DOCSLIB.ORG

To Download Our 2018-2019 Season Brochure

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
To Download Our 2018-2019 Season Brochure SPECIAL EVENTS EXPERIENCE A FULLER MOON SEASON 2018/2019 Take advantage of our special programs and enhance your theatre experience! PAID PAID STANDARD STANDARD PRESORTED PRESORTED US POSTAGE US US POSTAGE US PERMIT #3924 OPENING NIGHT SPECIALS: Join us as we celebrate each opening night, com- PERMIT #3924 SAN FRANCISCO, CA FRANCISCO, SAN FOLLIES plete with complimentary champagne, wine, and hors d’oeuvres. (Series D) CA FRANCISCO, SAN DISCUSSION SUNDAYS: After the performance, experience a fun and informa- IN CONCERT tive talkback with the cast and crew. (Series E & K) THE FUTURE DIRECTOR DAREN A.C. CAROLLO STUDENT MATINEES: Patrons under 18 and college students with a valid ID can MUSIC DIRECTOR see a show for $15! For kids, there will be an intermission contest, a post-show DANIEL THOMAS Q&A, an autograph session with the cast, and much more. (Series I) IS ANOTHER CHOREOGRAPHER RICK WALLACE SIZEABLE DISCOUNTS FOR SUBSCRIBERS 35 AND UNDER: If you’re age 35 or younger, you can purchase a subscription for up to 50% off, seeing live theatre ALCAZAR THEATRE, almost as cheaply as a movie. (All series except A, B, & C) SEPTEMBER 7 & 8, 2018 8PM VIP SUBSCRIPTIONS: Receive the white-glove treatment with a VIP subscrip- tion! You’ll have the best seats, unlimited beverages including beer and wine, be At once a love letter to the classic musi- GOLDEN the very first to receive notice on special events, and pay no exchange fees ever! cals of the 1930s and a reflection on the loss of innocence, Follies is a true the- (All series except A, B, & C) atrical event. Moon is proud to bring DONATE TO 42ND STREET MOON: With our special donor rewards, you’ll have this beautiful and luscious score to the more recognition and more fun when you donate, including special donor-only concert stage with a 25-piece orchestra events and exciting gifts. Please consider including a donation along with your and the best talent the Bay Area has to AGE offer. Featuring many of Sondheim’s subscription.For more info, go to WWW.42NDSTMOON.ORG/DONATE. best-known songs, Follies is considered by critics and audiences alike to be one 2018–2019 PERFORMANCE SCHEDULE of the best musicals ever written. SERIES DAY WHOREHOUSE DAMES FIORELLO 110/SHADE ONCE A WED PRE 7:00 10/03/18 11/28/18 02/27/19 04/24/19 06/12/19 THE OLDEST LIVING B THU PRE 7:00 10/04/18 11/29/18 02/28/19 04/25/19 06/13/19 CATER WAITER C FRI PRE 8:00 10/05/18 11/30/18 03/01/19 04/26/19 06/14/19 D SAT EVE 6:00 10/06/18 12/01/18 03/02/19 04/27/19 06/15/19 Moon leaps into a new WRITTEN AND PERFORMED BY E SUN MAT 3:00 10/07/18 12/02/18 03/03/19 04/28/19 06/16/19 MICHAEL PATRICK GAFFNEY era with a season full of F WED EVE 7:00 10/10/18 12/05/18 03/06/19 05/01/19 06/19/19 DIRECTOR KEN SONKIN G THU EVE 7:00 10/11/18 12/06/18 03/07/19 05/02/19 06/20/19 Broadway classics and Hungry for some great theater? Longtime H FRI EVE 8:00 10/12/18 12/07/18 03/08/19 05/03/19 06/21/19 cutting-edge premieres! Moonie Michael Patrick Gaffney’s orig- I SAT MAT 1:00 10/13/18 12/08/18 03/09/19 05/04/19 06/22/19 inal one-man show, The Oldest Living J SAT EVE 6:00 10/13/18 12/08/18 03/09/19 05/04/19 06/22/19 Cater Waiter, offers up delicious insights K SUN MAT 3:00 10/14/18 12/09/18 03/10/19 05/05/19 06/23/19 into his complicated and hilarious careers L WED EVE 7:00 10/17/18 12/12/18 03/13/19 05/08/19 06/26/19 as both a professional actor and a high- end waiter to the stars. Gaffney cooks M THU EVE 7:00 10/18/18 12/13/18 03/14/19 05/09/19 06/27/19 up numerous characters from his past N FRI EVE 8:00 10/19/18 12/14/18 03/15/19 05/10/19 06/28/19 with just the right amount of sauciness, O SAT EVE 6:00 10/20/18 12/15/18 03/16/19 05/11/19 06/29/19 Shakespeare, and a soupçon of self-dis- P SUN MAT 3:00 10/21/18 12/16/18 03/17/19 05/12/19 06/30/19 JOIN US. covery. Come celebrate one man’s journey of a life in the theater. VOTED BEST OF SF FRINGE 2016! FOR ALL EVENTS TOP 10 SOLO PERFORMANCES 2016! Directors Executive Thomas, & Daniel Carollo A.C. Daren mailing address only: MOON STREET 42ND 426470 PO BOX 94142 CA FRANCISCO, SAN JUMPING CLAPPING MAN’S TOP 10 PICKS OF 2016! GATEWAY THEATRE OPENS JUNE 23, 2019 215 Jackson St, San Francisco RUNS SUNDAY, MONDAY, TUESDAY AT 7PM PRICING LEVELS OPEN-ENDED RUN VIP Tier Premium Tier Get the best seats and keep them year after year. after year them keep and seats best Get the tickets. for prices lowest in the Lock free.