DOCSLIB.ORG

Individual TV Individual 55 Compose 3D, Individual 46 Compose 3D, Individual 40 Compose 3D, Individual 32 Compose Sound 3D 233–34672.001

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Individual TV Individual 55 Compose 3D, Individual 46 Compose 3D, Individual 40 Compose 3D, Individual 32 Compose Sound 3D 233–34672.001 Individual TV Individual 55 Compose 3D, Individual 46 Compose 3D, Individual 40 Compose 3D, Individual 32 Compose Sound 3D 233–34672.001 Bedienungsanleitung Übersicht der wichtigsten Funktionen Betriebsart einstellen Funktion der Farbtasten im Radio-Betrieb TV-Betrieb Rote Taste: Bildschirm ein/aus deutsch Radio-Betrieb (Standardbelegung) Gelbe Taste: letzter angewählter Sender Belegung der AUDIO-Taste kann verändert werden (siehe Seite 133). Tastenfunktionen Ein-/Ausschalten des TV-Gerätes MediaPortal aufrufen, Gerät einschalten / in Standby ausschalten Betriebsart bzw. Funktion auswählen (Netzschalter muss eingeschaltet sein) (z.B. Stichwortverzeichnis) Sender wählen bei Bildschirmeinblendung: Info-Anzeige, inhaltsbezogener Info-Text, der Ihnen bei Fragen zu Ihrem OK Senderübersicht aufrufen und mit TV-Gerät weiterhilft; Sender wählen ohne Bildschirmeinblendung: Statusanzeige aufrufen, oder bei geöffneter Statusanzeige und wiederholtem Drücken Programminformationen (falls vorhanden) P+/P– Nächster/vorhergehender Sender oder DR-Archiv Taste zweimal in kurzer Abfolge drücken: Sender mit Zifferntasten wählen Uhrzeit dauerhaft ein- / ausblenden Ton Bildformat anpassen V+/V– Lautstärke erhöhen / verringern PIP (Bild im Bild) ein- / ausschalten EPG (Elektronische Programmzeitung) ein- / ausschalten Ton aus- / einschalten Teletext/MediaText (1 ein- / ausschalten Funktion der Farbtasten im TV-Betrieb TV-Menü aufrufen, (1 Rote Taste: Falls verfügbar, HbbTV bzw. interaktiven Einstellungen vornehmen Datendienst starten. Grüne Taste: Teletext-Funktionen bei geöffnetem Menü: Menü verlassen; Gelbe Taste: letzter angewählter Sender Einblendungen beenden Blaue Taste: Programminfo (1 Abhängig von den entsprechenden Einstellungen (siehe ab Seite 86). - 2 Fernbedienung – TV-Funktionen 1 Ton aus/ein ..............................................................................................................(Seite 38) 2 LED-Anzeige für aktuelle Betriebsart ......................................................................(Seite 133) 1 33 3 Umschalten in den TV-Modus .........................................................................(Seite 22; 133) 2 4 Umschalten, um Recorder zu bedienen (1 .............................................................. (Seite 133) deutsch 3 32 5 DR-Archiv ...............................................................................................................(Seite 103) 4 31 6 Bildformat einstellen ................................................................................................(Seite 41) 5 30 7 EPG-Programmzeitung ein/aus ................................................................................(Seite 56) 6 8 Teletext/MediaText (2 ein/aus ..........................................................................(Seite 58; 86) 9 Menü ein/aus...........................................................................................................(Seite 14) 10 V+/V– Lautstärke erhöhen/verringern ......................................................................(Seite 38) 29 11 Senderübersicht ein .................................................................................................(Seite 36) im Menü: Bestätigen/aufrufen .................................................................................(Seite 14) 12 Farbtaste grün: Teletext-Funktionen ........................................................................ (Seite 44) 13 Farbtaste rot: HbbTV bzw. interaktiven Datendienst starten (2 ................................. (Seite 86) 28 14 Springen / Spulen ............................................................................................(Seite 95; 104) 27 15 Direktaufnahme .......................................................................................................(Seite 97) 7 26 16 Zeitversetztes Fernsehen unterbrechen ................................................................... (Seite 95) 8 25 17 Zeitversatz beenden ................................................................................................. (Seite 95) 9 24 18 Springen / Spulen ............................................................................................(Seite 95; 104) 19 Zeitversetztes Fernsehen fortsetzen / Highlights ................................................(Seite 95; 96) 10 23 20 Farbtaste blau: Programminfo ein/aus .....................................................................(Seite 44) 21 Farbtaste gelb: Umschalten auf letzten gesehenen Sender .....................................(Seite 44) 11 22 22 im Menü / Listen: Auswählen/einstellen ..................................................................