshua Karter Trinity College Patricia Bunker Trinity College Susan Erickson Trinity College Marjorie Smith Trinity College Follow this and additional works at: https://digitalrepository.trincoll.edu/femreview Part of the Feminist, Gender, and Sexuality Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Power, Katharine; Karter, Joshua; Bunker, Patricia; Erickson, Susan; and Smith, Marjorie, "Feminist Scholarship Review: Women in Theater and Dance" (1998). Feminist Scholarship Review. 10. https://digitalrepository.trincoll.edu/femreview/10 Peminist Scfiofarsliip CR§view Women in rrlieater ana(])ance Hartford, CT, Spring 1998 Peminist ScfioCarsfiip CJ?.§view Creator: Deborah Rose O'Neal Visiting Lecturer in the Writing Center Trinity College, Hartford, Connecticut Editor: Kimberly Niadna Class of2000 Contributers: Katharine Power, Senior Lecturer ofTheater and Dance Joshua Kaner, Associate Professor of Theater and Dance Patricia Bunker, Reference Librarian Susan Erickson, Assistant to the Music and Media Services Librarian Marjorie Smith, Class of2000 Peminist Scfzo{a:rsnip 9.?eview is a project of the Trinity College Women's Center. For more information, call 1-860-297-2408 rr'a6fe of Contents Le.t ter Prom. the Editor . .. .. .... .. .... ....... pg. 1 Women Performing Women: The Body as Text ••.•....••..••••• 2 by Katharine Powe.r Only Trying to Move One Step Forward • •.•••.• • • ••• .• .• • ••• 5 by Marjorie Smith Approaches to the Gender Gap in Russian Theater .••••••••• 8 by Joshua Karter A Bibliography on Women in Theater and Dance ••••••••.••• 12 by Patricia Bunker Women in Dance: A Selected Videography .••• .•... -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event. -
Read the Full Volume Here
– practice, education and research Volume 9(2), 2018 Contents Editorial .......................................................................................................................................................................................................................................................................................3 Research Articles Sarah Holmes: Bodily Text and the Written Word of Pilates: A Theoretical Approach to How the Ballerina’s Body Concealed and Revealed Problematic Ideologies in an Exercise Practice ...................................................................................................................4 Hanna Pohjola: Ruumiillinen erilaisuus: tanssi ammattina? ........................................................................................................................................24 Susanna Hannus: Dancing with the Turquoise Waters of Mexico– Embodied Experiences and Observations for Environmental Justice .........................................................................................................................38 Practice Oriented Article Marie Lykkemark: OBJECT.MIRROR.TEMPO ..................................................................................................................................................................................52 Debate Anette Sture Iversen: Aesthetic Competence and Life Skills .................................................................................................................................................64 -
News from the Jerome Robbins Foundation Vol
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries. -
Coppelia-Teacher-Resource-Guide.Pdf
Teacher’s Handbook 1 Edited by: Carol Meeder – Director of Arts Education February 2006 Cover Photo: Jennifer Langenstein – Pittsburgh Ballet Theatre Principal Dancer Aaron Ingley – Pittsburgh Ballet Theatre Corps de Ballet Dancer Ric Evans – Photographer 2 Introduction Dear Educator, We have often thanked you, the academic community and educators of our children, for being partners with us in Arts Education. We have confirmed how the arts bring beauty, excitement, and insight into the experience of everyday living. Those of us who pursue the arts as the work of our lives would find the world a dark place without them. We have also seen, in a mirror image from the stage, how the arts bring light, joy, and sparkle into the eyes and the lives of children and adults in all walks of life. Pittsburgh Ballet Theatre strives not only to entertain but to demonstrate the significance and importance of presenting our art in the context of past history, present living, and vision for the future. In this quest we present traditional ballets based on classic stories revered for centuries, such as Coppelia and Cinderella; and contemporary ballets by artists who are living, working, and creating everyday, such as our jazz program Indigo In Motion and the premiers we have done to the music of Sting, Bruce Springsteen, and Paul Simon. In this way we propel our art into the future, creating new classics that subsequent generations will call traditional. It is necessary to see and experience both, past and present. It enhances our life and stirs new ideas. We have to experience where we came from in order to develop a clear vision of where we want to go. -