* for tickets Exchange one-time fees—your additional pay Never rate. subscription low own your at tickets extra Purchase Regular Tier everything. covers fee order office box SHOW ART & GRAPHIC DESIGN BY DC SCARPELLI (DCSCARPELLI.COM) DC SCARPELLI DESIGN & GRAPHIC BY ART SHOW Economy Tier musicals! five for $125 only at start Subscriptions Moon, Street 42nd for support your shows Subscribing benefits: these receive you’ll plus • • • • • seat. or performance expensive more to a move you if difference the pay and notice, day’s business full one * Provide 42ndstmoon.org APRIL 24–MAY 12, 2019 FOUR EASY WAYS TO ORDER NOVEMBER 28– 1. call: 415.255.8207 3. mail: P.O. Box 426470, San Francisco, CA 94142 FROM YOUR DIRECTORS DECEMBER 16, 2018 110 IN THE SHADE 2. online: 42NDSTMOON.ORG (as of 7/1/18) 4. email: [email protected] DIRECTOR PERSONAL INFORMATION A poignant reflection on love, beauty, and family... a Pulitzer Prize-winning story of DAMES AT SEA JOSH MARX NAME CHOREOGRAPHER one of America’s greatest politicians... a tap-dancing love letter to 1930s musicals... DIRECTOR/CHOREOGRAPHER ALEX RODRIGUEZ SCOTTIE WATSON ADDRESS a high-energy country-and-western romp... and the regional premiere of one of MUSIC DIRECTOR MUSIC DIRECTOR this decade’s most popular musicals. Moon’s 26th season continues to celebrate the DAVE DOBRUSKY DAVE DOBRUSKY CITY/STATE/ZIP BY incredible depth and breadth of musical theatre. BOOK AND LYRICS BY N. RICHARD NASH GEORGE HAIMSOHN & ROBIN MILLER MUSIC BY HARVEY SCHMIDT DAYTIME PHONE EMAIL Over the last two seasons, we have been humbled to have witnessed some of the MUSIC BY JIM WISE LYRICS BY TOM JONES BENEFACTOR NAME(S) AS YOU WISH THEM TO APPEAR IN THE PROGRAM. I prefer my donation largest audiences in Moon’s history, as well as some of the greatest artistic achieve- BASED ON A PLAY BY N. RICHARD NASH It’s 42nd Street meets Anything Goes meets to remain anonymous. ments by our actors, directors, and designers. Being a season subscriber means you Busby Berkeley in Hollywood in this gem of At turns introspective, romantic, and have the opportunity to witness this as well—while showing your support for one of a show which opened Off-Broadway in 1968 joyously hopeful, 110 In The Shade is a poi- SPECIAL SEATING NEEDS the Bay Area’s most beloved theatre companies. and helped launch the career of Bernadette gnant look at romance in a drought-stricken PLEASE SPECIFY Peters. Sweet, innocent Ruby arrives in New Depression-era town. Sharp-witted but inse- We’re also pleased to continue bringing our audiences special events, such as a tour York with big dreams and lands in the chorus cure, rancher’s daughter Lizzie is resolving de force solo show by one of our favorite performers, and our annual musical in of a new show—but the theatre is about to be herself to live out life as a spinster until concert. Season subscribers will get first pick of seats for these shows, as well as torn down! Can sailor-turned-songwriter Dick charming stranger Starbuck comes to town CALCULATE YOUR COST find a new venue for the show while juggling with the promise to make it rain, encourag- additional discounts on tickets. INSTRUCTIONS: Select your series or day and seating section from the schedule on the temperamental diva Mona, frazzled producer ing Lizzie to dream beyond her own view of reverse panel. In each category (adult, senior, under 35, student), indicate the number It is the love and support of patrons like you that allow us to celebrate the joy and Hennesy and starry-eyed ingénue Ruby? Full herself. This beautiful show boasts a score of vim, verve, and tap-dancing, Dames At Sea of subscriptions you are buying. magic of musical theatre. Join us and experience that joy and magic for yourself! by Harvey Schmidt and Tom Jones (best will charm its way into your heart. known for the longest-running musical in CAN’T MAKE ALL FIVE SHOWS? PICK ANY FOUR AND TAKE 20% OFF YOUR PRICE Daren A.C. Carollo & Daniel Thomas history, The Fantasticks).