(Seite 14) 23 P+/P– Sender wählen auf/ab ...................................................................................(Seite 36) 24 Alle Einblendungen schließen ..................................................................................(Seite 14) 12 21 25 Status-Anzeige ein/aus / im Menü: Kontextbezogene Info ein/aus ...................(Seite 46; 17) 20 13 26 PIP ein/aus (Bild im Bild) ...........................................................................................(Seite 54) 19 14 27 MediaPortal ein/aus ...........................................................................................(Seite 16; 68) 18 28 AV-Auswahl .............................................................................................................(Seite 37) 15 17 29 Sender direkt wählen; im Menü: Ziffern oder Buchstaben eingeben ...................... (Seite 36) 16 30 Hörmodus einstellen ................................................................................................(Seite 38) 31 Umschalten, um DVD-Spieler zu bedienen (1 ......................................................... (Seite 133) 32 Umschalten in den Radiomodus (1 .............................................................(Seite 23; 60; 133) 33 Einschalten / Ausschalten in den Standby-Modus ................................................... (Seite 23) (1 Die Belegung dieser Tasten kann verändert werden (siehe Seite 133). Die Beschreibung bezieht sich auf die Standardeinstellung. (2 Abhängig von den entsprechenden Einstellungen (siehe ab Die dargestellte Tastenbelegung gilt für die Hauptebene des TV-Gerätes. In bestimmten Betriebsarten Seite 86). ist die Tastenbelegung abweichend (siehe entsprechendes Kapitel in dieser Bedienungsanleitung). 3 - Impressum Loewe Opta GmbH Printed in Germany Industriestraße 11 Redaktionsdatum 11/11-2.0 TB/FP deutsch D-96317 Kronach © Loewe Opta GmbH, Kronach www.loewe.de ID: 7.5.0 Alle Rechte, auch die der Übersetzung, Technische Änderungen sowie Irrtümer vorbehalten. - 4 Inhalt Übersicht der wichtigsten Funktionen .................................................... 2 Alltägliche Handhabung (Fortsetzung) ..................................................37 Audio-/Videoquelle wählen ...................................................................37 Fernbedienung – TV-Funktionen ..............................................................3 Ton einstellen ........................................................................................ 38 Impressum ................................................................................................ 4 Bild einstellen ........................................................................................ 40 deutsch 3D-Funktion .......................................................................................... 42 Herzlich willkommen ................................................................................7 Tastenfunktionen ................................................................................... 44 Lieferumfang ........................................................................................... 7 Ohne Fernbedienung bedienen ............................................................ 45 Zu dieser Bedienungsanleitung ............................................................... 7 Statusanzeige ........................................................................................ 46 Zu Ihrer Sicherheit ....................................................................................8 Sender verwalten ...................................................................................48 Bedienelemente am TV-Gerät (Individual 55 / 46 / 40) ..........................10 TV-Sender .............................................................................................. 48 Favoritenlisten zusammenstellen / ändern ............................................. 53 Anschlüsse Geräterückseite (Individual 55 / 46 / 40) ............................ 11 Bild im Bild .............................................................................................54 Bedienelemente am TV-Gerät (Individual 32) ........................................12 Bild im Bild (Picture in Picture / PIP) ........................................................54 Anschlüsse Geräterückseite (Individual 32)........................................... 13 iPIP ........................................................................................................ 54 Standard-PIP .......................................................................................... 54 Bedienkomfort ....................................................................................... 14 Bild im Bild-Modus (PIP) konfigurieren .................................................. 55 Generelles zur Bedienung .....................................................................