East by Northeast the Kingdom of the Shades (From Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena
2013/2014 La Bayadère Act II | Airs | Donizetti Variations Photo by Paul B. Goode, courtesy of the Paul Taylor Dance Company East by Spring Ballet Northeast Seven Hundred Fourth Program of the 2013-14 Season _______________________ Indiana University Ballet Theater presents Spring Ballet: East by Northeast The Kingdom of the Shades (from Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena Donizetti Variations Choreography by George Balanchine Music by Gaetano Donizetti Staged by Sandra Jennings Airs Choreography by Paul Taylor Music by George Frideric Handel Staged by Constance Dinapoli Michael Vernon, Artistic Director, IU Ballet Theater Stuart Chafetz, Conductor Patrick Mero, Lighting Design _________________ Musical Arts Center Friday Evening, March Twenty-Eighth, Eight O’Clock Saturday Afternoon, March Twenty-Ninth, Two O’Clock Saturday Evening, March Twenty-Ninth, Eight O’Clock music.indiana.edu The Kingdom of the Shades (from Act II of “La Bayadère”) Choreography by Marius Petipa Staged by Glenda Lucena Music by Ludwig Minkus Orchestration by John Lanchbery* Lighting Re-created by Patrick Mero Glenda Lucena, Ballet Mistress Violette Verdy, Principals Coach Guoping Wang, Ballet Master Phillip Broomhead, Guest Coach Premiere: February 4, 1877 | Imperial Ballet, Bolshoi Kamenny Theatre, St. Petersburg Grand Pas de Deux Nikiya, a temple dancer . Alexandra Hartnett Solor, a warrior. Matthew Rusk Pas de Trois (3/28 and 3/29 mat.) First Solo. Katie Zimmerman Second Solo . Laura Whitby Third -
George Balanchine August Bournonville Sasha Janes Jerome Robbins
George Balanchine August Bournonville Sasha Janes THTHEAEATETERR 1716/1/187 Jerome Robbins FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. -
U.S. Entry Into WWII and Changes in Dissention Attitude the Basics Time Required 2-3 Class Periods Subject Areas 11Th Grade Hist
U.S. Entry into WWII and Changes in Dissention Attitude The Basics Time Required 2-3 class periods Subject Areas 11th Grade History (A.P.) The Great Depression and World War II, 1929-1945 Common Core Standards Addressed: Writing Standards for Literacy in History/Social Studies 6-12 Author Martha Graham (2004) The Lesson Introduction The songs “Ballad of October 16” and “What Are We Waitin’ On?” both sung by the folk group Almanac Singers, express opposite sentiments regarding war. “Ballad of October 16” was written in 1940 to protest FDR’s movement toward war. The passage of a conscription law in September 1940 was evidence to Communist Party members, which included many members of the Almanac Singers, that FDR was lying when he had vowed to stay out of the European war. As a result of this scathing criticism, FBI files were opened on Pete Seeger and Woody Guthrie and they were followed for decades. “What Are We Waitin’ On?” written in 1942, demonstrates an abrupt about-face that can be explained only in the context of the German invasion of the Soviet Union and the Japanese attack on Pearl Harbor. Guiding Questions Why did the United States enter World War II? How would this decision affect the lives of American citizens? Learning Objectives 1. Students will describe the causes for dissention prior to US involvement in WWII. 2. Students will explain the causes for US entry into the war. 3. Students will synthesize the change in the attitudes in some dissenters during the war. Preparation Instructions Songs used in this lesson: “What Are We Waitin’ On?” “Ballad of October 16” “Citizen CIO” Songs used in lesson: • “Ballad of October 16” (1940) performed by Almanac Singers on That’s Why We’re Marching: World War II and the American Folk Song Movement, Smithsonian Folkways, 1996. -
Verena Ruegg Collection MS.P.007