Load more

Recommended publications
  • 42Nd Street Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR.
    [Show full text]
  • MUSICAL NOTES a Guide to Goodspeed Musicals Productions 2009 Season
    MUSICAL NOTES A Guide to Goodspeed Musicals Productions 2009 Season Musical Notes is made possible through the generosity of Music by HARRY WARREN Lyrics by AL DUBIN Book by MICHAEL STEWART and MARK BRAMBLE Directed by RAY RODERICK Choreographed by RICK CONANT Scenery Design Costume Design Lighting Design HOWARD JONES DAVID H. LAWRENCE CHARLIE MORRISON Hair and Wig Design Sound Orchestrations Music Supervisor Music Director MARK ADAM RAMPMEYER JAY HILTON DAN DELANGE MICHAEL O’FLAHERTY WILLIAM J. THOMAS Production Manager Production Stage Manager Casting R. GLEN GRUSMARK BRADLEY G. SPACHMAN STUART HOWARD ASSOCIATES, PAUL HARDT Associate Producer Line Producer BOB ALWINE DONNA LYNN COOPER HILTON Produced for Goodspeed Musicals by MICHAEL P. PRICE Cast of Characters Andy Lee………………………………………………………TIM FALTER Maggie Jones…………………………………………………..DOROTHY STANLEY Bert Barry………………………………………………………DALE HENSLEY Phyllis Dale…………………………………………………….ELISE KINNON Lorraine Fleming……………………………………………….ERIN WEST Ann Reilly……………………………………………………....JENIFER FOOTE Billy Lawlor…………………………………………………….AUSTIN MILLER Peggy Sawyer…………………………………………………..KRISTEN MARTIN Julian Walsh…………………………………………………….JAMES LLOYD REYNOLDS Dorothy Brock………………………………………………….LAURIE WELLS Abner Dillon……………………………………………………ERICK DEVINE Pat Denning…………………………………………………….JONATHAN STEWART Ensemble……………………………………………………….ALISSA ALTER KELLY DAY BRANDON DAVIDSON ERIN DENMAN TIM FALTER JOE GRANDY CHAD HARLOW ELISE KINNON ASHLEY PEACOCK KRISTYN POPE COLIN PRITCHARD ERNIE PRUNEDA TARA JEANNE VALLEE ERIN WEST Swings TYLER ALBRIGHT EMILY THOMPSON Biographies Harry Warren and Al Dubin (Music and Lyrics) Harry Warren and Al Dubin were legendary tunesmiths both as a team and as individuals. Between the two, their prodigious careers spanned six decades. They wrote Broadway shows and revues and were pioneer song- writers for sound pictures. Their combined output of songs can only be described as astonishing. Al Dubin, born in Switzerland in 1891, died in New York in 1945.