Load more

Recommended publications
  • Predicting the Future of Broadcasting
    DIGITAL BROADCASTING Predicting the future of broadcasting P.A. Laven EBU Technical Director Will broadcasting be supplanted by the Internet? Will “convergence” lead to a single delivery system for multimedia services? Which broadcast delivery systems (terrestrial, satellite or cable) will become dominant for digital TV? Will the reduction in costs of computer hardware affect broadcasting? Will computers merge with TV sets? This article attempts to answer such questions, both by looking “sideways” at the world of computers and the Internet and by analyzing some technological trends. 1. Introduction Nobody can accurately predict Dates of introduction (approximate) the future, especially in broad- CD Mini-Disc casting where technological stereo LP DAT developments will be a major Music 78 rpm record driving force. LP record audio cassette DCC NICAM Fig. 1 shows the approximate colour TV satellite TV TV dates of introduction of various TV VCR DVB technologies in broadcasting and teletext PALplus related sectors. It is clear that the pace of technology is accel- AM radio FM radio DAB erating. Although Fig. 1 shows Radio that some technologies have FM stereo lasted a very long time, rapid changes in technology mean that 1920 1940 1960 1980 2000 there is little prospect of such stability in the future. Figure 1 Technology is accelerating. As broadcasters need to assess the risk of their favoured new technology becoming obsolete within a few years, we need to address the question: “Is technology truly unpredictable? ” Those making bold predictions about the future should be aware that many predictions made in the past have proved to be dramatically wrong – even when made by experts with impeccable credentials.
    [Show full text]
  • SAA7114 PAL/NTSC/SECAM Video Decoder with Adaptive PAL/NTSC Comb filter, VBI Data Slicer and High Performance Scaler Rev
    SAA7114 PAL/NTSC/SECAM video decoder with adaptive PAL/NTSC comb filter, VBI data slicer and high performance scaler Rev. 03 — 17 January 2006 Product data sheet 1. General description The SAA7114 is a video capture device for applications at the image port of Video Graphics Array (VGA) controllers. The SAA7114 is a combination of a two-channel analog preprocessing circuit including source selection, anti-aliasing filter and Analog-to-Digital Converter (ADC), an automatic clamp and gain control, a Clock Generation Circuit (CGC), a digital multistandard decoder containing two-dimensional chrominance/luminance separation by an adaptive comb filter and a high performance scaler, including variable horizontal and vertical up and downscaling and a brightness, contrast and saturation control circuit. It is a highly integrated circuit for desktop video and similar applications. The decoder is based on the principle of line-locked clock decoding and is able to decode the color of PAL, SECAM and NTSC signals into ITU 601 compatible color component values. The SAA7114 accepts CVBS or S-video (Y/C) as analog inputs from TV or VCR sources, including weak and distorted signals. An expansion port (X port) for digital video (bidirectional half duplex, D1 compatible) is also supported to connect to MPEG or a video phone codec. At the so called image port (I port) the SAA7114 supports 8-bit or 16-bit wide output data with auxiliary reference data for interfacing to VGA controllers. The target application for the SAA7114 is to capture and scale video images, to be provided as a digital video stream through the image port of a VGA controller, for display via the frame buffer of the VGA, or for capture to system memory.