http://oac.cdlib.org/findaid/ark:/13030/kt596nf5jp No online items Guide to the Verena Ruegg Collection MS.P.007 Finding aid prepared by Christine Kim, Zoe MacLeod, Alix Norton, and student assistants with assistance from Audra Eagle Yun Special Collections and Archives, University of California, Irvine Libraries The UCI Libraries P.O. Box 19557 University of California, Irvine Irvine, California, 92623-9557 949-824-3947 [email protected] © 2013 Guide to the Verena Ruegg MS.P.007 1 Collection MS.P.007 Title: Verena Ruegg collection Identifier/Call Number: MS.P.007 Contributing Institution: Special Collections and Archives, University of California, Irvine Libraries Language of Material: English Physical Description: 83.0 Linear feet(140 boxes) Date (bulk): Bulk, 1925-1972 Date (inclusive): 1913-1972 Language of Collection Materials: Collection materials are in English. Abstract: This collection comprises the drawings and sketches of Verena Ruegg, a painter, etcher, lithographer, printmaker, and craftsperson from Hollywood, California. Also included are works selected for exhibition or for sale. Forms of materials include sketches, paintings, lithographs, etchings, programs, photographs, correspondence, and clippings. Creator: Ruegg, Verena Access The collection is open for research. Access to fragile photographic originals is restricted. Digital copies may be requested. Publication Rights Property rights reside with the University of California. For permissions to reproduce or to publish, please contact the Head of Special Collections and Archives. Preferred Citation Verena Ruegg Collection. MS-P007. Special Collections and Archives, The UC Irvine Libraries, Irvine, California. Date accessed. For the benefit of current and future researchers, please cite any additional information about sources consulted in this collection, including permanent URLs, item or folder descriptions, and box/folder locations. -
Ucsd Women December 1968 Vol. Vii, No. 3
DECEMBER 1968 BEAR FACTS PUBLISHED BY OCEANIDS - UCSD WOMEN VOL. VII, NO. 3 Editor - Ruth Inman, 2604 Ellentown Rd., La Jolla (453-0397) Calendar Editor - Penny Fantino, 931 Stratford Court, Del Mar (755-3174) Editorial Staff - Marge Ahlstrom, Avis Johnson, Ruth Newmark, Helen Raitt, Sally Spiess, Frieda Urey, Polly Wooster Calendar Staff - Ann Blackburn, Mary Elliott, Clara Green, Adylin Rosenblatt, Muriel Strickland Subscriptions & Circulation - Diane Halasz, 6606 Aveneda de las Pescas, La Jolla (459- 741 7) OCEANID membership $3 - BEAR FACTS subscription $2 - make out check to OCEANIDS CHILDREN'S CHRISTMAS PAR TY FLEA MARKET A SUCCESS by Doris Simon The OCEANIDS will hold their annual Children's Christmas Party on Saturday, December 14th from A very successful sale was the result of the many 3-5 P. M. at the South Cafeteria of Revelle College. hours, days and even weeks which so many of our mem The program is designed to appeal to university chil bers and friends spent creating and assembling the mer dren from about age 3 to approximately 3rd grade. chandise for the OCEANID Gift Booth at the UCSD Mrs. Jean H. Filloux will give a puppet show based Hospitals Auxiliary's Flea Market. Although final 11 on Kipling's "The Elephant's Child • Several mem figures are not yet available, the gross income ap bers of the Madrigals will sing Christmas songs for proximates $600. the children. Other activities will include Christmas On Sunday, November 17, under sunny skies and tree decorating and a dance around the tree. a bright umbrella, the boutique items of our booth Co-chairmen for this year's party are Mrs. -
April, 2002 Vol 37, No.4
April, 2002 vol 37, No.4 April 3WedFolk Open Sing; 7pm in Brooklyn 5 Fri Lorraine & Bennett Hammond; Music at Metrotech, 8pm 6 Sat Lorraine & Bennett Hammond Workshops - see p.7 7 Sun Sea Music Concert: Howie Leifer's Homesick Sailor Puppet Theatre. +NY Packet, 3 pm 7 Sun Sunnyside Song Circle, 2 pm at Joel Landy’s 8 Mon NYPFMC Exec. Board Meeting, 7:15pm at the club office, 450 7th Ave, #972, info (718) 575-1906 11 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church. 14 Sun Old Time String Band Get-together; 1:30pm in Bklyn 17 Wed Traditional Music Open Mike & Folk Music Jam; loca- tion tba; 7 pm. 18 Thur Finest Kind, Advent Church, 8pm ☺ 21 Sun Sacred Harp Singing at St.Bartholomew’s; 2:30 pm 27 Sat Peggy Seeger, Advent Church, 8:30pm, Note Time! ☺ 28 Sun Peggy Seeger Workshop; see page 7 May 1WedNewsletter Mailing; at Club office, 450 7 Ave, #972, 7 pm 1WedFolk Open Sing; 7pm in Brooklyn 3 Fri Triboro; Music at Metrotech, 8 pm in Brooklyn 5 Sun Gospel & sacred Harp Sing; 3 pm in Queens 5 Sun Sea Music Concert: Don Sineti + NY Packet, 3 pm at South Street Seaport 12 Sun Old Time String Band Get-together; 1:30pm in Bklyn 13 Mon NYPFMC Exec. Board Meeting, 7:15pm at the club office, 450 7th Ave, #972, info (718) 575-1906 15 Wed Traditional Music Open Mike & Folk Music Jam 16 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church. 19 Sun Sacred Harp Singing at St.Bartholomew’s; 2:30 pm Details Inside - Table of Contents on page 9 The Club’s web page: http://www.folkmusicny.org FOLK OPEN SING; Wednesdays, April 3 & May 1; 7pm Join us on the first Wednesday of each month for an open sing.