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • The Pulitzer Prizes 2020 Winne
    WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70
    [Show full text]
  • Read Ebook {PDF EPUB} Your Daughter Iris by Jerome Weidman Jerome Weidman
    Read Ebook {PDF EPUB} Your Daughter Iris by Jerome Weidman Jerome Weidman. Jerome Weidman (born April 4, 1913 in New York City , † October 6, 1998 in New York City) was an American writer , screenwriter and playwright . contents. Jerome Weidman was born to Jewish immigrants in New York City . After graduating from DeWitt Clinton High School , he moved to the Bronx , where he worked in a clothing store like his father. He later studied at the City College of New York and at the " New York University Law School", writing short stories at the same time. With I Can Get It for You Wholesale he published his first novel in 1937. The book was made into a film in 1951 and adapted into a musical in 1962 , which would be Barbra Streisand's Broadway debut . As early as 1949, his 1941 novel I'll Never Go There Anymore was filmed with the drama anti-blood hostility . Together with George Abbott (book), Jerry Bock (music) and Sheldon Harnick (lyrics), Weidman worked on the musical Fiorello! together. For this they were not only awarded a Tony Award for the best musical in 1960 , but also received a Pulitzer Prize in the theater category. Jerome Weidman. Jerome Weidman (April 4, 1913, New York City - October 6, 1998, New York City) was an American playwright and novelist. He collaborated with George Abbott on the book for the musical Fiorello! with music by Jerry Bock, and lyrics by Sheldon Harnick. All received the 1960 Pulitzer Prize for Drama for the work. Contents. Biography. Weidman was born in Manhattan, New York City, and moved with his family to the Bronx after finishing high school at DeWitt Clinton.
    [Show full text]
  • Meeting Planner's Guide 2019
    AN ADVERTISING SUPPLEMENT TO CRAin’S NEW YORK BUSINESS MEETING Planner’S GUIDE 2019 YOUR RESOURCE FOR SUCCESSFUL MEETINGS AND EVENTS IF YOU ARE A MEETING or event hotels in the New York City area. than other channels. A lot of that a trend toward “bleisure,” the walk the line between creating planner you are part of an elite, Our goal is to keep you ahead value comes from networking in combining of business travel and experiences that resonate with multi-talented group. Being a of the curve and one up on the person. One-on-one meetings leisure. Today’s event attendees the whole audience, as well as planner calls for a wide range of competition in 2019. have become a hot commodity; expect event planners to be equal with individual attendees. expert skills and qualifications, To that end, here are some research has shown that, after parts manager and travel agent. such as managing, budgeting and of the meeting and event trends content, networking is the sec- Everything from programming to GIVE THEM execution, knowledge of tech- to consider when planning ond biggest motivator for event catering is likely to reference the A SHOW nology, creative talent—not to this year: attendees today. And the term locality and culture of the desti- 2019 also sees a trend for the mention leadership, adaptability, “networking” covers everything nation both on-site and off. “festivalization” of meetings and people skills, patience and energy IN YOUR FACE from spontaneous conversations events. A growing number of (to name just a few). When you “Face time” is the buzzword to huddle rooms and meet-and- TAKE IT PERSONAlly gatherings are adding perfor- possess all of these qualities you in meetings and events for greets.
    [Show full text]
  • The Golden Age Exposed: the Reality Behind This Romantic Era
    Illinois Wesleyan University Digital Commons @ IWU Honors Projects Theatre Arts, School of 4-28-2017 The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Follow this and additional works at: https://digitalcommons.iwu.edu/theatre_honproj Part of the Theatre and Performance Studies Commons Recommended Citation Adams, Danny, "The Golden Age Exposed: The Reality Behind This Romantic Era" (2017). Honors Projects. 22. https://digitalcommons.iwu.edu/theatre_honproj/22 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Illinois Wesleyan University The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Honors Research April 28th, 2017 1 In the spring of 2016, I took a class called "Music Theatre History and Literature" which is about exactly what it sounds like: a course on the history of music theatre and how it evolved into what it is today. From The Black Crook, the first known "integrated musical" in 1866, to In the Heights and shows today, the class covered it all.
    [Show full text]
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
    [Show full text]
  • American Music Research Center Journal
    AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.
    [Show full text]
  • The Flyleaf, 1996
    The Flyleaf Friends of Fondren Library Vol. 46, No. 4 Summer 1996 Keeping a Journal A LETTER TO THE FRIENDS sorely missed. We have been insured that she is available to advise or help in any way when she is Dear Friends of Fondren Library, not traveling or enjoying some well deserved free We begin the 1996-97 acadeniic year with time. The Board of Directors was pleased to ac- great pleasure as we welcome the new Vice Provost knowledge with great affection Betty's service at the and University Librarian, Charles Henry. Dr. Henry recent Annual Meeting with the purchase m her met with the Friends of Fondren Library Board of honor of three books to be housed in the Axson Directors at our May meeting and we look forward Collection in the Woodson Research Center. Betty to working closely with liis office. will be difficult to replace and we are working At this time one year ago, I reported to our directly with Dr. Henry to name the new Executive membership that the library endowment had passed Director of the Friends in the next few months. the one million doUar mark. Today, I am very On behalf of the Board of Directors I wish to pleased to report that our endowment exceeds $1.3 acknowledge departing Board Members Karen mOlion thanks to the continuing efforts of the Board, Rogers, Oliver Pennington, Bettie Carrell, Jan a generous membership, and a supportive commu- Domenico and Joan Ryan. Their collective energy, nity at large. The organization continues to enjoy a creativity, enthusiasm and commitment to the very healthy membership of 1,300.