    [Show full text]
  • Options of Enhanced Secam Tv Transmission System
    Gofaizen O.V. (UKRAINE, UNIIRT) OPTIONS OF ENHANCED SECAM TV TRANSMISSION SYSTEM Introduction The questions of transition from analogue to digital TV in countries, using analogue TV SECAM transmission system are discussed in this report with consideration of its enhancement in accor- dance with conception of EQTV systems. The transition period is characterized with that in its beginning infrastructure and park of TV sets are analogue. At the beginning of transition period TV broadcasting is mainly analogue, and a number of digital TV sets is minimal, and apparently for a long time analogue and digital TV will co-exist. Simultaneously with implementation of digital TV analogue TV has to be supported and enhanced [1]. The issues of compatibility of new digital and old analogue TV are extremely important, and here the main consideration is attended to them. 1 The position of analogue enhanced quality television in the period of transition to digi- tal television We have to take into consideration that the main event of the present in television is the transition to digital TV. Nevertheless, this transition may continue in some countries for long time enough. All this depends on many factors – relationship between the cost of digital sets (tuners, set top boxes) and of analog ones, real term for change from analog to digital infrastructure and the affordablence of this change, purchasing power of viewers community, presence and condition of used equipment. It is quite possible, that in some coun- tries this transition would come in a quite short time, in others this transition would continue for decades.
    [Show full text]
  • PAL/NTSC/SECAM Video Decoder with Adaptive PAL/NTSC Comb Filter, VBI-Data Slicer and High Performance Scaler
    INTEGRATED CIRCUITS DATA SHEET SAA7114H PAL/NTSC/SECAM video decoder with adaptive PAL/NTSC comb filter, VBI-data slicer and high performance scaler Preliminary specification 2000 Mar 15 File under Integrated Circuits, IC22 Philips Semiconductors Preliminary specification PAL/NTSC/SECAM video decoder with adaptive PAL/NTSC SAA7114H comb filter, VBI-data slicer and high performance scaler CONTENTS 10 BOUNDARY SCAN TEST 10.1 Initialization of boundary scan circuit 1 FEATURES 10.2 Device identification codes 1.1 Video decoder 11 LIMITING VALUES 1.2 Video scaler 1.3 Vertical Blanking Interval (VBI) data decoder 12 THERMAL CHARACTERISTICS and slicer 13 CHARACTERISTICS 1.4 Audio clock generation 14 APPLICATION INFORMATION 1.5 Digital I/O interfaces 2 1.6 Miscellaneous 15 I C-BUS DESCRIPTION 2 2 APPLICATIONS 15.1 I C-bus format 15.2 I2C-bus details 3 GENERAL DESCRIPTION 15.3 Programming register audio clock generation 4 QUICK REFERENCE DATA 15.4 Programming register VBI-data slicer 5 ORDERING INFORMATION 15.5 Programming register interfaces and scaler part 6 BLOCK DIAGRAM 16 PROGRAMMING START SET-UP 7 PINNING 16.1 Decoder part 8 FUNCTIONAL DESCRIPTION 16.2 Audio clock generation part 8.1 Decoder 16.3 Data slicer and data type control part 8.2 Decoder output formatter 16.4 Scaler and interfaces 8.3 Scaler 17 PACKAGE OUTLINE 8.4 VBI-data decoder and capture (subaddresses 40H to 7FH) 18 SOLDERING 8.5 Image port output formatter 18.1 Introduction to soldering surface mount (subaddresses 84H to 87H) packages 8.6 Audio clock generation 18.2 Reflow soldering
    [Show full text]
  • Electronics-World-19
    Seven pages of circuit ideas - see page 1010... ELECTRONICSAustria Asch. 68.00 Denmark DKr. 69.00 Germany DM 18.00 Greece Dra.1300.00 Holland Dfl. 12.50 Italy L. 9000.00 Malta Lm. 1.65 IR £3.30 Singapore S$7.50 Spain Pts. 900 WORLD USA $6.50 INCORPORATING WIRELESS WORLD A REED BUSINESS PUBLICATION SOR DISTRIBUTION DECEMBER 1998 £2.45 Win a Grundig 30MHz oscilloscope worth over £400 Stars on film Motor drive for ultra-long exposures Electronics in music Using ecl Measuring antennas CCD update RMS watts, or not? Speaker coil design 2> 9 770959 833042 Welcome to our Hi-Speed Components by Alcatel at electronica 98 in Munich. When it comes to Hi-Speed and reliability, our components set the standard. Whatever your task might be, we have the right solution for the job. • Optoelectronics for fiberoptic Microsystems communications • Switches • Custom switch mode converters • Dunkermotoren and power supplies • Cable Harnesses • Inductive Components • Wires and Components • Printed Circuit Boards Vehicle electrical systems v Equipped Casing Systems ASICS and communication standard ICs Feel free to compare component performance — we're looking forward to your visit. Alcatel Components electronic« 98 Munich, Nov. 10. — 13. Hall A2, Stand 536 www.alcatel.com • ALCATEL The Hi-Speed Company E-Mail: [email protected] Fax: (4- 49) 911/4230 455 CIRCLE NO. 101 ON REPLY CARD Contents • • 00 • • 00 • • • • • • • • • • • • • • • • • • • 987 COMMENT Super highway or yellow brick road? 989 NEWS • Web access on achip... • ...and on aphone • Economic forecast • Mobile phone health research • Programmable op-amp • Y2000 994 DRIVE TIME Taking aphotograph of adistant star at night needs along exposure.