    [Show full text]
  • Everett Sifuentes
    Everett Sifuentes height 5'3" waist 36" inseam 29" collar 16" sleeve 29" shoe 7 us Feature Film The Chameleon Chameleon Films LLC Jean-Paul Solome The Beacon Beacon The Movie LLC Michael Stokes Exit Speed Hellhounds, LLC Scott Ziehl Kings of the Picture Place LLC Andrew Jones Evening Guilty Gilty LLC Gabriel Folse Elvis & Annabelle Quested/Schatz Will Geiger Mexican Sunrise Red J Films Rowdy Stovall The Quiet Burnt Orange Prod. Jamie Babbit When Zachary Beaver Came to Axium/Amy Robinson John Schultz Town Warner Bros/Q Selena Gregory Nava Prod/Esparza/Katz Night Game Trans World Entertainment Peter Masterson Cotton Candy NBC/Rance Howard Ron Howard Code of Josey Multi/Tacar Prod. Michael Parks Wales Five Days from Epic Prod. George Peppard Home Deep in the Heart Warner Bros/Kestel Film Tony Garnet Getting Even AGA Prod. Dwight H. Little Europe American Caged Fear Bobby Houston Entertainment Televison Friday Night Lights Direct TV/NBC Walker Texas Ranger Borderline Cannon Television Mike Vejar Legend Amadea Film Tony Mordente Flashback Amadea Film Michael Preece Jacob's Ladder Amadea Film Michael Preece In the Name of Twenty Century Fox Bill D'Elia Love Dangerous Curves TPT/hemisphere/Group/CBS Michael Preece 13 East Scomi/TVP Scoey Mitchell Unsolved Cosgrove Meurer Prod Myesteries Jamie Kennedy WB Television Experiment Commercial Anheuser-Bush Dally Lyle Metzdorf Inc Atomico Directorz Mccann-Erickson/NY Bates USA DDB Needham Worldwide Millenium Pictures Bates Southwest Duncan & Asso. Murphy-Main & Asso Pinpoint Ideas & BBDO/Worldwide Focus Solu. Berman Film Frames Per Second Publicies Best of the Bunch Gleason/Caliese/Asso.
    [Show full text]
  • March 11 - 21, 2021 Author Biographies
    Calvary Theatre Arts Presents TheFantasticks Book and Lyrics by Music by TOM JONES HARVEY SCHMIDT March 11 - 21, 2021 Author Biographies Composer Harvey Schmidt and lyricist Tom Jones are the legendary writing team best known for shaping the American musical landscape with their 1960 hit, The Fantasticks. After its Off-Broadway opening in May 1960, it went on to become the longest-running production in the history of the American stage and one of the most frequently produced musicals in the world. Their first Broadway show, 110 in the Shade, was revived on Broadway in a new production starring Audra MacDonald. I Do! I Do!, their two-character musical starring Mary Martin and Robert Preston, was a success on Broadway and is frequently done around the country. For several years Jones and Schmidt worked privately at their theatre workshop, concentrating on small-scale musicals in new and often untried forms. The most notable of these efforts were Celebration, which moved to Broadway, and Philemon, which won an Outer Critics Circle Award. They contributed incidental music and lyrics to the Off-Broadway play Colette starring Zoe Caldwell, then later did a full-scale musical version under the title Colette Collage. The Show Goes On, a musical revue featuring their theatre songs and starring Jones and Schmidt, was presented at the York Theatre, and Mirette, their musical based on the award-winning children's book, was premiered at the Goodspeed Opera House in Connecticut. In addition to an Obie Award and the 1992 Special Tony Award for The Fantasticks, Jones and Schmidt were inducted into the Broadway Hall of Fame at the Gershwin Theatre, and on May 3, 1999 their 'stars' were added to the Off-Broadway Walk of Fame outside the Lucille Lortel Theatre.
    [Show full text]