    [Show full text]
  • Catalog Sound and TV Broadcasting 2002/2003
    Standards 189 Contents Overview Chapter Overview Type Index R&S Addresses 12 Contents Page Page Basic standards Standards for digital video broadcasting (DVB) 199 International TV standards 190 MPEG2 and DVB data 203 Basic TV standards 191 Table of countries Broadcasting of TV programs 191 Systems and standards for monochrome and colour television/AC supply data 218 Dual-sound carrier systems 192 Group delay 221 TV broadcasting standards 193 Insertion test signals/colour-bar signals 224 Standards for monochrome television 194 Level patterns 225 Basic standards for colour television 195 Noise measurement/weighting filter 225 Broadcasting of special services 196 Channel definitions 226 Digital coding of colour TV video signals VHF 227 and sound signals 196 UHF 228 Satellite television and sound broadcasting 197 Abbreviations used Antiope Acquisition numérique et télévisualisation d´images FDM, TDM Frequency/Time Division Multiplex organisées en pages d´écriture GOST Standards system of the CIS (former USSR) BBC British Broadcasting Corporation GPO General Post Office CATV Cable Television IBA Independent Broadcasting Authority CBC Canadian Broadcasting Corporation ITU International Telecommunication Union CCETT Centre Commun d'Études de Télédiffusion et Télécom- (UIT) (Union Internationale des Télécommunications) munications ITU-R ITU Regulatory Sector (formerly CCIR) CCIR Comité Consultatif International des Radiocommunica- ITU-T ITU Technical Standards Sector (formerly CCITT) tions KtK Kommission für den Ausbau der technischen Kommu-
    [Show full text]
  • Video Formats There Are Different Layers of Video Transmission and Storage, Each with Its Own Set of Formats to Choose From
    wikipedia Video formats There are different layers of video transmission and storage, each with its own set of formats to choose from. For transmission, there is a physical connector and signal protocol ("video connection standard" below). A given physical link can carry certain "display standards" which specify a particular refresh rate, display resolution, and color space. There are a number of analog and digital tape formats, though digital video files can also be stored on a computer file system which have their own formats. In addition to the physical format used by the storage or transmission medium, the stream of ones and zeros that is sent must be in a particular digital video "encoding", of which a number are available. [edit] Video connectors, cables, and signal standards • See List of video connectors for information about physical connectors and related signal standards. [edit] Video display standards [edit] Digital television New formats for digital television broadcasts use the MPEG-2 video codec and include: • ATSC - USA, Canada, etc.; a DVB video standard • Digital Video Broadcasting (DVB) - European • Integrated Services Digital Broadcasting (ISDB) - Japanese; also a DVB video standard [edit] Analog television Analog television broadcast standards include: • Field-sequential color system - USA, Russia; obsolete • Multiplexed Analogue Components (MAC) - Europe, obsolete • Multiple sub-nyquist sampling Encoding (MUSE) - Japan, analog HDTV • NTSC - USA, Canada, Japan, etc. • PAL - Europe, Asia, Australia, etc. • PAL-M - PAL variation. Brazil • PALplus - PAL extension, Europe only • RS-343 (military) • SECAM - France, ex-USSR, Central Africa An analog video format consists of more information than the visible content of the frame.
    [Show full text]
  • Dictionary of Video and Television Technology Newnes Is an Imprint of Elsevier Science
    Dictionary of Video and Television Technology Newnes is an imprint of Elsevier Science. Copyright © 2002, Elsevier Science (USA). All rights reserved. [This page intentionally left blank.] No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Recognizing the importance of preserving what has been written, Elsevier Science prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data ISBN: 1-878707-99-X British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. The publisher offers special discounts on bulk orders of this book. For information, please contact: Manager of Special Sales Elsevier Science 225 Wildwood Avenue Woburn, MA 01801-2041 Tel: 781-904-2500 Fax: 781-904-2620 For information on all Newnes publications available, contact our World Wide Web home page at: http://www.newnespress.com 10 9 8 7 6 5 4 3 2 1 Printed in the United States of America Dictionary of Video and Television Technology Keith Jack Vladimir Tsatsulin An imprint of Elsevier Science Amsterdam Boston London New York Oxford Paris San Diego San Francisco Singapore Sydney Tokyo [This is a blank page.] CONTENTS Preface ............................................................................................................. vii About the Authors .....................................................................................
    [Show full text]
  • MICRONAS VPC 3205C, VPC 3215C Video Processor Family
    PRELIMINARY DATA SHEET MICRONAS VPC 3205C, VPC 3215C Video Processor Family Edition Oct. 19, 1998 6251-457-2PD MICRONAS VPC 3205C, VPC 3215C PRELIMINARY DATA SHEET Contents Page Section Title 4 1. Introduction 4 1.1. System Architecture 4 1.2. Video Processor Family 5 1.3. VPC Applications 6 2. Functional Description 6 2.1. Analog Front-End 6 2.1.1. Input Selector 6 2.1.2. Clamping 6 2.1.3. Automatic Gain Control 6 2.1.4. Analog-to-Digital Converters 6 2.1.5. Digitally Controlled Clock Oscillator 6 2.1.6. Analog Video Output 7 2.2. Adaptive Comb Filter 7 2.3. Color Decoder 8 2.3.1. IF-Compensation 8 2.3.2. Demodulator 8 2.3.3. Chrominance Filter 9 2.3.4. Frequency Demodulator 9 2.3.5. Burst Detection 9 2.3.6. Color Killer Operation 9 2.3.7. PAL Compensation/1-H Comb Filter 10 2.3.8. Luminance Notch Filter 10 2.3.9. Skew Filtering 11 2.4. Horizontal Scaler 11 2.5. Blackline Detector 11 2.6. Control and Data Output Signals 11 2.6.1. Line-Locked Clock Generation 12 2.6.2. Sync Signals 12 2.6.3. DIGIT3000 Output Format 12 2.6.4. Line-Locked 4:2:2 Output Format 12 2.6.5. Line-Locked 4:1:1 Output Format 12 2.6.6. Output Code Levels 12 2.6.7. Output Signal Levels 12 2.6.8. Test Pattern Generator 13 2.6.9. Priority Bus Codec 13 2.7.
    [Show full text]
  • Advanced Broadcast Media
    Introduction to Broadcast Media (Notes) Tutorial Cutting to the chase: Broadcast media is radio and television. Even amidst the pop culture dominance of the internet, broadcast media still commands the largest share of the advertising pie nationwide. Put the audio and visual media to work for you as your company earns larger market share, stronger branding, and increased sales. If you are looking for cost-efficient lead generation, you need to be looking at radio and television advertising. Not only are radio and television the main media for advertising today, they are continually developing new ways to reach their audience. The SyFy cable network launched a show (“Defiance”) that combines interactions on a video game with the plot of a series show. Radio stations are supplementing on-air campaigns with digital media to provide on-air and on-screen promotions to those who stream the station through their computer. Multiple studies have shown that combining radio and television can help advertisers reach audiences not achievable with only one medium or the other. Broadcast Media Broadcast television Cable television On-demand television TV/web integration Local, network, and national radio On-air endorsements Long-form programming Multi-language programming The Power of Radio Radio reaches more Americans than any other advertising media. As an example, let’s look at Los Angeles, CA. It is the #1 radio revenue market in the world and generates more than $1 billion dollars in sales each year. In that market alone, more than 9 million people listen to radio each week. People are loyal to radio and love listening to their favorite DJ or talk show host.
    [Show full text]
  • Reference Signals for Ghost Cancelling in Analogue Television Systems
    Rec. ITU-R BT.1124-3 1 RECOMMENDATION ITU-R BT.1124-3 Reference signals for ghost cancelling in analogue television systems (Question ITU-R 55/11) (1994-1995-1998-2001) The ITU Radiocommunication Assembly, considering a) that a ghost cancelling system using a ghost cancelling reference (GCR) signal is one of the most effective countermeasures for ghost images in individual and collective antenna reception of television signals; b) that the system should be effective for cancelling multiple and long delayed ghost images as well as short delayed ghost images and it should be also effective for leading ghosts and waveform equalization of video signals; c) that the GCR signals can be inserted into the lines in the vertical blanking intervals; d) that for each television system an appropriate GCR signal can be defined; e) that for each country the appropriate GCR signal can be used to suit the various propagation conditions and the types of transmission media; f) that the ghost canceller using the GCR signals can be manufactured at a reasonable cost; g) that the cost of ghost cancellers may be lower if there is widespread use of a common GCR signal, recommends 1 that the GCR signal should be a dedicated reference signal optimized for ghost cancelling; 2 that the GCR signal should allow the rapid determination of the channel response even under poor signal-to-noise conditions; 3 that the GCR signal must be able to provide a flat amplitude and flat group delay response versus frequency over the entire passband of each system; 4 that the GCR signal should make efficient use of the vertical interval resources; 5 that for NTSC, PAL and SECAM television systems, a broadcaster wishing to integrate a GCR signal should use a GCR signal complying with the specifications given in Annex 1 for: – GCR signal A, – GCR signal B, – GCR signal C; 6 that for new GCR applications for NTSC, PAL or SECAM, GCR signal C should preferable be used; 2 Rec.
    [Show full text]
  • Understanding Digital Terres Trial Broadcasting
    Understanding Digital Terrestrial Broadcasting Understanding Digital Terrestrial Broadcasting Seamus OLeary Artech House Boston London www.artechhouse.com Library of Congress Cataloging-in-Publication Data OLeary, Seamus. Understanding digital terrestrial broadcasting / Seamus OLeary. p. cm. (Artech House digital audio and video library) Includes bibliographical references and index. ISBN 1-58053-063-X (alk. paper) 1. Digital communications. 2. Television broadcasting. 3. Digital audio broadcasting. I. Title. II. Series. TK5103.7.O49 2000 621.384dc21 00-040624 CIP British Library Cataloguing in Publication Data OLeary, Seamus Understanding digital terrestrial broadcasting. (Artech House digital audio and video library) 1. Digital television 2. Digital audio broadcasting I. Title 621.388 ISBN1-58053-462-7 Cover and text design by Darrell Judd © 2000 ARTECH HOUSE, INC. 685 Canton Street Norwood, MA 02062 All rights reserved. Printed and bound in the United States of America. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechani- cal, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. All terms mentioned in this book that are known to be trademarks or service marks have been appropriately capitalized. Artech House cannot attest to the accuracy of this information. Use of a term in this book should not be regarded as affecting the validity of any trademark or service mark. International Standard Book Number: 1-58053-063-X Library of Congress Catalog Card Number: 00-040624 10987654321 This book is dedicated to the memory of Una and Denis McLoughlin, Go raibh leaba i measc na naoimh agaibh i gcónaí.
    [Show full text]